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A Political Perch: a Historical Analysis and Online Exhibit of the U.S. Senate Clerk's Desk
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Projects Honors College at WKU 2020 A Political Perch: A Historical Analysis and Online Exhibit of the U.S. Senate Clerk's Desk Olivia Bowers Western Kentucky University, [email protected] Follow this and additional works at: https://digitalcommons.wku.edu/stu_hon_theses Part of the History of Art, Architecture, and Archaeology Commons, Museum Studies Commons, and the Political History Commons Recommended Citation Bowers, Olivia, "A Political Perch: A Historical Analysis and Online Exhibit of the U.S. Senate Clerk's Desk" (2020). Honors College Capstone Experience/Thesis Projects. Paper 838. https://digitalcommons.wku.edu/stu_hon_theses/838 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. A POLITICAL PERCH: A HISTORICAL ANALYSIS AND ONLINE EXHIBIT OF THE U.S. SENATE CLERK’S DESK A Capstone Project Presented in Partial Fulfillment of the Requirements for the Degree Bachelor of Arts with Mahurin Honors College Graduate Distinction at Western Kentucky University By Olivia R. Bowers May 2020 ***** CE/T Committee: Dr. Guy Jordan, Chair Prof. Kristina Arnold Dr. Jennifer Walton-Hanley Copyright by Olivia R. Bowers 2020 I dedicate this thesis to my parents, Clinton and Dawn Bowers, for teaching me that pursuing my dreams can help others in the process. I would also like to thank Dr. Guy Jordan, a teacher, mentor, and friend, for believing in me and encouraging me to aim for the seemingly impossible. -
Bibliography
BIBLIOGRAPHY Adams, William Howard, ed. The Eye of Thomas Jefferson. Blake, Channing. “The Early Interiors of Carrère and Hastings.” Charlottesville: University Press of Virginia, 1981. The Magazine Antiques 110 (1976): 344–351. Aikman, Lonnelle. We, the People: The Story of the United Blum, John M., et. al., eds. The National Experience. New States Capitol. Washington: U. S. Capitol Historical Society, 1991. York: Harcourt, Brace & World, Inc., 1963. Alex, William. Calvert Vaux: Architect & Planner. New York: Bowling, Kenneth R. Creating the Federal City, 1774–1800: Ink, Inc., 1994. Potomac Fever. Washington: The American Institute of Archi- tects Press, 1988. Alexander, R. L. “The Grand Federal Edifice.” Documentary Editing 9 (June 1987): 13–17. Bowling, Kenneth R., and Helen E. Veit., eds. The Diary of William Maclay and Other Notes On Senate Debates. Balti- Allen, William C. “In The Greatest Solemn Dignity”: The Capi- more: The Johns Hopkins University Press, 1988. tol’s Four Cornerstones. Washington: Government Printing Bristow, Ian C. Interior House-Painting Colours and Tech- Office, 1995. nology 1615–1840. New Haven: Yale University Press, 1996. ———. “‘Seat of Broils, Confusion, and Squandered Thousands’: Brown, Glenn. “Dr. William Thornton, Architect.” Architectural Building the Capitol, 1790–1802.” The United States Capitol: Record 6 (1896): 53–70. Designing and Decorating a National Icon. Athens: Ohio University Press, 2000. ———. History of the United States Capitol. 2 vols. Washing- ton: Government Printing Office, 1900, 1902. ———. The Dome of the United States Capitol: An Architec- tural History. Washington: Government Printing Office, 1992. ———. Memories: A Winning Crusade to Revive George Washington’s Vision of a Capital City. -
Architect of the Capitol: Evolution and Implementation of the Appointment Procedure
Architect of the Capitol: Evolution and Implementation of the Appointment Procedure Updated September 1, 2021 Congressional Research Service https://crsreports.congress.gov R41074 SUMMARY R41074 Architect of the Capitol: Evolution and September 1, 2021 Implementation of the Appointment Ida A. Brudnick Specialist on the Congress Procedure According to its website, the Architect of the Capitol (AOC) is responsible “for the operations and care of more than 18.4 million square feet of facilities, 570 acres of grounds and thousands of works of art.” Pursuant to the Legislative Branch Appropriations Act, 1990, the Architect is appointed by the President with the advice and consent of the Senate. Prior to the enactment of this law, the President appointed the Architect for an unlimited term with no formal role for Congress. The act also established a 10-year term for the Architect as well as a bicameral, bipartisan congressional commission to recommend candidates to the President. As subsequently amended in 1995, this law provides for a commission consisting of 14 Members of Congress, including the Speaker of the House, the President pro tempore of the Senate, the House and Senate majority and minority leaders, and the chair and ranking minority members of the Committee on House Administration, the Senate Committee on Rules and Administration, and the House and Senate Committees on Appropriations. An Architect may be reappointed. Alan M. Hantman was the first Architect appointed under the revised appointment procedure. He declined to seek reappointment and served from January 30, 1997, to February 4, 2007. Stephen T. Ayers, who served as Acting Architect of the Capitol following Mr. -
