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Banks Violette Exhibition Catalogues, Monographs, and General
Banks Violette Exhibition Catalogues, Monographs, and General Publications 2019 Lee, Jung. Reflections: Matt Black x Gana Art. Korea: Gana Art, 2019. 2013 Bellavita, Alessandra and Séverine Waelchli. Disaster/The End of Days. Paris: Galerie Thaddaeus Ropac, 2013. 2012 Pienkny, Christiane. “How Do You Make a Crime Beautiful?” in From Beuys to Noise. Kunst und Musik Seit den 1960er Jahren. Berlin: Kunsthistorisches Institut, 2012, p. 146-53. 2009 Chisholm, Susanna, ed. Banks Violette. Murcia: La Conservera. 2009. Matt, Gerald and Banks Violette, eds. Elevator to the Gallows: Banks Violette & Gerald Matt present: Banks Violette, Miles Davis, Dashiell Hammett, John Huston, Weegee. Vienna/Nuremberg: Kunsthalle Wien/ Verlag fur Moderne Kunst Nurnberg, 2009. 2008 Violette, Banks and Neville Wakefield. Banks Violette. Cologne: Walther König, 2008. 2007 Koerner von Gustorf, Oliver. Nine Patriotic Hymns for Children. Paris: Galerie Thaddaeus Ropac, 2007. 2005 Momin, Shamim M. Banks Violette. New York: Whitney Museum of American Art, 2005. Wakefield, Neville. Bridge Freezes Before Road. New York: Gladstone Gallery, 2005. Selected Articles and Reviews 2019 Kastner, Jeffrey “Banks Violette at Gladstone 64,” Artforum, January 2019 2018 Gloster, Jeremy. “Quietly, Banks Violette Reemerges in New York,” Blouin Art Info, October 23, 2018. 2017 Goldstein, Andrew. “An Artist Returns From the Edge,” The New York Times, April 21, 2017. 2011 Bryce, Adam. “Banks Violette at Museo Civico Diocesano di S. M. dei Servi,” Slamxhype, June 17, 2011. Gartenfeld, Alex. “Medieval Cinema: Q+A with Banks Violette,” Art in America, May 8, 2011. Rosenberg, Karen. “It All Started with a Simple Square,” The New York Times, March 10, 2011. 2010 O’Brian, Glenn. -
Slater Bradley Studio
Slater Bradley Studio [email protected] www.slaterbradley.com Slater Bradley 1975 born in San Francisco, CA Education: 1998 BA, University of California, Los Angeles, CA Solo Exhibitions: 2014 LOOP Fair, Barcelona, Spain (under the auspices of Galeria Filomena Soares, forthcoming May 2014) 2013 Sean Kelly Gallery, New York, NY, A Point Beyond the Tree Johnson Museum of Art, Cornell University, Ithaca, NY, Sequoia: Recent Work by Slater Bradley Galería Helga de Alvear, Madrid, Spain, she was my la jetée 21c Museum, Bentonville, AR, Slater Bradley and Ed Lachman: Dead Ringer 2012 Max Wigram Gallery, London, England, Slater Bradley: Nudes Galeria Filomena Soares, Lisbon, Portugal, Melancholia Team Gallery, New York, NY, Don’t Let Me Disappear 2011 Aspen Art Museum, Aspen, CO, Slater Bradley and Ed Lachman: Look Up and Stay in Touch (cat.) Max Wigram Gallery, London, England, NEVER BET AGAINST ME Galería Helga de Alvear, Madrid, Spain, Slater Bradley and Ed Lachman: Shadow 2010 Whitney Museum of American Art, New York, NY, Slater Bradley and Ed Lachman: Shadow (curated by Chrissie Iles) PSM Galerie, Berlin, Germany, CLEAN SLATE 2009 Team Gallery, New York, NY, if we were immortal Max Wigram Gallery, London, England, Boulevard of broken dreams Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands, nothing changes how it used to be 2008 Taka Ishii Gallery, Tokyo, Japan, Perfect Empathy 2007 Blum & Poe, Los Angeles, CA, Hope From A Dark Place Max Wigram Gallery, London, England,The Unreleased Factory Galería Helga de Alvear, Madrid, Spain, Tonic-Clonic The Armory Show, New York, NY (under the auspices of Team Gallery) Contemporary Art Museum, St. -
Donald Moffett
