Husky Herald May 2015
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The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Irmin Schmidt (Can) and Kumo (Aka Jono Podmore): London, March 4, 2008 (Peter Guy: Getintothis) 14.04.08 16:48
Irmin Schmidt (Can) and Kumo (aka Jono Podmore): London, March 4, 2008 (Peter Guy: Getintothis) 14.04.08 16:48 www.workshoplive.com Feedback - Ads by Google Ads by Google Police Tour Comedy Festival Schweiz Tour Rem London « icLiverpool Homes Jobs Merseyside Motors Grab my RSS feed Add to: Google, MyYahoo, Bloglines, My AOL Search the site Search here... Go Grab my RSS feed | (What's this?) Profile... Latest Posts... Categories Irmin Schmidt (Can) and Kumo (aka Jono Podmore): Albums of the Week London, March 4, 2008 Banter Tags: Axolotl Eyes Can Cologne Flies Future Days Guys & Choirs Irmin Schmidt Jono End of Year Review Podmore krautrock Kumo Liverpool Liverpool Daily Post Masters of Confusion Tago Mago Guest Slot Peter Guy discovered music late. Posted by Peter Guy on March 12, 2008 2:00 AM | Permalink Introducing Since then he's been making up for it. With a collection to rival a small record Labels of Love shop and a gig diary fit for any addled groupie, music is is his religion. Listening Post: Sometimes he dreams of having Liam, Unsigned Scene with Prince and Jimmy Page round for tea Matt Eland but most of the time he can be found Louden Up - Live writing and designing the Daily Post's sports pages. Getintothis is his guide reviews to music, which he hopes you’ll On Track contribute to. On it Tag cloud... Pop Life 101 Tambourines 13 Blues For Thirteen Reel Music Moons 19 2007 2007 Nationwide Anyone who is serious about music, seriously loves Can. Mercury Music Prize 2008 2ManyDJs As The Rough Guide to Rock states: 'There is a significant lobby among rock Shuffle: Spins from the 3121 3rd Degree Festival 45:33 4AD 6 fans - and probably an even stronger one among musicians - that Can were the headphone jukebox of 1 thing 65daysofstatic A Hawk and a greatest band ever. -
Carlton Douglas Ridenhour (Born August 1, 1960), Known Professionally As Chuck D, Is an American Rapper, Author, and Producer. A
Carlton Douglas Ridenhour (born August 1, 1960), known professionally as Chuck D, is an American rapper, author, and producer. As the leader of the rap group Public Enemy, he helped create politically and socially conscious hip hop music in the mid 1980s. Chuck D has a powerful, resonant voice that is often acclaimed as one of the most distinct and impressive in hip-hop. About.com ranked him at No. 9 on their list of the Top 50 MCs of All Time, while The Source ranked him at No. 12 on their list of the Top 50 Hip-Hop Lyricists of All Time. Ridenhour was born in Queens, New York. He began writing rhymes after the New York City blackout of 1977. After graduating from Roosevelt Junior-Senior High School, he went to Adelphi University on Long Island to study graphic design, where he met William Drayton (Flavor Flav). He received a B.F.A. from Adelphi in 1984 and later received an honorary doctorate from Adelphi in 2013. While at Adelphi, Ridenhour co-hosted hip hop radio show the Super Spectrum Mix Hour as Chuck D on Saturday nights at Long Island rock radio station WLIR, designed flyers for local hip-hop events, and drew a cartoon called Tales of the Skind for Adelphi student newspaper The Delphian. Upon hearing Ridenhour's demo track "Public Enemy Number One", fledgling producer/upcoming music-mogul Rick Rubin insisted on signing him to his Def Jam label. Public Enemy’s major label albums were Yo! Bum Rush the Show (1987), It Takes a Nation of Millions to Hold Us Back (1988), Fear of a Black Planet (1990), Apocalypse 91.. -
Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience
Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience by Christine Sarah Steinbock A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014 Christine Sarah Steinbock ii Abstract Facing the Future with a Foot in the Past Americana, Nostalgia, and the Humanization of Musical Experience Americana, a musical genre defined by its place in a lineage of roots music styles and a nostalgic outlook is enjoying increasing mainstream popularity in response to general societal unease about the fast pace of social change and the increasing presence of technology in everyday life. Americana artists’ invocations of the past cultivate a psychic landscape of collective memory that quells fears of change by asserting the sustained value of the past. Instead of actively resisting social and technological change Americana artists, listeners and promoters embrace technology in service of a nostalgically- motivated humanization and disintermediation of musical performance and consumption. Gillian Welch and Dave Rawlings (who perform as “Gillian Welch”) and their 2011 album The Harrow & the Harvest are analyzed vis-à-vis the ways in which their musical and visual invocations of the rural past dialogue with a psychic landscape of collective memory. iii Acknowledgements I want to express my gratitude for the opportunity to study in the Music and Culture program at Carleton and the privilege of working alongside such dedicated scholars, professors and fellow students alike. I want to especially thank my supervisor, Dr. -
