Faust 1 & 2, Egmont, Natural Daughter, Sorrows

Total Page:16

File Type:pdf, Size:1020Kb

Faust 1 & 2, Egmont, Natural Daughter, Sorrows The Online Library of Liberty A Project Of Liberty Fund, Inc. Johann Wolfgang von Goethe, Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) [1885] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. LIBERTY FUND, INC. 8335 Allison Pointe Trail, Suite 300 Indianapolis, Indiana 46250-1684 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) Edition Used: Goethe’s Works, illustrated by the best German artists, 5 vols. (Philadelphia: G. Barrie, 1885). Vol. 2. Author: Johann Wolfgang von Goethe About This Title: Volume 2 of a five volume collection of Goethe’s works. This edition is sumptuously illustrated. Vol. 2 contains Goethe’s plays. PLL v6.0 (generated September, 2011) 2 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) About Liberty Fund: Liberty Fund, Inc. is a private, educational foundation established to encourage the study of the ideal of a society of free and responsible individuals. Copyright Information: The text is in the public domain. Fair Use Statement: This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. PLL v6.0 (generated September, 2011) 3 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) Table Of Contents Faust a Tragedy Faust First Part Dramatis PersonÆ. Dedication. Prologue For the Theatre. Prologue In Heaven. Walpurgis-night. Walpurgis-night’s Dream; Or, Oberon and Titania’s Golden Wedding Feast. Intermezzo. Faust. Second Part Dramatis PersonÆ. Act I. Act II. Act III. Act IV. Act V. Egmont Dramatis PersonÆ. Act I. Scene I.—: Soldiers and Citizens, With Cross-bows. Scene II.—: Palace of the Regent. Scene III.—: Citizen’s House. Act II. Scene I.—: Square In Brussels. Scene II.—: Egmont’s Residence. Act III. Scene I.—: Palace of the Regent. Scene II.—: Clara’s Dwelling. Act IV. Scene I.—: A Street. Scene II.—: The Palace of Eulenberg, Residence of the Duke of Alva. Act V. Scene I.—: A Street. Twilight. Scene II.: A Prison. Scene III.—: Clara’s House. Scene IV.—: A Prison. The Natural Daughter a Tragedy Dramatis PersonÆ. Act I. Scene I.—: Thick Wood. Scene II.—: The Same. Scene III. Scene IV.—: The Same. Scene V. PLL v6.0 (generated September, 2011) 4 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) Scene VI. Act II. Scene I.—: Eugenie’s Apartment In Gothic Style. Scene II. Scene III. Scene IV. Scene V. Act III. Scene I.—: The Antechamber of the Duke, Furnished In Magnificent Modern Style. Scene II. Scene III. Scene IV. Act IV. Scene I.—: Park At the Port. On One Side a Palace, On the Other a Church; In the Background a Row of Trees Through Which the Port Is Seen Below. Eugenie, Enveloped In a Veil, Seated On a Bench In the Background, With Face Turned to the Sea. Scene II. Scene III. Scene IV. Act V. Scene I.—: Plaza At the Port. Scene II.—: The Same. Scene III. Scene IV.—: The Same. Scene V. Scene VI. Scene VII. Scene VIII. Scene IX. The Sorrows of Young Werther Book I. Book II. The Editor to the Reader. Colma. Rhyno. Alpin. PLL v6.0 (generated September, 2011) 5 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) [Back to Table of Contents] Faust A Tragedy FAUST FIRST PART DRAMATIS PERSONÆ. Characters in the Prologue for the Theatre. THE MANAGER. THE DRAMATIC POET. MERRYMAN. Characters in the Prologue in Heaven. THE LORD. RAPHAEL } GABRIEL } The Heavenly Host. MICHAEL } MEPHISTOPHELES. Characters in the Tragedy. FAUST. MEPHISTOPHELES. WAGNER, a Student. MARGARET. MARTHA, Margaret’s neighbor. VALENTINE, Margaret’s brother. OLD PEASANT. A STUDENT. ELIZABETH, an acquaintance of Margaret’s. FROSCH } BRANDER } Guests in Auerbach’s wine-cellar. SIEBEL } ALTMAYER } Witches, old and young; Wizards, Will-o’-the-Wisp, Witch Pedler, Protophantasmist, Servibilis, Monkeys, Spirits, Journeymen, Country-folk, Citizens, Beggar, Old Fortuneteller, Shepherd, Soldier, Students, etc. In the Intermezzo. PLL v6.0 (generated September, 2011) 6 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) Oberon. Titania. Ariel. Puck, etc., etc. PLL v6.0 (generated September, 2011) 7 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) [Back to Table of Contents] DEDICATION. DIM forms, ye hover near, a shadowy train, As erst upon my troubl’d sight ye stole. Say, shall I strive to hold you once again? Still for the fond illusion yearns my soul? Ye press around! Come, then, resume your reign, As upwards from the vapory mist ye roll; Within my