Robert Grosseteste's De Ubero Arbitrio
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Cambridge University Press 978-0-521-19922-3 — Imagining an English Reading Public, 1150-1400 Katharine Breen Index More Information
Cambridge University Press 978-0-521-19922-3 — Imagining an English Reading Public, 1150-1400 Katharine Breen Index More Information Index Adams, Robert, 256n44 Babel, see Bible ad placitum theory of word origins, 96–98 Baer, Patricia, 254n24 Alan of Lille, 76 Baldric of Dol, Historia Jerosolimitana, 123, 128–29 Alban, Saint, 144 Ball, John, 173–74 Alexander of Villedieu, Doctrinale puerorum, 92 Baptism, 36–38 Alford, John, 20, 100–1, 212 Bartholomew of Pisa, De regimine filiorum et Alighieri, Dante, De vulgari eloquentia, 1–3 filiarum, 100, 243n29 Allen, David, 236n58 Battle of Dover, 147–49 Allen, Elizabeth, 231n30 Beazley, Raymond, 140 Allen, Judson, 83 Beckwith, Sarah, 230n17 Ancrene Wisse, 18–21 Benedict of Nursia and Benedictine Rule, 71, monastic habits as misleading signifiers, 18–20 178–79 author’s use of regere, 20–21 Benson, C. David, 232n39 Angelo, Gretchen, 243n33 Bernard of Clairvaux, 123, 129, 138 Anglo-Norman language, 144–45 Bible, 1 Timothy 2:9, 24 see also French As you did to the least of these, Matthew 25:40, Anselm of Bec, 123 54–56 Aquinas, Thomas, Summa theologiae, 47, 70–78, “Be not solicitous,” Matthew 6:31, 213 90, 168, 199, 204, 205, 207, 211 Dismas, Luke 23:39–43, 38, 207, 214 acquired and infused virtues, 74–78 “Do not let your left hand know what your distinction between habere and se habere, right hand is doing,” Matthew 6:3, 202 71–72 Great Banquet, Luke 14:16–24, 211–12 habitus as perfect disposition, 72–75 Jesus born in likeness of men, Philippians Arch, Jennifer, 260n3 2:7, 55 Aristotle, 44, 62–67, 68, -
Marketing Fragment 6 X 10.T65
Cambridge University Press 978-0-521-78218-0 - The Cambridge History of the Book in Britain, Volume II 1100-1400 Edited by Nigel Morgan and Rodney M. Thomson Index More information General index A Description of England 371 A¨eliz de Cund´e 372 A talking of the love of God 365 Aelred of Rievaulx xviii, 6, 206, 322n17, 341, Abbey of the Holy Ghost 365 403n32 Abbo of Saint-Germain 199 Agnes (wife of Reginald, illuminator of Abel, parchmenter 184 Oxford) 178 Aberconwy (Wales) 393 Agnes La Luminore 178 Aberdeen 256 agrimensores 378, 448 University 42 Alan (stationer of Oxford) 177 Abingdon (Berks.), Benedictine abbey 111, Alan de Chirden 180–1 143, 200, 377, 427 Alan of Lille, Anticlaudianus 236 abbot of, see Faricius Proverbs 235 Chronicle 181, 414 Alan Strayler (illuminator) 166, 410 and n65 Accedence 33–4 Albion 403 Accursius 260 Albucasis 449 Achard of St Victor 205 Alcabitius 449 Adalbert Ranconis 229 ‘Alchandreus’, works on astronomy 47 Adam Bradfot 176 alchemy 86–8, 472 Adam de Brus 440 Alcuin 198, 206 Adam of Buckfield 62, 224, 453–4 Aldhelm 205 Adam Easton, Cardinal 208, 329 Aldreda of Acle 189 Adam Fraunceys (mayor of London) 437 Alexander, Romance of 380 Adam Marsh OFM 225 Alexander III, Pope 255, 372 Adam of Orleton (bishop of Hereford) 387 Alexander Barclay, Ship of Fools 19 Adam de Ros, Visio S. Pauli 128n104, 370 Alexander Nequam (abbot of Cirencester) 6, Adam Scot 180 34–5, 128n106, 220, 234, 238, 246, Adam of Usk 408 451–2 Adelard of Bath 163, 164n137, 447–8, De naturis rerum 246 450–2 De nominibus utensilium 33, 78–9 Naturales -
Download The
1 The Oxford map of Palestine in the work of Matthew Paris Matthew Paris, or Matthew the Parisian, born about 1200, served as the chronicler of St. Albans Abbey from 1237 until his death in 1259. Unlike some other monastic chronicles, Matthew’s work is anything but dull. He was long-winded, opinionated, cranky, and interested in everything. He moves from politics at court, to the abuses of ecclesiastical power, to foreign relations, to peculiar meteorological and astronomical occurrences, to uncanny incidents. A staunch Benedictine, he had a low opinion of other monastic orders, especially those of more recent foundation, and he was quick to condemn what he felt to be unwarranted impositions on his beloved abbey. While we know little about the details