Kumkum Mohanty

Total Page：16

File Type：pdf, Size：1020Kb

Kumkum Mohanty Shrimati Kumkum Mohanty is a world famous Odissi dancer. She has received training under Guru Kelucharan Mohapatra at Kala Vikash Kendra. Her contribution to the field of Odissi dance has been vast and praiseworthy. Kumkum Mohanty has been honoured with the Sangeet Natak Academy Award in 1994. As a child, Kumkum Mohanty was an exceptional dancer. A serious student of Kelucharan Mohapatra, Kumkum Mohanty grew up as an outstanding dancer, dedicated to the dance form of Odissi. Sign In. Kumkum Mohanty. Feeds. Answers80.Â Kumkum Mohanty, lives in India. Answered Mar 13, 2018. Try this. (more)Loadingâ¦ What weight loss recipes do you recommend for fall? Kumkum Mohanty. Answered Mar 8, 2018. Try this. (more)Loadingâ¦ Which is the most tasty cerelac for a 2-year-old baby? Kumkum Mohanty. Answered Mar 8, 2018. Try this at home. (more)Loadingâ¦ What is the cheapest, but delicious recipe for biriyani for commercial purposes? Kumkum Mohanty, lives in India. Keywords: Kumkum Mohanty Age, Kumkum Mohanty Height, Kumkum Mohanty WeightÂ House Address, Kumkum Mohanty Website, Kumkum Mohanty Photo, Kumkum Mohanty Children, Loading Other Famous People Born On Same Day- September 10. Kumkum Mohanty (Indian, Dancer) was born on 10-09-1946. Get more info like birth place, age, birth sign, biography, family, relation & latest news etc.Â 72 years, 0 month, 4 days old age Kumkum Mohanty will turn 73 on 10 September, 2019. Only 11 months, 26 days, 17 hours, 39 minutes has left for her next birthday. Kumkum Mohanty Born On. Tuesday. Day of the Next Birthday. Kumkum Mohanty (born 10 September 1946) is an Odishi dancer. Mohanty was born at Cuttack. She received training from Guru Kelucharan Mohapatra at Kala Vikash kendra. She is recognised for abhinaya. She has worked as the special secretary (Culture) to the Government of Odisha. After her retirement in 2004, she started her dance school Geeta govinda in 2006, in Bhubaneshwar.Currently she joined as an Adjunct Professor at School of Humanities, Social Sciences & Management, IIT Bhubaneswar. Kumkum Mohanty. Odishi dancer. September 10, 1946 Cuttack, Odisha, India.Â Kumkum Mohanty is an Odishi dancer. Background. Mohanty was born at Cuttack. Education. Utkal University. You are visiting the page of a show featured in the 1985 edition. Find all the shows from this edition in our archives. Kumkum Mohanty / Keluchuran Mohapatra. [Dance]. + info. ThÃ©Ã¢tre du Rond-Point. Kumkum Mohanty / Keluchuran Mohapatra. Kumkum Mohanty / Keluchuran Mohapatra. Kumkum Mohanty / Keluchuran Mohapatra. Kumkum Mohanty / Keluchuran Mohapatra. #festivaldautomne. Share.

