The House of Experiment in Seventeenth-Century England
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John Denham: New Letters and Documents
JOHN DENHAM: NEW LETTERS AND DOCUMENTS HILTON KELLIHER IT was inevitable that the fundamental divisions made in English society by the Civil Wars should affect the ranks of the poets and playwrights, and unsurprising that the former largely and the latter almost entirely would adhere to the king's party. Not that, from our more distant vantage-point at least, the literary advantage lay with the larger faction. When the lines were drawn the Parliamentarians could muster Milton, Marvell, the young Dryden, and, proximum longo intervalloj the elderly George Wither, who had done his best work in the reign of James L Edmund Waller occupied an unenviable position between the two camps; while Cowley, Denham, Fanshawe, Lovelace, Quarks, and Suckling, along with the dramatists Davenant, the two Killigrews and Shirley, are the most notable of those who either served Charles I or his successor in exile or suffered directly on their behalf. Among the latter party John Denham (fig. i) occupied in political terms a moderately distinguished place, acting as agent at home and as envoy abroad to both Charles Stuarts in turn. As a poet he is chiefly remembered as the author of Cooper^s Hill^ the first great topographical poem in the language, and he is sometimes said to be the one who did most to promote the transition of English verse from the Metaphysical to the Augustan mode. The purpose of the present rather disjointed notes is to supplement the very different but equally indispensable accounts given by his earliest biographer, John Aubrey,^ and his latest, Brendan O'Hehir,^ with some letters and documents that have recently come to light, more especially relating to his life in exile on the Continent between September 1648 and March 1653. -
Remembering King Charles I: History, Art and Polemics from the Restoration to the Reform Act T
REMEMBERING KING CHARLES I: HISTORY, ART AND POLEMICS FROM THE RESTORATION TO THE REFORM ACT T. J. Allen Abstract: The term Restoration can be used simply to refer to the restored monarchy under Charles II, following the Commonwealth period. But it can also be applied to a broader programme of restoring the crown’s traditional prerogatives and rehabilitating the reign of the king’s father, Charles I. Examples of this can be seen in the placement of an equestrian statue of Charles I at Charing Cross and a related poem by Edmund Waller. But these works form elements in a process that continued for 200 years in which the memory of Charles I fused with contemporary constitutional debates. The equestrian statue of Charles I at Charing Cross, produced by the French sculptor Hubert Le Sueur c1633 and erected in 1675. Photograph: T. J. Allen At the southern end of Trafalgar Square, looking towards Whitehall, stands an equestrian statue of Charles I. This is set on a pedestal whose design has been attributed to Sir Christopher Wren and was carved by Joshua Marshall, Master Mason to Charles II. The bronze figure was originally commissioned by Richard Weston (First Earl of Portland, the king’s Lord High Treasurer) and was produced by the French sculptor Hubert Le Sueur in the early 1630s. It originally stood in 46 VIDES 2014 the grounds of Weston’s house in Surrey, but as a consequence of the Civil War was later confiscated and then hidden. The statue’s existence again came to official attention following the Restoration, when it was acquired by the crown, and in 1675 placed in its current location. -
The Reception of Hobbes's Leviathan
This is a repository copy of The reception of Hobbes's Leviathan. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/71534/ Version: Published Version Book Section: Parkin, Jon (2007) The reception of Hobbes's Leviathan. In: Springborg, Patricia, (ed.) The Cambridge Companion to Hobbes's Leviathan. The Cambridge Companions to Philosophy, Religion and Culture . Cambridge University Press , Cambridge , pp. 441-459. https://doi.org/10.1017/CCOL0521836670.020 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ jon parkin 19 The Reception of Hobbes’s Leviathan The traditional story about the reception of Leviathan was that it was a book that was rejected rather than read seriously.1 Leviathan’s perverse amalgamation of controversial doctrine, so the story goes, earned it universal condemnation. Hobbes was outed as an athe- ist and discredited almost as soon as the work appeared. Subsequent criticism was seen to be the idle pursuit of a discredited text, an exer- cise upon which young militant churchmen could cut their teeth, as William Warburton observed in the eighteenth century.2 We need to be aware, however, that this was a story that was largely the cre- ation of Hobbes’s intellectual opponents, writers with an interest in sidelining Leviathan from the mainstream of the history of ideas. -
