CHICK COREA: an EXPLORATION of HIS SPANISH HEART by Eric Myers

Total Page：16

File Type：pdf, Size：1020Kb

CHICK COREA: AN EXPLORATION OF HIS SPANISH HEART by Eric Myers _____________________________________________________________ The Chick Corea Concert Peter Stuyvesant International Music Festival Regent Theatre, Sydney Sydney Morning Herald, February 27, 1982 ______________________________________________________________ losing the Peter Stuyvesant International Music Festival on a high note on Wednesday, the 40-year-old American Chick Corea gave the C audience a generous serving of his rich Latin-oriented compositions. Featuring, along with Corea, Steve Kujala (flute and saxophones), Carlos Benavent (electric bass), Tom Brecktlein (drums) and Don Alias (percussion), the evening was an extended exploration of Corea's LP My Spanish Heart - just one aspect of this extraordinary musician's many-faceted talents. Corea (left), pictured here with his saxophonist/flautist Steve Kujala… The compositions ranged widely through Corea's now enormous repertoire, including selections from an LP yet to be released, plus old favourites like Night Streets, from the LP Spanish Heart, and Dear Alice, from his LP The Mad 1 Hatter. Generally, the music featured dense and rhythmically complex Latin feels, with long and powerful solos floating over the top, provided chiefly by Corea himself and Kujala, who predominantly used flute. Apart from high energy Latin-jazz-rock music, there were pleasurable contrasts. In the first show, Corea did solo versions on the acoustic piano of Thelonious Monk's Trinkle Tinkle and Round Midnight. In Corea's own words - "a tribute to a great classical composer in jazz" - this was a stunning exercise in impressionistic solo piano and a touching gesture so soon after Monk's untimely death about a week ago on February 17, 1982. Thelonious Monk: he died on February 17, 1982… PHOTO COURTESY BARONESS PANNONICA DE KOENIGSWARTER In both shows, Corea and Steve Kujala performed four selections from the composer's catalogue of Children's Songs — simple but delightful pieces for piano and flute. Otherwise, Corea confines himself to his impressive battery of electronic keyboards, including the Yamaha GSI digital synthesizer, Mini- Moog, Hohner clavinet, the Fender Rhodes electric piano. and the Oberheim OBXA synthesizer. 2 .

Copy Link

Recommended publications

40 Steve Gadd Master: the Urgency of Now
DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. ROLAND HYBRID EXPERIENCE RT-30H TM-2 Single Trigger Trigger Module BT-1 Bar Trigger RT-30HR Dual Trigger RT-30K Learn more at: Kick Trigger www.RolandUS.com/Hybrid EXPERIENCE HYBRID DRUMMING AT THESE LOCATIONS BANANAS AT LARGE RUPP’S DRUMS WASHINGTON MUSIC CENTER SAM ASH CARLE PLACE CYMBAL FUSION 1504 4th St., San Rafael, CA 2045 S. Holly St., Denver, CO 11151 Veirs Mill Rd., Wheaton, MD 385 Old Country Rd., Carle Place, NY 5829 W. Sam Houston Pkwy. N. BENTLEY’S DRUM SHOP GUITAR CENTER HALLENDALE THE DRUM SHOP COLUMBUS PRO PERCUSSION #401, Houston, TX 4477 N. Blackstone Ave., Fresno, CA 1101 W. Hallandale Beach Blvd., 965 Forest Ave., Portland, ME 5052 N. High St., Columbus, OH MURPHY’S MUSIC GELB MUSIC Hallandale, FL ALTO MUSIC RHYTHM TRADERS 940 W. Airport Fwy., Irving, TX 722 El Camino Real, Redwood City, CA VIC’S DRUM SHOP 1676 Route 9, Wappingers Falls, NY 3904 N.E. Martin Luther King Jr. SALT CITY DRUMS GUITAR CENTER SAN DIEGO 345 N. Loomis St. Chicago, IL GUITAR CENTER UNION SQUARE Blvd., Portland, OR 5967 S. State St., Salt Lake City, UT 8825 Murray Dr., La Mesa, CA SWEETWATER 25 W. 14th St., Manhattan, NY DALE’S DRUM SHOP ADVANCE MUSIC CENTER SAM ASH HOLLYWOOD DRUM SHOP 5501 U.S.