The Delius Society Journal Autumn 2016, Number 160
The Delius Society Journal Autumn 2016, Number 160 The Delius Society (Registered Charity No 298662) President Lionel Carley BA, PhD Vice Presidents Roger Buckley Sir Andrew Davis CBE Sir Mark Elder CBE Bo Holten RaD Piers Lane AO, Hon DMus Martin Lee-Browne CBE David Lloyd-Jones BA, FGSM, Hon DMus Julian Lloyd Webber FRCM Anthony Payne Website: delius.org.uk ISSN-0306-0373 THE DELIUS SOCIETY Chairman Position vacant Treasurer Jim Beavis 70 Aylesford Avenue, Beckenham, Kent BR3 3SD Email: [email protected] Membership Secretary Paul Chennell 19 Moriatry Close, London N7 0EF Email: [email protected] Journal Editor Katharine Richman 15 Oldcorne Hollow, Yateley GU46 6FL Tel: 01252 861841 Email: [email protected] Front and back covers: Delius’s house at Grez-sur-Loing Paintings by Ishihara Takujiro The Editor has tried in good faith to contact the holders of the copyright in all material used in this Journal (other than holders of it for material which has been specifically provided by agreement with the Editor), and to obtain their permission to reproduce it. Any breaches of copyright are unintentional and regretted. CONTENTS EDITORIAL ..........................................................................................................5 COMMITTEE NOTES..........................................................................................6 SWEDISH CONNECTIONS ...............................................................................7 DELIUS’S NORWEGIAN AND DANISH SONGS: VEHICLES OF -
Designing the White House: 1792 – 1830
Classroom Resource Packet Designing the White House: 1792 – 1830 INTRODUCTION As the president’s office and home, the White House stands as a symbol of American leadership. President George Washington selected the site and approved the final design, but he never had an opportunity to live in the building once known as the “President’s Palace.” When the initial construction was finished in 1800, John Adams became the first president to occupy this famous home. Explore the design and creation of the building from its inception, to the burning by the British in 1814, and the completion of the porticoes by 1830 that resulted in the White House’s iconic appearance. CONTEXTUAL ESSAY In 1790, Congress passed the Residence Act, which established a permanent national capital to be built on the Potomac River. President George Washington had the authority to pick the specific site of the capital city, and he selected engineer and architect Pierre Charles L’Enfant to begin planning the city streets inside a 10-mile square section of farmland (Image 1). Washington chose the spot for the President’s House, and L’Enfant set aside this space for what he called a “palace” for the president (Image 2). L’Enfant’s original plan for the President’s House was five times the size of the house which would be built, so “palace” seemed appropriate at the time. But for a new republic whose leaders would be ordinary citizens—not kings— the building was scaled back, and so was its name. It became known Image 2 as simply “The President’s House.” After George Washington dismissed L'Enfant for insubordination in early 1792, Secretary of State Thomas Jefferson organized a design contest and announced a prize of five hundred dollars or a medal of that value for the best design of the President’s House. -
Pennsylvania Magazine of HISTORY and BIOGRAPHY
THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY VOLUME LXV APRIL, 1941 NUMBER TWO Some Qree\T(evival Architects of Philadelphia HILADELPHIA saw alike the birth and the death of Greek Revival architecture in America: its birth in the Bank of Penn- Psylvania, which Latrobe designed in the spring of 17985 its death—or should one say its final swan song?—in the Ridgeway Branch of the Library Company, designed in the 1870's by Addison Hutton, far out on South Broad Street. And, in the years between, several of the most important Greek Revival architects in the coun- try established their homes in Philadelphia, found there a most profitable field for their activity, and designed for it some of the most remarkable of its buildings. Latrobe, Mills, Strickland, Havi- land, and Walter all contributed much to the appearance of the growing city, and in the work of all, whether it was strictly Greek or not, the ideals of the new architectural movement were enshrined. It is not strange that this should have been the case. Philadelphia was, in the early years of the Republic, the undoubted metropolis of the country. It was, in its own characteristic staid way, the center of culture and of art. Boston was still, in architecture, largely under the sway of English late-Georgian inspiration, so beautifully re-created in New England in the domestic work of Bulfinch, the exquisite 121 122 TALBOT HAMLIN April interiors of Mclntire, and the early handbooks of Asher Benjamin. New York, struggling out of the devastation caused by the long British occupation, was still dominated by the transitional work of John McComb, Jr., the Mangins, and such architects as Josiah Brady and the young Martin Thompson; Greek forms were not to become popular there till the later 1820's. -
Cultural Resources and Tribal and Native American Interests
Giant Sequoia National Monument Specialist Report Cultural Resources and Tribal and Native American Interests Signature: __________________________________________ Date: _______________________________________________ The U. S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, or marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA’s TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 14 th and Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720-5964 (voice and TDD). USDA is an equal opportunity provider and employer. Giant Sequoia National Monument Specialist Report Table of Contents Introduction ................................................................................................................................................ 1 Current Management Direction ................................................................................................................. 1 Types of Cultural Resources .................................................................................................................... 3 Objectives .............................................................................................................................................. -
The Creative Society Environmental Policymaking in California,1967
The Creative Society Environmental Policymaking in California,1967-1974 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Denning Graduate Program in History The Ohio State University 2011 Dissertation Committee: Dr. Paula M. Baker, Advisor Dr. William R. Childs Dr. Mansel Blackford Copyright By Robert Denning 2011 Abstract California took the lead on environmental protection and regulation during Ronald Reagan‟s years as governor (1967-1974). Drawing on over a century of experience with conserving natural resources, environmentally friendly legislators and Governor Reagan enacted the strongest air and water pollution control programs in the nation, imposed stringent regulations on land use around threatened areas like Lake Tahoe and the San Francisco Bay, expanded the size and number of state parks, and required developers to take environmental considerations into account when planning new projects. This project explains why and how California became the national leader on environmental issues. It did so because of popular anger toward the environmental degradation that accompanied the state‟s rapid and uncontrolled expansion after World War II, the election of a governor and legislators who were willing to set environmental standards that went beyond what industry and business believed was technically feasible, and an activist citizenry that pursued new regulations through lawsuits and ballot measures when they believed the state government failed. The environment had a broad constituency in California during the Reagan years. Republicans, Democrats, students, bureaucrats, scientists, and many businessmen tackled the environmental problems that ii threatened the California way of life. -
Devils Postpile and the Mammoth Lakes Sierra Devils Postpile Formation and Talus
Nature and History on the Sierra Crest: Devils Postpile and the Mammoth Lakes Sierra Devils Postpile formation and talus. (Devils Postpile National Monument Image Collection) Nature and History on the Sierra Crest Devils Postpile and the Mammoth Lakes Sierra Christopher E. Johnson Historian, PWRO–Seattle National Park Service U.S. Department of the Interior 2013 Production Project Manager Paul C. Anagnostopoulos Copyeditor Heather Miller Composition Windfall Software Photographs Credit given with each caption Printer Government Printing Office Published by the United States National Park Service, Pacific West Regional Office, Seattle, Washington. Printed on acid-free paper. Printed in the United States of America. 10987654321 As the Nation’s principal conservation agency, the Department of the Interior has responsibility for most of our nationally owned public lands and natural and cultural resources. This includes fostering sound use of our land and water resources; protecting our fish, wildlife, and biological diversity; preserving the environmental and cultural values of our national parks and historical places; and providing for the enjoyment of life through outdoor recreation. The Department assesses our energy and mineral resources and works to ensure that their development is in the best interests of all our people by encouraging stewardship and citizen participation in their care. The Department also has a major responsibility for American Indian reservation communities and for people who live in island territories under U.S. administration. -
The Masses Index 1911-1917
The Masses Index 1911-1917 1 Radical Magazines ofthe Twentieth Century Series THE MASSES INDEX 1911-1917 1911-1917 By Theodore F. Watts \ Forthcoming volumes in the "Radical Magazines ofthe Twentieth Century Series:" The Liberator (1918-1924) The New Masses (Monthly, 1926-1933) The New Masses (Weekly, 1934-1948) Foreword The handful ofyears leading up to America's entry into World War I was Socialism's glorious moment in America, its high-water mark ofenergy and promise. This pregnant moment in time was the result ofdecades of ferment, indeed more than 100 years of growing agitation to curb the excesses of American capitalism, beginning with Jefferson's warnings about the deleterious effects ofurbanized culture, and proceeding through the painful dislocation ofthe emerging industrial economy, the ex- cesses ofspeculation during the Civil War, the rise ofthe robber barons, the suppression oflabor unions, the exploitation of immigrant labor, through to the exposes ofthe muckrakers. By the decade ofthe ' teens, the evils ofcapitalism were widely acknowledged, even by champions ofthe system. Socialism became capitalism's logical alternative and the rallying point for the disenchanted. It was, of course, merely a vision, largely untested. But that is exactly why the socialist movement was so formidable. The artists and writers of the Masses didn't need to defend socialism when Rockefeller's henchmen were gunning down mine workers and their families in Ludlow, Colorado. Eventually, the American socialist movement would shatter on the rocks ofthe Russian revolution, when it was finally confronted with the reality ofa socialist state, but that story comes later, after the Masses was run from the stage. -
Tennessee State Library and Archives William Strickland Drawings
State of Tennessee Department of State Tennessee State Library and Archives William Strickland Drawings, approximately 1800-1850s COLLECTION SUMMARY Creator: Strickland, Francis W., 1818-1895 Strickland, Jesse Hartley, 1827-1899 Strickland, William, 1788-1854 Inclusive Dates: approximately 1800-1850s Scope & Content: Contains original drawings, elevations, and ground plans, attributed to famed architect William Strickland and his sons, Francis W. and J. Hartley Strickland. A few items are either signed by or noted as being drawn by Benjamin Latrobe, William Camerer, John Haviland, D. H. Mahan, and Andrew J. Binny. (The Egyptian Revival: Its Sources, Monuments, and Meanings, 1808-1858, by Richard G. Carrott, presumes that Binny was a “draughtsman-student in William Strickland’s office.”) The collection includes plans for the Tennessee State Capitol as well as various other buildings including churches, houses, and banks. Examples of Italianate as well as Greek Revival and Egyptian architecture may be seen in the materials. Physical Description/Extent: 12 linear feet Accession/Record Group Number: 2019-017 Language: English Permanent Location: M-18-14, M-18-15, M-18-16, XI-C-1v 1 Repository: Tennessee State Library and Archives, 403 Seventh Avenue North, Nashville, Tennessee, 37243-0312 Administrative/Biographical History William Strickland holds an important place in the history of Greek Revival architecture in America. Talbot Hamlin refers to “that extraordinary man, William Strickland, engineer and architect, painter and engraver, one of the most interesting personalities, as he was one of the most brilliant and original designers of the entire Greek Revival movement.” Strickland was a pupil of Benjamin Henry Latrobe, and two of his own pupils, Gideon Shryock (architect of the Kentucky State Capitol) and Thomas Ustick Walter, became leaders of the architectural profession. -
In This Issue …
High Weald Anvil2010 A free guide to one of England’s finest landscapes Find Out About • Explore • Enjoy • Be Proud Of • Take Action • www.highweald.org An Elusive Icon Glorious Gardens In this issue … Looking out for deer – the High Discovering the landscape The Pocket History of Weald’s largest native mammal through garden days out a Dinosaur Pages 4 & 5 Pages 12 & 13 How a chance find in Cuckfield formed the basis of modern palaeontology Pages 2 & 3 Horsham • East Grinstead • Haywards Heath • Crowborough • Heathfield • Battle • Wadhurst • Royal Tunbridge Wells • Cranbrook • Tenterden • Rye 2 High Weald Anvil The High Weald Area of Outstanding Natural Beauty Welcome n the last couple of The pocket history Iyears the term “car- bon footprint” has become popular with the media and politi- of a dinosaur cians as a catchphrase for our impact on the world’s climate. How- ever, carbon footprints are not the focus for this year’s Anvil. Instead we have decid- ed to look at “footprints” in a broader sense. The High Weald is a landscape that has been shaped by man – and creatures – over generations, so we have delved into the area’s history to explore some of the last- ing “footprints” made by previous generations. Some we value and are thankful for, while others are more of a conundrum. Dinosaurs were the first to tramp the sandstones which form the underlying geology of the area – and their footprints can still be seen where the rock has been exposed. Later, the Anglo-Saxons left perhaps the most significant footprint on the landscape – the small, irregu- lar-shaped fields, scattered settlements and drove routes.