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MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in Remix, Tour, Remix, Tour on Wed: 09-13-06: 09:00 AM CDT | Permalink
Pitchfork: News#38521#38521#38521#38521#38521 Page 3 of 17 Girl Talk is on the road right now, with shows scheduled all the way through December. [MORE...] MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in remix, tour, remix, tour on Wed: 09-13-06: 09:00 AM CDT | Permalink Mission of Burma Documentary Coming to DVD Legendary Boston post-punks and Pitchfork Music Festival alums Mission of Burma have already proven their resurrected greatness, and now they will share the intimate details of their Lazarus story with the world. On November 21, MVD Visual will release Not a Photograph, a 70-minute documentary DVD about the band's 2002 reunion and the obstacles they had to overcome to make it the success it was and still is. Not a Photograph was directed by David Kleiler, Jr. and Jeff Iwanicki, and, in addition to the recent performances, it includes archival footage from the band's original incarnation, including a performance by the Moving Parts, bassist Clint Conley's and guitarist Roger Miller's first band together. And don't forget-- as previously reported, Miller will share his next Mission of Burma tour diary exclusively with Pitchfork. The tour begins this Friday, September 15, at Seattle's Crocodile Cafe. [MORE...] MP3: Mission of Burma: 2wice Posted by Dave Maher in dvd on Wed: 09-13-06: 07:00 AM CDT | Permalink The Pogues Get Expanded Reissue Treatment When the Pogues finished playing, you howled out for more. And, saints be praised, Rhino Records answered. Now grab a pint or two and get ready to curl up all over again with the Celtic folk-punk band's first five albums, like you've never quite heard them before. -
6509757.PDF (6.063Mb)
This dissertation has been 65-9757 microfilmed exactly as received SMITH, Bobby L ., 1930- SATIRE IN THE DRAMA OF SEAN O’CASEY. The University of Oklahoma, Ph. D ., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SATIRE IN THE DRAMA OF SEAN O'CASEY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree o f DOCTOR OF PHILOSOPHY BY BOBBY L. SMITH Norman, Oklahoma 1965 SATIRE IN THE DRAMA OF SEAN O'CASEY APPROVED BY c y'i> r- -U)JiUfrwv lA-. DISSERTATION COMMITTEE ACKNOWLEDGMENTS I am especially indebted to Dr. A. J. Fritz for his professional aid and his personal encouragement during the several years since he first introduced me to the dramas of Sean O'Casey. In addition, I am grateful to him for directing this dissertation and for offering a recent seminar which concentrated on the development of modern Irish drama. I am also grateful to Dr. Calvin G. Thayer, Dr. Bruce I. Granger, and Dr. William H. Maehl, Jr., who courteously consented to serve as a reading committee and whose teaching and personal friendship have been invaluable through out my career as a graduate student. i i i TABLE OF CONTENTS Page ACKNOWLEDGMENTS i i i C hapter I . INTRODUCTION....................................................................................... 1 I I . THE IRISH PLAYS .............................................................................. 13 The Shadow o f a Gunman ..................................................... I3 Kathleen Listens In ............................................................ 25 Juno and th e Pay cock .............. .. ............................... 31 Nannie's Night Out .............................................................. 40 The Plough and the Stars ................................................ I I I . TRANSITIONAL PERIOD .................................................................... -
