Issue 25 Midland Arts
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Brave Lions Two Alternate Views Hickie & Horgan Fashion - Page 16 Exclusive Interview Rud’S World - Page 22 Sport - Page 26
ISSUE 2 / VOLUME 19 4.10.05 METROSEXUALS BRAVE LIONS TWO ALTERNATE VIEWS HICKIE & HORGAN FASHION - PAGE 16 EXCLUSIVE INTERVIEW RUD’S WORLD - PAGE 22 SPORT - PAGE 26 gone.” Irish Students Destroy J1 Flat JACK CANE The College Tribune has not received any infor- “A PLACE TO CRASH mation as to whether the sub-leasers of the other AND PARTY, THAT’S IT, Some of the destruction caused There are no criminal proceedings in motion on apartments will be paying for damages incurred. WHO CARES ABOUT IT?” by former UCD students either side of the Atlantic. When a number of them were contacted, the stu- Maher’s hope that “the students involved will have dents alleged to have been involved declined to com- “This happens all the time.” These are Irish students are being held responsible some moral feelings to pay up what they owe” ment. the words of UCD Student Advisor Ronan Murphy, a former employee of UC Santa for approximately US$15,000 worth of appears to have had some success. However, the destruction of the Isla Vista apart- Barbara. damages to three apartments in Santa In an email sent to the College Tribune, Maher ments has already had a negative effect on the rep- Barbara, California. Former UCD students reported that the tenants of apartment #8 have paid According to Murphy, the latest reports were involved in the devastation of the utation of Irish students in Santa Barbara. of destruction of three apartments by Irish US$1,800 towards the damages in that residence. Katie Maher confirmed “if BDC do take Irish stu- three apartments. -
UCC Library and UCC Researchers Have Made This Item Openly Available
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Life on-air: talk radio and popular culture in Ireland Author(s) Doyle-O'Neill, Finola Editor(s) Ní Fhuartháin, Méabh Doyle, David M. Publication date 2013-05 Original citation Doyle-O'Neill, F. (2013) 'Life on-air: talk radio and popular culture in Ireland', in Ní Fhuartháin, M. and Doyle, D.M. (eds.) Ordinary Irish life: music, sport and culture. Dublin : Irish Academic Press, pp. 128-145. Type of publication Book chapter Link to publisher's http://irishacademicpress.ie/product/ordinary-irish-life-music-sport-and- version culture/ Access to the full text of the published version may require a subscription. Rights © 2013, Irish Academic Press. Item downloaded http://hdl.handle.net/10468/2855 from Downloaded on 2021-09-30T05:50:06Z 1 TALK RADIO AND POPULAR CULTURE “It used to be the parish pump, but in the Ireland of the 1990’s, national radio seems to have taken over as the place where the nation meets”.2 Talk radio affords Irish audiences the opportunity to participate in mass mediated debate and discussion. This was not always the case. Women in particular were excluded from many areas of public discourse. Reaching back into the 19th century, the distinction between public and private spheres was an ideological one. As men moved out of the home to work and acquired increasing power, the public world inhabited by men became identified with influence and control, the private with moral value and support. -
U2 to Perform in Mumbai, India for the Very First Time
U2 TO PERFORM IN MUMBAI, INDIA FOR THE VERY FIRST TIME Mumbai Date Will Be The Final Show As Part Of U2: THE JOSHUA TREE TOUR Concert Event To Take Place December 15, 2019 At DY Patil Stadium WATCH TOUR TRAILER https://www.youtube.com/watch?v=-M3pQb9HhX4&feature=youtu.be “Electrifying” – Daily Telegraph, 5/5 stars “Still masters of stadium rock” – Mail On Sunday “The stuff of encores… Had Twickenham had a roof, it would surely have been blown off…” - London Evening Standard, 5/5 stars Mumbai, India (Wednesday, September 18, 2019) – Live Nation and BookMyShow are excited to announce that U2 will bring their acclaimed U2: The Joshua Tree Tour - the record-breaking smash hit tour celebrating the band’s seminal 1987 album ‘The Joshua Tree’ - to Mumbai on Sunday, December 15 at DY Patil Stadium. The Mumbai show will be a huge celebration as it marks the band’s first ever performance in India as well as the final date on U2: The Joshua Tree Tour. The concert in Mumbai is produced by Live Nation Global Touring and brought to India by BookMyShow. U2: The Joshua Tree Tour 2019 will see the band – Bono, The Edge, Larry Mullen and Adam Clayton – make a much anticipated live return to Australia and New Zealand, as well as return to Tokyo for the first concerts since the Vertigo Tour in 2006. The tour will also bring the band to Singapore, Seoul, Manila and Mumbai - for the first time ever – with what promises to be very special concerts from “the biggest band in the world” (The Guardian). -
An Investigation Into How Degree of Distraction with Mobile
