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An Analysis of Honegger's Cello Concerto
AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S -
December 1940) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1940 Volume 58, Number 12 (December 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 12 (December 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/59 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. —— THE ETUDE Price 25 Cents mueie magazine i — ' — ; — i——— : ^ as&s&2i&&i£'!%i£''££. £&. IIEHBI^H JDiauo albums fcj m Christmas flarpms for JfluStc Jfolk IS Cljiistmas iSnraaiitS— UNTIL DECEMBER 31, 1940 ONLY) (POSTPAID PRICES GOOD CONSOLE A Collection Ixecttalist# STANDARD HISTORY OF AT THE — for £111 from Pegtnner# to CHILD’S OWN BOOK OF of Transcriptions from the Masters Revised Edition PlAVUMfl MUSIC—Latest, GREAT MUSICIANS for the Pipe Organ or Electronic DECEMBER 31, 1940 By James Francis Cooke Type of Organ Compiled and MYllfisSiiQS'K PRICES ARE IN EFFECT ONLY UP TO By Thomas -
Cultural Influences of Organ Music Composed by African American Women Author(S): Carol Rittersource: College Music Symposium , Vol
Cultural Influences of Organ Music Composed by African American Women Author(s): Carol RitterSource: College Music Symposium , Vol. 55 (2015) Published by: College Music Society Stable URL: https://www.jstor.org/stable/10.2307/26574395 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms College Music Society is collaborating with JSTOR to digitize, preserve and extend access to College Music Symposium This content downloaded from 86.59.13.237 on Thu, 08 Jul 2021 11:46:58 UTC All use subject to https://about.jstor.org/terms Cultural Influences of Organ Music Composed by African American Women Carol Ritter Volume 55 2015 Cultural Influences on Organ Music Written By African American Women 1 Abstract In this paper, major events in African American history are described and contrasted with the history of organ music written by African American women in the twentieth- and the twenty-first centuries. The discussion includes the emergence of women's rights, especially women composers. The author traces the beginnings of African American women composers from church music to all other forms of musical performance. Included in the paper are the history, works, and styles of Florence Price (1887-1953), Undine Smith Moore (1905-1989), Zenobia Powell Perry (1908-2004), Betty Jackson King (1928-1994), Shirley Scott (1934-2002), Judith Marie Baity (b. -
Faurã©, Through Boulanger, to Copland: the Nature of Influence
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 4 Issue 1 Article 9 January 2011 Fauré, through Boulanger, to Copland: The Nature of Influence Edward R. Phillips [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Phillips, Edward R. (2011) "Fauré, through Boulanger, to Copland: The Nature of Influence," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 4 : Iss. 1 , Article 9. Available at: https://trace.tennessee.edu/gamut/vol4/iss1/9 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part III), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. FAURÉ, THROUGH BOULANGER, TO COPLAND: THE NATURE OF INFLUENCE EDWARD R. PHILLIPS Nymphs of the woods, Goddesses of the fountains, Expert singers of all nations, Change your voices, So clear and high, To cutting cries and lamentations Since Atropos, the very terrible satrap, Has caught in her trap your Ockeghem, True treasure of music . Dress in your clothes of mourning, Josquin, Piersson, Brumel, Compère, And cry great tears of sorrow for having lost Your dear father. n the late fifteenth century, Josquin set this text—“Nymphes des bois,” La déploration sur la I mort de Johannes Ockeghem—as a commemoration of the older composer, “le bon père” of Josquin and his contemporaries Brumel, Compère, and Pierre de la Rue. -
The Music of Randall Thompson a Documented