Copy Link

Recommended publications

Odissi Dance) 2020 THREE YEAR FULL TIME PROGRAMME
Learning Outcome based Curriculum Framework (LOCF) For Undergraduate Programme B.P.A. (Odissi Dance) 2020 THREE YEAR FULL TIME PROGRAMME Syllabus and Scheme of Examination This shall be applicable for students seeking admission in B.P.A. Odissi Dance Programme in 2020-2021 DEPARTMENT OF PERFORMING ARTS Faculty of Indic Studies Sri Sri University DPA-B.P.A. (O.D.) Page 0 Introduction – The proposed programme shall be conducted and supervised by the Faculty of Indic Studies, Department of Performing Arts, Sri Sri University, Cuttack (Odisha). This programme has been designed on the Learning Outcomes Curriculum Framework (LOCF) under UGC guidelines, offers flexibility within the structure of the programme while ensuring the strong foundation and in-depth knowledge of the discipline. The learning outcome-based curriculum ensures its suitability in the present day needs of the student towards higher education and employment. The Department of Performing Arts at Sri Sri University is now offering bachelor degree program with specialization in Performing Arts (Odissi Dance and Hindustani Vocal Music) Vision – The Department of Performing Arts aims to impart holistic education to equip future artistes to achieve the highest levels of professional ability, in a learning atmosphere that fosters universal human values through the Performing Arts. To preserve, perpetuate and monumentalize through the Guru-Sishya Parampara (teacher-disciple tradition) the classical performing arts in their essence of beauty, harmony and spiritual evolution, giving scope for innovation and continuity with change to suit modern ethos. Mission : To be a center of excellence in performing arts by harnessing puritan skills from Vedic days to modern times and creating artistic expressions through learned human ingenuity of emerging times for furtherance of societal interest in the visual & performing arts.
[Show full text]
The Course – Curriculum for Master of Performing Arts (Mpa) (Dance & Drama )
SCHOOL OF PERFORMING ARTS SAMBALPUR UNIVERSITY THE COURSE – CURRICULUM FOR MASTER OF PERFORMING ARTS (MPA) (DANCE & DRAMA ) 2018 – 2020 1 Courses Offered : Master of Performing Arts (Dance & Drama) Aim and Objective : The above courses aim at providing both theoretical and Practical aspects of dance/drama to students and facilitating them to take up career in performing art. Duration : Two years Pattern : Semester-cum-Course Credit System Total Mark : 2000 Credit Hours : 80 CH Seats : 16 + 16 Outline of the Course Curriculum for MPA Special Papers : 1) Dance: (A) ODISSI (B) SAMBALPURI 2) Drama: ACTING 2 THE COURSE CURRICULUM FOR MASTER OF PERFORMING ARTS (DANCE) Outline of Course Curriculum 1ST SEMESTER MPA (DNC) – 4.1.1 : History of Indian Dance & Drama (Ancient and Medieval) (4CH) MPA (DNC) – 4.1.2 : Natyashastra and Other Texts (4 CH) MPA (DNC) – 4.1.3 : Folk Dance and Folk Drama (Major) of Western Odisha (4CH) MPA (DNC) – 4.1.4 : Studio Course (Practical) -Yoga, Music & Theatre Games (4 CH) MPA (DNC) – 4.1.5 : Studio Course (Practical)-Multimedia & Computers (4CH) 2ND SEMESTER MPA (DNC) – 4.2.1 : Indian Dance: Pre and Post-Independence Scenario (4CH) MPA (DNC) – 4.2.2 : Dance Aesthetics (4 CH) MPA (DNC) – 4.2.3 : Popular Dances of the World (4CH) MPA (DNC) – 4.2.4 : Studio Course (Practical) Abhinaya Aspect of Classical (4 CH) MPA (DNC) – 4.2.5 : Studio Course (Practical) Rhythm(4 CH) 3RD SEMESTER (Special Papers) A) ODISSI DANCE MPA (DNC) 5.1.1 : Dance Research (4 CH) MPA (DNC) 5.1.2 : Theory of Odissi Dance (4 CH) MPA (DNC) 5.1.3
[Show full text]
LOCF) for Undergraduate Programme BPA (Odissi Dance