AN INVESTIGATION INTO HOW DEGREE OF DISTRACTION WITH MOBILE DEVICE USERS INFLUENCES ATTENTION TO DETAIL Jeffery C. Allen Bachelor of Arts in Film and Digital Media School of Communications at Cleveland State University May 2014 Submitted in partial fulfillment of requirements for the degree MASTER OF APPLIED COMMUNICATION THEORY AND METHODOLOGY at the CLEVELAND STATE UNIVERSITY MAY 2017 We hereby approve this thesis for Jeffery C. Allen Candidate for the Master of Arts in Applied Communication Theory & Methodology degree for the School of Communication and the CLEVELAND STATE UNIVERSITY College of Graduate Studies Dr. Anup Kumar Thesis Chairperson School of Communication 04/24/17 Department & Date Dr. Cheryl Bracken Thesis Committee Member School of Communication 04/24/17 Department & Date Dr. Kimberly Neuendorf Thesis Committee Member School of Communication 04/24/17 Department & Date Student’s Date of Defense: April 24, 2017 DEDICATION My greatest appreciation and love to my mother, Marian C. Wright, to whom I wish to thank above anyone else. Each, and every day, I strive to improve myself so as to make myself a better son to her, and a better man of which my family can be proud of. My successes are not, and will not be counted, by me, in terms of the degrees that I attain, or in the amount of money that I may earn, but in terms of the positive influence that I might have on the younger members of my family. I want my nieces and nephews to know that anything that one wishes to achieve can be attained through hard work and being dedicated to being the best person that you can be: when you strive to do the best that you can, you have made us all proud…push on! ACKNOWLEDGEMENTS I wish to thank everyone who has supported my efforts in obtaining this degree. -
RTE NSO 25 Sept Prog.Qxp:Layout 1
WATCH rte.ie/culture LISTEN RTÉ lyric fm ARTHUR DUFF Echoes of Georgian Dublin JOHN KINSELLA Nocturne for Strings MÍCHEÁL Ó SÚILLEABHÁIN Bean Dubh an Ghleanna Oileán/Island Traditional arr. NEIL MARTIN The Fairy Queen Danny Boy The Humours of Ballyloughlin RTÉ National Symphony Orchestra David Brophy conductor Mark Redmond uilleann pipes, flute Presented by Paul Herriott, RTÉ lyric fm FRIDAY 25 SEPTEMBER 2020, 7pm NATIONAL CONCERT HALL 1 Arthur Duff 1899-1956 Echoes of Georgian Dublin i. In College Green ii. Song for Amanda iii. Minuet iv. Largo (The tender lover) v. Rigaudon Arthur Duff showed early promise as a musician. He was a chorister at Dublin’s Christ Church Cathedral and studied at the Royal Irish Academy of Music, taking his degree in music at Trinity College, Dublin. He was later awarded a doctorate in music in 1942. Duff had initially intended to enter the Church of Ireland as a priest, but abandoned his studies in favour of a career in music, studying composition for a time with Hamilton Harty. He was organist and choirmaster at Christ Church, Bray, for a short time before becoming a bandmaster in the Army School of Music and conductor of the Army No. 2 band based in Cork. He left the army in 1931, at the same time that his short-lived marriage broke down, and became Music Director at the Abbey Theatre, writing music for plays such as W.B. Yeats’s The King of the Great Clock Tower and Resurrection, and Denis Johnston’s A Bride for the Unicorn. The Abbey connection also led to the composition of one of Duff’s characteristic works, the Drinking Horn Suite (1953 but drawing on music he had composed twenty years earlier as a ballet score). -
National Endowment for the Arts Annual Report 1996
TO THE CONGRESS OF THE UNITED STATES: It is my pleasure to transmit herewith the Annual Report of the National Endowment for the Arts for the fiscal year 1996. One measure of a great nation is the vitality of its culture, the dedication of its people to nurturing a climate where creativity can flourish. By support ing our museums and theaters, our dance companies and symphony orches tras, our writers and our artists, the National Endowment for the Arts provides such a climate. Look through this report and you will find many reasons to be proud of our Nation’s cultural life at the end of the 20th century and what it portends for Americans and the world in the years ahead. Despite cutbacks in its budget, the Endowment was able to fund thou sands of projects all across America -- a museum in Sitka, Alaska, a dance company in Miami, Florida, a production of Eugene O’Neill in New York City, a Whisder exhibition in Chicago, and artists in the schools in all 50 states. Millions of Americans were able to see plays, hear concerts, and participate in the arts in their hometowns, thanks to the work of this small agency. As we set priorities for the coming years, let’s not forget the vita! role of the National Endowment for the Arts must continue to play in our national life. The Endowment shows the world that we take pride in American culture here and abroad. It is a beacon, not only of creativity, but of free dom. And let us keep that lamp brightly burning now and for all time. -
Statement to the Oireachtas Committee of Inquiry Into the Banking Crisis in Ireland Ed Mulhall
