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Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Perspectives on the Aesthetics & Phenomenology Of
A LIBERATED SONIC SUBLIME: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Anders Bach Pedersen IT University, Copenhagen, Den- mark [email protected] ABSTRACT of music, or we can ultimately try to fathom the sounds in their own existence and in conjunction with one another In this paper I will investigate the aesthetics of electronic to provoke a mood, emotional and/or sensory relation sound synthesis, materiality and the contemporary sub- within the listener. The objectification and paradox in the lime in an analysis and discussion of interrelated phe- effort of materializing sound becomes a personal aes- nomenological, philosophical and cultural considerations thetic judgment of timbre and Kantian aesthetics [4], but I through chosen sound and music examples. I argue that will later in this paper argue that it is in fact an active the aesthetic experience of sonic timbres that seem un- participation in a phenomenological liberation of sound earthly to us resembles that of a transcendental sublime in in continuum of the idea presented by Edgard Varèse [5] the uncanny experience of the synthesis of both known in 1936. I do acknowledge specific types of synthesis – and unknown sounds. Both experimental music and additive, subtractive, FM etc. – with regards to their dif- “switched-on” reinterpretations are addressed through ferent timbral qualities, albeit theory in this area does not explorations of sound in time, space and technology and I serve any major importance for the points made in this discuss if we as listeners are able to differentiate materi- discussion as it is mainly based on aesthetics. ality from its superficial cognates when challenged by In this paper I will firstly discuss the nature of sound sonic doppelgängers. -
3 PC. Skillet Set 16
Page 6. CLOVIS NEWS-JOURNAL, Sun., Sept., 15, 1974 bum also works in a vocal ord "Snowflakes Are Dancing group for accents. (The Newest Sound of Debus- French mountaineer Rock Musician Gets Better This is jazz with a different sy)." Isao Tomita, the Japa- nese maestro of the Moog syn- has gotten the axe By ROBIN WKIJ.ES since that I,P and proves sound. the new in a new LP for RCA can understand every word. else. He plays the alto sax and thesizer, has produced an al- A French mountaineer was Copley News Service Young is as good a writer as called "Perry." To show that Her new album for United HOU.YWOOn- To borrow it's something to hear on his bum that should please both barred from Nepal (of five he is a musician and singer. Artists, pegged on her hit, Conway Twitty has another ;i Madison Avenue phrase, he can still do it, Como in- new album for Blue Note, classicists and devotees of years and fined $800 after four His distinctive voice comes cludes his current hit, "I'll Do Anything It Takes," called "Sweet Lou." fine album, "Honky Tonk An- YuunK isn't getting older — through clear and in complete electronic music. His tongue- members of his 12-man expe- "Weave Me the Sunshine," a comes acorss like a winner. This is not the ordinary kind gel," out on the MCA label. in-cheek rendition of "Golli- he's getting better. Neil control and his guitar and Twitty's own style comes out dition illegally climbed Mt. -
Phr Journal2010.Indd
PHILIPPINE HUMANITIES REVIEW 187 READING NATION (NACION/PATRIA/PUEBLO/ BAYAN/BAHLEY) IN PHILIPPINE 20TH CENTURY ZARZUELAS FOR THE 21ST CENTURY PRISCELINA PATAJO-LEGASTO, PH.D. When my granduncle Pablo Mejia, Pangasinan zarzuela writer, poet, musician, educator, painter, journalist, lexicographer, radio commentator, and public servant wrote and produced his zarzuelas with Olup Mejia during the fi rst decades of the twentieth century, he was addressing a local audience whom he wanted to push to anger against the colonizers, and to infuse them with a love for Filipinas . Th e fi rst task was easy; the second, much harder. Why? Revenge, anger, wanting to get rid of the Spanish offi cials and especially the white curas, all these sentiments had already been articulated in the zarzuelas since, on the experiential level, the audience of Pablo Mejia knew what these meant. Th e second notion of loving Filipinas (patria /nacion/bayan/ dalin ya ninakan) and people of the islands beyond the boundaries of their respective pueblo/bahley/bayan (town) was more abstract; and thus, far more complex. Even more complicated was the concept of damayan (from just “sympathizing” to actually “sacrifi cing” even life and limb) for this abstract entity, Filipinas . pphrhr jjournal2010.inddournal2010.indd SSec1:187ec1:187 111/5/20101/5/2010 99:23:39:23:39 AAMM 188 PATAJO-LEGASTO Th e problematique of this research is to re-cover and understand the concept of nation (French patrie; Spanish nacion, patria, pueblo) or its coeval terms in the Philippine languages (Tagalog -
