Protests Hound Soviet Leader
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
George Cukor Et La Critique Réal La Rochelle
Document généré le 26 sept. 2021 05:56 Séquences La revue de cinéma George Cukor et la critique Réal La Rochelle Le cinéma imaginaire II Numéro 55, décembre 1968 URI : https://id.erudit.org/iderudit/51632ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article La Rochelle, R. (1968). George Cukor et la critique. Séquences, (55), 57–60. Tous droits réservés © La revue Séquences Inc., 1968 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ \-jeorae K^ukor et la critit ue Los Angeles, 28 juin 1968. voir au travail aux studios de la Monsieur Gilbert Maggi, Fox, où il prépare actuellement un Revue Séquences, film avec Rex Harrison, sur un Montréal. scénario de John Osborne. J'ai vu notre cher Cukor cet En attendant Cukor dans ses après-midi, à sa demeure de Bever jardins rococo-américains, je me ley Hills. C'est une chance particu suis rappelé notre rétrospective- lière d'avoir pu le rencontrer chez "hommage" de l'an dernier, quel lui, mais je vais regretter seulement soin nous avions mis à la prépara qu'il m'ait été impossible de lé tion d'un programme entièrement DECEMBRE 1968 57 consacré à ce grand réalisateur a- au Québec face au cinéma améri méricain, dont nous aimons les cain, ainsi que le paradoxe dans le films, mais que trop peu de mem quel nous nageons : ou bien nos bres de nos ciné-clubs prennent la cinéphiles boudent le cinéma amé peine de voir et de comprendre; ricain, en lui préférant exclusive je revoyais rapidement notre géné ment l'européen ou .. -
George Cukor
FİI~M YÖNETMENLERİ İLE SÖYLEŞİLER Çeviren: Andrew SARRIS İng. Ok. A. Fikret IŞIKYAKAR GEORGE CUKOR George Cukor: Biliyorsunuz, özür dilemekten daha kötü bir şey yok. Örneğin, bir film iyi olmadığı, ya da kötü biçimde eleş tirildiğiniz zaman, bunun hatası, şunun hatası yüzünden oldu demek çok kötü bir şey. Benim yaptığım sadece açık konuşmak: şansımız yaver gitmedi, bunu unutalım demek tir. Ama, mademki konunun detayına iniyorsunuz, size bu konuda bir şey söyliyelim. Gariptir ki, bir şeyler ortaya koy mak istediğim en iyi sahnelerin bazıları başarılı olamamış filmler içinde yer almaktadır. Bu, çok gariptir. Ama, Öykü• nün ana hatları böyle sahneleri içeriyor ise, o zaman, fil min sahneleri gerçekten bir şey ifade etmez. Ben, öykünün çok önemli olduğu kanısındayım. Kısaca öykünün anlatımı. Belki de öykü olmaksızın en iyi yapımı gerçekleştirebilir, rolü en güzel biçimde oynayabilirsiniz... ama, hepsi başa rısız olur, çünkü, izleyicinin dikkatini çekemezsiniz. 136 Richard Overstreet: Bu açıdan, The Chapman Report'un (Şehvet li Kadınlar) başarılı olduğu kanısında mısınız? GC: Onun ile ilgili olarak size bazı şeyler söylemeliyim. O, üç kadın ve bu kadınların sorunları ile ilgili bir öykü idi. Jane Fonda'nın sorunu, soğukluk (frigidity) idi... Temel sorun, kitabın oldukça coşturucu olması idi. Kanımca kitabın ya zarı, bir süre sonra, yayın evinin ricası üzerine, kitabın ge nel havasını gözden geçirdi. Böylece tüm sonuç, hummalı bir hastalıktan sonra meydana çıkmış gibi oldu. Mamafih, kitap çok hoşuma gitti. RO Bu kitabı, sizden film yapmanız isterimeden önce, okumuş muydunuz? GC Kitabı daha önce okudum... ve bir şeyden etkilendiğimi söy• leyebilirim: Fox şirketi ile sözleşmem vardı. Beni mahke meye vermeyi, ya da buna benzer bir iş yapmayı planlıyor yorlardı. -
The Original Superstar
Volume 12 • Number 2 FALL 2012 $4.95 The First “Marilyn Monroe” ALSO INSIDE: New York's Gasworks, Then and Now Kidnapped Into Slavery Opera in the Archives TR's Enduring Friendship Celebrating the Emancipation Proclamation 20 > NAALL > RRIIGGIIN 55 OO RRSSTTAARR EE BY BARBARA and SSUUPP MICHAEL FOSTER You may think you don’t know PF TS 939.5.4 (6), HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY the name or the face of Adah Isaacs Menken, aka The Naked Lady, the nineteenth century’s first superstar and celebrity. But if you’ve read a certain Sherlock Holmes story, or seen any photo of Marilyn Monroe— > > you already know Adah. NEW YORK archives • FALL 2012 21 NAALL Adah as Prince