Ad-Hoc: the French Revolution
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Jacques-Louis David's 'Oath of the Tennis Court'
EXTENSION ACTIVITIES – Jacques-Louis David’s ‘Oath of the Tennis Court’, 1791 Read the discussion of Jacques-Louis-David’s ‘Oath of the Tennis Court’ (1791) on p. 3-8 of this handout. Then complete the following extension activities: 1. One of the big problems which faced David as the Revolution progressed was that many of the figures to whom he had given prominence in the 1791 drawing fell from favour as political conditions changed. Using Liberating France (including the Who’s Who) and other sources, find out what happened to Mounier, Mirabeau, Bailly, Barère, Barnave, and Robespierre. Then research the clergymen, Abbé Grégoire and Abbé Sieyès. 2. David alludes to the popular movement which became known as the sans-culottes through the strong and robust figure in the red bonnet of liberty in the lower left hand corner. Referring to Liberating France (including the Section B Timeline), write a paragraph to outline the role played by the sans-culottes movement from 10 August 1792 until the days of Germinal and Prairial Year III, (1 April and 20-23 May 1795). 3. Using Liberating France (including the Who’s Who) and other sources, outline David’s revolutionary career – both as a painter and as a politician. In your answer consider the importance his paintings and drawings 1789-1795, and his role in organising public ceremonies. Then investigate his political activities as a deputy in the National Convention. 4. David uses at least eight revolutionary ideas in his 1791 study of the Tennis Court Oath. Locate them and any other revolutionary ideas not mentioned in the summary above. -
Late-Medieval France
Late-Medieval France: A Nation under Construction A study of French national identity formation and the emerging of national consciousness, before and during the Hundred Years War, 1200-1453 Job van den Broek MA History of Politics and Society Dr. Christian Wicke Utrecht University 22 June 2020 Word count: 13.738 2 “Ah! Doulce France! Amie, je te lairay briefment”1 -Attributed to Bertrand du Guesclin, 1380 Images on front page: The kings of France, England, Navarre and the duke of Burgundy (as Count of Charolais), as depicted in the Grand Armorial Équestre de la Toison d’Or, 1435- 1438. 1 Cuvelier in Charrière, volume 2, pp 320. ”Ah, sweet France, my friend, I must leave you very soon.” Translation my own. 2 3 Abstract Whether nations and nationalism are ancient or more recent phenomena is one of the core debates of nationalism studies. Since the 1980’s, modernism, claiming that nations are distinctively modern, has been the dominant view. In this thesis, I challenge this dominant view by doing an extensive case-study into late-medieval France, applying modernist definitions and approaches to a pre-modern era. France has by many regarded as one of the ‘founding fathers’ of the club of nations and has a long and rich history and thus makes a case-study for such an endeavour. I start with mapping the field of French identity formation in the thirteenth century, which mostly revolved around the royal court in Paris. With that established, I move on to the Hundred Years War and the consequences of this war for French identity. -
The Democratic Sphere Communications with the French National Assembly's Committee of Research,1789-1791
The Democratic Sphere Communications with the French National Assembly's Committee of Research,1789-1791 Maia Kirby Queen Mary, University of London Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy 1 I, Maia Olive Claire Kirby, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Maia Kirby Date: 24.08.16 2 Abstract On 28 July 1789 the National Assembly established the Committee of Research as a mechanism through which it could identify threats to its existence from amongst its large correspondence. In the time it was active, the committee received thousands of letters from across France. In the early 1990s the archivist Pierre Caillet wrote a thorough inventory and a general synthesis of the communications which further opened them up as a resource that could provide insight into popular reponses to various themes. -
Introduction