of his personal life, we know a great deal about what he thought. Toward the end of his life, feeling perhaps that he had been a little too outspoken, he attempted to censor some of his strongest statements.1 He had a strong visual sense, and ornamented his text with lively drawings of Crusaders in battle, horrific martyrdoms, and perilous sea voyages. He also made copies of notable works of art,2 and, most important for us, he made a series of maps unprecedented in their variety and quality. Some are diagrams, such as the wind diagrams, one showing the classical twelve winds with their ancient names along with the names used by contemporary seamen. Another diagram of the Heptarchy, the division of kingdoms in ancient Britain, is an abstract floral design,3 while a drawing of the four Roman roads4 is equally divorced from geography. -
The Imagined Cartography of Matthew Paris's Britain
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2013 "Queen of All Islands": The mI agined Cartography of Matthew aP ris's Britain John Wyatt Greenlee East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the European History Commons, Other History Commons, and the Political History Commons Recommended Citation Greenlee, John Wyatt, ""Queen of All Islands": The mI agined Cartography of Matthew Paris's Britain" (2013). Electronic Theses and Dissertations. Paper 1118. https://dc.etsu.edu/etd/1118 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. "Queen of All Islands": The Imagined Cartography of Matthew Paris's Britain _____________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History _____________________ by John Wyatt Greenlee May 2013 _____________________ Dr. Brian J. Maxson, Chair Dr. William Douglas Burgess Dr. Thomas Crofts Dr. Daniel Newcomer Keywords: Matthew Paris, Britain, Cartography, Chronica Majora , Claudius Map ABSTRACT "Queen of All Islands": The Imagined Cartography of Matthew Paris's Britain by John Wyatt Greenlee In the middle decade of the thirteenth century, the Benedictine monk and historian Matthew Paris drew four regional maps of Britain. -
Vision, Devotion, and Self Representation in Late
Cambridge University Press 978-1-107-03222-4 - Vision, Devotion, and Self-Representation in Late Medieval Art Alexa Sand Frontmatter More information VISION, DEVOTION, AND SELFREPRESENTATION IN LATE MEDIEVAL ART This book investigates the “owner portrait” in the context of late medieval devo- tional books primarily from France and England. These mirror-like pictures of praying book owners respond to and help develop a growing concern with visibility and self-scrutiny that characterized the religious life of the laity after the Fourth Lateran Council in 1215. The image of the praying book owner translated preexist- ing representational strategies concerned with the authority and spiritual effi cacy of pictures and books, such as the Holy Face and the donor image, into a more inti- mate and refl exive mode of address in Psalters and Books of Hours created for lay users. Alexa Sand demonstrates how this transformation had profound implications for devotional practices and for the performance of gender and class identity in the striving, aristocratic world of late medieval France and England. Alexa Sand is associate professor of art history at Caine College of the Arts, Utah State University. She has published articles in The Art Bulletin , Gesta , Yale French Studies , Word and Image , the Huntington Library Quarterly , Studies in Iconography , and a number of edited essay collections. She is the recipient of the ACLS Charles Ryskamp Fellowship and the AAUW American Fellowship for Publication. She was recently the Gilbert and Ursula Farfel -
Robert Grosseteste and His Treatise on Lines, Angles and Figures of the Propagation of Light
