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19-20 Undergraduate Associate
CLASS OF 2020 UNDERGRADUATE ASSOCIATES EAGLETON INSTITUTE OF POLITICS Rutgers University – New Brunswick Wood Lawn, Douglass Campus New Brunswick, NJ eagleton.rutgers.edu EAGLETON UNDERGRADUATE ASSOCIATES PROGRAM The Eagleton Undergraduate Associates Program was established in 1974. During the one and one‐half year certificate program, Associates learn about real‐world politics and government from experienced practitioners. Rutgers students, from all schools and campus locations, are welcome to apply in the fall of their junior year and the selected students begin the following spring. The program is a cooperative educational endeavor between the Eagleton Institute of Politics and the Department of Political Science in the School of Arts and Sciences at Rutgers—New Brunswick. The Undergraduate Associates’ journey at Eagleton begins with the "Practice of Politics" course, where the students examine politics as a choice. Each week, they analyze different political decisions such as the Constitutional Convention, jury verdicts, voting outcomes, budgets, public education systems, legislative actions, campaign strategies, presidential programs, and American policy. Over the summer or fall, Associates complete internships in a variety of offices focused on American politics, government and public policy. Placement locations range from congressional offices and federal agencies in Washington D.C. to state, county and local government positions in New Jersey and New York, along with some of the top political consulting and government affairs firms in the state, among others. The accompanying "Internship Seminar" course in the fall examines the art of leadership in the context of a variety of careers in government and politics. The final course, "Processes of Politics," is taken during the spring semester of senior year and is designed to help students deepen and apply their understanding of politics and governance by focusing on the mechanics of select processes and issues. -
Paul Robeson: Renaissance Man Fought Injustice
Paul Robeson: Renaissance Man Fought Injustice Scholar, athlete was renowned international entertainer and human rights advocate. BY ROYA RAFEI It would have been easier for Paul Robeson to “I am not being tried for whether I am a denounce the Communist party. Communist. I am being tried for fighting for the Throughout the late 1940s and well into the 1950s, the internationally renowned singer was rights of my people, who are still second-class branded a Communist sympathizer, a “Red” citizens in this United States of America.” during the height of the Cold War. His concerts in the U.S. were canceled; record companies —Paul Robeson before the House Un-American Activities dropped him; and the government revoked his Committee, June 12, 1956 passport, denying him the ability to perform abroad. By the time Robeson, a 1919 Rutgers grad- “I am not being tried for whether I am a Paul Leroy Robeson uate and distinguished student, was summoned Communist,” he told the House Un-American is one of the most to appear before the House Un-American Ac- Activities Committee on June 12, 1956. “I am well-known tivities Committee in June 1956, he had already being tried for fighting for the rights of my graduates of lost his reputation, his livelihood, and much of people, who are still second-class citizens in this Rutgers. The future his income. United States of America.” singer, actor, orator, Yet, he refused to back down and say if he Robeson went on to boldly declare to the and civil rights was a member of the Communist party. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
1001 Classic Commercials 3 DVDS