Inside This Issue
Freshers’ Issue 2007 OUT FOR SPORT CRIES INVESTMENT 8,000 1 1 Limited Limited STUDENTS n FLOODLIT n ASTRO TURF n sports n Gym TO: GRASS PITCH PITCH halls facilties urrent students in Bangor will al- seasons, with relegations and underachieve- Better facilities ty over the floodlit grass pitch. However, this success, but are again limited, with new ready be aware of how stretched ment being prominent throughout the pitch can only be used for match games and teams unable to break through due to short- The campaign for better sports facilities the University’s facilities are when leagues. It is easy to blame this on the lack training sessions therefore have to be held ages of space. around the University has been a central is- Cit comes to sports. Many University clubs of talent within the University, and lay the on the Astroturf – ironic really considering The Ffriddoedd Site expansion has lead sue over the last few years. The results of this are being constrained by the poor facilities responsibility at the hands of the club. But most match games are played in daylight. to a perfectly placed rugby field being sac- year’s Bangor Student Satisfaction Survey we are provided with, and the BUSA league the results of a recent survey has indicated rificed for new halls of residence, and any- show that student satisfaction with sports tables often tell a disappointing story regard- that the lack of facilities in the University is Spectators body wishing to play tennis in Bangor will facilities is down 14.2% compared with last ing Bangor University’s successes. -
ARU Makes Desperate Attempt to Improve Poll Performance
Features Sport Arts Torture Garden Rob Andrew Martin Rowson Review Page 18 Interview Page 30 Exclusive cartoon and interview Page 16 Issue No 673 Friday Feb 22 2008 varsity.co.uk e Independent Cambridge Student Newspaper since 1947 ARU makes desperate attempt to improve poll performance “dedicated to the NSS” located all fi nal year students to nobble” and Varsity News Reporter over the Cambridge and Chelms- NSS stickers on sandwiches sold in ford campuses so that they can the university cafeteria. Emails leaked to Varsity from sen- fi ll in “a good online response”. In a later email McHugh re- ior management at Anglia Ruskin He advocates that lecturers “keep quested that lecturers “do your University have revealed damn- pumping out the message” and bit by discussing the survey” with ing evidence of the University’s “get students to march off to a ter- fi nalists, who would be sent NSS encouragement of efforts by staff minal straight away” in addition to reminders, and informed staff that to hike ARU’s National Student informing them of other colleagues there would be survey-dedicated Survey results. who will be sent “out and about... computers in both AR campus- The NSS, which surveys over looking for fi nal year students to es’ libraries. In a memo to staff, 300,000 students annually on their nobble”. At no point in any of the McHugh suggests that “More en- university experience, has been emails is any reference made to thusiastic colleagues may decide seen by ARU senior management any attempts to improve the is- to allow a class to fi nish early and as a way of improving their uni- sues complained about by ARU that students are directed to near- versity’s public reputation in the students in the NSS. -
MICHAEL GIRA the God of This Fuckin’Land
SENTIREASCOLTARE online music magazine SETTEMBRE N. 35 Murcof Iron & Wine Vic Chesnutt Pinback M.I.A. Cristina Donà Space Rock For Carnation Yello Olga Neuwirth One Plus One MICHAEL GIRA The God Of This Fuckin’Land sentirea scoltare 1 sommario 4 News 8The Lights On Seabear, St. Vincent, M.I.A, My Morning Jacket 1 2 Speciali Cristina Donà, Pinback, Iron & Wine, Murcof, Vic Chesnutt, Space Rock, Mi- 10 chael Gira 46 Recensioni Akron/Family, Angels Of Light, Animal Collective, Dirty Projectors, Liars... 115 Rubriche (Gi)Ant Steps Joe Henderson We Are Demo: Sig.Solo, Lapingra, Enrico Berto... Classic Laurie Anderson, Robert Wyatt, For Carnation, Trees, Yello Cinema Cult: Un sogno lungo un giorno Speciale: One Plus One I cosiddetti contemporanei Olga Neuwirth 16 Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione Daniele Follero Stefano Solventi 28 Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Nicolas Campagnari, Roberto Canella, Alessandro Grassi, Paolo Grava, Manfredi Lamartina, Alarico Mantovani, Giulio Pasquali, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi, Guida spirituale Adriano Trauber (1966-2004) Grafica Edoardo Bridda, Valentina Cassano in copertina Michael Gira 130 SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Antonello Comunale -
