Introduction 1 Sue Matheson
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Strikers at Kennedy Moonport Ignore Plea to Let Workers in Marvin, Win Christie, Sound of Music Coveted 38Th Oscar Awards Raider
HIGH TIDE LOW TIDE 4-20-66 4-20-66 5.4 AT 1642 0.5 AT 2242 5.8 AT 0430 0.6 AT 1042 VOL 7 No. 2983 KWAJALEIN, MARSHALL ISLANDS TUESDAY, APRIL 19, 1966 STRIKERS AT KENNEDY MOONPORT SEVILLE (UPI )--A "VERY UPSET" MRS. JOHN F. KENNEDY TODAY EMPHATICALLY DENIED RE IGNORE PLEA TO LET WORKERS IN PORTS SHE PLANNED TO MARRY SPANISH DIPLO CAPE KENNEDY (UPI)--STRIKING ROCKET WORKERS IGNORED A GOVERNMENT PLEA TO REDUCE PICKET MAT ANTONIO GARRIGUES. ING TODAY, HAMPERING CONSTRUCTION or AMERICA'S MOON PORT rOR THE SECOND CONSECUTIVE DAY. GARRIGUES, 62, WHO ARRIVED IN THIS CITY THE AIR FORCE AND FEDERAL SPACE AGENCY REQUESTED THE STRIKING INTERNATIONAL UNION or THIS ArTERNOON TO JOIN A PARTY WHICH IN ~LECTRICIANS (AFL-CIO) LAST NIGHT TO LIMIT THEIR PICKET LINES TO ONLY ONE SPACEPORT EN CLUDED MRS. KENNEDY, SCOrrED AT THE RO ~RANCE IN AN ATTEMPT TO REMOVE THE STRIKE BARRIERS rOR BUILDING TRADESMEN, BUT THE ELECT MANCE REPORTS. "WE ARE JUST GOOD rRIENDS" ~ICIANS MAINTAINED PICKETS AT ALL rOUR MAIN GATES AGAIN TODAY AND TURNED AWAY ABOUT 40 HE SA I D. PERCENT or THE 1,161-MAN CONSTRUCTION WORK rORCE. Two BIG ApOLLO MOON BASE BUILDING PRO THE 36-YEAR-OLD rORMER FIRST LADY, IN A JECTS WERE AGAIN CRIPPLED. REPORT ISSUED THROUGH U.S. AMBASSADOR AN THE PICKETING BEGAN YESTERDAY AS A RESULT or A CONTRACT WAGE DISPUTE WITH THE UNITED GIER BIDDLE DUKE, SAID "I WANT TO MAKE IT rECHNO~OGY CENTER, MAKER or THE BIG SOLID-rUELED ROCKETS THAT GIVE THE AIR FORCE TITAN CRYSTAL CLEAR AND COMPLETELY UNDERSTOOD 3C SPACE LAUNCHER A 2.4 MILLION POUND THRUST BLASTOrr PUNCH. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Download the Report
Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
Star Channels, May 3-9, 2020
MAY 3 - 9, 2020 staradvertiser.com MONEY PROBLEMS Showtime’s most provocative corporate drama, Billions, returns for its fi fth season and fans of the show can’t wait to see more of their favorite fi ctional billionaires as they scheme and slither their way to the top of the Wall Street food chain. Paul Giamatti and Damian Lewis star, while Julianna Margulies and Corey Stoll join the cast. Airing Sunday, May 3, on Showtime. A SPECIAL COVID-19 PRESENTATION Join host, Lyla Berg as she speaks with community experts about COVID-19. Tune in Wednesday, May 6 and May 20 at 6:30pm on Channel 53 WEDNESDAYW at 6:30pm - - olelo.org Also available on Olelonet and Olelo YouTube. Channel 53 ¶ ¶ 590126_IslandFocus_Ad_COVID19_2in_R.indd 1 4/30/20 9:29 AM ON THE COVER | BILLIONS A few billion more Wall Street gets a new Prince by the coronavirus pandemic. The first seven disappearance in Season 1 to the two men episodes will air starting this week, and the going head to head in court in Season 3, it ap- in Season 5 of ‘Billions’ show will take a break mid-June at a natural pears the billionaires will squabble over just point in the story arc. At this stage, there is about anything from money and business to By Dana Simpson no way to know when the second part of the women and politics. TV Media season will air, but the much-anticipated re- Just when it seemed they would band maining episodes will be filmed and released together to form an alliance — especially asten your seatbelts for another year of as soon as the production process is safe to with Axe’s focus now more clearly aimed dollars and deceit. -
A Free Emigrant Road 1853: Elijah Elliott's Wagons
Meek’s Cutoff: 1845 Things were taking much longer than expected, and their Macy, Diamond and J. Clark were wounded by musket supplies were running low. balls and four horses were killed by arrows. The Viewers In 1845 Stephen Hall Meek was chosen as Pilot of the 1845 lost their notes, provisions and their geological specimens. By the time the Train reached the north shores of Harney emigration. Meek was a fur trapper who had traveled all As a result, they did not see Meek’s road from present-day Lake, some of the men decided they wanted to drive due over the West, in particular Oregon and California. But Vale into the basin, but rode directly north to find the west, and find a pass where they could cross the Cascade after a few weeks the independently-minded ‘45ers decided Oregon Trail along Burnt River. Mountains. Meek was no longer in control. When they no Pilot was necessary – they had, after all, ruts to follow - Presented by Luper Cemetery Inc. arrived at Silver River, Meek advised them to turn north, so it was not long before everyone was doing their own Daniel Owen and follow the creek to Crooked River, but they ignored his thing. Great-Grandson of Benjamin Franklin “Frank” Owen advice. So the Train headed west until they became bogged down at the “Lost Hollow,” on the north side of Wagontire Mountain. Here they became stranded, because no water could be found ahead, in spite of the many scouts searching. Meek was not familiar with this part of Oregon, although he knew it was a very dry region. -
