Australian History Contents Study and Exam Guide Revised
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H.Doc. 108-224 Black Americans in Congress 1870-2007
“The Negroes’ Temporary Farewell” JIM CROW AND THE EXCLUSION OF AFRICAN AMERICANS FROM CONGRESS, 1887–1929 On December 5, 1887, for the first time in almost two decades, Congress convened without an African-American Member. “All the men who stood up in awkward squads to be sworn in on Monday had white faces,” noted a correspondent for the Philadelphia Record of the Members who took the oath of office on the House Floor. “The negro is not only out of Congress, he is practically out of politics.”1 Though three black men served in the next Congress (51st, 1889–1891), the number of African Americans serving on Capitol Hill diminished significantly as the congressional focus on racial equality faded. Only five African Americans were elected to the House in the next decade: Henry Cheatham and George White of North Carolina, Thomas Miller and George Murray of South Carolina, and John M. Langston of Virginia. But despite their isolation, these men sought to represent the interests of all African Americans. Like their predecessors, they confronted violent and contested elections, difficulty procuring desirable committee assignments, and an inability to pass their legislative initiatives. Moreover, these black Members faced further impediments in the form of legalized segregation and disfranchisement, general disinterest in progressive racial legislation, and the increasing power of southern conservatives in Congress. John M. Langston took his seat in Congress after contesting the election results in his district. One of the first African Americans in the nation elected to public office, he was clerk of the Brownhelm (Ohio) Townshipn i 1855. -
Macmillan History 9
Chapter 5 Making a nation HISTORY SKILLS In this chapter you will learn to apply the following historical skills: • explain the effects of contact on Aboriginal and Torres Strait Islander peoples, categorising these effects as either intended or unintended • outline the migration of Chinese to the goldfields in Australia in the 19th century and attitudes towards the Chinese, as revealed in cartoons • identify the main features of housing, sanitation, transport, education and industry that influenced living and working conditions in Australia • describe the impact of the gold rushes (hinterland) on the development of ‘Marvellous Melbourne’ • explain the factors that contributed to federation and the development of democracy in Australia, including defence concerns, the 1890s depression, nationalist ideals, egalitarianism and the Westminster system • investigate how the major social legislation of the new federal government—for example, invalid and old-age pensions and the maternity allowance scheme—affected living and working conditions in Australia. © Australian Curriculum, Assessment and Reporting Authority 2012 Federation celebrations in Centennial Park, Sydney, 1 January 1901 Inquiry questions 1 What were the effects of contact between European 4 What were the key events and ideas in the settlers in Australia and Aboriginal and Torres Strait development of Australian self-government and IslanderSAMPLE peoples when settlement extended? democracy? 2 What were the experiences of non-Europeans in 5 What significant legislation was passed in the Australia prior to the 1900s? period 1901–1914? 3 What were the living and working conditions in Australia around 1900? Introduction THE EXPERIENCE OF indigenous peoples, Europeans and non-Europeans in 19th-century Australia were very different. -
Chapter 2 Music in the United States Before the Great Depression
American Music in the 20th Century 6 Chapter 2 Music in the United States Before the Great Depression Background: The United States in 1900-1929 In 1920 in the US - Average annual income = $1,100 - Average purchase price of a house = $4,000 - A year's tuition at Harvard University = $200 - Average price of a car = $600 - A gallon of gas = 20 cents - A loaf of Bread = 20 cents Between 1900 and the October 1929 stock market crash that triggered the Great Depression, the United States population grew By 47 million citizens (from 76 million to 123 million). Guided by the vision of presidents Theodore Roosevelt1 and William Taft,2 the US 1) began exerting greater political influence in North America and the Caribbean.3 2) completed the Panama Canal4—making it much faster and cheaper to ship its goods around the world. 3) entered its "Progressive Era" by a) passing anti-trust laws to Break up corporate monopolies, b) abolishing child labor in favor of federally-funded puBlic education, and c) initiating the first federal oversight of food and drug quality. 4) grew to 48 states coast-to-coast (1912). 5) ratified the 16th Amendment—estaBlishing a federal income tax (1913). In addition, by 1901, the Lucas brothers had developed a reliaBle process to extract crude oil from underground, which soon massively increased the worldwide supply of oil while significantly lowering its price. This turned the US into the leader of the new energy technology for the next 60 years, and opened the possibility for numerous new oil-reliant inventions. -