Michigan Winter Tournament Packet 14
Michigan Winter Tournament "The Holy Roman Empire of Tournaments" Edited by: Harris Bunker, Emmett Laurie, Evan Lynch, Matt Mitchell, Eric Mukherjee, Jacob O'Rourke, Rudra Ranganathan, Conor Thompson, Jeremy Tsai, and Chandler West Written by: The editors, Mollie Bakal, Austin Foos, Beverly Fu, Colton Graham, James Hadley, Sean Higgins, Tyler McMaken, Ameya Phadnis, Aleija Rodriguez, James Stevenson, and Allan VanZandt Packet 14 Tossups: 1. A.J.P. Taylor wrote that the combatants of these conflicts had "become truly independent; they were nobody's satellites." Before being quickly subsumed into another country, revolutionaries freed Himara during one of these conflicts. The final battle in one of these conflicts saw Nikola Ivanov surround another side's forces at Kresna Gorge. One of the first aerial bombings occurred during this war's Siege of (*) Adrianople, or Edirne. A country led by Tsar Ferdinand I relinquished Dobruja during one of these conflicts via the terms of the treaty of Bucharest. For 10 points, name these wars fought in a namesake Peninsula, the first of which saw a coalition battle the Ottomans. ANSWER: Balkan Wars [accept First Balkan War or Second Balkan War] <Stevenson, European History> 2. In this novel, one character is told a prophecy that begins "the high official's fortune will decline."A translation of this book, which gives characters more Latin names like Sapientia and Adamantina, was created by David Hawkes. In two scenes from this novel, a man falls ill after a begonia tree fails to bloom and several maids are accused of infidelity after an embroidered purse is found. -
RCA Consolidated Series, Continued
RCA Discography Part 18 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Consolidated Series, Continued 2500 RCA Red Seal ARL 1 2501 – The Romantic Flute Volume 2 – Jean-Pierre Rampal [1977] (Doppler) Concerto In D Minor For 2 Flutes And Orchestra (With Andraìs Adorjaìn, Flute)/(Romberg) Concerto For Flute And Orchestra, Op. 17 2502 CPL 1 2503 – Chet Atkins Volume 1, A Legendary Performer – Chet Atkins [1977] Ain’tcha Tired of Makin’ Me Blue/I’ve Been Working on the Guitar/Barber Shop Rag/Chinatown, My Chinatown/Oh! By Jingo! Oh! By Gee!/Tiger Rag//Jitterbug Waltz/A Little Bit of Blues/How’s the World Treating You/Medley: In the Pines, Wildwood Flower, On Top of Old Smokey/Michelle/Chet’s Tune APL 1 2504 – A Legendary Performer – Jimmie Rodgers [1977] Sleep Baby Sleep/Blue Yodel #1 ("T" For Texas)/In The Jailhouse Now #2/Ben Dewberry's Final Run/You And My Old Guitar/Whippin' That Old T.B./T.B. Blues/Mule Skinner Blues (Blue Yodel #8)/Old Love Letters (Bring Memories Of You)/Home Call 2505-2509 (no information) APL 1 2510 – No Place to Fall – Steve Young [1978] No Place To Fall/Montgomery In The Rain/Dreamer/Always Loving You/Drift Away/Seven Bridges Road/I Closed My Heart's Door/Don't Think Twice, It's All Right/I Can't Sleep/I've Got The Same Old Blues 2511-2514 (no information) Grunt DXL 1 2515 – Earth – Jefferson Starship [1978] Love Too Good/Count On Me/Take Your Time/Crazy Feelin'/Crazy Feeling/Skateboard/Fire/Show Yourself/Runaway/All Nite Long/All Night Long APL 1 2516 – East Bound and Down – Jerry -
'Standardized Chapel Library Project' Lists
Standardized Library Resources: Baha’i Print Media: 1) The Hidden Words by Baha’u’llah (ISBN-10: 193184707X; ISBN-13: 978-1931847070) Baha’i Publishing (November 2002) A slim book of short verses, originally written in Arabic and Persian, which reflect the “inner essence” of the religious teachings of all the Prophets of God. 2) Gleanings from the Writings of Baha’u’llah by Baha’u’llah (ISBN-10: 1931847223; ISBN-13: 978-1931847223) Baha’i Publishing (December 2005) Selected passages representing important themes in Baha’u’llah’s writings, such as spiritual evolution, justice, peace, harmony between races and peoples of the world, and the transformation of the individual and society. 3) Some Answered Questions by Abdul-Baham, Laura Clifford Barney and Leslie A. Loveless (ISBN-10: 0877431906; ISBN-13 978-0877431909) Baha’i Publishing, (June 1984) A popular collection of informal “table talks” which address a wide range of spiritual, philosophical, and social questions. 4) The Kitab-i-Iqan Book of Certitude by Baha’u’llah (ISBN-10: 1931847088; ISBN-13: 978:1931847087) Baha’i Publishing (May 2003) Baha’u’llah explains the underlying unity of the world’s religions and the revelations humankind have received from the Prophets of God. 5) God Speaks Again by Kenneth E. Bowers (ISBN-10: 1931847126; ISBN-13: 978- 1931847124) Baha’i Publishing (March 2004) Chronicles the struggles of Baha’u’llah, his voluminous teachings and Baha’u’llah’s legacy which include his teachings for the Baha’i faith. 6) God Passes By by Shoghi Effendi (ISBN-10: 0877430209; ISBN-13: 978-0877430209) Baha’i Publishing (June 1974) A history of the first 100 years of the Baha’i faith, 1844-1944 written by its appointed guardian. -