[Show full text]
Musica Jazz Autore Titolo Ubicazione
MUSICA JAZZ AUTORE TITOLO UBICAZIONE AA.VV. Blues for Dummies MSJ/CD BLU AA.VV. \The \\metronomes MSJ/CD MET AA.VV. Beat & Be Bop MSJ/CD BEA AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Casino lights '99 MSJ/CD CAS AA.VV. Victor Jazz History vol. 13 MSJ/CD VIC AA.VV. Blue'60s MSJ/CD BLU AA.VV. 8 Bold Souls MSJ/CD EIG AA.VV. Original Mambo Kings (The) MSJ/CD MAM AA.VV. Woodstock Jazz Festival 1 MSJ/CD WOO AA.VV. New Orleans MSJ/CD NEW AA.VV. Woodstock Jazz Festival 2 MSJ/CD WOO AA.VV. Real birth of Fusion (The) MSJ/CD REA AA.VV. \Le \\grandi trombe del Jazz MSJ/CD GRA AA.VV. Real birth of Fusion two (The) MSJ/CD REA AA.VV. Saint-Germain-des-Pres Cafe III: the finest electro-jazz compilationMSJ/CD SAI AA.VV. Celebrating the music of Weather Report MSJ/CD CEL AA.VV. Night and Day : The Cole Porter Songbook MSJ/CD NIG AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. \L'\\album jazz più bello del mondo MSJ/CD ALB AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Blues jam in Chicago MSJ/CD BLU AA.VV. Saint-Germain-des-Pres Cafe II: the finest electro-jazz compilationMSJ/CD SAI Adderley, Cannonball Cannonball Adderley MSJ/CD ADD Aires Tango Origenes [CD] MSJ/CD AIR Al Caiola Serenade In Blue MSJ/CD ALC Allison, Mose Jazz Profile MSJ/CD ALL Allison, Mose Greatest Hits MSJ/CD ALL Allyson, Karrin Footprints MSJ/CD ALL Anikulapo Kuti, Fela Teacher dont't teach me nonsense MSJ/CD ANI Armstrong, Louis Louis In New York MSJ/CD ARM Armstrong, Louis Louis Armstrong live in Europe MSJ/CD ARM Armstrong, Louis Satchmo MSJ/CD ARM Armstrong, Louis
[Show full text]
Chick Corea Protagoniza Los Festivales De Jazz Con Un Disco Dedicado a España Euromoney Nos Ha Premiado Como Mejor Banco De España
Pag 01 ok.qxd 14/06/2019 12:23 PÆgina 1 EL CULTURAL1E. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 21-27 de junio de 2019 www.elcultural.com Coetzee “El Quijote lo ha eclipsado todo” La tecla flamenca de Chick Corea Protagoniza los festivales de jazz con un disco dedicado a España Euromoney nos ha premiado como Mejor banco de España Porque creemos en una nueva forma de hacer banca más personal, digital y sencilla, para que puedas elegir cómo, cuándo y dónde relacionarte con nosotros. Y gracias a nuestra red de oficinas que trabaja para ofrecerte soluciones que mejoren tu día a día, y ayudarte a ti y a las empresas a progresar. Además, premio al Mejor banco de Europa Occidental bancosantander.es Pag 03 OK.qxd 14/06/2019 15:56 PÆgina 3 PRIMERA PALABRA L UIS MARÍA ANSON de la Real Academia Española Papell: “Villar Mir, personalidad universal” ntonio Papell ha escrito sición robustece, por cierto, la paña en el mundo. Desde hace mo, exigente hasta la médula, una espléndida biografía biografía escrita por Antonio cincuenta años, Villar Mir es inexorable en el juicio, erizante Ade Juan Miguel Villar Mir, Papell, que ha puesto, con total uno de los líderes destacados en el trabajo nuestro de cada empresario de espaldas cate- independencia, un espejo de- de la actividad empresarial es- día. Es la amabilidad con los dé- dralicias, orejas indulgentes, lante de la vida y la obra del pañola. Incluso sus detractores, biles, la mano tendida en apoyo andares de cirio pascual y voz gran ingeniero, del empresario que los tiene y son en ocasiones de los desfavorecidos.
