Sattwadharman Online & Live Auction

Live Silent Auction L 29th Sept 2018 • Online Auction L 24th Sept – 4th Oct 2018 Sattwadharman Reviving Our Root Heritage

Live Silent Auction • 29th September 2018 Online Auction • 24th September – 4th October 2018

Benefitting Self Enquiry Life Fellowship 501(c)(3) Nonprofit Welcome to the 2018 Sattwadharman Auction

It is our joy to present our annual benefit and silent auction, Sattwadharman, now in its fifth year. We have also continued our online auction (hansavedas.org/auction) to share gems from the Sanskrit heritage (Sanskriti) with people worldwide. During this live and online event, you will have the opportunity to purchase sacred art from our Nonprofit’s stunning archive collection. The collection preserves and restores antique art to their original mystique, bringing to life meditative paintings and vintage photography, which depict deep ethos and historicity. These rare artworks take on the form of living altars in our homes, emitting an aura of divinity and uncovering the rich lore of sacred times and spaces.

Our annual auction is the only opportunity to purchase limited edition prints signed by our spiritual founder, His Holiness Swami Vidyadhishananda (see items #1 – 7 in this catalogue). With your participation on 29th September or online from 24th September to 4th October, you are directly nurturing our noble cause and supporting inspiring Indic heritage revival projects.

With sincere regards,

Kavita Advani, Secretary, Board of Directors Artwork Information

Reauthoring & Remastering Custom Framing See page 47 to learn about the Nonprofit's Most pieces are offered framed, unless otherwise reauthoring and remastering of the vintage works noted. The selection of complementary matting of art featured in this auction. and framing is undertaken by our team of artists. Every piece is custom matted and framed Giclée Prints using anti-reflective glass. The stunning artwork at our annual auction is reproduced using the giclée printing method. Signed Limited Editions These archival quality prints faithfully reproduce Items #1 – 7 in this catalogue are limited to colours to retain maximum vibrancy and the just 25 prints at the stated size. His Holiness subtle details of an artwork. Our giclée printing Swami Vidyadhishananda has personally signed process is complemented by high-quality archival these pieces along with a Sanskrit . paper. Our artwork is printed on the finest Once an edition is sold out there will be no quality cotton rag paper. This ensures product further prints at the stated size. longevity and faithful colour reproduction which retains the nuances of our meticulous work.

4 Auction Information

Online Auction Silent Auction at our Benefit Event The online auction will open on Tuesday, 24th Our silent auction at the Sattwadharman September at 8:00am (PDT) and will run Benefit in Houston, TX will open on Saturday, until Thursday, 4th October at 6:00pm (PDT). 29th September at 4:00pm. Guests will enjoy Items can be previewed ahead of the auction a healing Ayurvedic dinner alongside the start time, but bids will only be accepted on silent auction of exquisite sacred paintings and the starting day of the auction. All items in vintage photography, including signed limited this catalogue will be available at our online edition prints. To reserve tickets or tables visit auction, unless otherwise noted. hansavedas.org/benefit.

• The auction website can be found at All items in this catalogue will be available at hansavedas.org/auction our live silent auction on 29th September, unless otherwise noted. Registration is required to place a bid, but items can be previewed without registering.

5 Auction Information

Guidelines & Rules L L The numbers displayed in red in this Receipts for silent auction purchases will catalogue are reference numbers for each be issued in January 2019 for tax purposes. auction item – they will match the online L All items purchased at our live silent and live silent auction. 29 auction on th September must be taken L The estimated fair market value and home by the winning bidder that evening. opening bid for each item can be found at Buyers from out-of-state may arrange for shipping & handling for an additional fee. hansavedas.org/auction

L Items purchased at our online auction may L The stated value of auction goods and be picked up at our Santa Barbara office services are good-faith estimates only. or shipped to the buyer. Shipping & handling L Any amount over the stated market value fees will apply.

of an item may be tax deductible. Please L All sales are final. There are no exchanges, contact your tax advisor regarding the tax transfers or refunds. deductibility of purchases and contributions.