On Teaching the History of Nineteenth-Century Music
On Teaching the History of Nineteenth-Century Music Walter Frisch This essay is adapted from the author’s “Reflections on Teaching Nineteenth- Century Music,” in The Norton Guide to Teaching Music History, ed. C. Matthew Balensuela (New York: W. W Norton, 2019). The late author Ursula K. Le Guin once told an interviewer, “Don’t shove me into your pigeonhole, where I don’t fit, because I’m all over. My tentacles are coming out of the pigeonhole in all directions” (Wray 2018). If it could speak, nineteenth-century music might say the same ornery thing. We should listen—and resist forcing its composers, institutions, or works into rigid categories. At the same time, we have a responsibility to bring some order to what might seem an unmanageable segment of music history. For many instructors and students, all bets are off when it comes to the nineteenth century. There is no longer a clear consistency of musical “style.” Traditional generic boundaries get blurred, or sometimes erased. Berlioz calls his Roméo et Juliette a “dramatic symphony”; Chopin writes a Polonaise-Fantaisie. Smaller forms that had been marginal in earlier periods are elevated to unprecedented levels of sophistication by Schubert (lieder), Schumann (character pieces), and Liszt (etudes). Heightened national identity in many regions of the European continent resulted in musical characteristics which become more identifiable than any pan- geographic style in works by composers like Musorgsky or Smetana. At the college level, music of the nineteenth century is taught as part of music history surveys, music appreciation courses, or (more rarely these days) as a stand-alone course. -
1880S-1890S 1900S 1910S
Handout 3 - American Labor and Working-Class History, 1886-1944 1880s-1890s 1900s 1910s 1886: Industrial workers rally in Chicago’s 1901: With a platform of representing workers, 1911: In New York City, The Triangle Shirtwaist Haymarket Square to protest dangerous the Socialist Party of America (SP) forms and Factory Fire kills 146 garment workers, mostly working conditions. During the rally, someone grows in popularity, reaching over three women. Afterwards, immigrant Clara Lemlich throws a bomb at police officers, who respond thousand local branches and 42 states. surprises union leaders by initiating a strike of by opening fire on the crowd. Known as the around 20,000 garment workers. The striker’s Haymarket Riot, the protest divided Americans: 1902: After having their demands ignored, demands for higher pay, shorter working hours, some saw the striking workers as oppressed, miners in Pennsylvania go on strike, initiating a and better working conditions were eventually others as agitators. national coal crisis. President Theodore Roosevelt met. intervenes, and 5 months later the strike is 1886: The American Federation of Labor (AFL) forms resolved, with miners receiving a better salary 1914: The Colorado National Guard fires upon from a loose organization of craft unions, with and a shorter workday. After the 1902 Coal a striking miner camp in Ludlow, killing eleven the goal of representing skilled laborers. Strike, the president develops his “Square Deal” children and two women. As news of the Ludlow policy, which emphasizes the government’s Massacre spread, miners took up arms against 1890: The United Mine Workers of America (UMWA) role in mediating between industry and labor so the mining companies, while many criticized forms. -
THE HARVEST of a QUIET EYE.Pdf
li1 c ) 1;: \l} i e\ \. \ .\ The University of Sydney Copyright in relation to this thesis* Unde r the Copyright Act 1968 (several provision of which are referred to below), this thesis must be used only under the normal conditions of scholarly fair dealing for the purposes of research, criticism or review. In particular no results or conclusions should be extracted (rom it, nor should it be copied or closely paraphrased in whole or in part without the written consent of the author. Proper written acknowledgement should be made for any assistance obtained from this thesis. Under Section 35(2) of the Copyright Act 1968 'the .uthor of a literary, dramatic. musical or artistic work is the owner of any copyright subsisting in the work', By virtUe of Section 32( I) copyright 'subsists in an original literary, dramatic. musical or artistic work that is unpublished' and of which the author was an Australian citizen, an Australian protected person or a person resident in Australia. The Act. by Section 36( I) provides: 'Subject to this Act. the copyright in a literary, dramatic, musical or artistic work is infringed by a person who. not being the owner of the copyright and without the licence of the owner of the copyright, does in Australia, or authorises the doing in Australia of, any act comprised in the copyright'. Section 31 (I )(.)(i) provides thot copyright includes the exclusive right to'reproduce the work. in a material form'.Thus, copyright is infringed by a person who, not being the owner of the copyright, reproduces or authorises the reproduction of a work., or of more than a reasonable part of the work, in a material form, unless the reproduction is a 'fair dealing' with the work 'for the purpose of research or swdy' as further defined in Sections 40 and . -