[Show full text]
Flamenco Jazz: an Analytical Study
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2016 Flamenco Jazz: an Analytical Study Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/306 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Journal of Jazz Studies vol. 11, no. 2, pp. 29-77 (2016) Flamenco Jazz: An Analytical Study Peter Manuel Since the 1990s, the hybrid genre of flamenco jazz has emerged as a dynamic and original entity in the realm of jazz, Spanish music, and the world music scene as a whole. Building on inherent compatibilities between jazz and flamenco, a generation of versatile Spanish musicians has synthesized the two genres in a wide variety of forms, creating in the process a coherent new idiom that can be regarded as a sort of mainstream flamenco jazz style. A few of these performers, such as pianist Chano Domínguez and wind player Jorge Pardo, have achieved international acclaim and become luminaries on the Euro-jazz scene. Indeed, flamenco jazz has become something of a minor bandwagon in some circles, with that label often being adopted, with or without rigor, as a commercial rubric to promote various sorts of productions (while conversely, some of the genre’s top performers are indifferent to the label 1). Meanwhile, however, as increasing numbers of gifted performers enter the field and cultivate genuine and substantial syntheses of flamenco and jazz, the new genre has come to merit scholarly attention for its inherent vitality, richness, and significance in the broader jazz world.
[Show full text]
Chick Corea Bio 2015 Chick Corea Has Attained Iconic Status in Music
Chick Corea Bio 2015 Chick Corea has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth- most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s. Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year twice this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.” Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes; Blue Note, 1968), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul; ECM, 1971) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreria and Flora Purim; ECM, 1972), as well as Crystal Silence(with Gary Burton; ECM, 1973), My Spanish Heart (Polydor/Verve, 1976), Remembering Bud Powell (Stretch, 1997) and Further Explorations (with Eddie Gomez and Paul Motian; Concord, 2012).
[Show full text]
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
[Show full text]
Gerardo Nuñez Chano Dominguez
GERARDO NUÑEZ CHANO DOMINGUEZ JAZZPAÑA II Gerardo Nuñez - Chano Dominguez Jorge Pardo - Perico Sambeat Tino Di Geraldo - Esperanza Fernandez Renaud Garcia-Fons - Fareed Haque special guest: Michael Brecker ACT 9284-2 Release Date Germany: September 2000 Jazz and flamenco? At first glance these are two worlds that have nothing to do with each other. At a closer look there emerge numerous striking parallels. Jazz is considered by many to be the music of the 20th century. Although it has seldom been a music for the masses, it has contributed to and had a lasting influence on virtually every form of popular music. Flamenco has had a similar influence on Iberian music. They say that the cradle of jazz lies in the hot and humid climate of the Mississippi Delta, in the mystery-shrouded city of New Orleans. When you separate jazz's various forms, you find rhythms and melodies from Africa and the Caribbean, Old World harmonies, even syncopation from the Scottish Highlands. Flamenco is one of the oldest known forms of folk music in Europe. Within it are a mixture of old Iberian, Jewish, Moorish, Arabic, Byzantine and last, even Indian colors; the Gypsies or Gitanos, as they are called in Spain, acknowledge their origins to be within the enormous Asiatic realm. They came to Spain in the 15th century where they had a lasting influence on the culture, although they remained a hunted and oppressed minority. In its present form flamenco is approximately 100 years old, as is jazz. Their emotional similarities are easy to detect: neither music functions without passion, without inner fire.