FOR IMMEDIATE RELEASE ! ! MEDIA CONTACT Connie McAllister ALWAYS FRESH Communications and Marketing Manager ALWAYS FREE Tel 713 284 8255 [email protected] The Contemporary Arts Museum Houston is pleased to present the first museum survey of work by New York-based artist Donald Moffett. Donald Moffett: The Extravagant Vein October 1, 2011 – January 8, 2012 Opening Reception Friday, September 30, 2011 6-7PM: Members’ Preview 7-9PM: Public Reception HOUSTON, TX (August 18, 2011)—The Contemporary Donald Moffett, Lot 121909 (18/o), 2009. Oil on linen with Arts Museum Houston is pleased to present the first wood panel support. 17 x 17 inches. Collection Mickey and comprehensive survey of work by New York-based Jeanne Klein, Austin painter Donald Moffett. Donald Moffett: The Extravagant Vein will provide viewers with insight ! into the breadth of the artist’s practice over the past twenty years. As a painter, Moffett extends the traditional two-dimensional frame by creating highly textured relief works in oil paint or sometimes turning monochrome surfaces into intricate illuminations by incorporating video projections. The subject matter of his paintings—from politics and history to landscape and nature—are poetic, provocative, and even at times humorous. Donald Moffett: The Extravagant Vein presents nine important bodies of work created over the last two decades, including painting, works on paper, photography, sound works, and Moffett’s light- loop paintings (paintings that incorporate video projections onto their surfaces). An astute and thoughtful painter, Moffett knows the power of the artist to critique the world at large. A founding member of Gran Fury, the artistic arm of the AIDS activist group ACT UP, Moffett has remained engaged with issues surrounding the presence of gays in historical and contemporary culture. -
New Books Catalogue
Film & Media New Books Catalogue July-December 2020 Stuck in a research rut? A study slump? Learn the skills to get back on course. Sort the method from the madness with Bloomsbury Research Methods and Study Skills – textbooks and guides designed to give students the essential tools they need for their studies. www.bloomsbury.com/researchmethodsandstudyskills 9781350046948 | £21.99 9781474282949 | £23.99 9781441163752 | £22.99 9780826496317 | £22.99 Discover the What Is? Research Methods series of introductions – handy guides to all the main methodologies for researchers. Series Editor: Graham Crow, University of Edinburgh, UK 9781472530073 | £17.99 9781350018273 | £16.99 9781472515407 | £17.99 9781849665957 | £17.99 9781849669030 | £18.99 9781849669733 | £18.99 9781849665247 | £18.99 9781849666060 | £18.99 9781849668170 | £18.99 Discover the full series: www.bloomsbury.com/whatis RM+SS_BertramsBTU_ad.indd 1 24/06/2019 14:06 Contents EBooks BFI Film Classics . 3 ePub and ePdf availability is listed under each book entry. See the Asian and World Cinema ���������������������������������������������������� 5 website for details of vendors, or to puchase individual ebooks direct. Library ebook prices are available from your supplier. European Cinema. 6 Review Copies British Cinema �������������������������������������������������������������������� 8 Email [email protected] (Americas) Hollywood Cinema. 9 / [email protected] (UK / Rest of World). Film Theory. 9 Standing Orders Film History. 11 Many series are available -
Paul Robeson Galleries
Paul Robeson Galleries Exhibitions 1979 Green Magic April 9 – June 29, 1979 An exhibition consisting of two parts: Green Magic I and Green Magic II. Green Magic I displayed useful plants of northern New Jersey, including history, properties, and myths. Green Magic II displayed plant forms in art of the ‘70’s. Includes the work of Carolyn Brady, Brad Davis, Jim Dine, Tina Girouard, George Green, Hanna Kay, Bob Kushner, Ree Morton, Joseph Raffael, Ned Smyth, Pat Steir, George Sugarman, Fumio Yoshimura, and Barbara Zucker. Senior Thesis Exhibition May 7 – June 1, 1979 An annual exhibition of work by graduating Fine Arts seniors from Rutgers – Newark. Includes the work of Hugo Bastidas, Connie Bower, K. Stacey Clarke, Joseph Clarke, Stephen Delceg, Rose Mary Gonnella, Jean Hom, John Johnstone, Mathilda Munier, Susan Rothauser, Michael Rizzo, Ulana Salewycz, Carol Somers Kathryn M. Walsh. Jazz Images June 19 – September 14, 1979 An exhibition displaying the work of black photographers photographing jazz. The show focused on the Institute of Jazz Studies of Rutgers University and contemporary black photographers who use jazz musicians and their environment as subject matter. The aim of the exhibition was to emphasize the importance of jazz as a serious art form and to familiarize the general public with the Jazz Institute. The black photographers whose work was exhibited were chosen because their compositions specifically reflect personal interpretations of the jazz idiom. Includes the work of Anthony Barboza, Rahman Batin, Leroy Henderson, Milt Hinton, and Chuck Stewart. Paul Robeson Campus Center Rutgers – The State University of New Jersey 350 Dr. Martin Luther King, Jr. -
Lorraine O'grady. Interview by Laura Cottingham. Nov 5, 1995*
Lorraine O'Grady. Interview by Laura Cottingham. Nov 5, 1995* © Hatch-Billops Collection, Inc. 1996 In-depth interview done for the excellent Artist and Influence series produced by Camille Billops and James Hatch for their archive of African American visual and theatre arts. This is my good friend Laura Cottingham. We've been having conversations like this for some time now. I want to start by asking you how you came to understand yourself as an artist, how did you adopt that identity, what in your own life led you to this understanding of yourself? I understood that I was an artist almost by accident. I was pushed into it at about age twenty-five. You have to understand, I came from the kind of family where the arts would never have been encouraged. They were West Indian immigrants, and immigrants of color are de-classed when they come here. They may have been middle class and upper class in Jamaica, but here they were de-classed into the working class. They didn't have time or energy to devote to what we might think of as life- affirming activities. They really had to focus on survival. They understood a lot about taste, like what kind of silverware and china to put on the table, but in terms of what books to read—I don't think that was what they were able to give me. They were not really culture-oriented. And I don't think they were unique in that way. The black middle class has not been involved with wealth accumulation long enough nor is it financially and socially secure enough that bohemianism and encouraging children to be artists is an option for them. -
Gender Performance in Photography
PHOTOGRAPHY (A CI (A CI GENDER PERFORMANCE IN PHOTOGRAPHY (A a C/VFV4& (A a )^/VM)6e GENDER PERFORMANCE IN PHOTOGRAPHY JENNIFER BLESSING JUDITH HALBERSTAM LYLE ASHTON HARRIS NANCY SPECTOR CAROLE-ANNE TYLER SARAH WILSON GUGGENHEIM MUSEUM Rrose is a Rrose is a Rrose: front cover: Gender Performance in Photography Claude Cahun Organized by Jennifer Blessing Self- Portrait, ca. 1928 Gelatin-silver print, Solomon R. Guggenheim Museum, New York 11 'X. x 9>s inches (30 x 23.8 cm) January 17—April 27, 1997 Musee des Beaux Arts de Nantes This exhibition is supported in part by back cover: the National Endowment tor the Arts Nan Goldin Jimmy Paulettc and Tabboo! in the bathroom, NYC, 1991 €)1997 The Solomon R. Guggenheim Foundation, Cibachrome print, New York. All rights reserved. 30 x 40 inches (76.2 x 101.6 cm) Courtesy of the artist and ISBN 0-8109-6901-7 (hardcover) Matthew Marks Gallery, New York ISBN 0-89207-185-0 (softcover) Guggenheim Museum Publications 1071 Fifth Avenue New York, New York 10128 Hardcover edition distributed by Harry N. Abrams, Inc. 100 Fifth Avenue New York, New York 10011 Designed by Bethany Johns Design, New York Printed in Italy by Sfera Contents JENNIFER BLESSING xyVwMie is a c/\rose is a z/vxose Gender Performance in Photography JENNIFER BLESSING CAROLE-ANNE TYLER 134 id'emt nut files - KyMxUcuo&wuieS SARAH WILSON 156 c/erfoymuiq me c/jodt/ im me J970s NANCY SPECTOR 176 ^ne S$r/ of ~&e#idew Bathrooms, Butches, and the Aesthetics of Female Masculinity JUDITH HALBERSTAM 190 f//a« waclna LYLE ASHTON HARRIS 204 Stfrtists ' iyjtoqra/inies TRACEY BASHKOFF, SUSAN CROSS, VIVIEN GREENE, AND J. -