Statement to the Oireachtas Committee of Inquiry into the Banking Crisis in Ireland Ed Mulhall The starting premise for a discussion of RTÉ's editorial policy on the coverage of any area of public interest is that there is no single expression of it. RTÉ's output is based on a set of principles which are derived from its statutory obligations. These principles form the framework for editorial decision making and there is an editorial structure in place to monitor, discuss and challenge the editorial selections being made so as to ensure they are being adhered to. In addition, all RTÉ's activities are subject to a regulatory structure to ensure that the organisation is meeting its public service obligations. Those working in editorial roles in RTÉ operate under a shared understanding of RTÉ’s obligations under various statutes, notably the 1976 Broadcasting Act as amended and the 2009 Broadcasting Act. In RTÉ News, this translates into a very simple premise: inform the audience in the public interest. The political scientist Jean Blondel - in an essay written in honour of the late RTÉ broadcaster Brian Farrell - calls the role to inform the noblest of tasks because it is the most difficult. It requires the reporting of facts, sometimes the establishment of facts, their selection according to their importance and the presentation of them with related material to allow their meaning or significance to be understood. What is important to report in the public interest is a constantly evolving question that is impacted on by events and does not adhere to any fixed state of national consensus. -
RTÉ Annual Report 2014
Annual Report & Group Financial Statements 2014 Raidió Teilifís Éireann Board 54th Annual Report and Group Financial Statements for the twelve months ended 31 December 2014, presented to the Minister for Communications, Energy and Natural Resources pursuant to section 109 and 110 of the Broadcasting Act 2009. Is féidir leagan Gaeilge den Tuarascáil a íoslódáil ó www.rte.ie/about/ie/policies-and-reports/annual-reports/ 2 CONTENTS Vision, Mission and Values 2 A Highlights 3 Chair’s Statement 4 Director-General’s Review 6 Financial Review 10 What We Do 16 Organisation Structure 17 Operational Review 18 Board 84 B Executive 88 Corporate Governance 90 Board Members’ Report 95 Statement of Board Members’ Responsibilities 96 Independent Auditor’s Report 97 Financial Statements 98 C Accounting Policies 105 Notes Forming Part of the Group Financial Statements 110 Other Reporting Requirements 149 Other Statistical Information 158 Financial History 159 RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 1 RTÉ’S DirecTOR-GENERAL has SET RTÉ’S VISION, MISSION AND VALUes STATEMENT Vision RTÉ’s vision is to enrich Irish life; to inform, entertain and challenge; to connect with the lives of all the people. Mission • Deliver the most trusted, independent, Irish news service, accurate and impartial, for the connected age • Provide the broadest range of value for money, quality content and services for all ages, interests and communities • Reflect Ireland’s cultural and regional diversity and enable access to major events • Support and nurture Irish production and Irish creative talent Values • Understand our audiences and put them at the heart of everything we do • Be creative, innovative and resourceful • Be open, collaborative and flexible • Be responsible, respectful, honest and accountable to one another and to our audiences 2 HIGHLIGHTS A RTÉ ANNUAL REPORT & GROUP FINANCIAL STATEMENTS 2014 3 CHAIR’S STATEMENT The last year has been one of transition for RTÉ and for its Board. -
Volume 11, 2009
Technological University Dublin ARROW@TU Dublin Issues Irish Communications Review 2009-01-01 Volume 11, 2009 Ellen Hazelkorn Technological University Dublin, [email protected] Nora French Technological University Dublin Wolfgang Truetzschler Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/jouicriss Part of the Mass Communication Commons Recommended Citation Dublin Institute of Technology : Irish communications review, Volume 11, 2009. This Article is brought to you for free and open access by the Irish Communications Review at ARROW@TU Dublin. It has been accepted for inclusion in Issues by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License IRISH COMMUNICATIONS REVIEW Vol Articles Representations of the Knowledge Economy: Irish Newspapers’ Discourses on a Key Policy Idea Brian Trench Whose Development? Framing of Ireland’s Aid Commitments by Institutional Sources and the Media During and After the Celtic Tiger Cliona Barnes, Anthony Cawley Media Discourses on Autonomy in Dying and Death Christina Quinlan The Irish Punditocracy as Contrarian Voice: Opinion Coverage of the Workplace Smoking Ban Declan Fahy Significant Television: Journalism, Sex Abuse and the Catholic Church in Ireland Colum Kenny Suing the Pope and Scandalising the People: Irish Attitudes to Sexual Abuse by Clergy Pre- and Post-Screening of a Critical Documentary Michael J. Breen, Hannah McGee, Ciaran O’Boyle, Helen Goode, Eoin Devereux Run out of the Gallery: The Changing Nature of Irish Political Journalism Kevin Rafter Hollywood Representations of Irish Journalism: A Case Study of Veronica Guerin Pat Brereton Infringement Nation: Morality, Technology and Intellectual Property Eadaoin O’Sullivan Reviews Eoin Devereux Understanding the Media . -
