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Giving Voice to the "Voiceless:" Incorporating Nonhuman Animal Perspectives As Journalistic Sources
Georgia State University ScholarWorks @ Georgia State University Communication Faculty Publications Department of Communication 2011 Giving Voice to the "Voiceless:" Incorporating Nonhuman Animal Perspectives as Journalistic Sources Carrie Packwood Freeman Georgia State University, [email protected] Marc Bekoff Sarah M. Bexell [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/communication_facpub Part of the Journalism Studies Commons, and the Social Influence and oliticalP Communication Commons Recommended Citation Freeman, C. P., Bekoff, M. & Bexell, S. (2011). Giving voice to the voiceless: Incorporating nonhuman animal perspectives as journalistic sources. Journalism Studies, 12(5), 590-607. This Article is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. VOICE TO THE VOICELESS 1 A similar version of this paper was later published as: Freeman, C. P., Bekoff, M. & Bexell, S. (2011). Giving Voice to the Voiceless: Incorporating Nonhuman Animal Perspectives as Journalistic Sources, Journalism Studies, 12(5), 590-607. GIVING VOICE TO THE "VOICELESS": Incorporating nonhuman animal perspectives as journalistic sources Carrie Packwood Freeman, Marc Bekoff and Sarah M. Bexell As part of journalism’s commitment to truth and justice -
AMÉRICA MÓVIL, S.A.B. DE C.V. (Exact Name of Registrant As Specified in Its Charter)
As filed with the Securities and Exchange Commission on April 24, 2017 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, DC 20549 FORM 20-F Annual Report Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 for the fiscal year ended December 31, 2016 Commission file number: 1-16269 AMÉRICA MÓVIL, S.A.B. DE C.V. (exact name of registrant as specified in its charter) America Mobile (translation of registrant’s name into English) United Mexican States (jurisdiction of incorporation) Lago Zurich 245, Plaza Carso / Edificio Telcel, Colonia Ampliación Granada, Delegación Miguel Hidalgo, 11529, Mexico City, México (address of principal executive offices) Daniela Lecuona Torras, Telephone: (5255) 2581-4449, E-mail: [email protected] Facsimile: (5255) 2581-4422, Lago Zurich 245, Plaza Carso / Edificio Telcel, Piso 16, Colonia Ampliación Granada, Delegación Miguel Hidalgo, 11529, Mexico City, México (name, telephone, e-mail and/or facsimile number and address of company contact person) Securities registered pursuant to Section 12(b) of the Act: Title of each class: Name of each exchange on which registered: A Shares, without par value New York Stock Exchange L Shares, without par value New York Stock Exchange 5.625% Notes Due 2017 New York Stock Exchange 5.000% Senior Notes Due 2019 New York Stock Exchange 5.000% Senior Notes Due 2020 New York Stock Exchange 3.125% Senior Notes Due 2022 New York Stock Exchange 6.375% Notes Due 2035 New York Stock Exchange 6.125% Notes Due 2037 New York Stock Exchange -
Bulgarian Cinema 2014 Facts / Figures / Trends Editorial
BULGARIAN CINEMA 2014 FACTS / FIGURES / TRENDS EDITORIAL This special edition, prepared by the Bulgarian National Film Centre in con- junction with CREATIVE EUROPE MEDIA desk – Bulgaria, and with the help of the Observatory of Cultural Economics – Bulgaria, presents the current state of affairs in Bulgaria’s audiovisual industry. We did our best to offer more information both about the training in the field of cinema studies and the financing opportunities in this country, as well as about gaining support outside Bulgaria, the recent Bulgarian productions and their success, about the TV environment and the legislation. This year, we of- fer an exclusive analytical study (Chapter XII), conducted by the Observatory of Cultural Economics, which we deem to be important, as it considers the Bulgarian film industry to be a driving force of economic growth. We believe that the booklet could expand on the idea of the processes taking place in Bulgarian film industry. We also believe that the reference information, providing addresses and con- tact details of producers, festivals, distributors and institutions, could prove helpful to our readers to establish contact and enter into dialogue with their Bulgarian colleagues more easily. I LEGISLATION The institutional and legal environment for the development of Bulgarian film industry, set over the years of transition, contains legislation, secondary legislation and institutional bodies established under these. Bulgarian film industry functions under three legal frameworks: • National legal framework; -
Self Start Guide
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Social Media Activity in the Context of Free-To-Air Broadcast Television