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. CHAPTER 1 Introduction French Society in 1789 Historians working on the French Revolution have a problem. All of our attempts to find an explanation in terms of social groups or classes, or particular segments of society becoming powerfully activated, have fallen short. As one expert aptly expressed it: “the truth is we have no agreed general theory of why the French Revolution came about and what it was— and no prospect of one.”1 This gaping, causal void is cer- tainly not due to lack of investigation into the Revolution’s background and origins. If class conflict in the Marxist sense has been jettisoned, other ways of attributing the Revolution to social change have been ex- plored with unrelenting rigor. Of course, every historian agrees society was slowly changing and that along with the steady expansion of trade and the cities, and the apparatus of the state and armed forces, more (and more professional) lawyers, engineers, administrators, officers, medical staff, architects, and naval personnel were increasingly infusing and diversifying the existing order.2 Yet, no major, new socioeconomic pressures of a kind apt to cause sudden, dramatic change have been identified. The result, even some keen revisionists admit, is a “somewhat painful void.”3 Most historians today claim there was not one big cause but instead numerous small contributory impulses. One historian, stressing the absence of any identifiable overriding cause, likened the Revolution’s origins to a “multi- coloured tapestry of interwoven causal factors.”4 So- cial and economic historians embracing the “new social interpretation” identify a variety of difficulties that might have rendered eighteenth- century French society, at least in some respects, more fraught and vulnerable than earlier. -
Jean-Sylvain Bailly (BUY-Yee) Member of the National Assembly
ROUSSEAU, BURKE AND REVOLUTION IN FRANCE, 1791 FEUILLANT FACTION Jean-Sylvain Bailly (BUY-yee) Member of the National Assembly ou are cultured and influential. You were born 55 years ago in Paris and raised in its environs and in Versailles. Your family has always been deeply involved in court life. Both your father and grandfather were court painters and you originally intended Y to follow in their footsteps. You became attracted in the course of your studies to astronomical science, however, and prepared a career in that path instead, building an observatory in the Louvre and promoting the new science everywhere. You were elected to the French Academy in 1783, and by the time the Revolution began, you were a renowned astronomer and a bril- liant philosophe. Your Essay on the Theory of the Satellites of Jupiter added to Galileo and Kepler’s vision of the universe, and your literary reputation was not far below that of your scientific one. Everyone knows who you are and admires you. This is France, after all, and to be a brilliant philosopher is to be influential. It is not surprising, then, that when you wished to take part in revolutionary politics, you found the path wide open. You presided over your district’s elections for delegates to the Estates General, and you yourself were elected. The Third Estate contingent was thrilled to have such a brilliant mind as yours; it brought prestige and honor to the delegates (who were, after all, mere commoners). When the Third Estate fol- lowed Sieyès and declared itself to be the National Assembly, it chose you as its president. -
Warfare and the State, 1450–1900
Chapter Title: Warfare and the State, 1450–1900 Book Title: War and the World Book Subtitle: Military Power and the Fate of Continents, 1450-2000 Book Author(s): Jeremy Black Published by: Yale University Press Stable URL: http://www.jstor.com/stable/j.ctt1npk2b.13 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Yale University Press is collaborating with JSTOR to digitize, preserve and extend access to War and the World This content downloaded from 79.147.42.147 on Sat, 06 Jun 2020 05:03:48 UTC All use subject to https://about.jstor.org/terms 8 Warfare and the State, 1450-1900 War as the cause, course and consequence of state-building is an established and cur rently fashionable means of approaching history among both historians and political scientists: war equals state-building and state-building equals war. In place of an organic, or alternatively episodic, account that might focus on socio-economic trends or constitutional-political developments centring on domestic situations, war offers an explanatory model that makes it possible to relate international and domestic spheres and to align state-building - a central, structural feature of contemporary political society - with chronological specifics: the derails of conflicts. -
The Coming of the French Revolution 1St Edition Pdf, Epub, Ebook