The Mindful Hand
The mindful hand 99780-07_The780-07_The MMindfulindful HHand_Voorweriand_Voorweri i 113-09-20073-09-2007 009:39:359:39:35 History of Science and Scholarship in the Netherlands, volume 9 The series History of Science and Scholarship in the Netherlands presents studies on a variety of subjects in the history of science, scholarship and academic institutions in the Netherlands. Titles in this series 1. Rienk Vermij, The Calvinist Copernicans. The reception of the new astronomy in the Dutch Republic, 1575-1750. 2002, isbn 90-6984-340-4 2. Gerhard Wiesenfeldt, Leerer Raum in Minervas Haus. Experimentelle Naturlehre an der Universität Leiden, 1675-1715, 2002, isbn 90-6984-339-0 3. Rina Knoeff, Herman Boerhaave (1668-1738). Calvinist chemist and physician. 2002, isbn 90-6984-342-0 4. Johanna Levelt Sengers, How fl uids unmix. Discoveries by the School of Van der Waals and Kamerlingh Onnes. 2002, isbn 90-6984-357-9 5. Jacques L.R. Touret and Robert P.W. Visser, editors, Dutch pioneers of the earth sciences, 2004, isbn 90-6984-389-7 6. Renée E. Kistemaker, Natalya P. Kopaneva, Debora J. Meijers and Georgy Vilinbakhov, editors, The Paper Museum of the Academy of Sciences in St Peterburg (c. 1725-1760), Introduction and Interpretation, 2005, isbn 90-6984-424-9, isbn dvd 90-6984-425-7, isbn Book and dvd 90-6984-426-5 7. Charles van den Heuvel, ‘De Huysbou’. A reconstruction of an unfi nished treatise on architecture, town planning and civil engineering by Simon Stevin, 2005, isbn 90-6984- 432-x 8. Florike Egmond, Paul Hoftijzer and Robert P.W. -
Andrew Marvell Newsletter | Vol
Andrew Marvell Newsletter | Vol. 6, No. 2 | Winter 2014 THE INSTABILITY OF MARVELL’S BERMUDAS BY TIMOTHY RAYLOR I How should we take Bermudas?1 Is it a straightforward propaganda poem, commemorating the commencement of the godly governorship of the newly appointed Somers Island commissioner and erstwhile colonist, John Oxenbridge? Or is the poem shot through with doubts and questions—with ironies that call into question the actions and purity of motive of its singing rowers? Both positions have been urged: the former especially in the nineteenth century, when Marvell came first to critical notice; the latter more commonly in the twentieth. The eighth edition of the Encyclopaedia Britannica (1853-60), for example, cited the poem approvingly as “one of the finest strains of the Puritan muse.”2 But in the twentieth century challenges to the propagandistic reading came from two directions. One was the New Criticism, with its tendency to read any narrative frame, any instance of playful wit, as debilitating irony—an approach to which the poem lends ample ammunition. The second direction was historical. As the early history of the Bermuda colony came to be better understood, the gap between that history—natural, economic, and religious—and Marvell’s poetic recreation of it came to appear so pointed as to be explainable only in terms of an ironic counter-narrative.3 From the natural and economic historical points of view, high hopes of vast resources were soon dashed. From the point of view of religion, the colony was not predominantly or even notably Puritan, and although we find a small tradition of Puritan ministers, including Oxenbridge himself, making their way there during the century, the Bermudas were settled in the first instance largely by economic migrants. -
STEVEN SHAPIN Place of Birth
CURRICULUM VITAE Name: STEVEN SHAPIN Place of Birth: New York, NY Nationality: U.S.A. Education: (i) 1961-1966: Reed College, Portland, Oregon: B.A. (Major subject: Biology). (ii) 1966-1967: University of Wisconsin, Madison, Wisconsin: Post-graduate study in Department of Genetics. (iii) 1968-1971: University of Pennsylvania, Philadelphia, Pennsylvania: M.A., Ph.D. in History & Sociology of Science: Thesis: “The Royal Society of Edinburgh: A Study of the Social Context of Hanoverian Science.” Academic Employment: (i) 1972: Keele University, Keele, Staffordshire: Visiting Research Fellow in History of Science. (ii) 1973-1988: Edinburgh University, Science Studies Unit: Lecturer in Science Studies. (iii) 1988-1989: 1 Edinburgh University, Science Studies Unit: Reader in Science Studies. (iv) 1979 (summer): University of Pennsylvania, Department of History & Sociology of Science: Visiting Professor, teaching postgraduate course on sociological methods in history of science. (v) 1979-1980: John Simon Guggenheim Memorial Foundation Fellow: Visiting Fellow in Department of History & Sociology of Science, University of Pennsylvania. (vi) 1986 (spring): Simon P. Silverman Distinguished Visiting Professor, Institute for the History & Philosophy of Science & Ideas, Tel-Aviv University. (vii) 1996-1997: Fellow, Center for Advanced Study in the Behavioral Sciences, Stanford, CA. (viii) 2001 (Fall Semester): Visiting Professor, Department of the History of Science, Harvard University. (ix) 1989-2003: Professor of Sociology, University of California, San Diego (1994-98: also Adjunct Professor of History). (x) 2004- : Franklin L. Ford Professor of the History of Science, Harvard University. (xi) January-May 2012: Visiting Professor of History at Columbia University. 