Epoca Bizantină
Epoca Bizantină Urme materiale, secolele III, IV și V en Deși teritoriul nostru nu a făcut parte integrantă din Imperiul Bizantin, în cele ce urmează perioada de timp cuprinsă între epoca romană și cea feudală va fi denumită generic Epoca Bizantină, pentru a urma cursul firesc al Istoriei Bisericii Ortodoxe, cea care a consemnat faptele, obiceiurile și tradițiile, războaiele sau calamitățile vremurilor. Chiar dacă la Nord de Dunăre puterea militară și osul sănătos au fost de partea triburilor barbare, migratoare, aproape toate sursele istoriografice au fost produse de scribii bizantini sau romani. Urmele materiale identificate arheologic sunt și ele destul de limitate iar datarea lor s-a făcut de cele mai multe ori prin analogie cu cronologia romană. Aflat la granița de nord a teritoriului controlat de romani, teritoriul nostru a fost permanent în interacțiune activă cu marele imperiu, fie prin schimburi comerciale, fie prin confruntări militare. Toți sclavii eliberați sau fugiți, toți renegații și nemulțumiții Imperiului Bizantin, toți hoții și infractorii, pe scurt toți dușmanii Imperiului Roman și mai apoi ai celui Bizantin au găsit adăpost și refugiu la Nord de Dunăre. La aceștia se adaugă sutele de mii, sau în timp chiar milioanele de prizonieri de război, colonizați pe teritoriul nostru în așteptarea răscumpărării. Chiar dacă nu a existat un proces coherent de colonizare activă, organizat de o armată învingătoare, teritoriul nostru a fost colonizat progresiv cu locuitori ai Imperiului, coloniști ce au adus cu ei limba, obiceiurile și tradițiile, moneda sau averea lor. Este greu de spus dacă această politică a fost dirijată activ de împărații și capii bisericii, sau a fost doar rezultatul unei selecții naturale, dar majoritatea textelor lasă de înțeles că bizantinii au purtat serii de negocieri cu triburile invadatoare înainte de declanșarea fiecărui război. -
Inventory of the Oriental Manuscripts of the Library of the University of Leiden
INVENTORIES OF COLLECTIONS OF ORIENTAL MANUSCRIPTS INVENTORY OF THE ORIENTAL MANUSCRIPTS OF THE LIBRARY OF THE UNIVERSITY OF LEIDEN VOLUME 2 MANUSCRIPTS OR. 1001 – OR. 2000 REGISTERED IN LEIDEN UNIVERSITY LIBRARY IN THE PERIOD BETWEEN 1665 AND 1871 COMPILED BY JAN JUST WITKAM PROFESSOR OF PALEOGRAPHY AND CODICOLOGY OF THE ISLAMIC WORLD IN LEIDEN UNIVERSITY INTERPRES LEGATI WARNERIANI TER LUGT PRESS LEIDEN 2007 © Copyright by Jan Just Witkam & Ter Lugt Press, Leiden, The Netherlands, 2006, 2007. The form and contents of the present inventory are protected by Dutch and international copyright law and database legislation. All use other than within the framework of the law is forbidden and liable to prosecution. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission of the author and the publisher. First electronic publication: 27 October 2006. Latest update: 13 August 2007 © Copyright by Jan Just Witkam & Ter Lugt Press, Leiden, The Netherlands, 2006, 2007 2 PREFACE The arrangement of the present volume of the Inventories of Oriental manuscripts in Leiden University Library does not differ in any specific way from the volumes which have been published earlier. For the sake of brevity I refer to my prefaces in those volumes. A few essentials my be repeated here. Not all manuscripts mentioned in the present volume were viewed by autopsy, but many were. The sheer number of manuscripts makes this impossible. At a later stage this may be achieved, but trying to achieve this at the present stage of inventorizing would seriously hamper the progress of the present project. -
To the Strongest! Ancient Army Lists