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PORTO Publications Open Repository TOrino Politecnico di Torino Porto Institutional Repository [Article] Robert Grosseteste and his Treatise on Lines, Angles and Figures of the Propagation of Light Original Citation: A.C. Sparavigna (2013). Robert Grosseteste and his Treatise on Lines, Angles and Figures of the Propagation of Light. In: INTERNATIONAL JOURNAL OF SCIENCES, vol. 2 n. 9, pp. 101-107. - ISSN 2305-3925 Availability: This version is available at : http://porto.polito.it/2515126/ since: September 2013 Publisher: Alkhaer Publisher Terms of use: This article is made available under terms and conditions applicable to Open Access Policy Article ("Public - All rights reserved") , as described at http://porto.polito.it/terms_and_conditions. html Porto, the institutional repository of the Politecnico di Torino, is provided by the University Library and the IT-Services. The aim is to enable open access to all the world. Please share with us how this access benefits you. Your story matters. (Article begins on next page) 1Department of Applied Science and Technology, Politecnico di Torino, Torino, Italy Abstract: Robert Grosseteste, an English philosopher and scientist, Bishop of Lincoln, is considered as the founder of the scientific thought in medieval Oxford. During the beginning of the XIII century he wrote several scientific papers concerning light and its propagation, where he based the description of some phenomena on the use of geometry. Here we will translate and discuss one of his scientific treatises concerning light, which is entitled De Lineis, Angulis et Figuris, seu Fractionibus et Reflexionibus Radiorum. -
Notes on Theatricality in Jacques Derrida's "Envois"
Title: Apostrophe and apocalypse : notes on theatricality in Jacques Derrida's "Envois" Author: Michał Kisiel Citation style: Kisiel Michał. (2017). Apostrophe and apocalypse : notes on theatricality in Jacques Derrida's "Envois". “Theoria et Historia Scientiarum” (Vol. 14 (2017), s. 27-37, DOI: http://dx.doi.org/10.12775/ths.2017.002 THEORIA ET HISTORIA SCIENTIARUM, VOL. XIV Ed. Nicolaus Copernicus University 2017 DOI: http://dx.doi.org/10.12775/ths.2017.002 Michał Kisiel Institute of English Cultures and Literatures University of Silesia in Katowice [email protected] Apostrophe and Apocalypse: Notes on Theatricality in Jacques Derrida’s “Envois” Abstract. This article aims at uncovering and interpreting the selected theatrical tropes in Jacques Derrida’s “Envois” in relation to an interpretative path paved by Samuel Weber in Theatricality as Medium. Following Weber’s intuitions, “Envois” is read as a process of staging the postulates posed by Derrida in his previous works, including “Freud and the Scene of Writing” or “Envoi.” The logic of staging, as it is argued, relies first and foremost on the trope of apostrophe, understood both as an act of addressing somebody and a punctuation mark. Derrida’s spectral correspondence—in which addressees, addressers, destinations, and postcards themselves engage in an ongoing play of hide and seek—employs the performative aspect of apostrophe in order to keep the deconstructive wheel in motion, in search of the genuine intimacy with the other. By means of numerous encrypted and deciphered events, actual and fictional encounters, allusions to the fort/da scene and the mirror stage, or the revisions of Matthew Paris’s illustration of Socrates and Plato, Derrida invites readers to immerse themselves in the ghostly exchange and its inherent temporal and spatial twists; the stake of this task is to follow the link joining apo-strophe with apo-calypse, with regard to the catastrophe that resides between them. -
Matthew Paris's Chronica Majora and Allegations Of
2018 HAWAII UNIVERSITY INTERNATIONAL CONFERENCES ARTS, HUMANITIES, SOCIAL SCIENCES & EDUCATION JANUARY 3 - 6, 2018 PRINCE WAIKIKI HOTEL, HONOLULU, HAWAII MATTHEW PARIS’S CHRONICA MAJORA AND ALLEGATIONS OF JEWISH RITUAL MURDER MEIER, DAVID DEPARTMENT OF SOCIAL SCIENCES DICKINSON STATE UNIVERSITY DICKINSON, NORTH DAKOTA Dr. David Meier Department of Social Sciences Dickinson State University Dickinson, North Dakota Matthew Paris’s Chronica Majora and Allegations of Jewish Ritual Murder Synopsis: Robert Nisbet recognized Matthew Paris as “admittedly one of the greatest historians, if not the greatest in his day.” Matthew provided “the most detailed record of events unparalleled in English medieval history” from 