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The Pleasures and Rewards of Hawaiian Music for an 'Outsider'
12 Living in Hawai‘i: The Pleasures and Rewards of Hawaiian Music for an ‘Outsider’ Ethnomusicologist Ricardo D . Trimillos Foreword I first met Stephen Wild at the 1976 Society for Ethnomusicology meeting in Philadelphia. Since that time we have enjoyed four decades as session- hopping colleagues and pub-crawling mates. In regard to the former, most memorable was the 1987 International Council for Traditional Music meeting in Berlin, where, appropriate to our honoree, one of the conference themes was ‘Ethnomusicology at Home’. It is this aspect of Stephen’s service that I celebrate in my modest effort for this festschrift. In 2006, the journal Ethnomusicology produced its ‘50th Anniversary Commemorative Issue’, which contained the essay ‘Ethnomusicology Down Under: A Distinctive Voice in the Antipodes?’ (Wild 2006). It was an informative and at times prescriptive account of the trajectory for ethnomusicology in Australia. I found the essay a most engaging exercise in personal positioning by an author within a historical narrative, one in which personality and persona were very much in evidence. Inspired by the spirit of that essay and emboldened by its novel approach, I share 335 A DISTINCTIVE VOICE IN ThE ANTIPODES observations about ‘doing ethnomusicology’ where I live—in Honolulu, Hawai‘i. This brief and personal account deliberately draws parallels with our honoree’s experiences and activities during a long career in his ‘homeplace’ (Cuba and Hummon 1993). The pleasures of Hawaiian music in California My first encounters with Hawaiian music were not in Hawai‘i but in San Jose,1 California, locale for the first two decades of my life. -
DOCUMENT RESUME ED 262 131 UD 024 468 TITLE Hawaiian
DOCUMENT RESUME ED 262 131 UD 024 468 TITLE Hawaiian Studies Curriculum Guide. Grade 3. INSTITUTION Hawaii State Dept. of Education, Honolulu. Office of Instructional Services. PUB DATE Jan 85 NOTE 517p.; For the Curriculum Guides for Grades K-1, 2, and 4, see UD 024 466-467, and ED 255 597. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF02/PC21 Plus Postage. DESCRIPTORS *Cultural Awareness; *Cultural Education; Elementary Education; *Environmental Education; Geography; *Grade 3; *Hawaiian; Hawaiians; Instructional Materials; *Learning Activities; Pacific Americans IDENTIFIERS *Hawaii ABSTRACT This curriculum guide suggests activities and educational experiences within a Hawaiian cultural context for Grade 3 students in Hawaiian schools. First, an introduction discussesthe contents of the guide; the relationship of classroom teacher and the kupuna (Hawaiian-speaking elder); the identification and scheduling of Kupunas; and how to use the guide. The remainder of thetext is divided into two major units. Each is preceded byan overview which outlines the subject areas into which Hawaiian Studies instructionis integrated; the emphases or major lesson topics takenup within each subject area; the learning objectives addressed by the instructional activities; and a key to the unit's appendices, which provide cultural information to supplement the activities. Unit I focuseson the location of Hawaii as one of the many groups of islands in the Pacific Ocean. The learning activities suggestedare intended to teach children about place names, flora and fauna,songs, and historical facts about their community, so that they learnto formulate generalizations about location, adaptation, utilization, and conservation of their Hawaiian environment. Unit II presents activities which immerse children in the study of diverse urban and rural communities in Hawaii. -
Read Liner Notes Here
LINER NOTES Martin Pahinui Ho'olohe One of Hawaiian music‘s most gifted vocalists, John Martin Pahinui has performed with a host of top performers, including his father‘s legendary Gabby Pahinui Hawaiian Band, The Peter Moon Band, The Pahinui Brothers, Nina Kealiçiwahamana, Bill Kaiwa and slack key super group Hui Aloha (with slack key guitarists George Kuo and Dennis Kamakahi). The youngest child of Gabby Pahinui (1921-1980) and Emily Pahinui, Martin grew up surrounded by music— not only the amazing kï höçalu (slack key) in his family home but also the many other styles floating on the wind in Waimänalo, where he grew up and still lives. Like many children of famous musicians, Martin is keenly aware of a double responsibility: to honor his family‘s musical legacy and to always be himself. ―My daddy is a very big influence on all of us,‖ Martin says, ―but he always did things his own way, and he taught us to trust our own instincts too. He loved Hawaiian music but he wasn‘t afraid to change something if he felt it was the right thing to do. Some people would grumble, but he‘d say, ‗So what, some people grumble no matter what you do.‘ He always said to respect the song and the composer and the people who taught you, but never be afraid to express your own feelings when you play.‖ Recently, when the local rap group Sudden Rush asked the Pahinui family for their blessings to use a recording of Gabby‘s classic rendition of Hiçilawe, Martin supported them. -
Hawaii Stories of Change Kokua Hawaii Oral History Project
Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga .............................................. -
Mana Maoli OP Redacted.Pdf
House District 2 T HE TWENTY-NINTH L EGISLATURE Log No: 2 APPLICATION FOR GRANTS Senate Dfslrict C HAPTER 42F, HAWAII REVISED STATUTES Type of Grant Request: KJ GRANT REQUEST - OPE::RAT!NG 0 GRANT R!iaues, - CAPITAL "Granl" means an award of stale funds by the legis!alure, by an approprialion to a specif:ed recipient. to support the activities of the recipient and permit the community to benefit from those activities. "Recipient" means any organization or person receiving a grant. ST!l"flc l'IHl<".tUM 1.0. '.liO, (1.. 1.::,\ n ; Hf,, \'.'ii( IF \ !'.liK'.lillW'.li): ------ I, Al'l' I.ICA,'l;"T l'.liFOllMATIO'.\': 2. C:O.'\ff,\Cl" 1'1'.llSO'.li H )ll MAl"l't'.llS l'.'iVOL\' l ~(;·n11s Al'PLIC \TIO:-<: Mana Legal Name of Requesting Organfza!:on or Individual: Mao Ii Name Keola Nakanishi _ _ Dba: Title . Ex~cutive_D irector·- Street Address: 1903 Palolo Ave, Honolulu, HI, 96816 Phone ~ .80&.295-6262 Mailing Address Mana Maoli Fax# ____ clo Jarrett Middle School E-mail [email protected] i 903 Palolo Ave Honolulu, HI 96816 3. 1'\'l'P. Of lltiS l:-<f.SS f::\"l"IT\': 6. ur.scntr'rl\'I( 'ITfU'. or Al'l'l,K A'.'.T'S IU:QL!F.~1': (3 NON PROFIT CORl>ORATION INCORPORATED IN HAWA!! 0 FOR PROFIT C ORPORATION INCORPORATED IN H AWAII The Mana Mele Project D liMiTEO LIABILITY COMPANY 0 SO!.£ PROFRIETORSHIP/ INOIV!OUAl.. OOTHER 7. Mlflli' ff or STAn: Fl!'illS IIEQl:t S"l"f.l): FISCAL YE.AR 2016 $ $151 ,855 I!. -
DOE Immersion Program Celebrates 20 Years