[Show full text]
Press Calendar of Events: Summer 2020
Press Calendar of Events: Summer 2020 Tickets for Wolf Trap’s 2020 Summer Season Go on Sale to the Public on February 22, 2020 Locations All performances held at the Filene Center (unless otherwise noted) 1551 Trap Road, Vienna, VA 22182 Select performances held at The Barns at Wolf Trap (noted on listing) 1635 Trap Road, Vienna, VA 22182 Media Information Please do not publish contact information. Erick Hoffman, Director, Communications 703.255.1917 or [email protected] May 2020 The Head and the Heart* Living Mirage Tour Margo Price Thursday, May 28 at 8 p.m. Tickets $32-$57 Claiming top spots on multiple Billboard charts with songs like “Lost in My Mind,” “Missed Connection,” and “All We Ever Knew,” indie-folk collective The Head and the Heart makes its Wolf Trap debut following the recent release of Living Mirage (2019). They are joined by Margo Price, “one of the most compelling country talents to come out of Nashville in recent memory” (Vulture), who kicks off the show. MAZE featuring Frankie Beverly Last appeared in 2017 Keith Sweat* Friday, May 29 at 8 p.m. Tickets $42-$107 For over 35 years, Maze and Frankie Beverly have created distinctive, passionate, and powerful songs to become one of the most influential groups in modern history. Joined by “Twisted” and “Nobody” singer and new jack swing star Keith Sweat, experience an evening of iconic R&B and soul. Wolf Trap 2020 Summer Season *Wolf Trap (Filene Center) Debut All artists, repertoire, performance dates and pricing are current as of 2/11/2020, but are subject to change.
[Show full text]
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
[Show full text]
João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
[Show full text]
Addio a Chick Corea, Un Gigante Del Pianoforte Jazz La Scomparsa Del Maestro Che Ritorna Per Sempre 12 Febbraio 2021 Luca Martini
Tribunale Bologna 24.07.2007, n.7770 - ISSN 2239-7752 Direttore responsabile: Antonio Zama Addio a Chick Corea, un gigante del pianoforte jazz La scomparsa del maestro che ritorna per sempre 12 Febbraio 2021 Luca Martini Sono le sette e venticinque di un venerdì un po' più triste degli altri, e sto scrivendo questo articolo ascoltando “My spanish heart” dopo anni che non lo sentivo. Ho appena avuto la tragica notizia. Dopo una breve malattia che lo aveva costretto ad abbandonare le scene se n'è andato tre giorni fa (ma la notizia è stata data soltanto stanotte) uno dei pianisti jazz e non solo più importante della storia della musica . Non solo jazz nelle sue dita, ma anche fusion e musica classica, in particolare Scarlatti e Maurice Ravel, che ne hanno chiaramente influenzato il gusto e il fraseggio. È impossibile in poche righe ripercorrere la carriera di un gigante della musica come Chick Corea nato nel 1941 a Chelsea e cresciuto a pane e musica. Importantissimi i suoi incontri, primo tra tutti quello con il trombettista Woody Shaw col quale, nel 1966, firma il primo disco da leader, “Tones For Joan's Bones”. La collaborazione che gli cambia la vita è quella iniziata verso la fine degli anni sessanta con Miles Davis, col quale firma dischi importanti e due pietre miliari come “In a silent way” del 1969 e “Bitches brew” dell’anno successivo. Nel 1971 fonda il gruppo sperimentale di jazz-fusion "Return to forever" (indimenticabile l’omonimo disco di esordio del 1972 con il flauto e la voce suadente della grande Flora Purim e la copertina, magnifica, che ritrae un uccello che plana sull’acqua del mare).
[Show full text]
Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
[Show full text]