6 Swaminātha Subrahmanya 1 Reproduction of oil painting on canvas Signed by Swami Vidyadhishananda 16˝ x 20˝ giclée print, matted and framed Limited edition of 25

▶ Exquisite reproduction of a fine art relic transformed into a stunning oil painting, bringing the altar of Lord Subrahmanya to life. The elements of devotion were adjusted to match the Sanskrit literature and Subrahmanya altar of the Swamimalai Temple near Kumbhakonam in , . He is revered as the adept yogi of eternal youth by the nātha yogis and Tamil , and hence named Swaminātha. 7 Dwārakadhisha 2 Reproduction of oil painting on canvas Signed by Swami Vidyadhishananda 16˝ x 20˝ giclée print, matted and framed Limited edition of 25

▶ Exquisite reproduction of a fine art relic transformed into a stunning oil painting, bringing the altar of Lord Krishna to life. The details bring out the tradition of Krishna as Dwārakadhisha, the king of kings installed in the renowned temple at Dwaraka, India. The colours of ornamentation (alankāra) on the 8 sacred self-manifested black stone of the altar depicts the style of devotional worship. Krishna 3 Reproduction of oil painting Signed by Swami Vidyadhishananda 16˝ x 20˝ giclée print, matted and framed Limited edition of 25

▶ The remastering of this painting relic by M. Ramaiah was meticulously restored to depict the exact physical proportions of eight year old Lord Krishna, capturing the light around the face and upper body. The painting was created as a replica of the altar in Kerala, India, renowned as Guruvāyur Krishna. The original altar was submerged in the Arabian sea during the deluge that immersed the city of Dwāraka and reinstalled in Kerala. 9 Hathi Singh Temple 4 Reproduction of remastered vintage photograph Signed by Swami Vidyadhishananda Colin Murray, circa 1870's 12.5˝ x 8.5˝ giclée print, matted and framed Limited edition of 25

▶ This photo presents an exquisite specimen of ancient Indic Architecture, the ornate gateway providing a window to the mystical interior. The construction was originally planned by a wealthy trader, Seth Hathi Singh Kesari and completed by his wife Sethani Harkunva utilizing skilled artisans. The temple is dedicated 10 to Lord Dharmanatha, the fifteenth Jaina Tirthankara saint. Kedarnātha Temple in Himalaya 5 Reproduction of vintage photograph Signed by Swami Vidyadhishananda Anonymous photographer, circa 1850s-1870s 9.5˝ x 12.5˝ giclée print, matted and framed Limited edition of 25

▶ A rare view of Kedarnātha Temple before modern construction. The altar is revered as one of the twelve jyotirlingam (Lord ’s altar of light) and is a highly frequented pilgrimage centre. With the stillness of peak (upper left) as its backdrop, the temple at 13,500 feet radiates its hoary past and evokes the other-worldliness of the ascetics and mystics who have meditated there. 11 Daxineshwar Kāli Temple in Calcutta 6 Reproduction of vintage photograph Signed by Swami Vidyadhishananda Anonymous photographer, circa 1870s-1880s 10˝ x 12.5˝ giclée print, matted and framed Limited edition of 25

▶ The post rain silence is captured in this unique photo of the Daxineshwar Kāli temple. The empty courtyard is a rare sight as hundreds of divine mother devotees gather here daily. The altar was worshipped by the renowned mystic saint, Sri Ramakrishna Paramahansa, who resided across the courtyard. In the 12 foreground flanked by the tall temple spire is the nāt-mandir wherein musical offerings are made. Shrine of Saint Jñaneshwar in Alandi 7 Reproduction of vintage photograph Signed by Swami Vidyadhishananda Sadashiv R. Pantsachiv, 1955 8.5˝ x 12.5˝ giclée print, matted and framed Limited edition of 25

▶ This rare photo shows the shrine of Saint Jñaneshwar atop his living altar or jiva-samadhi in Alandi, Maharashtra, India. Saint Jñaneshwar was born in 1275 and only lived to his early 20s. He entered the lower receptacle of this shrine and merged into tranquility for the sake of conferring blessings on pilgrims. He is renowned for his commentary on the known as Jñaneshwari. 13 Swaminātha Subrahmanya 8 Reproduction of oil painting on canvas 14˝ x 17.5˝ giclée print, matted and framed