breast youth’s throbbing pulses bound, Fann’d by the magic air that breathes your march around. Shades fondly lov’d appear, your train attending, And visions fair of many a blissful day; First-love and friendship their fond accents blending, Like to some ancient, half expiring lay; Sorrow revives, her wail of anguish sending Back o’er life’s devious labyrinthine way, The dear ones naming who, in life’s fair morn, By Fate beguiled, from my embrace were torn. They hearken not unto my later song, The souls to whom my earlier lays I sang; Dispers’d for ever is the friendly throng, PLL v6.0 (generated September, 2011) 8 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) Mute are the voices that responsive rang. My song resoundeth stranger crowds among, E’en their applause is to my heart a pang; And those who heard me once with joyful heart, If yet they live, now wander far apart. A strange unwonted yearning doth my soul, To yon calm solemn spirit-land, upraise; In faltering cadence now my numbers roll, As when, on harp Æolian, Zephyr plays; My pulses thrill, tears flow without control, A tender mood my steadfast heart o’ersways; What I possess as from afar I see; Those I have lost become realities to me. PLL v6.0 (generated September, 2011) 9 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) [Back to Table of Contents] PROLOGUE FOR THE THEATRE. Manager. Dramatic Poet. Merryman. MANAGER. Ye twain, whom I so oft have found True friends in trouble and distress, Say, in our scheme on German ground, What prospect have we of success? Fain would I please the public, win their thanks; Because they live and let live, as is meet. The posts are now erected and the planks, And all look forward to a festal treat. Their places taken, they, with eyebrows rais’d, Sit patiently, and fain would be amaz’d. I know the art to hit the public taste, Yet so perplex’d I ne’er have been before; ’Tis true, they’re not accustom’d to the best, But then they read immensely, that’s the bore. How make our entertainment striking, new, And yet significant and pleasing too? PLL v6.0 (generated September, 2011) 10 http://oll.libertyfund.org/title/2112 Online Library of Liberty: Goethe’s Works, vol. 2 (Faust 1 & 2, Egmont, Natural Daughter, Sorrows of Young Werther) For to be plain, I love to see the throng, As to our booth the living tide progresses; As wave on wave successive rolls along, And through heaven’s narrow portal forceful presses; Still in broad daylight, ere the clock strikes four, With blows their way towards the box they take; And, as for bread in famine, at the baker’s door, For tickets are content their necks to break.
Recommended publications
  • Festival Centerpiece Films
    50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E.
    [Show full text]
  • THE INCIDENTAL MUSIC of BEETHOVEN THESIS Presented To
    Z 2 THE INCIDENTAL MUSIC OF BEETHOVEN THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Theodore J. Albrecht, B. M. E. Denton, Texas May, 1969 TABLE OF CONTENTS Page LIST OF ILLUSTRATIONS. .................. iv Chapter I. INTRODUCTION............... ............. II. EGMONT.................... ......... 0 0 05 Historical Background Egmont: Synopsis Egmont: the Music III. KONIG STEPHAN, DIE RUINEN VON ATHEN, DIE WEIHE DES HAUSES................. .......... 39 Historical Background K*niq Stephan: Synopsis K'nig Stephan: the Music Die Ruinen von Athen: Synopsis Die Ruinen von Athen: the Music Die Weihe des Hauses: the Play and the Music IV. THE LATER PLAYS......................-.-...121 Tarpe.ja: Historical Background Tarpeja: the Music Die gute Nachricht: Historical Background Die gute Nachricht: the Music Leonore Prohaska: Historical Background Leonore Prohaska: the Music Die Ehrenpforten: Historical Background Die Ehrenpforten: the Music Wilhelm Tell: Historical Background Wilhelm Tell: the Music V. CONCLUSION,...................... .......... 143 BIBLIOGRAPHY.....................................-..145 iii LIST OF ILLUSTRATIONS Figure Page 1. Egmont, Overture, bars 28-32 . , . 17 2. Egmont, Overture, bars 82-85 . , . 17 3. Overture, bars 295-298 , . , . 18 4. Number 1, bars 1-6 . 19 5. Elgmpnt, Number 1, bars 16-18 . 19 Eqm 20 6. EEqgmont, gmont, Number 1, bars 30-37 . Egmont, 7. Number 1, bars 87-91 . 20 Egmont,Eqm 8. Number 2, bars 1-4 . 21 Egmon t, 9. Number 2, bars 9-12. 22 Egmont,, 10. Number 2, bars 27-29 . 22 23 11. Eqmont, Number 2, bar 32 . Egmont, 12. Number 2, bars 71-75 . 23 Egmont,, 13.