Learning Outcome based Curriculum Framework (LOCF) For Undergraduate Programme B.P.A. (Odissi Dance) 2019 THREE YEAR FULL TIME PROGRAMME Syllabus and Scheme of Examination This shall be applicable for students seeking admission in B.P.A. Odissi Dance Programme in 2019-2020 DEPARTMENT OF PERFORMING ARTS Faculty of Indic Studies Sri Sri University DPA-B.P.A. (O.D.) Page 0 Introduction – The proposed programme shall be conducted and supervised by the Faculty of Indic Studies, Department of Performing Arts, Sri Sri University, Cuttack (Odisha). This programme has been designed on the Learning Outcomes Curriculum Framework (LOCF) under UGC guidelines, offers flexibility within the structure of the programme while ensuring the strong foundation and in-depth knowledge of the discipline. The learning outcome-based curriculum ensures its suitability in the present day needs of the student towards higher education and employment. The Department of Performing Arts at Sri Sri University is now offering bachelor degree program with specialization in Performing Arts (Odissi Dance and Hindustani Vocal Music) Vision – The Department of Performing Arts aims to impart holistic education to equip future artistes to achieve the highest levels of professional ability, in a learning atmosphere that fosters universal human values through the Performing Arts. To preserve, perpetuate and monumentalize through the Guru-Sishya Parampara (teacher-disciple tradition) the classical performing arts in their essence of beauty, harmony and spiritual evolution, giving scope for innovation and continuity with change to suit modern ethos. Mission : To be a center of excellence in performing arts by harnessing puritan skills from Vedic days to modern times and creating artistic expressions through learned human ingenuity of emerging times for furtherance of societal interest in the visual & performing arts.
[Show full text]
Tesis Doctoral
UNIVERSIDAD REY JUAN CARLOS FACULTAD DE CIENCIAS JURÍDICAS Y SOCIALES DEPARTAMENTO DE CIENCIAS DE LA EDUCACIÓN, LENGUAJE, CULTURA Y ARTES, CIENCIAS HISTÓRICO-JURÍDICAS Y HUMANÍSTICAS Y LENGUAS MODERNAS ______________________________________ TRANCE, DEVOCIÓN Y SILENCIO EN LA DANZA ODISSI DE LA INDIA ________________________________________________ TESIS DOCTORAL _____________________________ POR UMA ANANDA DAGNINO GONZÁLEZ DIRECTOR: DR. D. CARLOS ROLDÁN LÓPEZ MADRID ______ 2017 INFORME TESIS DOCTORAL: UMA ANANDA DAGNINO GONZÁLEZ TÍTULO DE LA TESIS: TRANCE, DEVOCIÓN, Y SILENCIO EN LA DANZA ODISSI DE LA INDIA DIRECTOR DE LA TESIS DOCTORAL: DR. CARLOS ROLDÁN LÓPEZ La tesis doctoral de la Srta. Uma Dagnino viene a incidir en la importancia de tres conceptos en la naturaleza y práctica de una Danza ancestral de la India. Esta diversidad conceptual no implica una dispersión metodológica ni teorética, sino muy al contrario una deriva necesaria en el proceso de la investigación precisamente para poder entender de forma integral el conjunto de procesos que inciden en la temática estudiada. Las numerosas referencias místicas y conceptos provenientes del pensamiento oriental son consecuencia necesaria del propio objeto de investigación, en el que como leemos en la tesis la práctica danzaria misma es una forma de plegaria, cuando no directamente un proceso místico de Comunión con la Divinidad. El trabajo de campo que se incorpora junto a la descripción genealógica de la concurrencia de este concepto lleva a la investigación a una completud circular, puesto que la práctica misma y sus vivencias constituyen parte de la naturaleza y singularidad de esta práctica danzaria, no siendo incorrecto en este caso hablar de esencialidad. Este trabajo cumple con todos los requisitos de fondo y forma que se esperan de una investigación científica de tesis doctoral.