KA WAI OLA THE LIVING WATER of OHA OFFICE of HAWAIIAN AFFAIRS • 711 Kapi‘olani Blvd., Ste. 500 • Honolulu, Hawai‘i 96813-5249 Malaki (March) 2008 Vol. 25, No. 3 DOE immersion program celebrates Huna o 20 years page 04 Kalaupapa HONOLULU : ground zero for SECRETS OF KALAUPAPA global-warming conference Taking in the sights and sounds of a former Hansen’s disease settlement page 06 page16 Hawaiian Brian: soccer pro plays for island fans page 08 napua greig: kumu on the move page 21 Churches, like this one, abound in Kalaupapa on Moloka‘i - Photo: Blaine Fergerstrom www.oha.org It all starts with pride... ...be proud to be Hawaiian BJ Penn, Mixed Martial Artist ÜÊÃÊÌ iÊÌiÊvÀÊ>Ê`}iÕÃÊ>Ü>>ÃÊÌÊÃÌi«ÊvÀÜ>À`Ê>`ʺ>ÕÊ>»ÊqÊ«>ViÊÞÕÀÊ>iÊ qÊÌÊ >ÛiÊ>ÊÃ>ÞÊÊÌ iÊ«ÀViÃÃÊvÊÃiv`iÌiÀ>̰ /`>Þ]ÊÌ iÊiÃÌ>Là iÌÊvÊ>ÊiÜÊ>ÌÛiÊ>ÌÊÃÊÊÌ iÊ Àâ]Ê>`ÊÌ iÊwÊÀÃÌÊÃÌi«ÊÃÊvÀÊ>Ê >Ü>>ÃÊÜ ÊÜà ÊÌÊ«>ÀÌV«>ÌiÊÊÌ iÊÀ>Ã}ÊvÊÕÀÊ>ÌÊÌÊvwÊV>ÞÊÀi}ÃÌiÀÊÌ iÀÊ>iÃÊ Ì ÀÕ} ÊÌ iÊ>ÕÊ>ÊiÀiÌÊivvÀ̰Ê/ ÃÊ«ÀViÃÃÊÃÊ>Ài>`ÞÊÕ`iÀÜ>ÞÊ>`ÊÃÊ«iÊÌÊ>Ê `}iÕÃÊ>Ü>>Ã]ÊÊ>ÌÌiÀÊÜ >ÌÊÞÕÀÊ>}iÊÀÊÜ iÀiÊÞÕÊÛi° >iÊÞÕÀÊÛViÊ i>À`°Ê º*>ViÊÞÕÀÊ>i»ÊÌÊLÕ`Ê>ÊÃÌÀ}Ê>Ü>>Ê>̰ Hawai‘i Maoli (808) 394-0050 hawaiimaoli.org Pikake Model, approx. 1,680 square feet, 3 bedroom 2 bath with separate bonus “Rec Room” and bath. HAWAII’S #1 BUILDING MATERIALS DISTRIBUTOR • www.honsador.com Ka Wai Ola Nov. 2007 edition Space deadline 10/10; Materials deadline 10/19 Wayne Lincoln Honsador Lumber [email protected] - HAwnUA iiHOUAn •• EnglishnEWs malaki2008 | Racing for the presidency Obama and Clinton have similar Board of Trustees stance on Hawaiian issues By lisa Asato drawal from Iraq, the economy, haunani Apoliona, MsW Public information specialist ecology and support for Hawaiian Chairperson, Trustee, At-large recognition via the Akaka Bill. -
View List of the Then Polynesian Collection at the Phoenix Library
Polynesian Cultural Materials donated by Arizona Aloha Festival to the Phoenix Library System Author Call # Title Finding Paradise Don R. Severson 745.0996 The O’ahu Snorkelers and Shore Divers Guide Francis De Carvalho 797.2300 Mark Twain’s Letters from Hawaii Mark Twain 919.6903 My Samoan Chief Fay G. Calkins 919.6130 Saturday Night at the Pahala Theatre Lois-Ann Yamanaka 811.5400 Nā Mo’olelo Hawai’io ka Wā Kahiko (Stories of Old Hawaii) Roy Kākulu Alameida 398.20996 The Craft of Hawaiian Lauhala Weaving Josephine Bird 746.4100 Plants and Flowers of Hawai’i S. H. Sohmer and R. Gustafson 581.9969 Buying Mittens Nankichi Niimi E Samoan Art & Artists Sean Mallon 745.0996 Loyal to the Land Dr. Billy Bergin 636.0109 (The Legendary Parker Ranch, 750-1950) From a Native Daughter Haunani-Kay Trask 320.9969 Kamehameha Susan Morrison 813.6000 (The Warrior King of Hawai’i) Māmaka Kaiao (Hard Cover) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Māmaka Kaiao (Paper back) Kōmike Hua’ōlelo 499.42321 A modern Hawaiian vocabulary M31 Nā pua ali’i O Kaua’i (Ruling Chiefs of Kaua’i) Frederick B. Wichman 996.9020 Melal A Novel of the Pacific Robert Barclay 813.6000 Hawaiian Flower Lei Making Adren J. Bird 745.9230 Ethnic Foods of Hawai’i Ann Kondo Corum 641.5996 Kahana How the Land was Lost Robert H. Stauffer 333.3196 Rarotonga & the Cook Islands Errol Hunt/Nancy Keller 910.0000 Tsunami! Walter C. Dudley/Min 363.3490 Lee Taking Land Tsuyoshi Kotaka 343.5025 (Compulsory Purchase and Regulations in Asian-Pacific David L. -
Tamaira, 2015