1001 classic commercials 3 DVDS. 16 horas de publicidad americana de los años 50, 60 y 70, clasificada por sectores. En total, 1001 spots. A continuación, una relación de los spots que puedes disfrutar: FOOD (191) BEVERAGES (47) 1. Coca-Cola: Arnold Palmer, Willie Mays, etc. (1960s) 2. Coca-Cola: Mary Ann Lynch - Stewardess (1960s) 3. Coca-Cola: 7 cents off – Animated (1960s) 4. Coca-Cola: 7 cents off – Animated (1960s) 5. Coca-Cola: “Everybody Need a Little Sunshine” (1960s) 6. Coca-Cola: Fortunes Jingle (1960s) 7. Coca-Cola: Take 5 – Animated (1960s) 8. Pet Milk: Mother and Child (1960s) 9. 7UP: Wet and Wild (1960s) 10. 7UP: Fresh Up Freddie – Animated (1960s) 11. 7UP: Peter Max-ish (1960s) 12. 7UP: Roller Coaster (1960s) 13. Kool Aid: Bugs Bunny and the Monkees (1967) 14. Kool Aid: Bugs Bunny and Elmer Fudd Winter Sports (1965) 15. Kool Aid: Mom and kids in backyard singing (1950s) 16. Shasta Orange: Frankenstein parody Narrated by Tom Bosley and starring John Feidler (1960s) 17. Shasta Cola: R. Crumb-ish animation – Narrated by Tom Bosley (1960s) 18. Shasta Cherry Cola: Car Crash (1960s) 19. Nestle’s Quick: Jimmy Nelson, Farfel & Danny O’Day (1950s) 20. Tang: Bugs Bunny & Daffy Duck Shooting Gallery (1960s) 21. Gallo Wine: Grenache Rose (1960s) 22. Tea Council: Ed Roberts (1950s) 23. Evaporated Milk: Ed & Helen Prentiss (1950s) 24. Prune Juice: Olan Soule (1960s) 25. Carnation Instant Breakfast: Outer Space (1960s) 26. Carnation Instant Breakfast: “Really Good Days!” (1960s) 27. Carnation: “Annie Oakley” 28. Carnation: Animated on the Farm (1960s) 29. Carnation: Fresh From the Dairy (1960s) 30. -
George Cukor Et La Critique Réal La Rochelle
Document généré le 26 sept. 2021 05:56 Séquences La revue de cinéma George Cukor et la critique Réal La Rochelle Le cinéma imaginaire II Numéro 55, décembre 1968 URI : https://id.erudit.org/iderudit/51632ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article La Rochelle, R. (1968). George Cukor et la critique. Séquences, (55), 57–60. Tous droits réservés © La revue Séquences Inc., 1968 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ \-jeorae K^ukor et la critit ue Los Angeles, 28 juin 1968. voir au travail aux studios de la Monsieur Gilbert Maggi, Fox, où il prépare actuellement un Revue Séquences, film avec Rex Harrison, sur un Montréal. scénario de John Osborne. J'ai vu notre cher Cukor cet En attendant Cukor dans ses après-midi, à sa demeure de Bever jardins rococo-américains, je me ley Hills. C'est une chance particu suis rappelé notre rétrospective- lière d'avoir pu le rencontrer chez "hommage" de l'an dernier, quel lui, mais je vais regretter seulement soin nous avions mis à la prépara qu'il m'ait été impossible de lé tion d'un programme entièrement DECEMBRE 1968 57 consacré à ce grand réalisateur a- au Québec face au cinéma améri méricain, dont nous aimons les cain, ainsi que le paradoxe dans le films, mais que trop peu de mem quel nous nageons : ou bien nos bres de nos ciné-clubs prennent la cinéphiles boudent le cinéma amé peine de voir et de comprendre; ricain, en lui préférant exclusive je revoyais rapidement notre géné ment l'européen ou .. -
George Cukor
FİI~M YÖNETMENLERİ İLE SÖYLEŞİLER Çeviren: Andrew SARRIS İng. Ok. A. Fikret IŞIKYAKAR GEORGE CUKOR George Cukor: Biliyorsunuz, özür dilemekten daha kötü bir şey yok. Örneğin, bir film iyi olmadığı, ya da kötü biçimde eleş tirildiğiniz zaman, bunun hatası, şunun hatası yüzünden oldu demek çok kötü bir şey. Benim yaptığım sadece açık konuşmak: şansımız yaver gitmedi, bunu unutalım demek tir. Ama, mademki konunun detayına iniyorsunuz, size bu konuda bir şey söyliyelim. Gariptir ki, bir şeyler ortaya koy mak istediğim en iyi sahnelerin bazıları başarılı olamamış filmler içinde yer almaktadır. Bu, çok gariptir. Ama, Öykü• nün ana hatları böyle sahneleri içeriyor ise, o zaman, fil min sahneleri gerçekten bir şey ifade etmez. Ben, öykünün çok önemli olduğu kanısındayım. Kısaca öykünün anlatımı. Belki de öykü olmaksızın en iyi yapımı gerçekleştirebilir, rolü en güzel biçimde oynayabilirsiniz... ama, hepsi başa rısız olur, çünkü, izleyicinin dikkatini çekemezsiniz. 136 Richard Overstreet: Bu açıdan, The Chapman Report'un (Şehvet li Kadınlar) başarılı olduğu kanısında mısınız? GC: Onun ile ilgili olarak size bazı şeyler söylemeliyim. O, üç kadın ve bu kadınların sorunları ile ilgili bir öykü idi. Jane Fonda'nın sorunu, soğukluk (frigidity) idi... Temel sorun, kitabın oldukça coşturucu olması idi. Kanımca kitabın ya zarı, bir süre sonra, yayın evinin ricası üzerine, kitabın ge nel havasını gözden geçirdi. Böylece tüm sonuç, hummalı bir hastalıktan sonra meydana çıkmış gibi oldu. Mamafih, kitap çok hoşuma gitti. RO Bu kitabı, sizden film yapmanız isterimeden önce, okumuş muydunuz? GC Kitabı daha önce okudum... ve bir şeyden etkilendiğimi söy• leyebilirim: Fox şirketi ile sözleşmem vardı. Beni mahke meye vermeyi, ya da buna benzer bir iş yapmayı planlıyor yorlardı. -