[Show full text]
INSIDE Aekalavya Awardees Lasyakala & Artists Guru Deba Prasad Nrutyadhara & Artists a Vista of Indian Art, Culture
1st Edition of A Vista of Indian Art, Culture and Dance INSIDE Aekalavya Awardees Lasyakala & Artists Guru Deba Prasad Nrutyadhara & Artists Channel Partners Transactions Per Month Employees Developer Clients Happy Customers Monthly Website Visitors Worth of Property Sold India Presence : Ahmedabad | Bengaluru | Chennai | Gurugram| Hyderabad | Jaipur Kolkata | Lucknow | Mumbai | Navi Mumbai | New Delhi | Noida | Pune | Thane | Vishakhapatnam | Vijayawada Global Presence : Abu Dhabi | Bahrain| Doha | Dubai | Hong Kong | Kuwait | Muscat | Melbourne | Sharjah Singapore | Sydney | Toronto WWW.SQUAREYARDS.COM SY Solutions PTE Limited, 1 Raffles Place, Level 19-61, One Raffles Place, Tower 2, Singapore - 048616 Message J P Jaiswal, Chairman & Managing Director, Peakmore International Pte Ltd Past Director, Singapore Indian Chamber of Commerce & Industry (2014-2018) Dear Friends, It gives me immense pleasure to congratulate Guru Deba Prasad Nrutyadhara, Singapore and the organizers for bringing the popular production Aekalavya Season 11. Congratulations to the esteemed team of Lasyakala for co-producing this beautiful act in classical dance form. It’s also a matter of joy that Padmabibhushan Shilpiguru Mr Raghunath Mohapatra shall grace the program as Chief Guest. I also congratulate to all Aekalavya Season-11 Awardees and extend my best wishes to all the performers. My heartfelt best wishes for a successful performance and wish a joyful evening to all audience. Finally, once again, I thank the organizers for all the effort
[Show full text]
JANAKI BALLAV PATNAIK the March to a Modern Odisha
JANAKI BALLAV PATNAIK The March to a Modern Odisha SOUMYA RANJAN PATNAIK WASBIR HUSSAIN JANAKI BALLAV PATNAIK The March to a Modern Odisha SOUMYA RANJAN PATNAIK WASBIR HUSSAIN 4R ½, Unit-3, Kharavel Nagar, Bhubaneswar-751001 Phone : 0674-2391939 e-mail : [email protected] website: www.aamaodisha.org.in First Published 2013 (English Edition) Copyright © Aama Odisha 2013 The facts presented in this book are those of the different writers who have contributed for this compilation. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. ISBN: 978-81-89436-63-6 Cover Design: Geetali Baruah Cover Photo: Anupam Nath Layout: Binoy Baruah Printed in India at Genesis Printers & Publishers Pvt. Ltd. Borbari, Guwahati 781036 To the admirers and critics of Janaki Ballav Patnaik and all those who may like to know or understand contemporary Odisha. contents Publisher’s Note xiii Some Words, Some Dreams 1 J.B. Patnaik Shri Jagannath Temple aft er Independence 16 Sarat Chandra Mahapatra 20th Century’s Last Nabakalebara : Th e Only Successful One in 400 years 29 Asit Mohanty Th e Offi cial Language Jinx 46 Dr. Devi Prasanna Pattanayak Janaki Ballav Patnaik : Th e Essayist and Critic 56 Pathani Pattnaik Odia Literature and Janaki Ballav Patnaik 68 Barendra Krushna Dhal Janaki Ballav Patnaik & Publishing in Odia 80 Abhiram Mohapatra Janaki Ballav Patnaik’s Nirbachita Prabandha Sankalana 83 Rabi Singh Revival of Professional Odia Th eatre 89 Ananta Mahapatra Th e Odissi Research Centre 94 Kumkum Mohanty Contemporary Art in Odisha 100 Dr.
