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The Cambridge Stravinsky Encyclopedia Edited by Edward Campbell , Peter O'hagan Index More Information Cambridge University Press 978-1-107-14087-5 — The Cambridge Stravinsky Encyclopedia Edited by Edward Campbell , Peter O'Hagan Index More Information Index ABRAHAM AND ISAAC,1–3, 73, 85, 159, 201, ‘Answers to Thirty-six questions’, 274 202, 425, 439 ANTHEIL, George, 9, 421 ABRAVANEL, Maurice, 3, 45 Ballet mécanique,9 abstract art, 17, 55 Anthem, 10, 91, 148, 200, 425 acmeism, 390 anti-Semitism, 200, 468 Adams, Diana, 42 antihumanism, 247 Adams, John, 220 antiquarianism, musical, 215 Adès, Thomas, 219–20 APACHES, The, 10, 138, 153, 177, 310, ADORNO, Theodor, 3–4, 111, 185, 220, 287, 354, 496 311, 418, 498 Apollinaire, Guillaume, 287 Philosophy of New Music,3–4, 287, APOLLON MUSAGÈTE,3,5,12–13, 16, 29, 31, 32, 425, 432 33, 35, 37, 41, 42, 43–4, 48, 52, 53, aesthetics, musical, 71, 232, 266, 310, 59, 63, 64, 93, 112, 115, 127, 137, 140, 332–4 159, 197, 205, 211, 214, 227, 235, aesthetic of rupture, 414 247, 271, 275, 302, 307, 309, 311, AFANASYEV, Alexander, 4, 161, 171, 228, 361, 338, 348, 359, 360, 361, 396, 410, 378, 400, 401, 407 411, 430, 431, 470, 471 Russian Folktales, 224 Apukhtin, Alexei The Slav’s Poetic Outlook on Nature, 224, 378, The Ice Maiden, 381 400, 403 Aquinas, St Thomas, 235 Afonina, Alexandra, 209 Archer, Kenneth, 39 agents, 120 ARGENTINA, 13, 289 AGON,4–6, 29, 30, 32, 33, 35, 37, 42, 43, 49, Argentine National Symphony 50, 59, 64, 68, 93, 95, 107, 112, 126, Orchestra, 13 127, 129, 202, 212, 224, 226, 265, Teatro Colón, Buenos Aires, 13, 14 271, 276, 303, 478, 487, 488 Aristotle, 235 AKIMENKO, Fyodor, 7–8, 60, 207, 222, 257, art nouveau, 16, 51, 406 433, 454 Artaud, Antonin, 184, 186 Alpatov, M. V., 251 ARTISTS (VISUAL), 14–19 Alyabiev, Alexander, 239 ASAFYEV, Boris, 14, 208, 224, 284, AMERICAN BALLET, The, 8, 33, 42, 205, 212, 356 275, 359, 486, 488 Ashton, Frederick, 38, 126 American Ballet Theater, 86 Auberjonois, René, 14, 120, 353, 409, Amy, Gilbert, 120 432, 456 ANČ ERL, Karel, 8, 415 AUDEN, W.H. (Wystan Hugh), 20, 75, 119, ancient Greece, 144 121, 147, 167, 198, 200, 207, 225, Andersen, Hans Christian, 33, 37, 39, 152, 229, 230, 295, 297, 298, 351, 352, 227, 277, 294 360, 411, 438, 488 The Ice Maiden, 469 AUDIO RECORDINGS,20–2, 129, 226–7, 377, The Snow Queen, 381 444–5 ANDRAE, Volkmar, 8 Stravinsky Conducts Stravinsky, 226 Andriessen, Louis, 220 Stravinsky’s, 536–40 Anichkov, Evgenii, 378 Auer, Leopold, 144 ANSERMET, Ernest, 8–9, 13, 61, 77, 78, 88, AURIC, Georges, 14, 36, 62, 141, 243, 97, 111, 120, 121, 144, 157, 175, 185, 427 189, 192, 197, 203, 214, 228, 243, Adieu New York, 428 250, 279, 282, 309, 310, 324, 329, Australian aboriginal art, 127 346, 353, 356, 361, 411, 432, 435, authenticity in performance, 305 438, 445, 455, 456, 474, 478 authoritarian character, 121 545 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-14087-5 — The Cambridge Stravinsky Encyclopedia Edited by Edward Campbell , Peter O'Hagan Index More Information