The Early Works of Maria Nordman by Laura Margaret
In Situ and On Location: The Early Works of Maria Nordman by Laura Margaret Richard A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Associate Professor Julia Bryan-Wilson, Chair Professor Whitney Davis Professor Shannon Jackson Associate Professor Jeffrey Skoller Summer 2015 Abstract In Situ and On Location: The Early Works of Maria Nordman by Laura Margaret Richard Doctor of Philosophy in History of Art and the Designated Emphasis in Film Studies University of California, Berkeley Associate Professor Julia Bryan-Wilson, Chair This dissertation begins with Maria Nordman’s early forays into capturing time and space through photography, film, and performance and it arrives at the dozen important room works she constructed between 1969 and 1979. For these spaces in Southern California, the San Francisco Bay Area, Italy, and Germany, the artist manipulated architecture to train sunshine into specific spatial effects. Hard to describe and even harder to illustrate, Nordman’s works elude definition and definitiveness, yet they remain very specific in their conception and depend on precision for their execution. Many of these rooms were constructed within museums, but just as many took place in her studio and in other storefronts in the working-class neighborhoods of Los Angeles, San Francisco, Milan, Genoa, Kassel, and Düsseldorf. If not truly outside of the art system then at least on its fringes, these works were premised physically and conceptually on their location in the city. -
Banks Violette
GALERIE THADDAEUS ROPAC BANKS VIOLETTE BANKS VIOLETTE SALZBURG VILLA KAST 24 Saturday - 19 Saturday We are pleased to announce our first extensive solo exhibition of the New York based artist Banks Violette. Born in 1973 in Ithaca (NY), Violette studied at Columbia University New York and at the School of Visual Arts in New York. Over the past three years, he has made a strong institutional presence which has made him internationally known in very short time: his participation in the renowned Whitney Biennial in New York (2004), the solo exhibition at Whitney Museum of American Art, New York, as well as his participation in major group exhibitions at Migros Museum für Gegenwartskunst in Zurich, Schirn Kunsthalle in Frankfurt, and Museum Boijmans van Beuningen in Rotterdam (all in 2006) are his most important stations. With his glossy black sculptures that are often categorised as New Gothic, Banks Violette takes up the iconography of Heavy Metal, both at the formal-aesthetic and the context level. He exemplifies the symbolism of death and decay used in Black Metal subcultures, which oscillates between beauty and cruelty. In Salzburg, Violette will show sculptures and installations made of metal, neon, varnish, and glass, created specifically for the rooms in Villa Kast. In one instance, one of the sculptures will aim at destroying itself by means of a kinetic interaction of its components throughout the duration of the exhibition. In another case, the parts of a sculpture are made of deep-frozen elements. In the catalogue on the much-discussed exhibition USA Today at the London Royal Academy of Arts (2006), Norman Rosenthal writes: "[Banks Violette's] gothic installations are operatic analyses of the dark side of American culture. -
Born 1969, Miami Florida Lives and Works in New York 1995 BFA, The