Frames and Counterframes ——————————————————————————————————— Envisioning Contemporary Kanaka Maoli Art in Hawai‘i Andrea Marata Tamaira February 2015 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University © Andrea Marata Tamaira All rights reserved 2015 Declaration —————————————————————————————— Except where specific reference is made to other sources, the work presented in this thesis is solely that of the author. —————————————————— Andrea Marata Tamaira February 2015 iii Dedication —————————————————————————— This thesis is dedicated to my husband Carl Franklin Ka‘ailā‘au Pao and our daughter Te Rerehau ‘Ailā‘au Helena Hanisi Pao-Tamaira, without either of whom this work would not only not have been completed, but it would never have been started in the first place. iv Acknowledgements —————————————————————————— It was Plato who said that the “beginning is the most important part of every work.”1 While this indeed may be true, the statement does not account for the laborious process through which such work takes shape. Nor does it acknowledge the many contributions of kindness and support along the way by those who rally the worker toward completion. Yes, beginning is an important part of every endeavor, but the end is only ever reached through the committed assistance of a community of people. First and foremost I am indebted to my husband Carl F.K. Pao for his enduring support and encouragement over the course of not only this doctoral project but the many years of study that have preceded it. There was a time when I thought pursuing advanced study was an undertaking as impossible for me as flying to the moon. -
Kulaiwi’ by Faith Ako
Island Mele: ‘Kulaiwi’ by Faith Ako SEP. 29, 2013 | 0 COMMENTS REVIEW BY JOHN BERGER / [email protected] ‘Kulaiwi, My Beloved Homeland’ - Faith Ako (Faith Ako) Expatriate islander Faith Ako, formerly of Kahuku and currently a resident of the Bay Area, excels at doing Hawaiian standards in traditional nahenahe (soft, melodious) style. She does so here with beautiful arrangements of “Pauoa Liko Ka Lehua,” “Puamana” and “Poliahu,” and introduces three newly written songs as well. Two of the new songs are intended for folks who are fluent in ‘olelo Hawai‘i. “Na Pua O Ka La‘akea” is her “thank you” to the halau that encouraged her to record her first album. “Kawahine O Ka Po” is one of her favorite songs by avant garde kumu hula Mark Ho‘omalu. The third, “My Hawai‘i,” written by her nephew, Keenan Kanahele, is hapa-haole. It expresses the sentiments of everyone who has lived here, now lives elsewhere and misses the islands. Ako sings it with heartfelt conviction. The other English-language song on the album is a timely 50th anniversary remake of Roy Orbison’s 1963-vintage “B-side” classic, “Blue Bayou,” that shows Ako’s potential as a mainstream pop singer. Ako’s “Blue Bayou” could easily be the preview cut of an entire album of pop chart remakes. Adding Hawaiian lyrics to it, as Ako and her translator do, isn’t necessary but makes their version more than a straight remake of Orbison’s timeless song. Songs with ties to specific locations are an important and popular tradition in Hawaiian music. -
KA WAI OLA the LIVING WATER of OHA