    [Show full text]
  • The Life of Goethe. Conclusion
    THE LIFE OF GOETHE.* BY THE EDITOR. GOETHE began his great drama Got::: von Bcrlichingcn at the it in end of 1771 : he finished it in 1772 and submitted manu- script to Herder, but when Herder called the poet's attention to its shortcomings Goethe recast the whole, mercilessly canceled long pas- sages and introduced new material. In this revised shape he had it printed at his own expense in June 1773. because he could not find a publisher in Germany who would risk its publication. JOHANN BERNHARD BASEDOW. Many men of prominence had become interested in Goethe and visited him in his father's house. Among them must be mentioned first Johann Caspar Lavater (1741-1801), a pious pastor of Zurich, and Johann Bernhard Basedow, an educator of Hamburg. In com- pany with these two men, both with outspoken theological interests, the young worldling, as Goethe called himself in a poem of that period, undertook a trip along the Rhine in the summer of 1774. * The first instalment of this sketch appeared in the June number. 462 THE OPEN COURT. They visited Friedrich Heinrich Jacobi (1743-1819) on his estate at Pempelfort near Diisseldorf. Lavater was a well-known pulpiteer and the founder of the study of physioo^nomw a subject in which Goethe too was interested: JOHANN KASPAR LAVATER. After a water color by H. Lips in the K. K. Familien-Fideikommiss-Bibliothek. and Basedow the founder of an educational institution called the Philanthropin. Jacobi had deep philosophical interests and regarded himself as a disciple of Spinoza, whose philosophy, however, he THE LIFE OF GOETHE.
    [Show full text]
  • Schubert's Recapitulation Scripts – Part II
    CHAPTER 4 CATEGORY 2 RECAPITULATIONS 4.1. Introduction 4.2. Mozart, Monahan, and the Crux 4.3. Beethoven and the Minimally Recomposed Category 2 4.4. Beethoven and Schubert: Labor and Grace 4.5. Repetitions of Single Referential Measures 4.6. A Summary Analysis: The Finale of D. 537 4.7. Conclusion ADD CUT 1. One alteration only, + x 1. One alteration only, - x SIZE a. Minimally different, + 1 a. Minimally different, -1 1. by repetition (at the same pitch 1. deletion of originally repeated level) material 2. by sequence (repetition at a 2. deletion of non-repeated different pitch level) material a. by repetition of multiple referential measures, en bloc (backing up) STRATEGY b. by repetition of a single referential measure (stasis) 3. by composing new material Figure 4.1. Category 2 Strategies. 151 The ways in which thematic and harmonic gestures reappear go well beyond what can be captured by the standard notions of return or recapitulation.1 Like virtually all Western music, the music of the common-practice period is characterized by formal correspondences of various kinds. Such correspondences usually do not form exact symmetries, however, even at the phrase level. This stems partly, no doubt, from distaste for too much repetition and regularity—for predictability, that is, the negative side of the symmetrical coin.2 At this very early date, Riepel could scarcely be expected to realize what he was observing; later, of course, asymmetry would set in on a much greater scale.3 If one does not perceive how a work repeats itself, the work is, almost literally, not perceptible and therefore, at the same time, not intelligible.
    [Show full text]
  • Demonic History: from Goethe to the Present
    Demonic History Demonic History From Goethe to the Present Kirk Wetters northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2014 by Northwestern University Press. Published 2014. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Wetters, Kirk, author. Demonic history : from Goethe to the present / Kirk Wetters. pages cm Includes bibliographical references and index. ISBN 978-0-8101-2976-4 (cloth : alk. paper) 1. Demonology in literature. 2. German literature—19th century—History and criticism. 3. German literature—20th century—History and criticism. 4. Devil in literature. I. Goethe, Johann Wolfgang von, 1749–1832. Urworte orphisch. II. Goethe, Johann Wolfgang von, 1749–1832. Urworte orphisch. English. III. Title. [DNLM: 1. Goethe, Johann Wolfgang von, 1749–1832— Criticism and interpretation.] PT134.D456W48 2014 830.937—dc23 2014012468 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Wetters, Kirk. Demonic History: From Goethe to the Present. Evanston: Northwestern University Press, 2015. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org.