A Timeline of Bucks County History 1600S-1900S-Rev2
A TIMELINE OF BUCKS COUNTY HISTORY— 1600s-1900s 1600’s Before c. A.D. 1609 - The native peoples of the Delaware Valley, those who greet the first European explorers, traders and settlers, are the Lenni Lenape Indians. Lenni Lenape is a bit of a redundancy that can be translated as the “original people” or “common people.” Right: A prehistoric pot (reconstructed from fragments), dating 500 B.C.E. to A.D. 1100, found in a rockshelter in northern Bucks County. This clay vessel, likely intended for storage, was made by ancestors of the Lenape in the Delaware Valley. Mercer Museum Collection. 1609 - First Europeans encountered by the Lenape are the Dutch: Henry Hudson, an Englishman sailing under the Dutch flag, sailed up Delaware Bay. 1633 - English Captain Thomas Yong tries to probe the wilderness that will become known as Bucks County but only gets as far as the Falls of the Delaware River at today’s Morrisville. 1640 - Portions of lower Bucks County fall within the bounds of land purchased from the Lenape by the Swedes, and a handful of Swedish settlers begin building log houses and other structures in the region. 1664 - An island in the Delaware River, called Sankhickans, is the first documented grant of land to a European - Samuel Edsall - within the boundaries of Bucks County. 1668 - The first grant of land in Bucks County is made resulting in an actual settlement - to Peter Alrichs for two islands in the Delaware River. 1679 - Crewcorne, the first Bucks County village, is founded on the present day site of Morrisville. -
Cities Outlook 1901 Sheffield, C1900
Cities Outlook 1901 Sheffield, c1900. Copyright The Francis Frith Collection. Front cover photographs: Birmingham, 1890, Sunderland, 1900 & York, 1908. Copyright The Francis Frith Collection. Cities Outlook 1901 by Naomi Clayton & Raj Mandair 00 Cities Outlook 1901: Summary 4 01 Introduction: Lessons from history 7 02 Cities Outlook 1901: Historic urban Britain 10 03 From 20th to 21st century: Urban growth and decline 36 04 Future cities: Lessons for policy 51 Acknowledgements The Centre for Cities would like to thank the Heritage Lottery Fund for their support of Cities Outlook 1901. All views expressed are those of Centre for Cities. Centre for Cities Cities Outlook 1901 Cities Outlook 1901: Summary A city’s economic past has a profound influence on its future. Current geographical differences across the UK can be traced back not just decades but a century or more. The majority of economic differences between The 20th century was marked by two major urban cities can be attributed to a complex range of changes: the north to south shift and the coastal internal and external factors, rather than to policy to inland shift. Cities in the Industrial North, which decisions. The implications of the shift away from depended much more on manufacturing, experienced manufacturing towards services provides much of the rising unemployment as their core industries restructured explanation for why cities such as Blackburn and Hull and fewer jobs were required. Port cities saw their 4 experience continued economic decline while others such competitive advantage decline as alternative modes of as London and Cambridge have seen rising prosperity. transport were developed and manufacturing declined. -
PRIMARY Education Resource
A break away! painted at Corowa, New South Wales, and Melbourne, 1891 oil on canvas 137.3 x 167.8 cm Art Gallery of South Australia, Adelaide, Elder Bequest Fund, 1899 PRIMARY Education resource Primary Education Resource 1 For teachers How to use this learning resource for primary students Tom Roberts is a major INTRODUCTION exhibition of works from the National Gallery of Australia’s ‘All Australian paintings are in some way a homage to Tom Roberts.’ Arthur Boyd collection as well as private and Tom Roberts (1856–1931) is arguably one of Australia’s public collections from around best-known and most loved artists, standing high among his talented associates at a vital moment in local painting. Australia. His output was broad-ranging, and includes landscapes, figures in the landscape, industrial landscapes and This extraordinary exhibition brings together Roberts’ cityscapes. He was also Australia’s leading portrait most famous paintings loved by all Australians. Paintings painter of the late nineteenth and early twentieth such as Shearing the rams 1888–90 and A break away! centuries. In addition he made a small number of etchings 1891 are among the nation’s best-known works of art. and sculptures and in his later years he painted a few nudes and still lifes. This primary school resource for the Tom Roberts exhibition explores the themes of the 9 by 5 Impression Roberts was born in Dorchester, Dorset, in the south of exhibition, Australia and the landscape, Portraiture, England and spent his first 12 years there. However he Making a nation, and Working abroad. -
SECONDARY Education Resource