Guide to the Edythe and Lloyd Katz Photographs
Guide to the Edythe and Lloyd Katz Photographs This finding aid was created by Lindsay Oden and Emily Lapworth. This copy was published on August 28, 2019. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1jk7k © 2019 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Edythe and Lloyd Katz Photographs Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note for Edythe Katz-Yarchever .............................................................................................. 3 Scope and Contents Note ................................................................................................................................ 5 Arrangement .................................................................................................................................................... 6 Administrative Information ............................................................................................................................. 6 Related Materials ............................................................................................................................................. 7 Names and Subjects ....................................................................................................................................... -
Filabres-Alhamilla
Guide Tourist-Cinematographic Route Filabres-Alhamilla SCENE TAKE Una Comarca de cine... Guide Tourist-Cinematographic Route Filabres-Alhamilla In memory of the movie world in Almeria as a prime cultural legacy and a present and future tourist asset. To all the tourists and visitors who want to enjoy a region full of light, colours and originality. Promoted and edited by Commonwealth of Municipalities for the Development of Interior Towns Idea and general coordination José Castaño Aliaga, manager of the Tourist Plan of Filabres-Alhamilla Malcamino’s Route design, texts, documentation, tourist information, stills selection, locations, docu- mentary consultancy, Road Book creation, maps and GPS coordinates. Malcamino’s Creative direction www.oncepto.com Design and layout Sonja Gutiérrez Front-page picture Sonja Gutiérrez Printing Artes Gráficas M·3 Legal deposit XXXXXXX Translation Itraductores Acknowledgement To all the municipalities integrated in the Commonwealth of Municipalities for the De- velopment of Interior Towns: Alcudia de Monteagud, Benitagla, Benizalón, Castro de Fi- labres, Lucainena de las Torres, Senés, Tabernas, Tahal, Uleila del Campo and Velefique Documentation and publications for support and/or interest Almería, Plató de Cine – Rodajes Cinematográficos (1951-2008) – José Márquez Ubeda (Diputación Provincial de Almería) Almería, Un Mundo de Película – José Enrique Martínez Moya (Diputación Provincial de Almería) Il Vicino West – Carlo Gaberscek (Ribis) Western a la Europea, un plato que se sirve frio – Anselmo Nuñez Marqués (Entrelíneas Editores) La Enciclopedia de La Voz de Almería Fuentes propias de Malcamino’s Reference and/or interest Webs www.mancomunidadpueblosdelinterior.es www.juntadeandalucia.es/turismocomercioydeporte www.almeriaencorto.es www.dipalme.org www.paisajesdecine.com www.almeriaclips.com www.tabernasdecine.es www.almeriacine.es Photo: Sonja Gutiérrez index 9 Prologue “Land of movies for ever and ever.. -
108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Actores Transnacionales: Un Estudio En Cinema Internacional
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Hispanic Studies 2016 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/hispstu_honproj Part of the Spanish Literature Commons Recommended Citation Hartlaub, Lydia, "Actores transnacionales: un estudio en cinema internacional" (2016). Honors Projects. 11. https://digitalcommons.iwu.edu/hispstu_honproj/11 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty in the Hispanic Studies department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Hartlaub 1 Actores transnacionales: un estudio en cinema internacional Lydia Hartlaub con Prof. Carmela Ferradáns Hartlaub 2 Tabla de contenidos Introducción…………………………………………………………………………………………………………………………….. 4 Cine de España…………………………………………………………………………………………………………………………. 8 Pedro Almodóvar…………………………………………………………………………………………………………. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing