All About Making Chains with Jump Rings
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Displaced Narratives of Iranian Migrants and Refugees: Constructions of Self and the Struggle for Representation
Displaced Narratives of Iranian migrants and Refugees: Constructions of Self and the Struggle for Representation. Submitted by Mammad Aidani Submitted in total fulfillment of the requirements of the degree for Philosophy in the Faculty of Arts, Education and Human Development School of Psychology at the Victoria University, December 2007 1 “I Mammad Aidani declare that the PhD thesis entitled Displaced Narrative of Iranian migrants and refugees: Construction of Self and the Struggle for Representation is no more than 100,000 words in length including quotes and exclusive of tables, figures, appendices, bibliography, references and footnotes. This thesis contains no material that has been submitted previously, in whole or in part , for the award of any other academic degree or diploma. Except where otherwise indicated, this thesis is my won work”. Signature Date 2 Abstract This thesis discusses the multiple narratives of Iranian migrants and refugees living in Melbourne, Australia. The narratives are constructed by men and women who left Iran immediately after the 1979 revolution; the Iran – Iraq war; and Iranians who are recent arrivals in Australia. The narratives of the participants are particularly influenced and contextualized by the 1979 revolution, the 1980-1988 Iran – Iraq War and the post 9/11 political framework. It is within these historical contexts, I argue that Iranian experiences of displacement need to be interpreted. These historical periods not only provide the context for the narratives of the participants but it also gives meaning to how they reconstruct their identities and the emotions of their displacement. This thesis also argues that Iranian migrant and refugee narratives are part of a holistic story that is united rather than separated from one another. -
The Land of Glory and Beauties
IRAN The Land of Glory and Beauties Iranian Cultural Heritage, Handicrafts and Tourism Organization www.tourismiran.ir Iran is the land of four seasons, history and culture, souvenir and authenticity. This is not a tourism slogan, this is the reality inferred from the experience of visitors who have been impressed by Iran’s beauties and amazing attractions. Antiquity and richness of its culture and civilization, the variety of natural and geographical attractions, four - season climate, diverse cultural sites in addition to different tribes with different and fascinating traditions and customs have made Iran as a treasury of tangible and intangible heritage. Different climates can be found simultaneously in Iran. Some cities have summer weather in winter, or have spring or autumn weather; at the same time in summer you might find some regions covered with snow, icicles or experiencing rain and breeze of spring. Iran is the land of history and culture, not only because of its Pasargad and Persepolis, Chogha Zanbil, Naqsh-e Jahan Square, Yazd and Shiraz, Khuzestan and Isfahan, and its tangible heritage inscribed in the UNESCO World Heritage List; indeed its millennial civilization and thousands historical and archeological monuments and sites demonstrate variety and value of religious and spiritual heritage, rituals, intact traditions of this country as a sign of authenticity and splendor. Today we have inherited the knowledge and science from scientists, scholars and elites such as Hafez, Saadi Shirazi, Omar Khayyam, Ibn Khaldun, Farabi, IRAN The Land of Glory and Beauties Ibn Sina (Avicenna), Ferdowsi and Jalal ad-Din Muhammad Rumi. Iran is the land of souvenirs with a lot of Bazars and traditional markets. -
Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the -
Projects | Designer Tip Sheets | Ear Cuffs Galore
“Ear Cuffs Galore” As seen in the Rings & Things Wholesale Catalog 2009-10 Tools: flat-nose pliers, round-nose pliers, cutters “Open Hearted” Ear Cuff Created by: Mollie Valente Suggested Materials: Qty. Stock# Name 1 30-452-1 3mm plain ear cuff, white 1 37-113-1 4mm round jump ring, white 1 44-473-1 9x11mm floating heart charm, white “Crystal Key” Ear Cuff Created by: Misha Lengling 1 30-455 3mm plain ear cuff, sterling silver 5 37-295-240 4mm round jump rings, sterling silver 1 37-295-260 6mm round jump ring, sterling silver 0.5” 40-596 Fine rope chain, sterling silver 2 37-507 1" head pins, sterling silver 1 49-759 Key charm, sterling silver 1 44-513 Heart charm, sterling silver 2 05-000-04-170 4mm faceted round Swarovski® crystal beads, crystal/moonlight 1 24-980-33 3mm bamboo-shaped SmartBead, sterling silver “My Little Sea Pony” Ear Cuff Created by: Mollie Valente 1 30-462-4 6mm plain ear cuff, gold plate 1 37-113-2 4mm round jump ring, yellow 1” 40-099-17-4 2.9mm figure-8 footage chain, gold plate 1 44-436-0 15x7mm seahorse charm, brass 2 06-007-07-17 7mm Swarovski crystal small briolette pendants, light rose G:\TEXT\Example jewelry docs\Designer Tip sheets\Ear_Cuffs_Galore_E.doc “Flower and Star” Ear Cuffs Created by: Josie Arndt Suggested Materials: Qty. Stock# Name Flower cuff 1 30-462-3 6mm plain ear cuff, silver plate 1 37-113-3 4mm round jump rings, silver plate 4” 40-099-11-3 2.1mm diamond-cut bulk chain, silver plate 2 27-525-3 5mm metallized plastic rose spacer beads, silver plate 2 37-415-3 1.5" thin head pins, silver plate 4 23-224-293 4mm round glass beads, light amethyst/aurora borealis Star cuff 1 30-452-3 3mm plain ear cuff, silver plate 1 37-113-3 4mm round jump ring, silver plate 1” 40-099-17-3 2.9mm flat with figure eight footage chain, silver plate 1 27-505-3 5mm metallized plastic star spacer bead, silver plate 1 37-415-3 1.5" thin head pin, silver plate 6 20-228-022 Size 11/0 Toho® seed beads, black diamond Designer's Tip: Only jump rings and head pins 21gauge or thinner can fit into the 40-099-11 diamond-cut chain. -
Chainmaille Resources
Chainmaille Resources By Region Ships Int.Retail Wholesale Manufacturer Sells Online Classes Custom Tools Findings Rings Kits Scales Tutorials Asia Company LocationShips Int.Retail Wholesale Manufacturer Sells Online Classes Custom Tools Findings Rings Kits Scales Tutorials Panda Hall Foshan City, Guang Dong • CH https://www.pandahall.com/ We retail and wholesale Beads & Findings including jade, silver, pearl, gemstone, lampwork glass and crystal items etc. We also can source many products for you. We are a Squaretrade Verified Seller. Whether you have a company of jewelry making or personal jewelry store, PandaHall can offer different solutions according to your needs. Australia/New Zealand Company LocationShips Int.Retail Wholesale Manufacturer Sells Online Classes Custom Tools Findings Rings Kits Scales Tutorials Aussie Maille Mount Riverview, NSW • AU http://www.aussiemaille.com/ Aussie Maille is an online store specialising in kits and tutor ials. We also manufacture a large range of saw cut jump rings in Bright Aluminium, Copper, Bronze, Jewellery Brass, Stainless Steel and Precious metals which we can supply in both metric and imperial inches. We also stock Anodized Aluminium, EPDM , Scales, Tools and a growing selection of findings and beads. FireBear SA • AU https://www.firebear.com.au Been making chain Maille for 30 y ears. Mike is an armourer and historian Flinders Creations Gladstone SA • AU https://www.facebook.com/FlindersCreations Small chainmaille manufacturer /wholesaler Canada Company LocationShips Int.Retail Wholesale Manufacturer Sells Online Classes Custom Tools Findings Rings Kits Scales Tutorials Dylon Whyte Manitoulin Island, ON • CA http://www.artofchainmail.com/ Author of the instructional book “The Art of Chainmail”, and various other chainmail books and tutorials . -
Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I
craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12). -
Arts and Handicraft of the Indian
Srtsi anti Handicraft of tfjc Indian INDIAN CRAFTS DEPARTMENT Uniteb States: Snbian ikfjool CARLISLE, PENNSYLVANIA ( I :u;: so ;913P.m. Jnftian grafts ©ppt. tinted f*tatn Indian &ri)ooI (Sarlislr, pa. Partial list of Scalar Stock --------->. Distributors of Baskets, Head work Nava ho Blankets, Silverware, Moccasins, Beads, Buckskin Work, War Bonnets, Ceremonial Trophies, Pottery, etc. In fact, Everything made_hy the Indian j Introductory. pose of perpetuating native Indian arts and crafts among the Indians, and to distribute among appreciative persons throughout the country the work turned out by the students, as a result of the encouragement of their art here at school, as well as to distribute the finest pieces of workman ship to be found on the reservations, which are produced by the old people. The agents pick out and send to us only the finest quality of genuine Indian work, and we sell these goods at strictly cost price. We are notin the mercantile business and do not solicit wholesale orders, but we will aid those inter ested in