1236-1259. Within the chronicle, allegations of Jewish ritual murder rested alongside classical sources in various languages, including Greek, Latin, Arabic, and Hebrew. Matthew Paris’s Chronica Majora and Allegations of Jewish Ritual Murder David A. Meier, Dickinson State University Allegations of Jewish ritual murder in medieval European chronicles rested alongside classical sources in various languages, including Greek, Latin, Arabic, and Hebrew. Hartmann Schedel’s Weltchronik 1493 (2001) depicted Simon of Trent’s alleged murder by the local Jewish community in 1475 in a manner that mirrored alleged Jewish ritual murders in England in 1144 and 1255.1 Between 1144 and 1493, allegations of Jewish ritual murder spread and flourished. Matthew Paris’s Chronica Majora emerged at historical crossroads where allegations of Jewish ritual murder spread beyond England and into continental Europe. Before the century finished in 1290, England had expelled its Jewish population inspiring many regions on the continent to follow suit in the coming years.2 In offering a written record, chroniclers bridged narrative history from ancient times (largely Biblical) with contemporary culture, history, society, politics and nascent legal systems, employed, in turn, by both church and state in the High Middle Ages. -
THE UNIVERSITY of HULL John De Da1derby
THE UNIVERSITY OF HULL John de Da1derby, Bishop 1300 of Lincoln, - 1320 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Clifford Clubley, M. A. (Leeds) March, 1965 r' ý_ý ki "i tI / t , k, CONTENTS Page 1 Preface """ """ """ """ """ Early Life ... ... ... ... ... 2 11 The Bishop's Household ... ... ... ... Diocesan Administration ... ... ... ... 34 Churches 85 The Care of all the . ... ... ... Religious 119 Relations with the Orders. .. " ... Appendices, Dalderby's 188 A. Itinerary ... ... B. A Fragment of Dalderby's Ordination Register .. 210 C. Table of Appointments ... ... 224 ,ý. ý, " , ,' Abbreviations and Notes A. A. S. R. Reports of the Lincolnshire Associated architectural Archaeological Societies. and Cal. Calendar. C. C. R. Calendar of Close Rolls C. P. R. Calendar of Patent Rolls D&C. Dean and Chapter's Muniments E. H. R. English History Review J. E. H. Journal of Ecclesiastical History L. R. S. Lincoln Record Society O. H. S. Oxford Historical Society Reg. Register. Reg. Inst. Dalderby Dalderby's Register of Institutions, also known as Bishopts Register No. II. Reg. Mem. Dalderby Dalderby's Register of Memoranda, or Bishop's Register No. III. The folios of the Memoranda Register were originally numbered in Roman numerals but other manuscripts were inserted Notes, continued when the register was bound and the whole volume renumbered in pencil. This latter numeration is used in the references given in this study. The Vetus Repertorium to which reference is made in the text is a small book of Memoranda concerning the diocese of Lincoln in the Thirteenth and Fourteenth Centuries. The original is in the Cambridge University Library, No. -
Extracts from the Chronicles of Matthew Paris Relating to the Templars, Hospitallers and Teutonic Knights Translated from the Rolls Series Editions by Helen J
Cardiff University, School of History, Archaeology and Religion HS 1805 The Military Orders, 1100–1320; HST 908 The Military Orders Documents relating to the Military Orders Translated by Helen J. Nicholson. Original translations 1988–98; this edition 2013 Extracts from the chronicles of Matthew Paris relating to the Templars, Hospitallers and Teutonic Knights translated from the Rolls Series editions by Helen J. Nicholson Contents Matthew Paris, Chronica Majora [The Greater Chronicle] ...................................................................... 2 Vol. 3 .................................................................................................................................................... 2 About the Templars’ and Hospitallers’ pride and jealousy .............................................................. 2 The letter of Gerald, patriarch of Jerusalem ..................................................................................... 