THE COMING OF THE FRENCH REVOLUTION 1ST EDITION PDF, EPUB, EBOOK Georges Lefebvre | 9780691168463 | | | | | The Coming of the French Revolution 1st edition PDF Book A new governmental structure was created for Paris known as the Commune , headed by Jean-Sylvain Bailly , former president of the Assembly. The King and many Feuillants with him expected war would increase his personal popularity; he also foresaw an opportunity to exploit any defeat: either result would make him stronger. If your only way of connecting to the French Revolution in the past has been Les Miserables, this book is it. On 17 July, Louis visited Paris accompanied by deputies, where he was met by Bailly and accepted a tricolore cockade to loud cheers. By declaring war, the Convention hoped to mobilise revolutionary fervour and blame rising prices, shortages and unemployment as arising from external threats. It is therefore more difficult to live as a free man than to live as a slave, and that is why men so often renounce their freedom; for freedom is in its way an invitation to a life of courage, and sometimes "Liberty is by no means an invitation to indifference or to irresponsible power; nor is it the promise of unlimited well-being without a counterpart of toil and effort. Genoa the city became a republic while its hinterland became the Ligurian Republic. Created by WorkBot. Highly recommended. Retrieved 3 January Although persuaded to disperse, on 2 June the Convention was surrounded by a crowd of up to 80,, demanding cheap bread, unemployment pay and political reforms, including restriction of the vote to the sans-culottes , and the right to remove deputies at will. -
LAVOISIER-The Crucial Year the Background and Origin of His First
LAVOISIER-THE CRUCIAL YEAR: The Background and Origin of His First Experiments on Combustion in z772 Antoine Laurent Lavoisier, 17 43-1794, a portrait by David (Photo Roger-Viollet) LA VOISIER -The Crucial Year The Background and Origin of His First Experiments on Combustion in 1772 /J_y llenr_y (Juerlac CORNELL UNIVERSITY CORNELL UNIVERSITY PRESS Ithaca, New York Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. This work has been brought to publication with the assistance of a grant from the Ford Foundation. Copyright © 1961 by Cornell University First paperback printing 2019 The text of this book is li censed under a Creative Commons Attribution- NonCommerciai-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/. To use this book, or parts of this book, in any way not covered by the li cense, please contact Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978- 1-501 7-4663-5 (pbk.: alk. paper) ISBN 978-1-5017-4664-2 (pdf) ISBN 978-1-5017-4665-9 ( epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress TO Andrew Norman Meldrum (1876-1934) AND Helene Metzger (188g-1944) Acknowledgments MUCH of the research and much of the writing of a first draft of this book was completed while I was a mem ber of the Institute for Advanced Study, Princeton, in 1953-1955. -
Jean-Sylvain Bailly's History of Indian Astronomy
Revue d’histoire des math´ematiques, 9 (2003), p. 253–306. BETWIXT JESUIT AND ENLIGHTENMENT HISTORIOGRAPHY: JEAN-SYLVAIN BAILLY'S HISTORY OF INDIAN ASTRONOMY Dhruv RAINA (*) ABSTRACT. — The crystallization of scientific disciplines in late eighteenth-century Europe was accompanied by the proliferation of specialist histories of science. These histories were framed as much by the imperatives of the astronomy of the times as they were by the compulsions of disciplinary differentiation. This paper attempts to contextualise the engagement with the astronomy of India in the histories of astronomy authored in the eighteenth century by the astronomer Jean-Sylvain Bailly. While Bailly’s history of astronomy is not considered very highly among historians of science, the key themes that were to engage the concerns of historians of astronomy working on India for the next century were already in place in Bailly’s history. The paper traces the influence of Jesuit historiography of India on the landscape of French Enlightenment historiography – and in particular on Bailly’s quaint antediluvian theory of the origins of Indian astronomy. The reception of Bailly’s theory of Indian astronomy is also read in context. Consequently, it is argued that in the historiography of Indian astronomy, Bailly’s history marks a liminal moment before the binary dichotomies of the history of science framed the history of Oriental astronomy. RESUM´ E´. — ENTRE HISTORIOGRAPHIE JESUITE´ ET LUMIERES` : L’HISTOIRE DE L’ASTRONOMIE INDIENNE DE JEAN-SYLVAIN BAILLY. – Le processus de (*) Texte re¸cu le 12 octobre 2001, r´evis´e le 8 octobre 2002. D. RAINA, Jawaharlal Nehru University, New Delhi 110070 (India). -