2 (xii) May-June 2012: S. T. Lee Visiting Research Professorship in School of Advanced Study, University of London (May-June 2012). -
The Dissenting Tradition in English Medicine of the Seventeenth and Eighteenth Centuries
Medical History, 1995, 39: 197-218 The Dissenting Tradition in English Medicine of the Seventeenth and Eighteenth Centuries WILLIAM BIRKEN* In England, medicine has always been something of a refuge for individuals whose lives have been dislocated by religious and political strife. This was particularly true in the seventeenth century when changes in Church and State were occurring at a blinding speed. In his book The experience of defeat, Christopher Hill has described the erratic careers of a number of radical clergy and intellectuals who studied and practised medicine in times of dislocation. A list pulled together from Hill's book would include: John Pordage, Samuel Pordage, Henry Stubbe, John Webster, John Rogers, Abiezer Coppe, William Walwyn and Marchamont Nedham.1 Medicine as a practical option for a lost career, or to supplement and subsidize uncertain careers, can also be found among Royalists and Anglicans when their lives were similarly disrupted during the Interregnum. Among these were the brilliant Vaughan twins, Thomas, the Hermetic philosopher, and Henry, the metaphysical poet and clergyman; the poet, Abraham Cowley; and the mercurial Nedham, who was dislocated both as a republican and as a royalist. The Anglicans Ralph Bathurst and Mathew Robinson were forced to abandon temporarily their clerical careers for medicine, only to return to the Church when times were more propitious. In the middle of the eighteenth century the political and religious disabilities of non-juring Anglicanism were still potent enough to impel Sir Richard Jebb to a successful medical career. But by and large the greatest impact on medicine came from the much larger group of the displaced, the English Dissenters, whose combination of religion and medicine were nothing short of remarkable. -
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Original citation: Anstey, Peter R. and Vanzo, Alberto (2016) Early modern experimental philosophy. In: Sytsma, Justin and Buckwalter, Wesley, (eds.) A Companion to Experimental Philosophy. Blackwell Companions to Philosophy Series . Wiley-Blackwell, pp. 87-102. Permanent WRAP URL: http://wrap.warwick.ac.uk/78705 Copyright and reuse: The Warwick Research Archive Portal (WRAP) makes this work by researchers of the University of Warwick available open access under the following conditions. Copyright © and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable the material made available in WRAP has been checked for eligibility before being made available. Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. Publisher’s statement: Published source: Anstey, Peter R. and Vanzo, Alberto (2016) Early modern experimental philosophy. In: Sytsma, Justin and Buckwalter, Wesley, (eds.) A Companion to Experimental Philosophy. Blackwell Companions to Philosophy Series . Wiley-Blackwell, pp. 87-102 Copyright © 2016 by John Wiley & Sons, Link to the full title: http://www.wiley.com/WileyCDA/WileyTitle/productCd- 1118661699.html A note on versions: The version presented here may differ from the published version or, version of record, if you wish to cite this item you are advised to consult the publisher’s version. -
Poetical Works of Edmund Waller and Sir John Denham
Poetical Works of Edmund Waller and Sir John Denham Edmund Waller; John Denham The Project Gutenberg EBook of Poetical Works of Edmund Waller and Sir John Denham, by Edmund Waller; John Denham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Poetical Works of Edmund Waller and Sir John Denham Author: Edmund Waller; John Denham Release Date: May 10, 2004 [EBook #12322] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK POETICAL WORKS *** Produced by Jonathan Ingram, Carol David and PG Distributed Proofreaders POETICAL WORKS OF EDMUND WALLER AND SIR JOHN DENHAM. WITH MEMOIR AND DISSERTATION, BY THE REV. GEORGE GILFILLAN. M.DCCC.LVII. Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. THE LIFE OF EDMUND WALLER. It is too true, after all, that the lives of poets are not, in general, very interesting. Could we, indeed, trace the private workings of their souls, and read the pages of their mental and moral development, no biographies could be richer in instruction, and even entertainment, than those of our greater bards. The inner life of every true poet must be poetical. But in proportion to the romance of their souls' story, is often the commonplace of their outward career. There have been poets, however, whose lives are quite as readable and as instructive as their poetry, and have even shed a reflex and powerful interest on their writings. -