    [Show full text]
  • Dämonische Texturen. Der Durchkreuzte Wunsch in Goethes Wilhelm Meisters Wanderjahren
    CORNELIA ZUMBUSCH Dämonische Texturen. Der durchkreuzte Wunsch in Goethes Wilhelm Meisters Wanderjahren „Der alternde Goethe“, so stellt Fritz Mauthner nicht ohne Ironie fest, „liebte die Worte Dämonen und dämonisch.“ Insbesondere im Gespräch mit Ecker- mann habe sich sein „Aberglaube an freundlich gesinnte Dämonen [...] gern und oft redselig“ geäußert: je höher ein Mensch, desto mehr stehe er unter dem Einfluß der Dämonen; Raphael, Mozart, Napoleon, auch Lord Byron, werden dämonisch genannt; das Dämonische werfe sich gern an bedeutende Figuren; in einer klaren prosaischen Stadt, wie Berlin, fände es kaum Gelegenheit sich zu manifestieren (1831). Sehr drollig ist es, wenn die subalternen Freunde mit einer Art von Echolalie Goethes Greisenworte wiederholen, und z.B. Eckermann eine kleine Abhandlung über das Dämonische zum besten gibt.1 Das Material für seine Bemerkungen zu Goethes Greisenstil und Eckermanns Echolalie findet Mauthner in den Gesprächen Eckermanns mit Goethe aus dem Jahr 1831. Diese Unterhaltungen werden parallel zur Überarbeitung des Schlussteils von Dichtung und Wahrheit geführt, in dem Goethe mehrfach auf das Dämonische zu sprechen kommt. Den Auftakt zum zwanzigsten und letz- ten Buch seiner Autobiographie, die von der Zeit zwischen seiner ersten Schweizer Reise und dem Aufbruch nach Weimar erzählt, bildet ein Passus, in dem Goethe die Erzählung des eigenen Lebens zum Bildungsroman formt. Man habe „im Verlaufe dieses biographischen Vortrags umständlich gesehn, wie das Kind, der Knabe, der Jüngling sich auf verschiedenen
    [Show full text]
  • The Berlinale Issue
    GFQ GERMAN FILMS QUARTERLY THE BERLINALE ISSUE NEW GERMAN FILMS AT THE BERLINALE SHOOTING STAR Franz Rogowski DIRECTORS Burhan Qurbani & Ziska Riemann PRODUCER Arne Birkenstock of Fruitmarket Arts & Media ISSUE 1-2018 ACTRESS Henriette Confurius CONTENTS GFQ 1-2018 4 5 6 7 8 10 13 16 32 35 36 49 2 GFQ 1-2018 CONTENTS IN THIS ISSUE IN BERLIN NEW DOCUMENTARIES 3 TAGE IN QUIBERON 3 DAYS IN QUIBERON Emily Atef ................. 4 ABHISHEK UND DIE HEIRAT ABHISHEK AND THE MARRIAGE Kordula Hildebrandt .................. 43 IN DEN GÄNGEN IN THE AISLES Thomas Stuber ............................ 5 CLIMATE WARRIORS Carl-A. Fechner, Nicolai Niemann ............... 43 MEIN BRUDER HEISST ROBERT UND IST EIN IDIOT MY BROTHER’S NAME IS ROBERT AND HE IS AN IDIOT Philip Gröning .................... 6 EINGEIMPFT FAMILY SHOTS David Sieveking ................................. 44 TRANSIT Christian Petzold ................................................................ 7 FAREWELL YELLOW SEA Marita Stocker ....................................... 44 DAS SCHWEIGENDE KLASSENZIMMER GLOBAL FAMILY Melanie Andernach, Andreas Köhler .................. 45 THE SILENT REVOLUTION Lars Kraume ......................................... 8 JOMI – LAUTLOS, ABER NICHT SPRACHLOS STYX Wolfgang Fischer ...................................................................... 9 JOMI’S SPHERE OF ACTION Sebastian Voltmer ............................. 45 DER FILM VERLÄSST DAS KINO – VOM KÜBELKIND-EXPERIMENT KINDSEIN – ICH SEHE WAS, WAS DU NICHT SIEHST! UND ANDEREN UTOPIEN FILM BEYOND CINEMA
    [Show full text]
  • Ï Mag115 S01