3 Thierry, the prior of the Hospital in England, is sent to help the Holy Land. ................................... 6 Vol. 4 .................................................................................................................................................... 7 Delightful events in the Holy Land about a peace treaty which had been made. But it had a very sad outcome. ..................................................................................................................................... 9 The Battle of La Forbie ................................................................................................................... -
The History of Cartography, Volume 1
THE HISTORY OF CARTOGRAPHY VOLUME ONE EDITORIAL ADVISORS Luis de Albuquerque Joseph Needham J. H. Andrews David B. Quinn J6zef Babicz Maria Luisa Righini Bonellit Marcel Destombest Walter W. Ristow o. A. W. Dilke Arthur H. Robinson L. A. Goldenberg Avelino Teixeira da Motat George Kish Helen M. Wallis Cornelis Koeman Lothar Z6gner tDeceased THE HISTORY OF CARTOGRAPHY 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2 Cartography in the Traditional Asian Societies 3 Cartography in the Age of Renaissance and Discovery 4 Cartography in the Age of Science, Enlightenment, and Expansion 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME ONE Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean Edited by J. B. HARLEY and DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON J. B. Harley is professor of geography at the University of Wisconsin-Milwaukee, formerly Montefiore Reader in Geography at the University of Exeter. David Woodward is professor of geography at the University of Wisconsin-Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1987 by The University ofChicago Allrights reserved. Published 1987 Printed in the United States ofAmerica 11 10 09 08 07 06 05 04 03 02 8 7 654 This work is supported in part by grants from the Division of Research Programs of the National Endowment for the Humanities, an independent federal agency Additional funds were contributed by The Andrew W. Mellon Foundation The National Geographic Society The Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library The Johnson Foundation The Luther I. -
Jubal, Pythagoras and the Myth of the Origin of Music with Some Remarks Concerning the Illumination of Pit (It
Philomusica on-line 16 (2017) Jubal, Pythagoras and the Myth of the Origin of Music With some remarks concerning the illumination of Pit (It. 568) Davide Daolmi Università degli Studi di Milano [email protected] § Alla fine del Trecento l’iconografia § At the end of the fourteenth century della Musica mostra una forma the iconography of Music shows a complessa basata sul mito del primo complex morphology based on the padre fondatore dell’arte musicale. La myth of the first founding father of the sua raffigurazione più sofisticata appa- musical art. Its most sophisticated re nella miniatura d’apertura di Pit image appears in the opening (Parigi, Bibl. Nazionale, It. 568), uno illumination of Pit (Paris, Bibl. dei più importanti manoscritti di Ars Nationale, It. 568), one of the most Nova italiana. important manuscripts of the Italian Nel riconsiderare la bibliografia Ars Nova. esistente, la prima parte dell’articolo After reviewing the existing biblio- indaga il contesto culturale che ha graphy, the first part of the article prodotto la miniatura, per poi, nella traces the cultural context that seconda, ripercorrere l’intera storia del produced this illumination. The mito, la sua tradizione biblica (Iubal), il second part reconstructs the whole suo corrispondente pagano (Pitagora), history of the myth of the origin of il rapporto con il mito della translatio music, its biblical tradition (Jubal), its studii (le colonne della conoscenza), e pagan equivalent (Pythagoras), their la sua forma complessa adottata a association with the myth of translatio partire dal XII secolo. Il modello studii (the pillars of knowledge), and iconografico fu concepito in Italia nel its syncretic form adopted from the Trecento e la forma ormai matura twelfth century onward.