[Show full text]
Mitra-Behura
1 jËQÑ`[Í 4 j−Ð]LÑ¯... jÞuÊe auÊ jÊe\ e\ 6 [Ñ\à Ae[Ñ _t `[Þ 7 `ÊZÞ $ÊmVÞH Le Ae[Ñ _t `[Þ 12 Ganesha Krisha Rath 13 The Hypothetical Jackel Anjaneya Kar 14 My First Basketball Game Adi Dass 15 The Friendship Story Nilesh Sagar 16 My India Trip Anuska Mishra 17 Symbols ogh Symbols Anuska Mishra 18 Ishita’s Love for Pizza Ishita Patra 18 Houston Ratha Yatra 2010 Aryan Patra 19 Summer Vacation Aryan Patra 19 Mr. Doodle Head Rishav Mohanty 21 High Above the Trees Shilpita Mitra-Behura 22 High in the Storm Saswat Pati 23 Rhyme Saswat Pati 23 Jagannath in My Little World Saswat Pati 24 Plague Saswat Pati 25 Burger Islands Anuraag Routray 26 An Autobiography of a Tree Shyam N. Panigrahi 27 My Annual Day Shyam N. Panigrahi 27 Buchart Garden in BC Arnav Mohanty 28 My experience at BTSR Camp Arnav Mohanty 28 My Kumar Purnima Experience Devarun Dass 29 Cuttack Ma Ishita Patra 31 Shooting Star Ishita Patra 32 Dolphin Ishita Patra 32 2011 OSA Convention Dhara Chopra Mohapatra 33 Random Article Meha Mohapatra 35 Collection of Poems Divya Rath 37 Darkness Treeank Patnaik 38 Tectonic Plates Treeank Patnaik 39 The Fireman’s Escape Asha Dash 40 The Impatient Cat and the Fox Ishani Sahu 41 Anthony and Titus Ishani Sahu 42 Time Malina Maharana 44 My 8th Grade Schedule Simantini Mitra-Behura 45 @f[Ð, HLÐ]h jÕ²eZ, LÊcÐe `ËÀàÞcÐ, @Ò Ðae 15, 2011, kÔÊ½_ç 2 Home Away From Home Dr. Sanjukta Samantroy 46 Yoshi...in our life! Chetana Samal 47 Introducing my Late Grandfather Lisa Bedbak Alva 50 My Mouth, Your Mouth Gopal Mohapatra 52 17th Kelucharan Award Festival
[Show full text]
The Trinity of Odissi
The Trinity of Odissi PRIYAMBADA MOHANTY·HEJMADI uite suddenly and unannounced, Odissi exploded on the world dance scene and , virtually overnight, emerged a conquerer. This Qhappened some 30 years ago-in the early '50s. Until then no one outside Orissa knew of its dance tradition. And in Orissa itself, though the tradition was alive, its pulse was feeble , erratic, terminal. If people accepted the legacy, it was apologetically (see 'My Initiation': Mohan Khokar, Angahar Festival Souvenir, 1985). I start this article with a reference to Khokar because he sums up in his essay the dramatic revival of Odissi in a relatively short span of time. He also affirms that the dance form was totally unknown outside Orissa. So, as a person who played a critical role in the revival (unconsciously, initially, but consciously at a later stage), it is best that I describe here, first, the state of the art as it was in the early part of this century. At any given time , a dance form acquires qualities suitable to its period and social ambience. In Orissa the dance which later came to be known as Odissi was practised by the Gotipuas on the one hand-an exclusively male tradition-and the Maharis on the other-exclusively female. The dance of the Maharis, being mainly ritualistic, was more of a closed system than the GurusPankaj Charan Das (1971), KelucharanMohaparra (1982), Dcbaprasad Das (1978). ., • .t • PRl YAMBADA MOIIANTY-HEJMADl Gotipuas'. In Chaitanya Charitamruta it is mentioned that Raya Ramanan da Patnaik, Minister of King Prata parudra-who was a great devotee of Shri Chaitanya-taught abhinaya to the Maharis, According to this work Ramananda taught satvika and sanehari bhavas to the beautiful devadasis (later to be known as Maharis) and had the Geets Govinda enacted by them in dance.