▶ Exquisite reproduction of a fine art relic transformed into a stunning oil painting, bringing the altar of Lord Subrahmanya to life. The elements of devotion were adjusted to match the Sanskrit literature and Subrahmanya altar of the Swamimalai Temple near Kumbhakonam in Tamil Nadu, India. He is revered as 14 the adept yogi of eternal youth by the nātha yogis and Tamil siddhas, and hence named Swaminātha. Dwārakadhisha Krishna 9 Reproduction of oil painting on canvas 14˝ x 17.5˝ giclée print, matted and framed

▶ Exquisite reproduction of a fine art relic transformed into a stunning oil painting, bringing the altar of Lord Krishna to life. The details bring out the tradition of Krishna as Dwārakadhisha, the king of kings installed in the renowned temple at Dwaraka, India. The colours of ornamentation (alankāra) on the sacred self-manifested black stone of the altar depicts the style of devotional worship. 15 Altar en Route to Kulu Mela 10 Reproduction of remastered vintage photograph Anonymous photographer, circa 1895-1900 11˝ x 7.5˝ giclée print

▶ This rare photo showcases how altars were temporarily enshrined atop wooden palanquin and hoisted upon the brave shoulders of ardent devotees. The palanquins are taken on a journey for display and watched keenly by the attending masses. The mountainous township of Kulu, India, is known for its mysticism and 16 spiritual tradition. The photo captures the altars en route to the annual festival fair of the Kulu Mela. Altar at Sipi Fair Simla 11 Reproduction of remastered vintage photograph Anonymous photographer, circa 1895-1900 12˝ x 7.5˝ giclée print

▶ A rare moment showcasing the celebration around the Sip altar readied for display at the Sipi Fair festival held during the month of May in Simla, India. The Sipi Fair is traditionally known to be a colourful festival in honour of Sip god. The festival is thronged by thousands who celebrate this mystical event. The photo uniquely captures the mood and dress of the devotees against a backdrop of ornate wood carvings. 17 Initiation Thread Ceremony 12 Reproduction of remastered vintage photograph Anonymous photographer, 1905 16˝ x 11.5˝ giclée print

▶ A very interesting view of a boy initiated through a ceremony (similar to bar mitzvah) to begin a special period of dedicated and disciplined study. Unlike a regular coming of age passage, this sacred thread ceremony known as Upanayanam (or opening of the third eye) is considered momentous for the child student. The Vedic priests are seated around the mantle while the family is seen seated behind the 18 ceremonial fire pit. Bora Bazaar in Bombay 13 Reproduction of remastered vintage photograph Colin Murray, circa 1880s 16˝ x 9.5˝ giclée print

▶ The photo captures the spirit of original Bora Bazar, a group of street shops primarily owned by the Bora community. The Boras migrated from the state of Gujarat to the city of Bombay (currently Mumbai) and established themselves as peddlers. The photo is taken at a historically significant transition time when many of the traditional stores were beginning to get forced out of business due to commercialization. 19 Music Class in Session 14 Reproduction of remastered vintage photograph Anonymous photographer, circa 1870’s 16˝ x 13˝ giclée print

▶ This photo of a courtyard musical session from western India captures a time period when middle class patronage gained momentum in the 1870’s. The photo gives us a rare view of how interactions between novices and music teachers flourished in those changing times. As a result amateur musicians gained access to maestros – who had formerly instructed their disciples within a stylistic lineage 20 known as gharana. Traditional Sweetmeat Seller 15 Reproduction of remastered vintage photograph John Saché, circa 1860's 14˝ x 10˝ giclée print

▶ A unique photographic moment juxtaposing the sweet vendor seated under the thatched roofing and another wandering vendor seated on the floor with his own caddy of items. The sweet seller typifies the mood of Calcutta vendors of that time. He is shown displaying heaps of traditional sweetmeats in wicker baskets and clay pots. 21 Traditional Ghee Seller 16 Reproduction of remastered vintage photograph John Saché, circa 1860's 14˝ x 10˝ giclée print