The Original Superstar
Volume 12 • Number 2 FALL 2012 $4.95 The First “Marilyn Monroe” ALSO INSIDE: New York's Gasworks, Then and Now Kidnapped Into Slavery Opera in the Archives TR's Enduring Friendship Celebrating the Emancipation Proclamation 20 > NAALL > RRIIGGIIN 55 OO RRSSTTAARR EE BY BARBARA and SSUUPP MICHAEL FOSTER You may think you don’t know PF TS 939.5.4 (6), HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY the name or the face of Adah Isaacs Menken, aka The Naked Lady, the nineteenth century’s first superstar and celebrity. But if you’ve read a certain Sherlock Holmes story, or seen any photo of Marilyn Monroe— > > you already know Adah. NEW YORK archives • FALL 2012 21 NAALL Adah as Prince Mazeppa. IN GI e live in a star-stud- IG ded world. From I blockbuster movies R Adah was a R Wto (supposed) reality WTV shows such as “Dancing O versatile O AARR with the Stars” to the tabloids T at every supermarket check- SST performer RR out, pictures and stories about celebrities bombard who could sing, EE us. But when and where did TCS 19, HARVARD THEATRE COLLECTION, HOUGHTON LIBRARY, UNIVERSITY PP this overweening celebrity dance, and culture begin? UU It was at the Green Street exchange Theater in Albany, New York on the verge of the Civil War, repartee with on a Monday evening in June of 1861, when pretty, dark, the audience. curvy Adah Isaacs Menken first performed in Mazeppa, a cry for freedom against the tyrannical Russian czar. Taken from a poem by Lord Byron, the popular drama’s lead role of Prince Mazeppa was, of course, played by a male actor. -
The Observer
The Observer The Official Publication of the Lehigh Valley Amateur Astronomical Society http://www.lvaas.org 610-797-3476 http://www.facebook.com/lvaas.astro August 2016 Volume 56 Issue 8 ad ast ra* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * I have to say, I think we had a pretty darn good July picnic this year, despite having to work with a weather situation that was far from ideal. We did play ?chicken? with the thunderstorms. After some fairly vigorous behind-the-scenes debate between members of the Board, I decided that we would take the chance that we might all need to run inside at some point. Sunday (the rain date) would have been a better day, weather-wise, but the problem was that our speaker Jason Kendall was not able to reschedule. And Jason was excellent! We will surely try to have him visit LVAAS again in the future. Hopefully we will find definitive proof that E.T.?s exist sometime soon, so then we can have Mr. Kendall back to eat a little terrestrial crow. He does not believe that it is going to happen. But despite that somewhat-of-a-downer message, his talk was full of energy as well as fascinating science, and he had no problem keeping everyone?s attention when the thunderstorm finally came through, towards the end of his talk. I know a number of people decided not to come when we elected to stay with Saturday, and a few people even assumed that the rain date was in effect when it wasn?t. This is unfortunate and I?m really sorry for the members who were inconvenienced. -
Economics Newsletter Department of Economics Rutgers University Number 46 New Series Summer 2007