securing either single pieces or entire collections. The prices for the same quality goods are about one-half those of the regular dealers. We do not sell for profit, but to assist and encourage Indian Art. Navaho blankets are not cheap goods. It requires a lot of valuable material, a great deal of hard labor, a long time, much skill, and infinite patience to make a fine one; and they can only be cheap by comparison. Measured by this standard, they are very cheap, indeed. No Navaho weaver can turn out fine work rapidly, and when the trader, in compliance with the dealer’s demands for more and cheaper blankets, tries to force the price of her work down, he simply forces inferior work on her and does not get good blankets. -
POCKET PROGRAM May 24-27, 2019
BALTICON 53 POCKET PROGRAM May 24-27, 2019 Note: Program listings are current as of Monday, May 20 at 1:00pm. For up-to-date information, please pick up a schedule grid, the daily Rocket Mail, or see our downloadable, interactive schedule at: https://schedule.balticon.org/ LOCATIONS AND HOURS OF OPERATION Locations and Hours of Operation 5TH FLOOR, ATRIUM ENTRANCE: • Volunteer/Information Desk • Accessibility • Registration o Fri 1pm – 10pm o Sat 8:45am – 7pm o Sun 8:45am – 5pm o Mon 10am – 1:30pm 5TH FLOOR, ATRIUM: • Con Suite: Baltimore A o Friday 4pm – Monday 2pm Except from 3am – 6am • Dealers’ Rooms: Baltimore B & Maryland E/F o Fri 2pm – 7pm o Sat 10am – 7pm o Sun 10am – 7pm o Mon 10am – 2pm • Artist Alley & Writers’ Row o Same hours as Dealers, with breaks for participation in panels, workshops, or other events. • Art Show: Maryland A/B o Fri 5pm – 7pm; 8pm – 10pm o Sat 10am – 8pm o Sun 10am – 1pm; 2:15pm – 5pm o Mon 10am – noon • Masquerade Registration o Fri 4pm – 7pm • LARP Registration o Fri 5pm – 9pm o Sat 9am – 10:45am • Autographs: o See schedule BALTICON 53 POCKET PROGRAM 3 LOCATIONS AND HOURS OF OPERATION 5TH FLOOR: • Con Ops: Fells Point (past elevators) o Friday 2pm – Monday 5pm • Sales Table: outside Federal Hill o Fri 2pm – 6:30pm o Sat 10:30am – 7:30pm o Sun 10:30am – 7:30pm o Mon 10:30am – 3pm • Hal Haag Memorial Game Room: Federal Hill o Fri 4pm – 2am o Sat 10am – 2am o Sun 10am – 2am o Mon 10am – 3pm • RPG Salon: Watertable A 6TH FLOOR: • Open Filk: Kent o Fri 11pm – 2am o Sat 11pm – 2am o Sun 10pm – 2am o Mon 3pm – 5pm • Medical: Room 6017 INVITED PARTICIPANTS ONLY: • Program Ops: Fells Point (past elevators) o Fri 1pm – 8pm o Sat 9am – 3pm o Sun 9am – Noon o Other times: Contact Con Ops • Green Room: 12th Floor Presidential Suite o Fri 1pm – 9pm o Sat 9am – 7pm o Sun 9am – 4pm o Mon 9am – Noon Most convention areas will close by 2am each night. -
3 in 1” Jeweler’S Tool: (UK: Calotte) Used to Hide the Knots at the Beginning and End of Bead Strands
project sheet 0504 BASICTOOLS JEWELRY FINDINGS Using the proper tools will produce higher quality and more professional-looking jewellery. Head Pin A blunt-tipped straight pin made of jewelry wire. Long-nose pliers are used to Used for making hanging earrings or pendants bend or hold small pieces that may for necklaces and bracelets. Beads are strung on, Making Your be difficult to handle. Use caution, as then a loop is made to attach to the jewelry. the teeth on these pliers may mar the Eye Pin Own Jewelry: finish of the piece. Similar to a head pin. In addition to stringing on beads, eye pins may be con- Round-nose pliers nected to other pins by the loop in the are used to make end. Tools, Tips & small round loops Earring Hook in wire or at the (UK: Long Ballwire) ends of eye pins Used to complete hanging earrings Techniques and head pins. by hooking the head pin or eye pin through the loop. Wire cutters are needed Jump Rings (round or oval) to cut wire or pins. Used to connect pieces together, such as a clasp to a bead tip at the end of a necklace These are the most basic tools for working with wire or bracelet. and jewelry findings. For the most convenience and economy, THE BEADERY® offers its innovative Fold-over Bead Tip “3 in 1” jeweler’s tool: (UK: Calotte) Used to hide the knots at the beginning and end of bead strands. Clasps 3 in 1 Round Used to close necklaces and bracelets. -
Jewelry Basics 101 #68-007-01 Basic Wire Loops Method 2 – Bend Then Cut for Best Results, Use Both Chain-Nose and Round-Nose Pliers