[Show full text]
Okf"Kzd Fooj.K Annual Report 2015-16
okf"kZd fooj.k Annual Report 2015-16 lkaLÑfrd lzksr ,oa çf'k{k.k osQUæ Centre for Cultural Resources and Training ANNUAL REPORT 2015-16 REPORT ANNUAL Contents Introduction ........................................................................................................................... 4 Training ................................................................................................................................. 10 Evaluation and Feedback ........................................................................................................ 44 Extension Services and Community Feedback Programme ........................................................ 60 Collection of Resources .......................................................................................................... 64 Production of Educational Material ......................................................................................... 66 Publications ........................................................................................................................... 70 Cultural Talent Search Scholarship Scheme .............................................................................. 72 Initiatives in the North-Eastern States ..................................................................................... 78 Cultural Exchange Programme ................................................................................................ 78 Annex ...................................................................................................................................
[Show full text]
NODAL CENTER ADDRESS-GNM Slno Nodalcentername Address 1 Govt
NODAL CENTER ADDRESS-GNM SlNo NodalCenterName Address 1 Govt. ANM TC,BALASORE Govt Head Quarter Hospital, Balesore, Odisha 2 Govt. ANM TC,BOLANGIR MPHW (F) District Head Quarter Hospital,Bolangir,Pin no: 767001,Odisha. 3 Govt. ANM TC,BARIPADA Govt. Head Quarter Hospital, Baripada, Mayurbhanj, Odisha 4 Govt. ANM TC,BHAWANIPATNA ANM Training Centre, District Head Quarter Hospital , Bhawanipatna, Kalahandi, Odisha 5 Govt. ANM TC,BERHAMPUR ANM Training Centre City Hospital, Berhampur, Ganjam, Odisha, Pin no: 760004 6 Govt. GNM TC,BERHAMPUR M.K.C.G Medical College Hospital, School Of Nursing, Ganjam Dist, Berhampur. 760004, Orissa 7 Govt. ANM TC,DASPALLA ANM Training Centre, Daspalla, Nayagarh, Odisha 8 Govt. ANM TC,DEOGARH MPHW(F) Sub-divisional Hospital, Deogarh. 9 Govt. ANM TC,DHENKANAL ANM Training Centre school of Nursing Government Headquarter Hospital, Dhenkanal, Orissa. Govt. Sub-divisional hospital, School of Nursing, Main Road ,Near Jagat Janani Temple, Jeypore, 10 Govt. ANM TC,JEYPORE Koraput, Odisha. 11 Govt. ANM TC,KENDRAPARA FHW Training Centre, Sub divisional hospital, Kendrapara, Odisha. 12 Govt. GNM TC,CUTTACK SCB Medical College Hospital School Of Nursing, Po.Mangalabag Cuttack.Pin-753007. Odisha 13 Govt. ANM TC,KEONJHAR ANM Trg Centre keonjhar , Hospital Campus. Po. Keonjhar Bazar, Dist- Keonjhar .Pin- 758001 14 Govt. ANM TC,PHULBANI Govt. Head Quarter Hospital, School of Nursing,Phulbani, Odisha. 15 Govt. ANM TC,PURI ANM Training Centre, Puri, Odisha, Pin No: 752001 16 Govt. ANM TC,SAMBALPUR MPHW (F) Dist. Head Quarter Hospital, Near CDMO Office, Sambalpur,Pin 768002, Orissa 17 Govt. GNM TC,SAMBALPUR VSS.Medical college Hospital. School of Nursing, Burla, Sambalpur.Pin768010.Odisha 18 Govt.