▶ A loving moment when the photo captures the seated ghee seller with his glistening rounded belly surrounded by the large ghee-filled clay pots that were used for slow cooking and storage. The novices hover around while learning the art of this service to the community. Traditionally, ghee or clarified butter made from the indigenous cow milk or cream was considered a vital brain 22 food, especially for memorization. Traditional Ironworks Seller 17 Reproduction of remastered vintage photograph Captain Edmund David Lyon, circa late 1860’s 11˝ x 11˝ giclée print

▶ The photo captures a vendor who has a makeshift set up on the steps of an unused stately building entrance. Stacks of ropes, iron cages and containers accompany the unassuming seller seated in the middle with his assistant seated to his right. Under a commission from the Bombay government, Captain Lyon photographed archaeological sites and architectural antiquities during 1867-1868 assisted by his wife Grace. 23 Tank & Gopura Pyramid 18 Reproduction of remastered vintage photograph Nicolas & Co., 1878 24.5˝ x 20˝ giclée print

▶ This rare photo shows the renowned Chidambaram temple tank against the backdrop of the northern gopura pyramid. This ancient temple is said to have been built by Śivagaṇa (direct disciples of Lord Śiva) in honour of the dancing Lord of time, Natarājā Śiva. The shrine represents the space element as the Natarājā Śiva is said to have manifested as ether, and hence the name Chidambaram or sky clad 24 conscious entity. Amritsar Golden Temple 19 Reproduction of remastered vintage photograph Samuel Bourne, circa 1863-1864 12.5˝ x 8.5˝ giclée print

▶ This stunning photo captures the heart of the Sri Harmandir Sahib (The abode of God), informally referred to as the Golden Temple. This tank surrounding the temple is known as amritasaras (also amrit-sarovar) or the pool of holy nectar. Located in the city of Amritsar, India, the temple is the holiest shrine of the worldwide Sikh communities and the sacred Gurudwara (doorway to Guru and God) of Sikhism. 25 Sāngāner Jaina Temple 20 Reproduction of remastered vintage photograph Colin Murray, circa 1870s 12.5˝ x 16˝ giclée print

▶ The photo shows the main shrine of the Sāngāner Jaina Temple situated outside of Jaipur, India. The temple is dedicated to Lord Ādinātha (Rishabhadeva), however the central altar is of the Jaina Tirthankara, Lord Pārshwanātha. The three seated altars visible in the photo have distinct embellishment 26 of the most sentient point in the centre of the chest; thus denoting the entry point into the heart. Dilwara Temple Vimal Vasahi in Mount Abu 21 Reproduction of remastered vintage photograph Anonymous Photographer, circa 1860 20˝ x 24˝ giclée print

▶ One of the earliest Jaina temples built with white marble, Vimal Vasahi is shown here. The temple was built in the 11th century and dedicated to Lord Adinātha. It is adorned with exquisitely carved marble passages, columns and arches. The ceiling is decorated with petal patterns, lotus-buds and murals. The photo shows the bracketed pillars which support a dome in the columned hall or ranga mandapa of the temple. 27 Dilwara Temple Vimal Vasahi Colonnade 22 Reproduction of remastered vintage photograph Colin Murray, Bourne & Shepherd Studios, circa 1870s 20˝ x 24˝ giclée print

▶ This remastered photo showcases the ornate colonnade of a side corridor to the main columned hall or ranga mandapa of the Vimala Vasahi Temple at Mount Abu, which is dedicated to Lord Adinātha (Rishabhadeva). Visible on the columns are exquisite carvings of Jaina Tirthankara saints. The intricacy 28 of the marble carvings at the Vimal Vasahi Temple is the result of painstaking care by craftsmen. Dilwara Temple Luna Vasahi in Mount Abu 23 Reproduction of remastered vintage photograph Anonymous photographer, circa 1880 20˝ x 24˝ giclée print

▶ This angle captures the exquisite carvings at the Luna Vasahi Temple, built around 1230. This is the second temple at Dilwara in Mount Abu and matches the design of the adjacent Vimal Vasahi Temple built 200 years earlier. The temple is dedicated to the 22nd Jaina Tirthankara, Lord Neminātha. The photo shows the aisle above the main hall or ranga mandapa leading to the altar. 29 Mināxi Temple Pillared Hallway 24 Reproduction of remastered vintage photograph Nicholas & Co., circa 1878 27˝ x 20˝ giclée print