THE MUSIC OF RANDALL THOMPSON (1899-1984) A DOCUMENTED CATALOGUE By Carl B. Schmidt Elizabeth K. Schmidt In memory of RANDALL THOMPSON ' for VARNEY THOMPSON ELLIOTT (†) CLINTON ELLIOTT III EDWARD SAMUEL WHITNEY THOMPSON (†) ROSEMARY THOMPSON (†) RANDALL THOMPSON JR. HAROLD C. SCHMIDT (†) and for E. C. SCHIRMER MUSIC COMPANY a division of ECS Publishing Group © 2014 by E. C. Schirmer Music Company, Inc., a division of ECS Publishing 1727 Larkin Williams Road, Fenton, MO 63026-2024 All rights reserved. Published 2014 Printed in the United States of America ISBN 978-0-911318-02-9 Library of Congress Cataloging-in-Publication Data Schmidt, Carl B. The music of Randall Thompson (1899-1984) : a documented catalogue / by Carl B. Schmidt [and] Elizabeth K. Schmidt. pages cm Includes bibliographical references and index. ISBN 978-0-911318-02-9 1. Thompson, Randall, 1899-1984--Bibliography. I. Schmidt, Elizabeth K. II. Title. ML134.T42S36 2015 016.78092--dc23 2014044640 Since I first went to Rome in 1922, Italian culture, the Italian people and the Italian language have been the strongest single influence on my intellectual and artistic development as a person and as a composer. So true is this that I cannot imagine what my life would be without all the bonds that bind me in loyalty and devotion to Italy and to my Italian friends. 13 June 1959 letter from Thompson to Alfredo Trinchieri Thompson always makes you think there is nothing as beautiful, as rich, or as varied as the sounds of the human voice. Alfred Frankenstein, San Francisco Chronicle (24 May 1958) It is one of the lovely pieces our country has produced, that any country, indeed, has produced in our century. -
Arthur Honegger'in Müziği Ve Viyolonsel Konçertosu
T.C. ULUDA Ğ ÜN İVERS İTES İ SOSYAL B İLİMLER ENST İTÜSÜ MÜZ İK ANASANAT DALI YAYLI ÇALGILAR SANAT DALI ARTHUR HONEGGER’ İN MÜZ İĞİ VE V İYOLONSEL KONÇERTOSU (YÜKSEK L İSANS SANAT ESER İ MET İN ÇALI ŞMASI) Ali Kaan KAPLAN BURSA - 2015 T.C. ULUDA Ğ ÜN İVERS İTES İ SOSYAL B İLİMLER ENST İTÜSÜ MÜZ İK ANASANAT DALI YAYLI ÇALGILAR SANAT DALI ARTHUR HONEGGER’ İN MÜZ İĞİ VE V İYOLONSEL KONÇERTOSU (YÜKSEK L İSANS SANAT ESER İ MET İN ÇALI ŞMASI) Ali Kaan KAPLAN Danı şman: Prof. İsmail GÖ ĞÜŞ BURSA - 2015 ÖZET Yazarın Adı ve Soyadı : Ali Kaan KAPLAN Üniversite : Uluda ğ Üniversitesi Enstitü : Sosyal Bilimler Enstitüsü Anasanat Dalı : Müzik Sanat Dalı : Yaylı Çalgılar Tezin/Çalı şmanın Niteli ği : Yüksek Lisans Sayfa Sayısı : xii+112 Mezuniyet Tarihi : .../..../2015 Tez Danı şmanı : Prof. İsmail GÖ ĞÜŞ ARTHUR HONEGGER’ İN MÜZ İĞİ VE V İYOLONSEL KONÇERTOSU Arthur Honegger, 20. yüzyılın bestecileri arasında, adı her ne kadar az telaffuz edilse de oldukça önemli bir yere sahiptir. Daha gençlik yıllarında önemli bir besteci olarak “Fransız Altıları”ndan birisi olmayı ba şarmı ştır. Ba şta Dmitri Shostakovich olmak üzere bazı bestecilere örnek olan Honegger, ya şamı boyunca ini şli-çıkı şlı dönemler ya şamı ş fakat her türlü durumda gererek büyük bir özveri ile çalışmı ş, sürekli eser üretmi ştir. Üretti ği eserlerde, birçok akımın özelliklerini kendi sanat vizyonu ile harmanlamı ş, klasik formlara yeni boyutlar kazandırmı ş ve kendi müzikal kimli ğini olu şturmu ştur. Hayranı oldu ğu Bach’ı ve Beethoven’ı sürekli olarak, Claude Debussy’yi de daha çok gençlik yıllarında örnek almı ştır. -
Committee's Report
COMMITTEE’S REPORT (filed by committees that support or oppose one or more candidates and/or propositions and that are not candidate committees) 1. Full Name and Address of Political Committee OFFICE USE ONLY ENTERGY CORPORATION POLITICAL ACTION COMMITTEE (ENPAC) Report Number: 19765 425 West Capitol Avenue Ste24B Date Filed: 4/8/2010 Little Rock, AR 72201 Report Includes Schedules: Schedule A-1 2. Date of Primary 3/8/2010 Schedule A-3 Schedule E-1 This report covers from 2/1/2010 through 2/28/2010 Schedule E-3 3. Type of Report: 180th day prior to primary 40th day after general 90th day prior to primary Annual (future election) X 30th day prior to primary Monthly 10th day prior to primary X 10th day prior to general Amendment to prior report 4. All Committee Officers (including Chairperson, Treasurer, if any, and any other committee officers) a. Name b. Position c. Address Chairperson , KAY ARNOLD Treasurer 425 West Capitol Avenue Suite 40B Little Rock, AR 72201 5. Candidates or Propositions the Committee is Supporting or Opposing (use additional sheets if necessary) a. Name & Address of Candidate/Description of Proposition b. Office Sought c. Political Party d. Support/Oppose On attached sheet 6. Is the Committee supporting the entire ticket of a political party? Yes X No If “yes”, which party? 7. a. Name of Person Preparing Report b. Daytime Telephone 8. WE HEREBY CERTIFY that the information contained in this report and the attached schedules is true and correct to the best of our knowledge , information and belief, and that no expenditures have been made nor contributions received that have not been reported herein, and that no information required to be reported by the Louisiana Campaign Finance Disclosure Act has been deliberately omitted . -