FACULTY OF HUMANITIES AND SOCIAL SCIENCES Beatrice Züll SOCIAL MEDIA ACTIVITY IN THE CONTEXT OF FREE-TO-AIR BROADCAST TELEVISION DOCTORAL DISSERTATION Zagreb, 2017 FACULTY OF HUMANITIES AND SOCIAL SCIENCES Beatrice Züll SOCIAL MEDIA ACTIVITY IN THE CONTEXT OF FREE-TO-AIR BROADCAST TELEVISION DOCTORAL DISSERTATION Zagreb, 2017 FILOSOFSKI FAKULTET Beatrice Züll ULOGA DRUŠTVENIH MEDIJA U MJERENJU TV GLEDANOSTI DOKTORSKI RAD Zagreb, 2017. FACULTY OF HUMANITIES AND SOCIAL SCIENCES Beatrice Züll SOCIAL MEDIA ACTIVITY IN THE CONTEXT OF FREE-TO-AIR BROADCAST TELEVISION DOCTORAL DISSERTATION Mentor: MiHaela Banek Zorica, PH.D. Zagreb, 2017 FILOSOFSKI FAKULTET Beatrice Züll ULOGA DRUŠTVENIH MEDIJA U MJERENJU TV GLEDANOSTI DOKTORSKI RAD Mentor: izv. prof. dr. sc. MiHaela Banek Zorica Zagreb, 2017. Acknowledgements This doctoral thesis was supported by the members and colleagues of the Faculty of Information and Communication Sciences of the University of Zagreb who provided insight and expertise and greatly assisted the research. I would like to express my sincere gratitude to my supervisor Mihaela Banek Zorica, Ph.D., for her guidance, encouragement and expertise. Thanks to my advisor Stephan Malović, Ph.D., for his encouragement and great support. Alida Zorz Miketek from Nielsen supported this research work as an expert in television audience research. Guillaume Antoine Rabi and his team at RTL Televizija Hrvatska endured the challenges of the empirical part of this project by giving advice and insights into empirical data. Poslovna Inteligencija, Dražen Oreščanin and his team supported this project with staff and server capacity. Fremantle Production and Ana Habajec provided insights into the strategic approach of television production companies to integrating social media in their daily work and building up social media audiences. -
Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities
International Web Journal Revue internationale www.sens-public.org Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities MARIA POPOVA Abstract: The Reality TV appearance results from the media content changes, the infotainment development, the media use enlargement, the creation of quality, mass, thematic universal media products, sold at for low costs and for big profits. The Reality TV significant contribution is the discrepancy between public and private, the viewers’ possibility to see themselves and their problems into participants’ behavior. Although the Reality TV shows present voyeurism, scandal and conflict, media audience may control the program narrative. These programs are entertainment form, but they engage the society with charity, define the media agenda setting, and present definitive socio-cultural models, national peculiarities, which answer to the media audience needs, which are general as cultural sense and social behavior. There are different Reality TV forms worldwide. Most of them represent local edition for the local media audience. In Bulgaria the Reality TV started in 2004 and it has had significant influence of the media content ever since. The Reality TV places substantial problems at the media sphere, connected with media reliability, media post-colonialism, media manipulation, and media pluralism. Keywords: media – Reality TV – media content – media audience – Bulgarian television Contact : [email protected] Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities Maria Popova Media content – between media audience interest and social needs The changes in European media environment have been flowing in parallel directions in the last years. On one hand, the media fragmentarization increases in accordance with primarily declared and explored target media audience needs. -
Sheet1 Page 1
Sheet1 № SR MHz програма № SR MHz програма 1 6900 386 BNT 1 101 6900 338 Planeta HD 2 BTV 102 Tiankov HD 3 Nova TV 103 Travel HD 4 TV7 104 Tiankov Music HD 5 BTV Action 105 6900 346 Discovery Science 6 BTV Cinema 106 Discovery World 7 BTV Comedy 107 Hystory HD 8 BTV Lady 108 Das Erste HD 9 6900 394 Diema 109 ZDF HD 10 Kino Nova 110 6900 370 TV Tуризъм 11 Diema Family 111 ARTE HD 12 BNT World 112 ASTRA 3D 13 BNT 2 113 SCT HD 14 TV Evropa 114 SCT HQ 15 SKAT 115 SCT Redlight 16 News 7 116 SCT Exotica 17 Kanal 3 117 SCT Premium 18 6900 402 CNN 118 6900 378 National Geographic 19 Euronews 119 DW 20 BG on Air 120 Al Jazeera 21 VTV 121 CCTV News 22 EBF Business 122 Arte 23 AXN 123 TVE 24 AXN Black 124 TV Polonia 25 AXN White 125 BNT HD 26 Fox Life 126 5156 298 RTL 27 Fox 127 RTL 2 28 6900 410 History channel 128 SUPER RTL 29 Viasat History 129 n-TV 30 Viasat Explorer 130 VOX 31 Viasat Nature 131 RTL NITRO 32 TV 1000 132 4583 162 RAI 1 33 Nat Geo Wild 133 RAI 2 