GRIER-THESIS.Pdf
HYPOTHESIS NON FINGO: THE DEVELOPMENT OF ISAAC NEWTON’S LITERARY TECHNOLOGY A Thesis Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of History University of Saskatchewan Saskatoon By JASON GRIER Copyright Jason Grier, August, 2012. All rights reserved. Permission to Use In presenting this thesis in partial fulfilment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 i ABSTRACT This thesis examines a dispute between Isaac Newton and Robert Hooke during the 1670s over Newton’s “New theory about light and colour.” The controversy offers a fascinating window into the development of Newton's literary methodology for the presentation of his experimental facts. -
John Finch, Orientalism, and Early Modern Empire, 1674-1681
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-2-2017 8:30 AM 'Empire without end': John Finch, Orientalism, and Early Modern Empire, 1674-1681 Remi Alie The University of Western Ontario Supervisor Dr. Ingrid Mattson The University of Western Ontario Graduate Program in Theology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Remi Alie 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the History of Religion Commons Recommended Citation Alie, Remi, "'Empire without end': John Finch, Orientalism, and Early Modern Empire, 1674-1681" (2017). Electronic Thesis and Dissertation Repository. 4932. https://ir.lib.uwo.ca/etd/4932 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Between 1674 and 1681, John Finch (1626-1682) and Thomas Baines (1622-1681) produced a substantial body of writing on statecraft, religion, and the Ottoman Empire, while Finch was serving as the English ambassador to the Ottomans. This thesis, which represents the first substantial scholarly engagement with Finch’s political thought, reconstructs both his understanding of the Ottoman Empire, and his theory of sovereignty. By synthesizing a skeptical epistemology, a robust defense of the royal supremacy over the Church of England, and his understanding of Ottoman history and politics, Finch developed a theory of sovereignty in which liberty and coercion were equally useful and legitimate tools of governance. -
The Abhorred Name of Turk”: Muslims and the Politics of Identity in Seventeenth- Century English Broadside Ballads
“The Abhorred Name of Turk”: Muslims and the Politics of Identity in Seventeenth- Century English Broadside Ballads A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Katie Sue Sisneros IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Nabil Matar, adviser November 2016 Copyright 2016 by Katie Sue Sisneros Acknowledgments Dissertation writing would be an overwhelmingly isolating process without a veritable army of support (at least, I felt like I needed an army). I’d like to acknowledge a few very important people, without whom I’d probably be crying in a corner, having only typed “My Dissertation” in bold in a word document and spending the subsequent six years fiddling with margins and font size. I’ve had an amazing committee behind me: John Watkins and Katherine Scheil braved countless emails and conversations, in varying levels of panic, and offered such kind, thoughtful, and eye-opening commentary on my work that I often wonder what I ever did to deserve their time and attention. And Giancarlo Casale’s expertise in Ottoman history has proven to be equal parts inspiring and intimidating. Also, a big thank you to Julia Schleck, under whom I worked during my Masters degree, whose work was the inspiration for my entry into Anglo-Muslim studies. The bulk of my dissertation work would have been impossible (this is not an exaggeration) without access to one of the most astounding digital archives I’ve ever seen. The English Broadside Ballad Archive, maintained by the Early Modern Center in the English Department at the University of California, Santa Barbara, has changed markedly over the course of the eight or so years I’ve been using it, and the tireless work of its director Patricia Fumerton and the whole EBBA team has made it as comprehensive and intuitive a collection as any scholar could ask for.