August 2014 Member Newsletter Final Draft for Online
THE PORTS AGE Vol. I, Issue I P Summer 2014 SNews from the Babe Ruth Birthplace and Sports Legends Museum The Babe Ruth Birthplace presents INSIDE THIS ISSUE “BABE RUTH: 100 YEARS” By Patrick Dickerson Home Runs. The highest 714 all-time slugging percentage. It all began on July 11, 1914 when George Herman “Babe” Ruth began his professional career with the Boston Red Sox—the career we celebrate in our newest Celebrate Babe Ruth’s 100 year exhibition, “Babe Ruth: 100 anniversary of joining Major Years.” League Baseball with the Director Mike Gibbons and interesting facts on page 3. Board Chairman John Moag opened the exhibit on June 26 in the Babe Ruth Birthplace’s first floor gallery, featuring both collection favorites and never- before-seen pieces. Babe’s 60 home run season bat returns to public display along with his 1914 Orioles’ rookie card, his catholic rosary that he carried to his death in 1948, and the original marriage certificate from his wedding to Helen Kids, look at the Kids Corner on Woodford in Ellicott City, Maryland. They bring to life both Ruth page 4 for a special the professional and Ruth the person, from his beginnings with Jack Babe Ruth puzzle. Dunn’s Baltimore Orioles to his final days battling cancer. The “Babe” loved to tell a story. Visitors to our new exhibit can hear those stories from Ruth himself through interactive historic audio recordings. Listen up as Babe shares his memories of 1914 spring training in Fayetteville and his larger-than-life slugging records. Another Ruth memory comes to life Just down the hall in our acclaimed film, “The Star-Spangled Banner in Sports,” winner of the 2013 International Sports Heritage Association Communications Award. -
Crock of Gold: a Few Rounds with Shane Macgowan
MAGNOLIA PICTURES, HANWAY FILMS BBC MUSIC WARNER MUSIC ENTERTAINMENT INFINITUM NIHIL / NITRATE FILM JOHNNY DEPP PRESENTS IN ASSOCIATION WITH BBC MUSIC, WARNER MUSIC AND HANWAY FILMS With Participation of Screen Ireland A NITRATE FILM / INFINITUM NIHIL PRODUCTION CROCK OF GOLD: A FEW ROUNDS WITH SHANE MACGOWAN Directed by Julien Temple 124 minutes Official Selection 2020 San Sebastian International Film Festival – World Premiere FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Steve Beeman Michael Lawson Rebecca Fisher Falco Ink [email protected] Magnolia Pictures 475 Park Avenue South (212) 924-6701 phone New York, NY 10016 [email protected] (212) 445-7100 phone [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com Foreword If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. None has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are. -
P&C Music Rsd20 List for Aug 29 Customer Version 12/9/20
P&C MUSIC RSD20 LIST FOR AUG 29 CUSTOMER VERSION 12/9/20 List no. Artist Title Format Primary Genre Genre UK QTY Globa Price l QTY £ 1. 3 Pieces, The Iwishcan William 12" Dance Funk 500 1000 10.50 2. Ace Of Base The Sign 7" picture disc Dance Pop 700 1000 9.00 3. Acid Mothers Temple Nam Myo Ho Ren Ge Kyo 2LP Left-Field/ Psych 500 23.99 Experimental 4. Acid Mothers Temple Minlstrel in the galaxy NOT RSD, BACK LP, 300 copies CATALOGUE 22.99 5. Al Green Green Is Blues 12" Blues Soul 500 3000 24.50 6. Alex Lahey I love you like a brother. Love Record Peach vinyl LP 17.99 Stores release 20/6/20 7. Alison Limerick Where Love Lives 12" Dance Electronic 500 1000 10.50 8. Alpha & Omega meets Sacred Art Of Dub volume 1 LP Reggae Dubstep 500 1000 22.99 The Disciples 9. Alpha & Omega meets Sacred Art Of Dub volume 2 LP Reggae Reggae 500 1000 22.99 The Disciples 10. Alphaville Sounds Like a Melody 1 x 180g 12" yellow Pop Electronic 300 17.50 vinyl album. 