Jonathan Huff MAR Thesis
Durham E-Theses La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 HUFF, JONATHAN,EDWARD How to cite: HUFF, JONATHAN,EDWARD (2015) La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11021/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 2 For my parents, Martin and Julie Huff 3 4 ABSTRACT It is commonly believed that the music of the French Revolution (1789-1799) represented an unusual rupture in compositional praxis. Suddenly patriotic hymns, chansons , operas and instrumental works overthrew the supremacy of music merely for entertainment as the staple of musical life in France. It is the contention of this thesis that this ‘rupture’ had in fact been a long time developing, and that the germ of this process was sown in the philosophie of the previous decades. -
Napoleon and Maneuver Warfare Steven T
'The views expressed are those of the author and do not reflect the official policy or position of the US Air Force, Department of Defense or the US Government.'" USAFA Harmon Memorial Lecture #28 Napoleon and Maneuver Warfare Steven T. Ross, 1985 It is a great honor to be invited to deliver the Twenty-eighth Harmon Memorial lecture. Gen. Hubert Harmon had a lifelong interest in military history. His belief in the enduring importance of the historical study of war is confirmed by the call of many Great Captains to study the history of warfare both for its own sake and to gain greater depth and understanding of current and future problems. Carl von Clausewitz was fully aware of the dangers of oversimplification and mistaken analogies, but, nevertheless, noted that “historical examples clarify everything and also provide the best kind of proof in the empirical sciences. This is particularly true of the art of war.”1 While still a cadet at West Point, George Patton wrote, I believe that in order for a man to become a great soldier . it is necessary for him to be so thoroughly conversant with all sorts of military possibilities that whenever an occasion arises he has at his hand without effort on his part a parallel. To attain this end I think that it is necessary for a man to begin to read military history in its earliest and crudest form and to follow it down in natural sequence permitting his mind to grow with his subject until he can grasp without effort the most abstruse question of the science of war because he is already permeated with all its elements 2 It was, of course, Napoleon who said, "Knowledge of grand tactics is gained only by experience and by the study of the campaigns of all the great captains."3 He also urged officers "to read and reread the campaigns of Alexander, Hannibal, Caesar, Gustavus, Eugene and Frederick. -
Bailly's Ancient Astronomy
From the desk of Pierre Beaudry BAILLY’S METHOD OF DISCOVERY BY EPISTEMOLOGICAL HYPOTHESIS: AN “ANALYSIS SITUS” APPROACH TO THE HISTORY OF ANCIENT ASTRONOMY by Pierre Beaudry, Wednesday, September 09, 2009. “The history of astronomy is an essential part of the history of the human mind.” Jean Sylvain Bailly Jean Sylvain Bailly 1 THE LIFE OF SYLVAIN BAILLY Jean Sylvain Bailly was born on September 15, 1736, in the Louvre Museum, in Paris. His father was the keeper of the Kings Art Collection for which his family had a hereditary appointment. Home-schooled by his father in painting, and the fine arts, and by friends of the family in mathematics and astronomy, Sylvain did not show the talent of painting that his father was hoping he would develop in order to continue the family obligation, but did reveal himself to be a very serious student of astronomy, and had shown, early on, a true proclivity for profound philosophical thinking that he had developed in contact with the works of Gottfried Leibniz. During the earlier part of his life, Bailly made an attempt at literature by writing two tragedies, entitled CLOTAIRE, and IPHIGENIE EN TAURIDE; but his adolescent muse of the arts had not blessed him with literary genius. However, there was a remarkable coincidence in the fact that the story of CLOTAIRE had been about a mayor of Paris who ends his life by being massacred by the Parisian mob- the very destiny that awaited him at the end of his political career. Sylvain spent most of his days, and nights, making observations of stars and planets through one of the windows of the upper gallery of the Louvre, where he had set up a homemade observatory equipped with a telescope.