▶ This spectacular photo of the pillared mandapa (hallway to an altar) was taken before the floor and ceiling were later beautified. The sheer grandeur of the mandapa and the towering Yali pillars render pilgrims awestruck amidst the hallowed corridors of time. The pillars are sculpted with iconographic figures depicting Vedic ethos. The beam architecture features pillars with foliated brackets spreading 30 out like a tree. Madurai Mināxi Temple Golden Pillar 25 Reproduction of remastered vintage photograph Orr & Barton, circa 1870s 15˝ x 20˝ giclée print

▶ This stunning photo captures the illuminated flagstaffdhwaja-sthambha ( ) of the temple in Madurai, towering through the roof into the sky honouring goddess Mināxi. Made of brass, it radiates a golden aura that fills the ornate pillared hallway and reveals the beauty of intricate paintings on the roof. The photographers Orr and Barton are credited as “probably the first photographers who have succeeded in photographing a mirage”. 31 Madurai Mināxi Temple Entrance 26 Reproduction of remastered vintage photograph Nicholas & Co., circa 1878 20.5˝ x 25˝ giclée print

▶ Life outside one of the four main entrances depicts the devotees and the thatched roofed (worship) stalls of that era. The outer periphery walls encapsulate the temple compound like a fort. While the temple has been embellished in phases by the ruling kings, references to Madurai can be found in 32 the account of Megasthenes. The photo shows how a towering gopura radiates beauty and grace. Madurai Mināxi Temple Gopura Pyramids 27 Reproduction of remastered vintage photograph Nicholas & Co, circa 1878 26˝ x 20˝ giclée print

▶ Four magnificent pyramidal towers calledgopura in Sanskrit are visible in this photo. Each structure is covered with hundreds of sculpted deities that relate to a divine narrative based on puranic tales. Two of the four major outer gopura are pictured here. To the left is the West gopura, whereas the North gopura is at the far right. The stone skirt of the inner gopura does not touch the street to preserve sanctity. 33 Madurai Mināxi Temple Pond 28 Reproduction of remastered vintage photograph Nicholas & Co., circa 1878 25˝ x 20˝ giclée print

▶ An immaculate serene view of the golden lotus pond is pictured with the outer West gopura in the distance. On account of a boon that Lord Shiva granted, the pond has no aquatic life. This pond is believed to have acted as the judge for deciding the aesthetic merit of literary works during the Tamil sangam 34 period. A plank carrying the literary work would float if judged worthy and sink otherwise. Madurai Teppakulam Temple Tank 29 Reproduction of vintage photograph Anonymous photographer, circa 1890 20˝ x 14˝ giclée print

▶ About 2 miles from the Mināxi Temple is the Mariamman Temple tank, one of the largest temple tanks in . Popularly known as the Teppakulam, it covers an area of 16 acres and measures 1000’x 950’. The temple tank is famous for the celebrations of the float festival honouring Goddess Mināxi and Lord Sundareshwara. The clouds and the spire are beautifully reflected in the still waters. 35 Gosain Temple Benares 30 Reproduction of remastered vintage photograph Anonymous Photographer, circa 1870s 20˝ x 25˝ giclée print

▶ (Benares) has been a place of Lord Shiva worship for centuries with hundreds of Shiva temples along the ghats and in the old city. The Gosain Temple is also a Shiva temple but the altar itself is not visible here. The photo features carvings of and a (kneeling sacred bull). Soft light floods 36 in from above in sharp contrast to the foreground detail of exquisite pillar carvings. Sculpture at Sanctum Entrance of Nellaiappar Temple 31 Reproduction of remastered vintage photograph Captain Edmund David Lyon, circa 1868 12.5˝ x 26˝ giclée print