Mazeppa. IN GI e live in a star-stud- IG ded world. From I blockbuster movies R Adah was a R Wto (supposed) reality WTV shows such as “Dancing O versatile O AARR with the Stars” to the tabloids T at every supermarket check- SST performer RR out, pictures and stories about celebrities bombard who could sing, EE us. But when and where did TCS 19, HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY PP this overweening celebrity dance, and culture begin? UU It was at the Green Street exchange Theater in Albany, New York on the verge of the Civil War, repartee with on a Monday evening in June of 1861, when pretty, dark, the audience. curvy Adah Isaacs Menken first performed in Mazeppa, a cry for freedom against the tyrannical Russian czar. Taken from a poem by Lord Byron, the popular drama’s lead role of Prince Mazeppa was, of course, played by a male actor. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50. -
Film Club Sky 328 Newsletter Freesat 306 OCT/NOV 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 OCT/NOV 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping you are all well in these strange times. It has certainly been a month of ‘Keep Calm and Carry On’ here! We were so sad to hear the recent news of the sad loss of French singer and actress Juliet Gréco who was recently seen in Whirpool and The Big Gamble on Talking Pictures TV. Also, our own dear Dame Diana Rigg DBE sadly passed away recently; there is a tribute to her on page 12. Good news on the ‘lost film can’ front – we’ve found another episode of No Hiding Place on 16mm from a viewer’s private collection! Lots of interesting short films have also been brought forward – so do keep on checking your lofts, sheds and under the bed…. I’m very proud of our new DVD release this month - it’s a charming film with George Cole and Prunella Scales:The Ghost of Greville Lodge. A wonderful film for all the family and a nice gift. Noel was the Executive Producer on the film and we have very fond memories as a family of being on set with George and Prunella. I was actually supposed to play one of the parts, but alas I didn’t make it through to the final audition! It’s now presented with optional subtitles for the very first time and just £10 with FREE UK postage. Details on pages 2 and 3. The second project I’ve been working on this month is a wonderful AUDIO BOOK of SCROOGE narrated by dear George Cole himself. -
Loc66-Line-Up-2013.Pdf
Line-up Locarno, 17 July 2013 Via Ciseri 23, ch–6601 Locarno t +41(0)91 21 21 | f +41(0)91 21 49 [email protected] | www.pardo.ch The press kit and stills can be downloaded from our website www.pardo.ch/press (Press Area) Excerpts of some of the offi cial selection’s fi lms are available in broadcast and web quality. In order to download them, please contact the Press Offi ce ([email protected] / +41 91 756 21 21). Join the conversation: #Locarno66 www.Facebook.com/FilmFestivalLocarno www.Twitter.com/FilmFestLocarno Contents 1 Introduction by Carlo Chatrian, Artistic Director 2 Introduction by Mario Timbal, COO 3 Offi cial Juries 4 The 2013 Selection Piazza Grande Concorso internazionale Concorso Cineasti del presente Pardi di domani Fuori concorso Premi speciali Histoire(s) du cinéma Retrospettiva George Cukor Open Doors 5 Industry Days 6 Locarno Summer Academy 7 Swiss Cinema in Locarno 8 Attachments Locarno 66 – Carlo Chatrian – Frontier cinema As I set out to write this short introduction, I naturally looked back over the route covered so far. Before the fi lms themselves, the guests, the programs thought out and implemented over the past months, there fi rst came to mind the people whose substantial contributions have ensured that the Festival fi nds itself where it is today. First and foremost Mark Peranson, Head of Programming, and Nadia Dresti, our International Head, and then Lorenzo Esposito, Sergio Fant and Aurélie Godet (“my” selection committee), Alessandro Marcionni (Pardi di domani), Carmen Werner and Olmo Giovannini (Programming Offi ce), Martina Malacrida and Ananda Scepka (Open Doors). -
December 6, 2011 (XXIII:15) George Cukor, MY FAIR LADY (1964, 170 Min.)