34 Discovery channel 134 RAI 3 35 Animal Planet 135 RAI NEWS 36 BOX HD 136 6250 154 TRT 1 37 6900 434 MGM 137 TRT HABER 38 Moviestar 138 TRT TURK 39 DaVinci Learning 139 TRT MUZIK 40 Super 7 140 TRT COCUK 41 Disney channel 141 TRT AVAZ 42 Disney Junior 142 EURONEWS 43 Cartoon Network 143 TRT ARAPCA 44 TLC 144 TRT SPOR 45 24 Kitchen 145 TRT 6 46 Fiesta 146 TRT DIYANET(Anadolu) 47 Travel Channel 147 5625 146 OTV Valentino 48 6900 442 CLASSICA HD 148 Duga + 49 VH 1 149 K CN 3 50 MTV 150 Canal M 51 MTV Rock 151 MKTV 2 SAT 52 The Voice 152 KCN 1 Page 1 Sheet1 53 City TV 153 Posavina TV 54 Box TV 154 SVET + 55 Planeta Folk 155 DUNA World 56 Folklor TV 156 Yu Planet test 57 Fan TV 157 K CN Music 2 58 Planeta TV 158 Eurochannel 59 6900 450 Balkanika Music 5156 138 60 бр. -
Faculty of Humanities Sofia University St. Kliment Ohridski
Faculty of Humanities Information sheet Sofia University St. Kliment Ohridski Type of exchange: Erasmus + programme Details of exchange Field of study: European Studies / Humanities Erasmus study code: 022 – Humanities Study Level of exchange: Bachelor Maximum number of students: 2 Semester or year: Semester Details university: Erasmuscode: BG SOFIA06 Website: https://erasmus.uni-sofia.bg/site/income/ Term dates: Winter Term: 03 October 2016 – 20 January 2017. Exam Period : 23 January - 17 February. Summer term: 20 February – 09 June 2017. Exam period : 12 June 2017 – 07 July 2017 Course catalogue: Read here Accommodation: Read here © Published by the International Relations Department, 2016 Sofia University St. Kliment Ohridski GUIDE FOR INCOMING 15, Tzar Osvoboditel Blvd 1504 Sofia, BULGARIA ERASMUS STUDENTS e-mail: [email protected] http://www.uni-sofia.bg/index.php/eng/international_relationsOhridski Academic year 2016/2017 SOFIA UNIVERSITY ST. KLIMENT OHRIDSKI This Guide has been elaborated and published by the International Relations Department at Sofia University with the financial support of the European Commission thru Erasmus+ Programme. The publication reflects the views only of the author and the Commission cannot be held responsible for any use which may be made of the information contained therein. ERASMUS Guide ERASMUS Guide CONTENTS WELCOME NOTE 1 ABOUT THE UNIVERSITY 2 Brief history 2 Administrative structure of the University 3 Faculties 4 University campuses 5 University Libraries 8 University Publishing House -
Bulgarian Radio During Socialism 1944 - 1989
SOFIA UNIVERSITY ST. KLIMENT OHRIDSKI FACULTY OF JOURNALISM AND MASS COMMUNICATION Radio and Television Department BULGARIAN RADIO DURING SOCIALISM 1944 - 1989 Author: Assoc. Prof. Vyara Alexandrova Angelova, PhD Thesis Summary to acquire a Doctor of Science scientific degree Professional area 3.5. Public Communications and Information Science – Media and Communications Sofia, July 2019 SOFIA UNIVERSITY ST. KLIMENT OHRIDSKI FACULTY OF JOURNALISM AND MASS COMMUNICATION DECLARATION OF ORIGINALITY AND ASSURANCE By Assoc. Prof. Vyara Alexandrova Angelova, PhD I hereby declare that the dissertation presented by me on the subject: “Bulgarian Radio during Socialism: 1944 – 1989” for the award of the Doctor of Science degree, under professional area 3.5. Public Communications and Information Science – Media and Communications, is an autonomous and original copyright work. The sources of scientific and empirical information used are correctly documented and referred to in compliance with copyright protection requirements. Date: July 2019 Declarant: ……………… (Assoc. Prof. Vyara Angelova, PhD) 2 Precisely 30 years after the start of the so-called transition in our country, Bulgarian Radio during Socialism (1944-1989) looks back on the time of socialism. The dissertation work is part of a long series of research material on a historical period bringing the attention of a variety of researchers (historians, sociologists, culturologists, etc.). It is a challenge to explore a time for which there is no single assessment (researchers are in dispute even whether to refer to the period as “communism” or “socialism”) and there are enough witnesses who remember it. Each of them with their feelings and attitudes. In this sense, while dealing with socialism is considered important to society, researchers are under pressure to respond, in their interpretations, to opposing politico-social interests and treatments. -
Zero-Rating Practices in Broadband Markets