▶ One of four intriguing greeters at the entrance to the sanctum of Nellaiappar Temple at in Tamil Nadu, India. The photographer wrote that immediately in front of the sanctuary, but with their backs towards it, stand four colossal figures, about twenty feet high, and each carved out of one block of hornblende stone. The temple is dedicated to Lord Shiva, worshipped as Nellaiappar, and Goddess Kantimati. 37 Ellora Kailāshanātha 32 Reproduction of remastered vintage photograph John Saché, 1890 26˝ x 20˝ giclée print

▶ The renowned Kailāshanātha temple is part of the huge Ellora temple complex. This photo reveals the stupendous works of carving from solid natural rock. Dedicated to Lord Shiva, the ruling lord of , the temple is thought to date from the reign of the Rāshtrakuta dynasty. The Ellora complex is 38 an architectural wonder of the world; a monumental piece of rock-cut architecture. Ellora Caves Sabhā 33 Reproduction of remastered vintage photograph Samuel Bourne, 1869 26˝ x 20˝ giclée print

▶ The two-storey cave structure known as Indra Sabhā (Court of Indra) is shown in this photo. The structure is part of the Ellora rock-cut temple complex, which includes a total of 34 caves. Established by the Digambara sect of the Jaina tradition under the patronage of the Rāshtrakuta dynasty, it is the largest of the Jaina caves at this monumental world heritage site. 39 Shrine of Saint Jñaneshwar with Ornaments 34 Reproduction of remastered vintage photograph Sadashiv R. Pantsachiv, 1955 15˝ x 20˝ giclée print

▶ This memorable photo shows the ornamental décor depicting Saint Jñaneshwar seated atop the shrine at the site of his living altar or jiva-samadhi in Alandi. Saint Jñaneshwar was born in 1275 and only lived to his early 20s after which he decided to merge consciously into stillness. He is renowned for his 40 commentary on the Bhagavad Gita which became known as Jñaneshwari. Bhagirathi Peaks in Himalaya 35 Reproduction of remastered vintage photograph Samuel Bourne, circa 1867 17˝ x 11˝ giclée print

▶ The three majestic snow-clad Bhagirathi peaks tower above the Gangottari glacier (also called Gangotri) in Garhwal Himalaya as seen from just below the Tapovanam meadow. This mountain group is memorable for its association with Gaumukh or the mouth at the end of the Gangottari glacier where the sacred waters of Bhagirathi Ganga pour out. 41 Virahi Ganga Valley in Himalaya 36 Reproduction of remastered vintage photograph Major Henry Makinnon Mactier, circa 1894/1895 12.5˝ x 10˝ giclée print

▶ A rare view of Virahi Ganga, a tributary of Alaknanda in the upper eastern Garhwal region of Himalaya, India. This photo, showing the Gohna valley rising around the serpentine Virahi Ganga, is from the theme collection on Mountain Path by the River of Knowing. This title conveys how the river of knowing, 42 Ganga, with its large headwaters, preserves indigenous knowledge. Virupāxa Shiva Temple in Pattadakal 37 Reproduction of remastered vintage photograph Colonel Thomas Biggs, 1855 27˝ x 20˝ giclée print

▶ Captured in this photo is a haunting memory of the Virupāxa Shiva Temple. Pattadakal is believed to be the coronation site for the early Chalukya kings. There are a total of nine temples on the site that are dedicated to Lord Shiva. The temples with their diverse styles represent fine examples of early Chalukyan architecture. The Virupāxa Temple and the adjacent Mallikārjuna Temple are two of the most impressive temples on the site. 43 Temple Colonnade behind Kutub Minar 38 Reproduction of remastered vintage photograph Samuel Bourne, 1865 24˝ x 19˝ giclée print

▶ The sepia tone accentuates the sunlight through the pillars. These pillars, which are part of the cloisters around a courtyard, depict Vedic iconography of lotus flowers, blooming foliage and kalasha (sacred vessels) overflowing with flowering vines, signifying abundance and prosperity. The structure within the surrounding complex of Kutub Minar has been attributed to the erstwhile ruler of Delhi, 44 Prithwiraj Chauhan. Jaina Temple - Set of 4 39 Includes the following giclée prints: 1. Sāngāner Altar, 12.5" x 16", see item #20 for description 2. Dilwara Interior View, 20" x 24", see item #21 for description 3. Dilwara Temple Colonnade, 20" x 24", see item #22 for description 4. Dilwara Path to Altar, 20" x 24", see item #23 for description

▶ This collection features the stunningly beautiful architectural wonders of the exquisite Dilwara temples built in Mount Abu and the main shrine of the Sāngāner Jaina Temple situated outside of Jaipur, India. The first two temples built in the Dilwara complex were dedicated to Lord Adinātha and Lord Neminātha. The Sāngāner Jaina temple is dedicated to Lord Rishabhadeva, however the central altar is of Lord Pārshwanātha.