greengrassi 1a Kempsford Road London SE11 4NU + 44 207 840 9101 [email protected] Roe Ethridge Biography Born 1969, Miami Florida Lives and works in New York Education 1995 BFA, The College of Art, Atlanta GA, Photography Solo Exhibitions 2020 Old Fruit, Gagosian, New York, NY 2019 Sanctuary 2, Andrew Kreps, New York, NY Sanctuary, Gagosian, Hong Kong 2018 Gladstone Gallery, Brussels 2017 American Spirit, Andrew Kreps, New York, NY Innocence II, Gagosian Gallery, San Francisco, CA 2016 Nearest neighbor, Contemporary Arts Center, Cincinnati, OH Shelter Island, Foam Fotografiemuseum, Amsterdam, The Netherlands Shelter Island, Gladstone Gallery, Brussels 2015 Double Bill, greengrassi, London 2014 Sacrifice Your Body, Capitain Petzel, Berlin Sacrifice Your Body, Andrew Kreps, New York, NY 2013 Confetti, Gagosian, Los Angeles A Moveable Feast, Campo Presti, Paris The money..., Harper’s Books, East Hampton, NY 2012 The Ceremony and The Spirit, La Loge, Brussels (in collaboration with Zin Taylor) Studio Street, Mai 36 Galerie, Zurich Interiors, Gladstone Gallery, Brussels Roe Ethridge, M - Museum for Leuven, Leuven Le Consortium, Dijon Charles Riva Collection, Brussels 2011 Le Luxe II BHGG, Gagosian, Los Angeles, CA Le Luxe, Andrew Kreps, New York, NY 2010 4th Floor, greengrassi, London 2009 Sunset Studio, Gladstone Gallery, Brussels Goodnight Flowers, Rat Hole Gallery, Tokyo 2008 Sutton Lane, Paris Rockaway Redux, Andrew Kreps, New York, NY 2007 Mai 36 Galerie, Zurich Medium, St. Barthélemy greengrassi 1a Kempsford Road London SE11 4NU + -
Donald Moffett
Donald Moffett Born in San Antonio, Texas Lives and works in New York Education Trinity University, B.A. Art, B.A. Biology Solo Exhibitions 2016 • Any fallow field, Marianne Boesky Gallery, New York, New York • Donald Moffett, Lora Reynolds Gallery, Austin, Texas 2015 • Donald Moffett, Blanton Museum of Art, Austin, Texas 2014 • head., Lora Reynolds Gallery, Austin, Texas 2012 • Radiant Future and Mr. Gay in the USA, Columbus College of Art and Design, Columbus • The Radiant Future, Marianne Boesky Gallery, New York 2011 • Richmond Terrace, Anthony Meier Fine Art, San Francisco • The Extravagant Vein, Contemporary Arts Museum Houston; Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York; The Andy Warhol Museum, Pittsburgh, Pennsylvania 2010 • Whitman's Corner, Frieze Art Fair, London 2008 • Easy Clean, Marianne Boesky Gallery, New York 2007 • Gutted, Anthony Meier Fine Art, San Francisco • Mangle Me, FIAC 2007, Paris • Fleisch, Stephen Friedman Gallery, London 2006 • Impeach, Marianne Boesky Gallery, New York 2005 • Hippie Shit, Marianne Boesky Gallery, New York 2004 • Paintings from a Hole, Anthony Meier Fine Arts, San Francisco • D.C., Stephen Friedman Gallery, London 2003 • The Extravagant Vein, Marianne Boesky Gallery, New York 2002 • Donald Moffett: What Barbara Jordan Wore, Museum of Contemporary Art, Chicago 2001 • Mr. Gay in the USA, Anthony Meier Fine Arts, San Francisco • What Barbara Jordan Wore (part 1), Texas Gallery, Houston 2000 • The Incremental Commandments, Stephen Friedman -
Internalising Appropriation Through Hybrid Studio Practice
The Urge to Appropriate: Internalising appropriation through hybrid studio practice. Scott Cotterell BFA Hons. (1st Class) Submitted in partial fulfilment of the requirements for the degree of Master of Fine Arts by Research University of Tasmania March, 2011 Declaration of Originality This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. Signed . Authority of Access This thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Signed Contents Abstract ............................................................................................................................................. 4 Chapter One : Content To be a finder and sender of signals ............................................................................................... 7 Fear of obsolescence is fear of death ............................................................................................... 12 Chapter Two : Context Locking down the skip trail in the manifold of time .................................................................... 20 Chapter Three : How the project was pursued Inhabiting the Loop .....................................................................................................................