Vallelyn Phd2018.Pdf
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Beyond the tune: new Irish music Author(s) Vallely, Niall Publication date 2018 Original citation Vallely, N. 2018. Beyond the tune: new Irish music. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2018, Niall Vallely. http://creativecommons.org/licenses/by-nc-nd/3.0/ Embargo information Not applicable Item downloaded http://hdl.handle.net/10468/7021 from Downloaded on 2021-10-10T08:36:19Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork Beyond the Tune: New Irish Music Thesis presented by Niall Vallely For the degree of Doctor of Philosophy University College Cork School of Music and Theatre Head of School: Prof. Jools Gilson Supervisor: John Godfrey 2018 2 Table of Contents Declaration 4 List of accompanying musical scores and CD 5 Acknowledgements 6 Preface 7 Chapter 1 Introduction and Background 8 Education 9 Performance 12 Impact of cross-cultural music 14 Chapter 2 Context and Influences 17 Seán Ó Riada 17 Shaun Davey 18 Mícheál Ó Súilleabháin 19 Other Composers 21 Beyond Genre 23 Chapter 3 Artistic Statement 26 Compositions 27 The Red Tree 28 Sondas 35 Ó Riada Room 37 Time Flying 38 throughother 42 Nothing Else 44 Connolly’s Chair 46 Concertina Concerto 47 Conclusion 50 Appendix 1 List of compositions used in PhD 51 Appendix 2 Complete list of compositions to date 54 Discography 75 3 Bibliography 79 4 Declaration I, Niall Vallely, declare that this dissertation is the result of my own work, except as acknowledged by appropriate reference in the text. -
Music Education for Children Across Ireland
music generation is ireland’s national music education program that helps children and young people access a range of high quality vocal and instrumental tuition in their local area. to date, the program has reached over 20,000 children and young people across 12 areas of the country. job opportunities have been created for 250 musicians. over 60 diverse and exciting music programs are being delivered in 300 different tuition centres around the country. initiated by music network, music generation has been seed funded by a €7m philanthropic donation by u2 (€5m) and the ireland funds (€2m) from 2010-2015. building upon the principles of philanthropy which seek to achieve long term sustainable outcomes, music generation has worked closely with local music education partnerships and government since its initiation. in july 2014, the department of education and skills joined with the local music education partners to co-fund the program. music generation is an extraordinary example of a partnership between the private sector, the irish government and local funding partners, which is bringing about momentous change in music education in ireland. music education for children across ireland connect 2015 | 32 2014 has been an amazing year for music generation Music Generation recently hosted over 200 delegates in Dublin Composed by Brian Irvine and five young Sligo composers, the for a special Music Education Conference and a packed Gala concerts featured over 200 young musicians and singers in a Concert, with over 400 young people performing in the presence wonderful ensemble performance. of President Michael D. Higgins at the National Concert Hall. -
U2: the Joshua Tree Tour 2017 Watch Here
U2: THE JOSHUA TREE TOUR 2017 LIMITED RUN OF STADIUM DATES TO CELEBRATE 30TH ANNIVERSARY OF THE BAND’S CLASSIC FIFTH ALBUM – Tour Kicks Off In North America On May 12 with European Dates Starting July 8 – – U2 Confirmed for Bonnaroo Music & Arts Festival—Band’s First Ever U.S. Festival Headline Appearance – Tickets On Sale Starting January 16 in Europe & January 17 in North America – – U2 Subscriber Exclusive Pre-Sale Access Starts January 11 – WATCH HERE: https://youtu.be/sssykdiAsVM “The title befits a record that concerns itself with resilience in the face of utter social and political desolation…The Joshua Tree is an appropriate response to these times, and a picture bleaker than any U2 has ever painted: a vision of blasted hopes, pointless violence and anguish… Music of great sadness but also of unutterable compassion, acceptance and calm.” – Rolling Stone, 1987 LOS ANGELES (Jan. 9, 2017) – Live Nation today announced that U2 will return to select stadiums this year with U2: The Joshua Tree Tour 2017, in celebration of the 30th anniversary of the band’s classic album. Each show will include a performance of The Joshua Tree in its entirety, with support from one of a number of special guests including Mumford & Sons, OneRePublic and The Lumineers in North America and Noel Gallagher’s High Flying Birds in Europe. Released to universal acclaim on March 9th 1987 and featuring hit singles “With Or Without You”,“I Still Haven’t Found What I’m Looking For” and “Where The Streets Have No Name”, The Joshua Tree was U2’s first #1 album in the U.S., topping the charts globally including the U.K.