This set of four prints is offered at a 20~ % discounted price as compared to purchasing each print individually. 45 Madurai Mināxi Temple Set of 5 40 Includes the following giclée prints: 1. Temple Entrance, 20.5" x 25", see item #26 for description 2. Golden Pillar, 15" x 20", see item #25 for description 3. Temple Pond, 25" x 20", see item #28 for description 4. Hallway Pillars, 27" x 20", see item #24 for description 5. Gopura Pyramids, 26" x 20", see item #27 for description

▶ This collection showcases the grandeur and wonder of the Madurai Mināxi Temple complex. The main altar is dedicated to Goddess Mināxi Devi identified as the sister of Lord . Mināxi resides at the heart of this temple with her consort Sundareshwara, or Lord Shiva. According to Sanskrit lore, the sacred self-manifested Shiva- altar discovered by Lord Indra at Kadamba-vanam, was later enshrined at this temple.

This set of five prints is offered at a ~25% discounted price as compared to purchasing each print individually.

46 Antique Photos & Paintings Re-envisioned

Each piece of art presented at our auction Working alongside a team of artists and represents the Vedic ethos that the light of professionals, each antique photo is digitized, divinity is ever-present, reflecting in all beatific cleaned and tone adjusted, and rare painting forms. Historic photographs and paintings, relics are repainted. These artworks are then which captured the essence of meditative calm analyzed alongside Sanskrit scriptures so that and mysticism, have been preserved by our features of the artwork may be adjusted and Nonprofit for the purpose of inspiring art re-authored to more aptly express Sanskriti or lovers and connoisseurs with a form of art that the deeper spiritual storyline. merges historicity, timelessness and the sacred. The re-authoring process for our Sacred These stunning antique pieces of art are brought Painting series (see items #1 – 3 and #8 – 9 in to life under the caring guidance of Vedic this catalogue) is a unique artistic endeavour, monks serving the Hansavedas Mission. They breathing new life into rare art relics. An select a rich Sanskrit lore to identify matching old-world painting is scanned and re-sampled imagery and references for a particular image. before undergoing initial digital restoration to

47 overcome the limitations of damage. Thereafter the conception of our own inner light. You will the image is printed on canvas and painted with behold three visions: that of the intrepid early oil or acrylic, bringing the original to life, while photographer or painter, the re-mastered also accentuating subtle nuances. The painted life-giving light of the present day artistry, and canvas is re-digitized for final micro level detailing. the inner message which kindles our own inner Our Sacred Photo series (see items #4 – 7 and light. The light is therefore reflected back in #10 – 38 in this catalogue) feature photos from a miraculous feedback loop, as if in a mirror, the earliest days of photography. The photographs, three-fold, yet infinitely multiplied as we look, many of which are over 150 years old, are as three mirrors together create infinite reflections scanned and brought into the digital artistic of an image. These artworks are living symbols space for adjustments, correction of damage, of illumination. When you choose to hang and re-envisioning based on the Sanskrit lore. these images, to witness their light daily, may you be enlightened by their message contained Look deep into these images and you will see in the three-fold structure, whose composition that the vision quest glows in a way that we necessarily includes you as part of an ‘see the light’— and we see the treasure that is enduring heritage.

48 Explore our Websites hansavedas.org/auction Preview the online auction website, including opening bid pricing for auction items multimedia.hansavedas.org Subscribe for unlimited access to a digital curriculum on spirituality, mindfulness and meditation publications.hansavedas.org Purchase holistic publications featuring wisdom teachings, sacred art and vintage photos