December 6, 2011 (XXIII:15) George Cukor, MY FAIR LADY (1964, 170 min.) Directed by George Cukor Book of musical play by Alan Jay Lerner From a play by George Bernard Shaw Screenplay by Alan Jay Lerner Produced by Jack L. Warner; James C. Katz (1994 restoration) Original Music by André Previn Cinematography by Harry Stradling Sr. Film Editing by William H. Ziegler Production Design by Cecil Beaton and Gene Allen Art Direction by Gene Allen and Cecil Beaton Costume Design by Cecil Beaton and Michael Neuwirth Musical play lyrics by Alan Jay Lerner Music by Frederick Loewe Choreography by Hermes Pan Audrey Hepburn...Eliza Doolittle Rex Harrison...Professor Henry Higgins Stanley Holloway...Alfred P. Doolittle Report, 1960 Let's Make Love, 1960 Heller in Pink Tights, 1957 Wilfrid Hyde-White...Colonel Hugh Pickering Wild Is the Wind, 1957 Les Girls, 1956 Lust for Life, 1956 Gladys Cooper...Mrs. Higgins Bhowani Junction, 1954 A Star Is Born, 1954 It Should Happen Jeremy Brett...Freddy Eynsford-Hill to You, 1953 The Actress, 1952 Pat and Mike, 1952 The Theodore Bikel...Zoltan Karpathy Marrying Kind, 1950 Born Yesterday, 1950 A Life of Her Own, Mona Washbourne...Mrs. Pearce 1949 Adam's Rib, 1949 Edward, My Son, 1947 A Double Life, Isobel Elsom...Mrs. Eynsford-Hill 1944 Gaslight, 1942 Keeper of the Flame, 1940 The John Holland...Butler Philadelphia Story, 1939 The Women, 1936 Camille, 1936 Romeo and Juliet, 1935 Sylvia Scarlett, 1935 David Copperfield, 1965 Academy Awards: 1933 Little Women, 1933 Dinner at Eight, 1932 Rockabye, 1932 Best Picture – Jack L. Warner A Bill of Divorcement, 1932 What Price Hollywood?, 1931 Best Director – George Cukor Tarnished Lady, 1930 The Royal Family of Broadway, 1930 The Best Actor in a Leading Role – Rex Harrison Virtuous Sin, and 1930 Grumpy. -
LIVES of the SAINTS Synopsis
LIVES OF THE SAINTS Synopsis “Where pride is, the snake goes,” Italian proverb Adultery, the evil eye, and a snakebite are the circumstances that shape the childhood of Vittorio Innocente in the small village of Valle De Sole in a society dominated by religion and superstition. LIVES OF THE SAINTS begins in an Italy almost unchanged since the beginning of the last century—moving across time from the horrors of wartime Italy to the swinging counterculture that dominated Toronto in the late 60’s. This “intimate epic” travels from the sun-drenched Mediterranean to the frozen Arctic, to the flatlands of rural Ontario and finally back to the isolated hilltop village of Valle del Sole, Italy (Valley of the Sun), 20 years later in a story suffused with mystery, and betrayal. Who will pay for the sins and secrets of the family past? Vittorio’s turbulent childhood revolves around his love for his mother, Cristina, (whose husband Mario, has emigrated to Canada) but is informed by his Aunt Teresa (Sophia Loren). Also the village schoolteacher, she is his disciplinarian and his moral guide. To enhance his lessons, she uses stories from a religious picture book Lives of the Saints which she gives him 1 as a gift when he leaves Valle De Sole with his mother for the hope of a new and better life in Canada. A widow, Teresa is the glue that holds the family together while Cristina (Sabrina Ferilli), an independent spirit, is strong-willed and fiery. The village is full of whispers when Cristina is bitten in the barn by a poisonous snake. -
Director George Cukor Honored Five-Week-21-Film