11. Alvvays Alvvays. Love Record Stores release LP 20.99 20/6/20 12. Alvvays Antisocialites. Love Record Stores LP 20.99 release 20/6/20 13. Amorphous A Monster Psychedelic Bubble LP Electronic Rock 1000 1000 23.99 Androgynous, The 14. Andy and The Odd Happy Birthday / Remember You're An 7" Pic Disc Children's Pop 750 13.99 Socks Odd Sock 15. Anna of the North Dream girl. -
«Sexo, Pájaros, Vida, Muerte»: Razones Por Las Que Shane Macgowan Dice Cosas Importantes
«Sexo, pájaros, vida, muerte»: razones por las que Shane MacGowan dice cosas importantes Shane MacGowan. Foto: Getty. Para acompañar la lectura del artículo, nuestra lista en Spotify: Enterrada bajo botellas de whisky, pintas de cerveza, la tradición musical de una pequeña isla atlántica, lecturas intempestivas de Joyce y O’Casey, y la furia de la generación posterior al punk, la voz de Shane MacGowan todavía inquieta, todavía conmueve. Todavía dice lo importante. El que fuera una vez armandanzas deThe Pogues, la auténtica insurgencia (ebria) de Irlanda, se explicaba en entrevista no hace mucho: sus canciones, como las canciones folk y como la vida en general, tratan de «temas recurrentes». En concreto, de «sexo, pájaros, vida, muerte, sexo, pájaros, vida, muerte». MacGowan, irlandés nacido en Londres,folkie pervertido por el punk, poeta rebelde y bebedor ilustrado, también ha contribuido a «crear una nueva expresión poética» dentro de una «gran tradición de la canción». En su caso, la canción de la tierra de William Butler Yeats y Brendan Behan. | 1 «Sexo, pájaros, vida, muerte»: razones por las que Shane MacGowan dice cosas importantes El año pasado Shane MacGowan recontruyó su dentadura. Desaparecía un icono, la boca desordenada de pirata que escupía letanías de amor y desesperación, historias de vencidos y peripecias al margen de la ley burguesa. Aquellos dientes se habían ido pudriendo a medida que avanzaba la década de los ochenta y The Pogues, segunda banda de MacGowan trasThe Nipple Erectors, hacían buena la máxima de su líder: «El alcohol es el camino a la sabiduría». Escritor beodo, el autor de «Fairytale in New York», tal vez su composición más radiada, afirmaba que sus canciones a menudo aparecían de la mano de Dioniso. -
Dec 11 Cover.Qxd 11/5/2020 2:39 PM Page 1 Allall Starstar Cardscards Volumevolume 2828 Issueissue #5#5
ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 1 AllAll StarStar CardsCards VolumeVolume 2828 IssueIssue #5#5 We are BUYING! See Page 92 for details Don’t Miss “CyberMonday” Nov. 30th!!! It’s Our Biggest Sale of theYear! (See page 7) ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 2 15074 Antioch Road To Order Call (800) 932-3667 Page 2 Overland Park, KS 66221 Mickey Mantle Sandy Koufax Sandy Koufax Willie Mays 1965 Topps “Clutch Home Run” #134 1955 Topps RC #123 Centered! 