Updated 30/9/2020 Early Thracian ................................................................. 56 Table of Contents Illyrian ............................................................................... 57 Lydian ............................................................................... 58 Introduction.............................................................. 3 Early Hoplite Greek ....................................................... 59 Version Control ........................................................ 3 Cyrenean Greek ............................................................... 61 I Third Millennium .................................................. 4 Syracusan .......................................................................... 63 Dynastic Sumerian............................................................. 4 Athenian ........................................................................... 65 Old Elam ............................................................................ 6 Spartan .............................................................................. 66 Early Eblan ......................................................................... 9 Theban .............................................................................. 68 Amorite Nomads ............................................................. 11 Thessalian ......................................................................... 70 Hattian Kingdoms ........................................................... 13 Other Greek City -
ELEKTRONISCHE MUSIK and SOUND SYNTHESIS Serialism Serialism Was First Developed by Arnold Schoenberg in the Early 1920'S. It I
ELEKTRONISCHE MUSIK AND SOUND SYNTHESIS Serialism Serialism was first developed by Arnold Schoenberg in the early 1920's. It is a method of com- position whereby all 12 notes of the equal tempered scale are organised in a fixed permuta- tion/order/series. The piece of music is then constructed entirely out of this series, or closely related variations such as retrograde (reversed) or inversion (flipped upside down)1. Composers then extended this techniques to elements other than pitch, such as rhythms and tim- bre, and eventually began to control all of these elements using serialism simultaneously, and this became known as total serialism2. Elektronische Musik Elektronische Musik, was a term originally coined by the German's Werner Meyer-Eppler, Her- bert Eimert, and Bobert Beyer, to describe their approach to creating electronic music (obvi- ously it translates as `electronic music') in the early 1950's (so shortly after the creation of the first pieces of Musique Concr`ete). Elektronische Musik differed from Musique Concr`ete on 2 fundamental levels: (1) All of the sounds were to be created by electronic oscillators (Additive Synthesis) and noise generators (Subtractive Synthesis), i.e.: • They were striving to create entirely new sounds, not use sounds from the real world (2) All of the sounds were organised using total serialism, i.e.: • Elektronische Musik pieces began as an abstract plan, and then the sounds were created to achieve this plan (remember in Musique Concr`ete the music was abstracted from the sounds themselves). Karlheinz Stochausen (who had worked with Pierre Schaefer at the RTF studio in Paris) is probably the most famous of the Elektronische Musik composers. -
FOLIA ANTHROPOLOGICA Tudományos És Módszertani Folyóirat
NYUGAT-MAGYARORSZÁGI EGYETEM TERMÉSZETTUDOMÁNYI ÉS MŰSZAKI KAR FOLIA ANTHROPOLOGICA Szerkeszti TÓTH GÁBOR 15. kötet SZOMBATHELY 2016 FOLIA ANTHROPOLOGICA Tudományos és módszertani folyóirat ALAPÍTOTTA 1997-ben Kápolnásnyéken, a Vörösmarty Mihály Emlékmúzeumban, a FIATAL ANTROPOLÓGUSOK TÁRSASÁGA Szerkeszti: TÓTH GÁBOR Szerkesztőbizottság: BERNERT ZSOLT BUDA BOTOND KUSTÁR ÁGNES SUSKOVICS CSILLA SZIKOSSY ILDIKÓ TARGUBÁNÉ RENDES KATALIN Felelős kiadó: Kiadja a NYME Kiadó Prof. Dr. Németh Róbert Tudományos és külügyi rektorhelyettes HU ISSN 1786-5654 A szerkesztő címe: Editor: Dr. G. A. Tóth, PhD. University of West Hungary, Dr. habil. Tóth Gábor PhD. Institute of Biology NyME, Biológia Intézet 9700 Szombathely, 9700 Szombathely, Károlyi Gáspár tér 4. Károlyi G. tér 4. [email protected] HUNGARY http://ttk.nyme.hu/blgi/folia/Lapok/default.aspx A tanulmányok két lektor véleményének figyelembe vétele után kerültek közlésre. Folia Anthropologica 15; 3. (2016) TARTALOM Waidhofer, Marika Directional asymmetry of the upper limb bones among 5. Kirchengast, Sylvia Avar skeletons from Eastern Austria Suskovics Csilla Spermarchekorok Magyarországon. Legújabb eredmény: Kaposvár 19. Tóth Gábor Mydlárová Blaščáková, Association between selected hormones and minerals in Slovak 23. Marta women with postmenopausal osteoporosis Tomková, Zlatica Nagy, Melinda Poráčová, Janka Bicáková, Lucia Barkáts, Norbert Buda Botond L. Alvó város - A Körmendi Növekedésvizsgálat (2008) szomnológiai 29. Marksz Lilla eredményeiből Tóth Gábor A. Kiss Eszter Párkapcsolati