Jewelry Basics 101 #68-007-01 Basic Wire Loops Method 2 – Bend then cut For best results, use both chain-nose and round-nose pliers. 1. String bead onto the head or eye pin. Use non-serrated chain-nose pliers to bend the wire just above the bead. 2. Cut the wire from about 8-10mm from the bead. Method 1 – Cut then bend 3. Use round-nose pliers to grasp the tip of the wire, and bend it around the pliers. 1. String bead onto the head or eye pin. Bring the tip of the wire all the way Cut the wire about 8-10mm from the around back to the bead. bead. 4. If necessary, use non-serrated chain-nose pliers to straighten the loop. 2. Use non-serrated chain-nose pliers to bend the wire just above the bead. Method 3 – Use the 1-Step Looper From The Beadsmith® R&T Item #69-055 Trim and loop eye pins in one motion. Works with 3/8” wire and 3. Use round-nose pliers to grasp the tip of longer. Use dead-soft or half-hard precious metal wire, craft wire, and the wire, and bend it around the pliers. copper or brass core wire. Use with wire between 26-18 gauge. 1 2 3 4. Bring the tip of the wire all the way around back to the bead. 4 5 6 5. If necessary, use non-serrated chain-nose pliers to straighten the loop. Watch the video! www.youtube.com/user/ringsandthingsvideo Rings & Things Education Station©2014 Updated 2/7/14 Page 1 www.rings-things.com/resources Wire-Wrapped Loops Aventurine Rosary For best results, use both chain-nose and round-nose pliers. -
Ht SECT's TT & 3T
hT TT & 3T SECT'S JkV aCltf.JaV It Telephone 2365 Star Business Office SECOND EDITION VOL. 11. 11 XVI HlTi:r. I'AdKK 1UWAI1. soy KMIIKK l- nxoUT.r, mm -'. win SIXTH N I'.Vir.:. ... Mai NEW JU AFTE THE SALOONS SHALL REPUBLICANS EXPLAIN EXPENDITURES? JUDGE LYMER START! WON'T TELL HOW AMERICAN SHOOTS INTO A LIQUOR CASES MEXICAN MOB i (Associated Press Cable to The Star.) tliBflttClANT UP FOR DRUNKENNESS CALLED UPON TO TBLL WHAT The matter of publishing the qaH iuoue in an election, Atkinson said palgn expenditures of the Keinibllajta It ma-part- CITY thai whs a matter of concealing y OK MEXICO. Mexico. Novem In jail, heavily guarded. ' SALOONS VIOLATHD LAW BY SMLLIHG HIM LIQUOR. IK VIO- will, It Is understood, bo brosjli thods of campaign management and ber 19 The rioting nwalnst Americana WASHINGTON, D. C. November LATION OP LAW, APTHR HIS PRIDVIOUS CONVICTION. before the party committee. Clialnfllaii strategy. We imve our own plans of here today recited In the shooting of 12 It U asserted by those who ha been investigating Atkinson, of the Territorial committer, work," he said, "and some of them two persons, one being killed, by an the Texan lyxflbtng ca, wlfich caused the outlireaJsg who was in general charge of tho Wi are the result of years of American, ami tlio Itlflll Ifi ftltlUJUIIIAtlt- - study. We against Americans in Mexico, (hat campaign ly Anti-Americ- Komo, an Hawaiian, Htood on Ills ae often'ae you, have not the right," ritorial and the local county may have methods which are wholly more excited than over the man lynched was a has grown native of New wild judge. -
1301-4 Candie Cooper Creates a Necklace with a Large Crystal Pendant That Evokes a Time Gone by Using Czech Crystals and Japanese Seed Beads from John Bead Company
www.beadsbaublesandjewels.com 1301-4 Candie Cooper creates a necklace with a large crystal pendant that evokes a time gone by using Czech crystals and Japanese seed beads from John Bead Company. For More Information Visit: http://www.johnbead.com Vintage Dragonfly Necklace This unique pair can be worn together or separately depending on how dramatic you want the look to be. Dragonfly Necklace Materials needed 1 Large Marea crystal drop almond, 50x30mm 4 Marea crystal connector octagons, 24mm 2 Aurum halfcoated round crystals, 8mm 3 Aurum halfcoated round crystals, 5mm 1 brass dragonfly pendant, 2 x 1.5” 2 brass rings, 1” 4 brass filigree bead caps, 8mm 12 Copper seed beads 2 brass eye pins 10 gunmetal jump rings, 6mm 20” Gunmetal rolo chain 1 gunmetal clasp Copper colored nylon coated beading wire 1 copper crimp bead Instructions Create the focal pendant by stringing the crimp bead, 3 seed beads, large crystal, dragonfly, 3 seed beads, small crystal, 3 seed beads, small crystal, three seed beads and a small crystal. Run the tail of wire back through the crimp bead and crimp. You can add a touch of glue to the crimped section for extra security. Split the chain into 7 sections: 4, 1.5” pieces, 1, 3” piece, and 2, 6” pieces. Attach an octagon connector to the 6” piece of chain with a jump ring. Repeat attaching a 1.5” piece of chain to the other hole in the connector. String one bead cap, 8mm crystal and a bead cap onto the eye pin and finish with a loop.