INDEX AUTOBIOGRAPHY,AN, 55, 96, 97, 136, 138, 144, 278, 279, 280, 282, 287, 306, 309, 149, 173, 227, 282, 284, 328, 339, 331, 353, 388, 398, 431, 454, 470, 354, 357, 386, 395, 396, 463, 472 471, 485, 504 AVE MARIA, 24, 88, 89, 130, 171 BALMONT, Konstantin, 52, 87, 211, 397, 398, 399, 405, 494 Babbitt, Milton, 425, 493 The Green Garden, 211 BABEL, 26, 89, 237, 244, 265, 274, 468 Barber, Samuel, 120, 175 Babin, Victor, 119, 120 Barrault, Jean-Louis, 121 Babitz, Sol, 120, 149 Barsacq, André, 16, 298, 315 BACH, Johann Sebastian, 26–7, 28, 108, 109, BARTÓK, Béla, 53, 57, 219, 226, 410, 184, 185, 224, 245, 257, 269, 272, 411 292, 302, 322, 424, 425, 435 The Miraculous Mandarin,53 The Art of Fugue, 107 Piano Concerto No. 1, 53 Brandenburg Concerto No. 3, 27, 110, 273 Piano Concerto No. 2, 53 Concerto for Two Violins, 109 Sonata No. 1 for Violin, 53 The Musical Offering, 88, 111, 273 The Wooden Prince,53 Passacaglia and Fugue in C minor, BWV Basel, 91 582, 423 Basel Chamber Orchestra, 108, 410 Vom Himmel hoch da komm’ ich her, arr. Bathori, Jane, 354 Stravinsky, 3, 27, 30, 76, 90, 201, 439 BAUCHANT, André, 16, 41, 43, 53, 127 The Well-Tempered Clavier, 27, 225, 274, 325 Bausch, Pina, 358 back to Bach, 111, 272–3 Beardsley, Aubrey, 149 Baganova, Tatiana, 358 Beaurepaire, André, 126 Bakhtin, Mikhail, 102, 322 Beckett, John, 54 Bakounine, Mikhail, 382 BECKETT, Samuel, 53–4, 120 BAKST, Léon, 15, 16, 17, 18, 27–8, 51, 55, 119, BEETHOVEN, Ludwig van, 54, 81, 96, 184, 120, 126, 141, 160, 161, 184, 309, 389, 264, 290, 302, 303, 327, 459, 436, 495 498, 504 BALAKIREV, Mily, 28–9, 65, 130, 169, 258, Grosse Fuge, op. 133, 425 267, 349, 373, 441 See FIVE, The late string quartets, 425 Balakirev Circle. See FIVE, The Piano Sonata, op. 110, 273 BALANCHINE, George, 4, 5, 8, 12, 29–31, 32, Symphony No. 5, 436 33, 34, 36–7, 38, 40, 41–3, 44, 48–9, Thirty-Three Variations on a Waltz by A. 52, 58, 63, 77, 93, 97, 119, 126, 133, Diabelli, op. 120, 273 141, 156, 167, 205, 212, 227, 231, 233, Béjart, Maurice, 127, 357 250, 252, 269, 271, 275–7, 307, 350, Belinsky, Vissarion, 382 411, 425, 486, 493 Belsky, Vladimir, 39, 227, 297 Balustrade, 38, 125, 470, 488 BELYAYEV, Mitrofan, 54, 119, 166, 188, 222, School of American Ballet, 44 390, 404, 504 BALLA, Giacomo, 16, 31–2, 181, 182, 183, 202 Belyayev circle, 334, 373, 390, Ballard, Lucinda, 127 441 BALLET,32–8, 45–50, 157 Belyayev concerts, 203, 420 Ballet Collaborations, 38–43 Benjamin, Walter, 246 Ballet Companies, 43–5 BENOIS, Alexandre, 8, 14, 15, 16, 18, 27, 28, Choreographers, 236 32, 40, 44, 47, 55–6, 101, 119, 120, CHOREOGRAPHY, 13, 16, 18, 28, 29–31, 33, 122, 125, 127, 139, 141, 151, 152, 168, 34, 36–7, 40, 41, 43, 45, 47, 49, 55, 171, 190, 223, 235, 277, 281, 298, 92, 141, 161, 319, 346 306, 309, 318, 319, 320, 385, 387, COSTUME DESIGN, 125–7 389, 396, 401, 411 Ballet of the Elephants, The. See CIRCUS POLKA Gesamtkunstwerk,55 Ballet Russe de Monte Carlo, 133, 216, 488 Berberian, Cathy, 121 Ballet Society, 212, 275, 307, 359, 488. 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