1955 Topps RC #123 Hot Card! 1960 Topps #200 PSA “Mint 9” $599.95 PSA “NM/MT 8” $14,999.95 PSA “NM 7” $4,999.95 PSA “NM/MT 8” Tough! $1,250.00 Lou Gehrig Mike Trout Mickey Mantle Mickey Mantle Ban Johnson Mickey Mantle 1933 DeLong #7 2009 Bowman Chrome 1952 Bowman #101 1968 Topps #280 1904 Fan Craze 1953 Bowman #59 PSA 1 $2,499.95 Rare! Auto. BGS 9 $12,500.00 PSA “Good 2” $1,999.95 PSA 8 $1,499.95 PSA 8 $899.95 PSA “VG/EX 4” $1,799.95 Johnny Bench Willie Mays Tom Brady Roger Maris Michael Jordan Willie Mays 1978 Topps #700 1962 Topps #300 2000 Skybox Impact RC 1958 Topps RC #47 ‘97-98 Ultra Star Power 1966 Topps #1 PSA 10 Low Pop! $999.95 PSA “NM 7” $999.95 Autographed $1,399.95 SGC “NM 7” $699.95 PSA 10 Tough! $599.95 PSA “NM 7” $850.00 Mike Trout Hank Aaron Hank Aaron DeShaun Watson Willie Mays Gary Carter 2011 Bowman RC #101 1954 Topps RC #128 1964 Topps #300 2017 Panini Prizm RC 1952 Bowman #218 1981 Topps #660 PSA 10 - Call PSA “VG/EX 4” $3,999.95 PSA “NM/MT 8” $875.00 PSA 10 $599.95 PSA 3MK $399.95 PSA 10 $325.00 Tough! ASC080120_001_Dec 11 cover.qxd -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
2015 Annual Report
2015 ANNUAL REPORT VICTOR MATOS VAZQUEZ ADRIAN MATRAM JASON LEWIS MATSON MATTHEW MATSON SCOTT P MATSON MICHAEL A MATTEO SPENCER W MATTERS JASON P MATTHES JEFF ALLEN MATTHES JUSTIN MATTHES SUPPLE MATTHEW BILLY GENE MATTHEWS JR BLAIN MATTHEWS BOBBY N MATTHEWS BRIAN K MATTHEWS CHRISTOPHER SCOTT MATTHEWS DAMON A MATTHEWS DAVID MATTHEWS DENNIS MATTHEWS EUGENE MATTHEWS JAMES B MATTHEWS JONATHAN H MATTHEWS KARL MATTHEWS KENNETH E MATTHEWS MARK R MATTHEWS MARY C MATTHEWS MICHAEL D MATTHEWS MICHAEL E MATTHEWS PAUL MATTHEWS RAY E MATTHEWS JR RHONDA MATTHEWS ROBERT A MATTHEWS RYAN S MATTHEWS STEPHANIE R MATTHEWS TERESA A MATTHEWS TERRY MATTHEWS TRACY MATTHEWS MITCHELL D MATTINGLY KYLE MATTINSON JOHN MATTOCKS JEFFERY A MATTOX JEFFERY ALLEN MATTOX II JOSHUA JDM MATTSON KAM MATTU JOSEPH J MATUSKA TAMMY MATUSZAK MANUEL MATUTE BACHES JOSEPH MAUGERI BRUCE MAUGHAN GAYLEN C MAUGHAN JAYDEN MAUGHAN JORDAN R MAUGHAN THOMAS J MAUK ANDREW FERRELL MAULDIN ARTHUR L MAULDIN CHELSI MAULDIN MICHAEL MAULDIN KYLIE MAUNDRELL RANDY K MAURER TOBIAS MAURICE MARIBEL MAURICIO ANGELINE MAURO DAVID L MAUSEHUND KEVIN A MAVIS ANTHONY D MAXWELL CAMERON MAXWELL COLTON D MAXWELL DAVIS MAXWELL ERIC L MAXWELL JAMES TONY MAXWELL KIM MAXWELL MICHAEL W MAXWELL RODNEY MAXWELL CRAIG C MAY CRAIG M MAY GORDON D MAY JAMES A MAY JEDIDIAH E MAY JEREMY M MAY JOSEPH CHRISTOPHER MAY JUSTIN MAY KELVIN MAY KENNETH D MAY MARK E MAY MICHEAL T MAY SCOTT A MAY WILLIE D MAY DANIEL MAYA DONALD GENE MAYBERRY MARLON C MAYBERRY CLAYTON TYLER MAYER JOHN MAYER JOHN ZACHARY MAYER TROY MAYER JULIAN L MAYERS -
A Post-Colonial Study of O'casey's Dublin's Trilogy
Bulletin of Advanced English Studies – Vol. 1, No. 1 , 2018, pp. 16 - 27 Available online at http:// www.refaad.com The Curse of the Place: A Post-Colonial Study of O'casey's Dublin's Trilogy Amal Riyadh Kitishat Associate professor in English Literature-Al Balqa Applied university -Ajloun University College. Department of English Language and Literature- Jordan [email protected] Muneerah Badr Almahasheer Assistant professor in English literature – Imam Abdulrahman Bin Faisal University -Faculty of Arts- Dept. of English Language. KSA [email protected] Abstract: Sean O’Casey is considered one of the greatest play writers in the Irish Dramatic Movement. His importance refers back to his realistic portrayal of the Irish society in general and of Dublin in particular. It is his experience in the slums of Dublin that provides him with the details that he employed in his plays. The study aims at proving that by describing Dublin slums, O’Casey indirectly directs a criticism of the social and political reality as a background of the bloody events that Ireland witnessed. The plays that are going to be studied are The shadow of a gunman, Juno and the Paycock, Red Roses for me. Unlike other Irish dramatists who idealized Ireland, O’Casey reveals the contradictions in the Irish society. Thus, the study concludes that O’Casey is distinguished from other Irish writers in avoiding the idealized portrayal of Ireland and offers us a mock-heroic treatment of his society Keywords: O’Casey; Mock-heroism; Dublin city; Dublin's Trilogy .post -colonial literature, Irish drama. 