SCOPYRIGHT This Copy Has Been Supplied by the Library of The
THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 "IT'S OK, IT'S ALL RIGHT, OH YEAH" THE 'DUNEDIN SOUND' ? AN ASPECT OF ALTERNATIVE MUSIC IN NEW ZEALAND 1978-1985 by Craig Robertson A Long Essay presented in partial fulfilment of the requirements for a Bachelor of Arts (Honours) degree in History at the University of Otago Dunedin New Zealand 1991 ACKNOWLEDGEMENTS As I lived in Dunedin during the period of this essay it is perhaps appropriate to acknowledge my links with this topic. I first became interested in the music of the so-called 'Dunedin Sound' bands in 1982 when as a twelve year old I bought a copy of The Clean's 'Great Sounds. Great', after having heard a track off it on Radio New Zealand's nation wide Top Ten. Over the next few years, going to Roy Colbert's second hand record shop every Friday after school, I began religiously buying every record by a Dunedin band that was released on Flying Nun. -
The Go! Team SEMICIRCLE TOUR 2018
The Go! Team SEMICIRCLE TOUR 2018 Die aus Brighton stammende Indie-Rockband THE GO! TEAM bringt zum Jahresbeginn 2018 ihr neues Album heraus. Die erste Single Semicircle sorgt in bester The Go! Team- Manier für gute Stimmung und macht einmal mehr deutlich, weshalb der Bandname nach Cheerleading klingt. Stilprägend bei der Entstehung des Albums war für Ian Parton, Kopf und kreative Mastermind der Truppe, das Bild einer School Marching Band die durchdreht. Semicircle, das klingt nach weggeworfenen Notenblättern, nach dem was das Herz gerade fühlt und jeder Menge Spaß. Zwar war das vorherige Album der Gruppe The Scene Between im Wesentlichen ein Soloprojekt, jedoch ist die Band nicht nur exklusiven Mitgliedern zugänglich. So wurde auch eine Welle bisher unentdeckter Soundcloud-Sänger aufgenommen. Das neue mittlerweile fünfte Album Semicircle beinhaltet nun außerdem den entscheidenden Input der aktuellen Live-Band Simone Odaranile (Schlagzeug) und Angela ‚Maki‘ Won-Yin Mak (Gesang), inklusive Original-Teammitglied Sam Dook (Gitarre) und Ninja (Rap). Nach einem Besuch in Detroit hatte er ein weiteres Element seiner facettenreichen Musik hinzugefügt – den Detroit Youth Choir. Dazu sagt Parton, dass das Alter des Chores entscheidend gewesen sei – weder zu jung noch zu alt. Er habe schon immer etwas übrig gehabt für Gruppengesänge, vor allem außerhalb ihres Komfortgenres. Ausgezahlt hat sich dies auf jeden Fall, wie man auf der neuen Platte hören kann. The Go! Team waren schon immer Cheereader für eine bessere Welt – der Ausguss kollektiver Freude über einen gemeinsamen Antrieb und die Begegnung verschiedener Kulturen, die zu etwas Neuen führen. Eine Band, die noch immer an die Macht der Musik glaubt, etwas zu verbessern. -
Issue 152.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 152 March Oxford’s Music Magazine 2008 FOALS! Oxford’s rising stars talk about their mad year and being the most hotly tipped band on the planet. Interview inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 year’s event will feature over 40 hosted by local hip hop duo GTA, acts across three stages. runs from 1pm through to 4am; Tickets for Cornbury are on sale bands confirmed to play are Bad NEWNEWSS from Friday 7th March on the Science, Q.T. & The Reservoir Nightshift: PO Box 312, Kidlington, OX5 1ZU festival website at Dogs, Mean Poppa Lean, Tonic, www.cornburyfestival.com or from Sub-Func, Swervin Merv, Kojo, Phone: 01865 372255 email: [email protected] various outlets around the county. Bad Sandwich and Funky Justice, plus DJ sets from Rob Life, Indecision and Count Skylarkin. THIS YEAR’S TRUCK FESTIVAL takes place over the weekend of Tickets are on sale now, priced 19th-20th July at Hill Farm in Steventon. Tickets for the event will go on £16, from wegottickets.com sale locally on Monday 31st March, ahead of national sales. Last year’s festival sold out in under a week and local fans wanting to get a ticket THE SKITTLE ALLEY relaunches should register their details at www.thisistruck.com to get priority this month after a couple of information on booking. Line-up details for Truck will be announced in months in hibernation. The next month’s Nightshift. Last year’s event – which was initally Abingdon-based live music club postponed due to the flooding that hit the county in July - featured lost its monthly acoustic night headline sets from Grant and Maud Hudson and Idlewild.