[Show full text]
Uzdyr Dyrcv Dycz \D Sj C
/1 M # $!)$5- )$5-5 &.'& 345 K70 2 ;@&&# &; K"$#6--$! , -. % 0E4ED,4 E774606 9A E3,C6,, 6 L 66 ,0,% E 6D0 6 !" ! 6- 78-8989: 3;5& $ %'( $) ! " # ! " 667, price increases with higher excise duties on certain sin R nion Finance Minister items, of course cigarettes con- UNirmala Sitharaman deliv- tinue to be on that list, as #$"$"%$9:)9# ered one of the longest Budget strangely enough were toys. $;'<%:)9;'#;9<%;'; )9# '<%; )9;9 !"$ ! speeches in recent memory in The single-window clearance # 9<%!;9#&'-$ ! just under three hours and the for infrastructure projects as .-"$$9#;# biggest takeaway for most tax- well as the move towards ! 667, payers was her announcement encouraging cleaner energy 3$$3= '&)><%"-&)&<-?$ "# $ %&'&'! of a new tax regime which production as it moves towards 3$$ ' ' ;-?$&)9-$ n the lines of Saudi ( reduced tax slabs for income meetings its obligations under ' ' ;!-9)&@#$ OArabia's Aramco that had &')*! taxpayers whose annual the Paris Climate Treaty are the largest public offering in !#+ income was less than 15 lakhs positives as is the dramatical- 4$- ) @#$%-"&') # world's history, the Modi Government's move while per annum. ly enhanced 4000 crore that $ ' ' ;! #;'-$ Government has also decided political parties including TMC However, that reduction will be poured into ensuring 0 !"$ >):-$ to list the Life Insurance chief Mamata Banerjee lam- of tax slabs has come at a mas- 'clean air' in large cities. +$# ';A%9 ) -$+$# '; Corporation (LIC) through the basted the Government deci- , ./ 0/ % 1 sive cost, which is the removal In every Budget there are -#!$#,.,. Initial Public Offer (IPO) route sion to this effect.
[Show full text]
List of Artistes Who Have Performed in the All India Bhaskar Rao Nritya
List of artistes performed at the All India Bhaskar Rao Nritya and Sangeet Sammelan since 1969. No. of Date Name of Artists Art form Sammelan 1st 1969 Charan Girdhar Chand Kathak Dance 2nd March 16 to Charan Girdhar Chand Kathak Dance 18,1970 Madan Lal Bali Vocal Recital Gopal Krishan Sharma Vocal Recital Nalini Dass Odissi Dance Premlata Dass Bharatnatyam Hira Lal Guitar Recital Meera Khirwadkar Vocal Recital Bhajan Lal Sarod Recital 3rd 1971 4th September 15 Narayanrao Vyas and Vocal Recital to 17,1972 V.N. Patwardhan Vinay Bharat Ram Vocal Recital Sitara Devi Kathak Dance N. Rajam Vocal Recital Irene Roy Chaudhry Vocal Recital 5th 6th April 10 to M.K. Saroja Bharatnatyam 13, 1975 Siya Ram Tiwari Vocal Recital Sulochana Yajurvedi Vocal Recital Sumitra Mitra Kathak Dance Mani Lal Nag Sitar Recital Shobha Koser Kathak Dance Reena Dayal Kathak Dance Irene Roy Chaudhury Vocal Recital 7th May 7 to 9, Malabika Kanan and Vocal Recital 1976 A. Kanan V.G. Jog Violin Recital Vijay Kichlu Vocal Recital Swapnasundari Kuchipudi Dance Shobha Koser Kathak Dance Urmila Shankar Vocal Recital Bhargava 8th 9th January 12 to Naseer Ahmed Khan Vocal Recital 18, 1979 Partha Dass Sitar Recital Alaka Deo Vocal Recital Nirmala Arun Vocal Recital Robin Chatterjee Vocal Recital Jagdish Mohan Sharma Vocal Recital Krishna Chattopadhyay Vocal Recital Purnima Kharga Kathak Dance Shobha Koser Kathak Dance Vibha Dadheech Kathak Dance Kamalini Srivastava Violin Recital Rajendra Gangani Kathak Dance Preeti Lal Kathak Dance Kapila Raj Kathak Dance 10th March 28 to Parveen
[Show full text]