Zero-rating practices in broadband markets Report by Competition EUROPEAN COMMISSION Directorate-General for Competition E-mail: [email protected] European Commission B-1049 Brussels [Cataloguenumber] Zero-rating practices in broadband markets Final report February 2017 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE The information and views set out in this report are those of the author(s) and do not necessarily reflect the official opinion of the Commission. The Commission does not guarantee the accuracy of the data included in this study. Neither the Commission nor any person acting on the Commission’s behalf may be held responsible for the use which may be made of the information contained therein. Les informations et opinions exprimées dans ce rapport sont ceux de(s) l'auteur(s) et ne reflètent pas nécessairement l'opinion officielle de la Commission. La Commission ne garantit pas l’exactitude des informations comprises dans ce rapport. La Commission, ainsi que toute personne agissant pour le compte de celle-ci, ne saurait en aucun cas être tenue responsable de l’utilisation des informations contenues dans ce rapport. More information on the European Union is available on the Internet (http://www.europa.eu). Luxembourg: Publications Office of the European Union, 2017 Catalogue number: KD-02-17-687-EN-N ISBN 978-92-79-69466-0 doi: 10.2763/002126 © European Union, 2017 Reproduction is authorised provided the source is acknowledged. -
070340/EU XXV. GP Eingelangt Am 23/06/15
070340/EU XXV. GP Eingelangt am 23/06/15 Council of the European Union Brussels, 23 June 2015 (OR. en) 10217/15 TELECOM 151 AUDIO 17 COMPET 316 MI 414 DATAPROTECT 108 COVER NOTE From: Secretary-General of the European Commission, signed by Mr Jordi AYET PUIGARNAU, Director date of receipt: 19 June 2015 To: Mr Uwe CORSEPIUS, Secretary-General of the Council of the European Union No. Cion doc.: SWD(2015) 126 final Subject: COMMISSION STAFF WORKING DOCUMENT Implementation of the EU regulatory framework for electronic communication - 2015 Delegations will find attached document SWD(2015) 126 final. Encl.: SWD(2015) 126 final 10217/15 DG E2B EN www.parlament.gv.at EUROPEAN COMMISSION Brussels, 19.6.2015 SWD(2015) 126 final COMMISSION STAFF WORKING DOCUMENT Implementation of the EU regulatory framework for electronic communication - 2015 EN EN www.parlament.gv.at Table of Contents 1. MARKET OVERVIEW ........................................................................................... 4 1.1. Indicators ........................................................................................................... 4 1.2. International comparison ................................................................................... 7 1.3. Market developments ........................................................................................ 9 2. MARKET REGULATION ..................................................................................... 10 2.1. Market analysis .............................................................................................. -
Bulgarian Cinema 2016 Facts / Figures / Trends Editorial
BULGARIAN CINEMA 2016 FACTS / FIGURES / TRENDS EDITORIAL This special edition, prepared by the Bulgarian National Film Centre in con- junction with CREATIVE EUROPE MEDIA desk – Bulgaria, and with the help of the Observatory of Cultural Economics – Bulgaria, presents the current state of affairs in Bulgaria’s audiovisual industry. We did our best to offer more information both about the training in the field of cinema studies and the financing opportunities in this country, as well as about gaining support outside Bulgaria, the recent Bulgarian productions and their success, about the TV environment and the legislation. We believe that the booklet could expand on the idea of the processes taking place in Bulgarian film industry. We also believe that the reference information, providing addresses and con- tact details of producers, festivals, distributors and institutions, could prove helpful to our readers to establish contact and enter into dialogue with their Bulgarian colleagues more easily. If not mentioned explicitly, the source of information is the National Film Center. I LEGISLATION The institutional and legal environment for the development of Bulgarian film industry, set over the years of transition, contains legislation, secondary legislation and institutional bodies established under these. Bulgarian film industry functions under three legal frameworks: • National legal framework; • The acquis communautaire; • International legal framework. National legal framework Two major periods of creating the legal and institutional environment at a national level are discernable: • The 1990s, when the legal framework of the sector has been amended on more than one occasion, partially though: for example automatic subsidizing of coproductions was introduced at the time (1994) and • The period following 1997, related to the preparation for this country’s EU accession and the developing of an integral specialized regulatory framework.