Shearing the rams painted at Brocklesby station, Corowa, New South Wales, and Melbourne, 1888–90 oil on canvas mounted on board 121.9 x 182.6 cm National Gallery of Victoria, Melbourne, Felton Bequest Fund, 1932 SECONDARY Education resource Secondary Education Resource 1 For teachers How to use this secondary student learning resource This extraordinary exhibition CURRICULUM ALIGNMENT brings together Tom Roberts’ most famous paintings loved by All the themes in the Tom Roberts exhibition can be used with visual arts students from Year 7–10 and beyond. all Australians. Paintings such as Some may be more relevant to specific years given connections to other learning areas such as History and Shearing the rams 1888–90 and Civics and Citizenship at the same level as outlined under A break away! 1891 are among each theme that follows. the nation’s best-known works The Arts – Visual Arts: Year 7 and 8 of art. • Experiment with visual arts conventions and techniques (ACAVAM118) Tom Roberts is a major exhibition of works from the • Develop ways to enhance their intentions as artists national collection as well as private and public collections through exploration of how artists use materials, from around Australia. techniques, technologies and processes (ACAVAM119) • Develop planning skills for art-making by exploring The secondary student learning resource for the Tom techniques and processes used by different artists Roberts exhibition highlights the relevance of Roberts’ (ACAVAM120) oeuvre to today’s contemporary world. Themes explored include Australian life, landscape, portraiture, Federation • Practise techniques and processes to enhance and making a nation, Aboriginal and Torres Strait Islander representation of ideas in their art-making (ACAVAM121) histories, immigration and the influences of other artists. -
The Roaring 1900S, 1910S, and 1920S DJ Script Good Evening, Ladies and Gentlemen
The Roaring 1900s, 1910s, and 1920s DJ script Good evening, ladies and gentlemen. I am happy to speak to all the listeners out there who own the wonderful invention called the radio. Tonight we’ll be listening to a few pieces of popular music from the early 20th century, including the 1900s, 1910s, and 1920s. Let’s begin! The first song you’ll hear is a good example of ragtime music. Ragtime was popular in the 1900s, and this song is the most famous example. It was written in 1902 by an African American man named Scott Joplin. The song is called The Entertainer and it is written for a solo piano. Here’s The Entertainer by Scott Joplin. *listen to “The Entertainer” The next song is by a very famous songwriter named Irving Berlin. He is perhaps the most prolific American songwriter of all time, which means he’s written more popular songs than any other American. This song was inspired by ragtime music and became a hit in 1911. Please enjoy this recording of Alexander’s Ragtime Band by Irving Berlin. *listen to “Alexander’s Ragtime Band” The most important and influential style of music to come out of this time period came from the 1920s. The style is called blues. Blues began as music sung by slaves in the southern United States in the 1800’s and evolved to a sophisticated form of popular music. W.C. Handy, known as the “Father of the Blues” wrote this next song, St. Louis Blues. *listen to“St. Louis Blues” The next popular style of music to emerge in the 1910s was called Dixieland Jazz. -
Mortality Improvements and Evolution of Life Expectancies
Mortality improvements and evolution of life expectancies Adrian Gallop Actuary, Pensions policy, Demography and Statistics UK Government Actuary’s Department Finlaison House 15-17 Furnival Street London EC4A 1AB United Kingdom Tel +44 20 7211 2635 e-mail: [email protected], or [email protected] 1 Mortality in the United Kingdom – 20th century trends During the course of the 20th century, the United Kingdom saw a continuation of the pattern of falling death rates that began around the beginning of the 19th century. Over these two centuries there has been a change from a regime of high infant and child mortality, with a preponderance of acute and infectious diseases, to a new regime in which adult mortality predominates and chronic and degenerative diseases are the most common causes of death. Period life expectancy at birth in the mid-19th century was around 40 years for males and 42 years for females. These figures increased to around 45 and 50 years respectively by 1901. Life expectancy then rose dramatically until the mid- 1950s. Since then, life expectancy at birth has continued to increase but at a less rapid rate (see Fig 1). Life expectancy for males rose at a lower rate than for females during the 1950s and 1960s, with the difference between males and females rising to a high of 6.3 years in 1970. Since 1970, male expectation of life has been increasing faster than female and the differential has fallen to 4.4 years by 2003. Figure 1: Period expectation of life at birth, England and Wales, 1850-2003 90 80 70 60 50 Ma l e s Expectation of life (years) of Expectation Females 40 30 1850 1860 1870 1880 1890 1900 1910 1920 1930 1940 1950 1960 1970 1980 1990 2000 Year 2 Tables 1 and 2 show how period life expectancies for England and Wales have changed over the 20th century for selected ages.