1997 September-October ADCA Dexter Bulletin
The Dexter Bulletin Volume 37- No. 5 September I October, 1997 1997 Calgary Stampede Hosts· Dexter Cattle Debut Show Dexter cattle breeders competed in their own beef breed show for the first time at the Calgary Stampede, July 12. This show was the first-ever Dexter breed competition at a major international livestock event anywhere in North America. The breeders exhibited around 40 head. Judge Douglas Henderson, Lacombe, evalutated the entries. HIYU Salty Rambler IV, a two-year old bull, won the Grand Champion honors. Rambler, earlier named Senior Champion Bull, is owned by Carol Davidson, Ladysmith, B.C. Holly Hardman, Calgary, took Reserve Champion Bull award \-Vith Darby Day Fauntleroy, a yearling, who had been earlier chosen as the Junior Champion Bull. Among the female line-up, Henderson HIYU Salty Rambler IV and HIYU Scilla with her calf. opted for HIYU Scilla with her calf at side as the Grand Champion Female. The pair owned by Davidson, had been previously named Senior Champion Female. The Reserve Female Championship went to Davidson also. HIYU Buxom Rose had previously taken the Junior Champion Female ribbon. Other female category winners included: Female Calf Champion Davidson; Res. Female Calf Champion Davidson; Res. Junior Champion Female - Davidson; and Res. Senior Champion - Donna Hutchinson, Rimbey. In the bull division, other winners included: Bull Calf Champion - Davidson; Res. Bull Calf Champion - Davidson; and Res. Junior Champion Bull-Hardman. Davidson completed her successful day by winning the two group classes: The Dexter Show is one of more than 40 agriculture-related International Breeder's Herd and Get-of-Sire. -
Eastman Celebrates Debussy at 150 October 11–14, 2012
EASTMAN NOTESSUMMER 2012 Eastman Celebrates Debussy at 150 October 11–14, 2012 • 50th reunion celebration Join your fellow (classes of 1961 and 1962) • Recognition of the 1961–62 Eastman Eastman alumni for Philharmonia European Tour • A tribute to Eastman’s legendary jazz a spectacular weekend! professor and renowned arranger, Rayburn Wright, and a reunion of his students Reunion class members, all alumni, • A Catherine Filene Shouse Arts parents, and families are welcome. Leadership Program (ALP) reunion • 20th anniversary celebration of Visit www.esm.rochester.edu/alumni/weekend Eastman’s guitar program for full information and regular updates! • Prismatic Debussy: Celebrate Debussy’s 150th birthday with an all-ensembles REGISTER BY OCTOBER 1, 2012 concert of his music in Kodak Hall { SUMMER 2012 } Before he was “Claude de France,” Debussy was a favorite son. The composer is shown here in a 1906 photograph with his mother, Victorine, and his father, Manuel-Achille. 3 Brief Notes 26 School News 30 Recordings 18 22 The Sound David 33 Celebrating Alumni Notes 10 World of Craighead 37 Debussy’s 150th a Baroque and Tributes, Master Zvi Zeitlin In Memoriam Extravagant, intimate, experimental, and more: Eastman explores the many Eastman Rochester A student and a 38 Organ Initiative colleague remember Faculty Notes facets of France’s great composer on his investigates J.S. Bach two legendary 39 150th birthday. and the organ. Eastman musicians. Student Notes 40 ON THE COVER: Our cover pays homage to Claude Debussy with a colorful collage by New York artist Doug Fitch From the Dean that brings together several Debussyan elements; see page 14 for a key. -
KORNGOLD and HIS WORLD August 9–11 and 16–18, 2019
SUMMERSCAPE KORNGOLD AND HIS WORLD August 9–11 and 16–18, 2019 BARD Vienna Secession. The building, dedicated in 1898, was designed by Joseph Maria Olbrich; the stalls in the central market extend as far as the Karlsplatz. Bruno Reiffenstein, 1899 KORNGOLD AND HIS WORLD August 9–11 and 16–18, 2019 Leon Botstein and Christopher H. Gibbs, Artistic Directors Daniel Goldmark and Kevin C. Karnes, Scholars in Residence 2019 Irene Zedlacher, Executive Director Raissa St. Pierre ’87, Associate Director Founded in 1990, the Bard Music Festival has established its unique identity in the classical concert field by presenting programs that, through performance and discussion, place selected works in the cultural and social context of the