Economics Newsletter Department of Economics Rutgers University Number 46 New Series Summer 2007 R UTGERS A Message from the Chairman U NIVERSITY Barry Sopher D EPARTMENT OF E CONOMICS Phone 732-932-7363 Fax 732-932-7416 http://economics.rutgers.edu Construction noise? In spite of tight state and university budgets, the Editors department has been improving its physical plant. The home of much of our Eugene White social and intellectual activity, the Sidney Simon Departmental Library [email protected] received a major facelift. The space on the third floor was renovated this Dorothy Rinaldi summer, from top to bottom, and all the furniture has been replaced. As soon [email protected] as the graduate student computer room, adjoining the library, is completed, the Debra Holman library will be open again, just in time for Fall Semester 2007. The [email protected] department has also embarked on an expansion. Work on a new experimental economics laboratory, located in Scott Hall, has been completed and should be open for experiments at the start of the Fall Semester. This new facility was I NSIDE made possible by a generous donation in the name of a former alumnus. We A Message from the Chair….…….1 anticipate a dedication ceremony for the lab sometime in the fall, pending final Report From the Graduate Director approval for naming the laboratory in memory of the alumnus. ………………………………………2 The new capital campaign for Rutgers is gearing up now, and the Report from the Director of Department of Economics has a number of projects that we anticipate will be Undergraduate Studies…………..4 the focus of fundraising efforts over the next several years. -
1960-09 Westernprofile.Pdf
A Message from the Chairman of the Board (Bec ause the subj ec t of this message re lates to a very deep powerful nation. These men have been scientifically conviction of my own, I have prevailed on Dean Walling to reli n qui sh his "Pres iden t's Page" to me once again . I promise no t to selected and brain-conditioned from their infancy in co ntinue a b using thi s pr ivile ge .- H. S.) the cauldron of Communist ideology, which holds that moral values have no meaning and that man has no OW THAT the candidates have been nominated purpose in life other tha n to be used as a tool of Stale Nby our two great political parties, Americans will power and control. Our next President must have a again go to the polls on November 8 to vote for the clear and profound knowledge and understanding of candidates of their choice. As in the past elections, this new type of "inhuman" being so that he will not we shall hear and read many political speeches dis be misled by Communist deviousness, wiles, strata cussing the numerous, important. and complex issues gems, and threats. With this knowledge and under facing our nation; and, in the oratory and din of the standing, the Soviet monolithic strategy will be clear campaign , we may be lulled into the belief that this is to him, and he will be able lo anticipate every Soviet just another election and that the person whom we move and be prepared to meet it or thwart ii. -
Danny Daniels: a Life of Dance and Choreography
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2003 Danny Daniels: A life of dance and choreography Louis Eric Fossum Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Dance Commons Recommended Citation Fossum, Louis Eric, "Danny Daniels: A life of dance and choreography" (2003). Theses Digitization Project. 2357. https://scholarworks.lib.csusb.edu/etd-project/2357 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. DANNY DANIELS: A LIFE OF DANCE AND CHOREOGRAPHY A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies: Theatre 'Arts and Communication Studies by Louis Eric Fossum June 2003 DANNY DANIELS: A LIFE OF DANCE AND CHOREOGRAPHY A Thesis Presented to the Faculty of California State University, San Bernardino by Louis Eric Fossum June 2003 Approved by: Processor Kathryn Ervin, Advisor Department of Thea/fer Arts Department of Theater Arts Dr. Robin Larsen Department of Communications Studies ABSTRACT The career of Danny Daniels was significant for its contribution to dance choreography for the stage and screen, and his development of concept choreography. Danny' s dedication to the art of dance, and the integrity of the artistic process was matched by his support and love for the dancers who performed his choreographic works.