    Film und Medien NRW Ausgabe 1/2015 > Berlinale 2015 > Wettbewerb, Berlinale Shorts, Panorama, Forum, Berlinale Special > Ehrenbär und Hommage für Wim Wenders > Interviews mit Laura Bispuri, Margarethe von Trotta, Wim Wenders u.v.m. > Erster Shootingstar aus NRW: Jannis Niewöhner > Drama Series Days beim European Film Market > Horizontal erzählt und NRW-gefördert: »Weinberg« > Europas erstes Webvideo Stipendium > 25 Jahre KHM > Dreharbeiten, Kinostarts und News Inhalt DRAMA Liebe Leserinnen und Leser, Berlinale 2015 Wettbewerb Gratulation! NRW ist mit insgesamt 29 geförderten Filmen bei der diesjährigen SERIES DAYS Vergine giurata > 4 Berlinale vertreten. Debüts und Dokumentarfilme, Kurzfilme und Interview mit Laura Bispuri internationale Koproduktionen – die NRW-Beiträge im Wettbewerb, Cha vá con vá > 5 910 FEB 2015 Panorama, Forum und Special zeigen einmal mehr die gesamte Bandbreite Interview mit Markus Halberschmidt des hiesigen Filmschaffens. Wir freuen uns sehr, dass herausragende Arbeiten Berlinale Shorts von Filmemachern und Filmemacherinnen aus NRW bei einem der Däwit Interview mit David Jansen > 6 AT THE EUROPEAN FILM MARKET AND wichtigsten Festivals der Welt die gebührende Wahrnehmung finden. Und selbstverständlich stellen wir Ihnen alle Filme in diesem Heft vor. Berlinale Special THE BERLINALE COPRODUCTION MARKET Die abhandene Welt Mit ihrem Empfang in der Landesvertretung NRW setzen Land und Interview mit Margarethe von Trotta > 6 Filmstiftung auch 2015 ein Ausrufezeichen im Festivalkalender. Als Partner Panorama der neuen »Drama Series Days« ist die Film- und Medienstiftung zudem Härte > 8 maßgeblich daran beteiligt, dass sich Festival und European Film Market Panorama Dokumente 9 10 für internationale TV-Serien öffnen und dabei auch zahlreiche deutsche Iraqi Odyssey >8 MONDAY, 9 FEB TUESDAY, 10 FEB Projekte präsentieren.
    [Show full text]
  • Goethe in Chicago
    : GOETHE IN CHICAGO BY ROSE J. SEITZ, A.M. Tilden Technical High School, Chicago THxA.T Chicagoans, keenly interested in and busily occupied with the stirring events of Civil-War days, nevertheless did not lose their contact with German literature and their admiration for Goethe reveals itself strikingly in a poem found in the issue of the Chicago Sonntags-Zeituug for December 14, 1862.1 It is entitled Der Erlkonig and cleverly applies the central theme of Goethe's poem to the political affairs of that memorable time. In this poem Abraham Lincoln is the father riding through the night with his child Seward, his secretary of state, in his arms. Jefiferson Davis, tempting Seward with promises of favors from the rich Southland, takes the place of the Erlking, who lures the child in Goethe's poem. Davis, as the Erlking, succeeds in drawing Seward to a compromise and destroying him in the eyes of the people. The poem is as follows Wer reitet so spat durch Xacht und Wind? Es ist Herr Lincoln, der milde gesinnt, Er halt den Seward wohl in dem Arm, Er halt ihn sicher, er halt ihn warm. "Sag", Seward, was birgst du so bang dein Gesicht?" "Siehst unten du den Jefif. Davis nicht? ?" Jefif. Davis mit seinem Rebellenschweif "Mein Sohn, es ist ein Nebelstreif." "Du lieber Seward, komm' geh" mit mir, Gar viele Dinge versprech' ich dir. Viel Baumwolle wachst in unsrem Land, !" Ich driicke dir A'ieles zum Dank in die Hand "O Lincoln, Lincoln, horst du denn nicht, Was Davis mir so kiihn verspricht?" "Sei ruhig, bleibe ruhig, mein Kind, !" Die ganze Geschichte ist nichts als Wind "Willst, feiner Kunde, du mit mir geh'n, Der Siiden soil deiner warten schon, Wir fiihren zusammen den festlichen Reih'n, !" L"nd theilen das Land dann zwischen uns Zwei'n '^Sonntags-Ansgabc der Illinois Staats-Zeititng.
    [Show full text]
  • Goethe's Works, Vol. 1 (Poems)
    The Online Library of Liberty A Project Of Liberty Fund, Inc. Johann Wolfgang von Goethe, Goethe’s Works, vol. 1 (Poems) [1885] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected].
    [Show full text]
  • Johann Wolfgang Von Goethe
    GoetheJohann Wolfgang von paisajes CÍRCULO DE BELLAS ARTES EXPOSICIÓN CATÁLOGO Presidente Comisario Edición a cargo de Juan Miguel Hernández León Javier Arnaldo Javier Arnaldo Hermann Mildenberger Director Autores Juan Barja Área de Artes Plásticas del CBA Javier Arnaldo Laura Manzano Werner Hofmann Subdirector Eduardo Navarro Hermann Mildenberger Javier López-Roberts Silvia Martínez Petra Maisak Antía Moure Federico Vercellone Coordinadora Cultural Margarete Oppel (revisión del texto Lidija Sircelj Organizan alemán de M. O. por Brigitte Schillbach) Círculo de Bellas Artes Klassik Stiftung Weimar Área de Edición del CBA Jordi Doce KLASSIK STIFTUNG WEIMAR Montaje Elena Iglesias Departamento Técnico del CBA Paula Santamariña Presidente Javier Abellán Hellmut Seemann Transporte Maria Lago (EJG) Hasenkamp Concha Pérez (EJG) Director de los Museos Ernst-Gerhard Güse Seguro Diseño Kuhn & Bülow Berlin Estudio Joaquín Gallego Conservador Jefe del Gabinete de Estampas y Dibujos Obra expuesta Traducción Hermann Mildenberger Klassik Stiftung, Weimar / Goethe Nationalmuseum Pedro Piedras Monroy, Llanos Gómez, Javier Martínez Contreras e Ibon Zubiaur Conservadoras del Gabinete de Estampas y Dibujos Impresión y fotomecánica Margarete Oppel Brizzolis, arte en gráfi cas Viola Geyersbach © Círculo de Bellas Artes, 2008 Restauradores externos Colaboran: Alcalá, 42. 28014 Madrid Hans Hilsenbeck www.circulobellasartes.com Ronald Reinke © de los textos: sus autores ISBN-13: 978-84-87619-26-7 Dep. Legal: M-2161-2008 GoetheJohann Wolfgang von paisajes La exposición JOHANN WOLFGANG VON GOETHE. PAISAJES celebrada en el Círculo de Bellas Artes de Madrid entre el 31 de enero y el 6 de abril de 2008 cuenta con el alto patrocinio de Su Majestad el Rey Don Juan Carlos I de España y del Presidente Federal de Alemania, el Excelentísimo Sr.
    [Show full text]
  • Beethoven's 250Th Birthday
    Program Notes for Masterworks 5: Beethoven’s 250th Birthday Saturday, January 18, 2020 & Sunday, January 19, 2020 MARK RUSSELL SMITH, CONDUCTOR • AUGUSTIN HADELICH, VIOLIN • Beethoven – Overture to “Egmont,” Op. 84 • Beethoven – Violin Concerto in D major, Op. 61 • Beethoven – Symphony No. 7 in A major, Op. 92 Ludwig van Beethoven Overture to “Egmont,” Op. 84 Composer: born December 16, 1770, Bonn; died March 26, 1827, Vienna. Work composed: 1809-1810. World premiere: Beethoven conducted the first performance of the Egmont Overture on June 15, 1810, as an introduction to Goethe’s play, Egmont, at Vienna’s Hoftheater. Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. Estimated duration: 8 minutes. When Vienna’s Court Theatre approached Ludwig van Beethoven with a commission to write music for a revival of Wolfgang von Goethe’s tragic play Egmont, Beethoven responded eagerly. Beethoven revered Goethe, calling him “the foremost German poet,” and Beethoven was also drawn to the subject matter of the play, which revolves around the actions of the Flemish Count Egmont, a historical 16th century figure. Egmont fought to save his country from military conquest by the Spanish Duke of Alba, and was later executed for his actions, but Egmont’s heroism and his self- sacrifice inspired his beleaguered countrymen to continue their fight for freedom. Beethoven, also of Flemish descent, may have seen something of himself in the noble Egmont. The themes of struggle against an oppressor, sacrifice, and abiding love resonated deeply with Beethoven; he later incorporated them into his opera Fidelio.
    [Show full text]