The Museum of Modern Art ^^ ^^ I 11%^ iwiM^^^Miii VI ivawMX^l •• f-mi % ^^^ IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart DIRECTOR GEORGE CUKOR HONORED FIVE-WEEK-21-FILM RETROSPECTIVE A Five-Week Tribute to George Cukor, including 22 films by the American director, will commence on August 27, 1970 at The Museum of Modern Art. Starting with THE ROYAL FAMILY OF BROADWAY, the 1930 movie based on the famous Barrymore clan, with Ina Claire and Fredric March, the Cukor show covers more than three decades in the director's career. In the thirties, stars such as Gary Grant were familiar fixtures in his pictures; the late forties and fifties were marked by the film-maker's frequent collaboration with screenwriters Garson Kanin and his actress wife Ruth Gordon, as well as his pictures co- starring Katharine Hepburn and Spencer Tracy. The final film of the series, THE CHAPMAN REPORT, was made in 1963. The retrospective was assembled by Gary Carey, former Assistant Curator of the Museum's Department of Film and author of a forthcoming book entitled Cukor & Co., to be pub lished this fall by the Museum. According to Carey, Cukor was most sympathetic to comic material which had "a strong undercurrent of humanity." Cukor emphasized the roles of his writing collaborators, as well as his actors, because he was primarily influenced by the theater, which he entered in Chicago in 1918. He was a stage manager when stars such as Sarah Bernhardt, Isadora Duncan, Yvette Guilbert, Alia Nazimova, and Elsie Ferguson reigned. -
Maquette Cukor
IInnddiissccrrééttiioonnss ddee GGeeoorrggee CCuukkoorr L YCÉENS AU CINÉMA EN RÉGION CENTRE SOMMAIRE GEORGE CUKOR 3 ndiscrétions FILMOGRAPHIE 5 I par Jean DOUCHET & Cédric ANGER GENÈSE DU FILM 6 LES PERSONNAGES 7 En l'adaptant pour l'écran, George Cukor a fait de The Philadelphia Story, pièce de théâtre qui triompha à LE SCÉNARIO Broadway à la fin des années 30, un des chefs-d'oeuvre • Déroulé séquentiel 10 inévitables d'un genre disparu : la comédie américaine. • Analyse dramaturgique 11 Comme il sied à tout marivaudage léger et théâtral, le film ANALYSE D’UNE SÉQUENCE 12 commence par une séparation pour finir par un mariage. Après s'être séparée de Dexter Haven, Tracy Lord, fille de la haute société, doit se remarier avec le « self-made man » TRAITEMENT ET SIGNIFICATIONS 16 George Kittredge. Tout aurait dû se passer comme prévu si Dexter n'était pas venu troubler la fête, accompagné d'un LES GRANDS AUTEURS DE couple de journalistes de « Spy Magazine », un journal à LA COMÉDIE AMÉRICAINE 19 scandales. Dès lors, Tracy prend peu à peu conscience d'elle-même et de son mariage. Perdue, elle flirte avec le VIDÉO-BIBLIOGRAPHIE 22 journaliste et renonce à épouser George. Profitant d'une situation qu'il a lui-même mise en place, Dexter finit par reconquérir son ex-femme et se remarie avec Tracy. FICHES TECHNIQUES 23 Les films de ce genre réclament une interprétation • La Metro Goldwyn Meyer À partir d'un argument traditionnel de comédie exceptionnelle et là encore nous sommes comblés par • Les costumes sophistiquée, Cukor impose un rythme, une respiration qui Cary Grant, James Stewart et Katharine Hepburn - qui • Les raccords lui est propre, ses obsessions (la femme amoureuse) et tient magnifiquement le rôle de cette femme que l'amour oppose deux mondes : la haute société à la classe fait briller et rend enfin humaine.