1 Introduction Probably more than any Irish dramatist, the figure of Sean O'Casey is still considered to be the greatest among those who benefited the Irish Dramatic Movement. -
African Americans and Baseball, 1900-1947
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2006 "They opened the door too late": African Americans and baseball, 1900-1947 Sarah L. Trembanis College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African History Commons, American Studies Commons, Social and Behavioral Sciences Commons, and the United States History Commons Recommended Citation Trembanis, Sarah L., ""They opened the door too late": African Americans and baseball, 1900-1947" (2006). Dissertations, Theses, and Masters Projects. Paper 1539623506. https://dx.doi.org/doi:10.21220/s2-srkh-wb23 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “THEY OPENED THE DOOR TOO LATE” African Americans and Baseball, 1900-1947 A Dissertation Presented to The Faculty of the Lyon Gardiner Tyler Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy by Sarah Lorraine Trembanis 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. APPROVAL SHEET This dissertation is submitted in partial fulfdlment of the requirements for the degree of Doctor of Philosophy Sarah Lorraine Trembanis Approved by the Committee, August 2006 Kimberley L. PhillinsJPh.D. and Chair Frederick Comey, Ph.D. Cindy Hahamovitch, Ph.D. Charles McGovern, Ph.D eisa Meyer, Ph.D. -
Status Quo – En Studie Av Ett Rockbands Karriär
“Together We Can Rock´n´Roll” Status Quo – en studie av ett rockbands karriär Eva Kjellander Pedagogiska institutionen/ Avd. för bild, musik och kulturpedagogik Växjö universitet Handledare: Boel Lindberg D-uppsats i Musikvetenskap Ht 2005 2 Abstract Eva Kjellander: “Together we can rock´n´roll”, Status Quo – a study of the career of a rock band. Växjö: Musicology 2005. 80p. The main purpose of this essay is on one hand to try to find and explain the formula of success of the rock group Status Quo, and on the other to elucidate and explain the foundation and essence in the music made by Status Quo, but also to study how, if and why the foundation and essence have changed over the years. The method of investigation is partly based on a musical analysis of three albums from three different periods: Hello! (1973), Ain´t Complaining (1988) and Heavy Traffic (2002), and partly on a sociological study of the group’s career between 1962 and today, 2005. The first part of the essay concerns the period between 1962-1973 with an analysis of the album Hello!; the second part concerns the period 1974-1988 and the album Ain´t Complaining; finally, the third part concerns the years between 1989-2002 with an intensified analysis of the album Heavy Traffic. In the forth part of the essay I discuss the career of Status Quo from a sociological point of view. I run to the conclusion that the essence of Status Quo is the boogie-woogie comp on Fender guitar by Rick Parfitt, the riff on Francis Rossis´ Fender guitar in combination with the base, the piano and the drums.