composer’s world. Programs of the Bard Music Festival offer a point of view. The intimate communication of recital and chamber music and the excitement of full orchestral and choral works are complemented by informative preconcert talks, panel discussions by renowned musicians and scholars, and special events. In addition, each season Princeton University Press publishes a book of essays, translations, and correspondence relating to the festival’s central figure. By providing an illuminating context, the festival encourages listeners and musicians alike to rediscover the powerful, expressive nature of familiar compositions and to become acquainted with less well-known works. Since its inaugural season, the Bard Music Festival has entered the worlds of Brahms, Mendelssohn, Richard Strauss, Dvorˇák, Schumann, Bartók, Ives, Haydn, Tchaikovsky, Schoenberg, Beethoven, Debussy, Mahler, Janácˇek, Shostakovich, Copland, Liszt, Elgar, Prokofiev, Wagner, Berg, Sibelius, Saint-Saëns, Stravinsky, Schubert, Carlos Chávez, Puccini, Chopin, Rimsky-Korsakov, and Korngold. -
Before the Arkansas Public Service Commission In
APSC FILED Time: 11/27/2012 8:15:41 AM: Recvd 11/27/2012 8:13:40 AM: Docket 10-074-u-Doc. 41 BEFORE THE ARKANSAS PUBLIC SERVICE COMMISSION IN THE MATTER OF THE APPLICATION OF SOUTHWESTERN ELECTRIC POWER COMPANY FOR A CERTIFICATE OF ENVIRONMENTAL COMPATIBILITY AND PUBLIC NEED FOR THE CONSTRUCTION OWNERSHIP, OPERATION AND MAINTENANCE DOCKET NO: 10-074-U OF THE PROPOSED FLINT CREEK TO SHIPE ROAD PROJECT AND ASSOCIATED FACILITIES TO BE LOCATED IN BENTON COUNTY, ARKANSAS AFFIDAVIT OF NOTICE STATE OF ARKANSAS) COUNTY OF BENTON ) The undersigned, David R. Matthews, upon his oath deposes and says: 1. That I am of legal age and am competent to testify regarding the matters states herein. 2. That on November 7, 2012, I mailed the Notice of filing of application for Amendment of Certificate of Environmental Compatibility and Public Need with attached maps to all persons listed on the attached mailing lists by certified mail, return receipt, with sufficient postage thereon. A copy of said notice and letters mailed to the landowners, librarians and governmental officials are attached hereto. Further affiant sayeth not APSC FILED Time: 11/27/2012 8:15:41 AM: Recvd 11/27/2012 8:13:40 AM: Docket 10-074-u-Doc. 41 SUBSCRIBED AND SWORN TO before me, the undersigned Notary Public, on thisfdaY of November, 2012 cm Notary Public My Commission Expires: OFFICIAL SEAL SUSAN A HUNTHROp ARY PUBLIC ARKANSAS BENTON COUNTY MMISSION No 12388092 FMMISSION EXP, 06/01/2022 APSC FILED Time: 11/27/2012 8:15:41 AM: Recvd 11/27/2012 8:13:40 AM: Docket 10-074-u-Doc. -
American Heritage Center 2009-2010 Annual Report
Non-Profit Organization American Heritage Center U.S. Postage PAID Dept. 3924 Great Falls, MT 1000 E. University Ave. Permit NO. 151 Laramie, WY 82071 American Heritage Center 2009-2010 Annual Report THE AMERICAN HERITAGE • Outstanding curricular • An active program of outreach CENTER is the repository for the support at both the and service to the state, I N C O M E University of Wyoming’s (UW) undergraduate and graduate including K-12 teachers and SOURCES AMOUNT special collections and archives, levels, in an unusually wide students, promoting historical State Appropriations 702,029 including the university’s rare variety of departments and literacy, competence, and Patron (User) Services 42,312 books library and one of the largest colleges at the university, engagement. Anaconda 46,602 manuscript collections in the U.S. taking full advantage of the • A national model of collection Kuehn Endowment 149,494 breadth of our collections. development, management, Coe Endowment 248,125 AMERICAN HERITAGE CENTER OUR VISION • Personalized, connected and cataloging, statewide Simpson 80,971 Gift Account 38,342 Operating Budget The American Heritage Center instruction for students leadership on the complex History Day that introduces them to the issues surrounding electronic 19,138 July 1, 2009 - June 30, 2010 (AHC) aspires to be widely Grant 18,719 acknowledged—by the University intellectual, creative, and source material—their Other Project/Endowment Accounts 249,850 community, by the people of logistical challenges of doing generation, assessment, TOTAL $1,595,581 Wyoming, by scholars world- original research with primary preservation, and long-term wide, and by our professional sources.