KA WAI OLA THE LIVING WATER of OHA OFFICE of HAWAIIAN AFFAIRS • 711 Kapi‘olani Blvd., Ste. 500 • Honolulu, Hawai‘i 96813-5249 Iune (June) 2008 Leaving Hawai‘i for Los Angeles Vol. 25, No. 6 almost a decade ago to make it big in the music biz, Justin Young now adds his Plotting the Hawaiian soul to future of the stylings of Mauna Kea Colbie Caillat page 04 DHHL resumes work on stalled homes page 06 3 UH law school graduates specialize in Native Hawaiian law page 11 Combating tobacco use with cultural sensitivity page 14 Pacific arts fest! page 23 Leap of Faith page 18 www.oha.org A pensive Justin Young after a Waikïkï performance with Colbie Caillat. Photo: Blaine Fergerstrom. THE OHA MA¯ LAMA LOAN % 5.00 APR ~ LOW FIXED RATE ~ FIXED TERM for 5 YEARS ~ LOAN up to $75,000 PLUS, EARN UP TO The OHA Ma¯lama Loan Program through First Hawaiian Bank is 5,000 CASHPOINTSSM exclusively for Native Hawaiians and Native Hawaiian organizations. It can be used for tuition, home improvement, and any of your ••• When you apply and are business needs. For more information, please call 643-LOAN. To approved for the Priority RewardsSM apply, please visit fhb.com or any First Hawaiian Bank branch. Debit and Credit Cards*. Applicants must be of Native Hawaiian ancestry (birth certifi cate, OHA registry card, or Kamehameha Schools verifi cation letter will be accepted as proof) or a Native Hawaiian organization. If the applicant is a group of people organized for economic development purposes, applicant ownership must be 100% Native Hawaiian. -
From the President of Aloha Airlines
scapI.:. to your own spec}al=jSlanll! On the beach, Princeville, Kauai. Put yourself in this picture. Kauai. A place of your own in Paradise. Just moments away from Honolulu-PaJi Ke Kua at Princeville. A home away from home. Or a permanent residence. A plantation atmosphere amid tropic foliage. Pali Ke Kua. What could compare with the joy of spending a weekend-or a week-or forever in such beautiful surroundings. You can right now. PaJi Ke Kua Increment /I is now available. Make your dreams come true. Talk to Mike McCormack Realtors. And put yourself in this picture. mike me carmack. Reallars A Division of The McCormack Land Company, Ltd. Executive offices and Honolulu sales division: Condominium offices: Suite 1212, Davies Pacific Center 4481 Rice Street Lihue, Kauai Phone 245-3991 841 Bishop Street, Honolulu 96801 Phone 537-3311 Princeville, Hanalei Phone 826-6120 Whalers Village, Kaanapali, Maui Phon e 661-3608 1HREAl TOR WELCOME FROM THE PRESIDENT OF ALOHA AIRLINES Dear Friends, As we approach the end of the year, we look back on 1973 as having MANUFACTURING & DISTRIBUT ION been very si9nifi cant for Aloha Ai rl ines and the people who have Kenneth B. Herndon supported us and worked so hard to brin9 success to our compa ny. Production Manage r David Plummer In 1973, we found ways to bet ter serve you, the inter-island traveler , Mfg . & Distr. Manager wit h new and improved servi ces and additional equipment. Last sprin g, Aloha Airlines added a si xt h Boeing 737 Funb ird to i ts fleet and offered mo re fl ights at more conven ient t imes than ever before. -
Section Viii
Dancing Cat Records Hawaiian Slack Key Information Booklet, SECTION VIII: ACKNOWLEDGMENTS AND ADDENDUM 1. For information about the tuning of a song that is not listed, or any other questions, you can e-mail Dancing Cat at [email protected], or write to Dancing Cat Productions, P.O. Box 4287, Santa Cruz, California, USA, 95063, attn: Dept. SKQ, and we will try to help. 2. Dancing Cat Records plans to produce more solo guitar based Slack Key recordings of the late Sonny Chillingworth, Ray Kane, the late Leonard Kwan, Keola Beamer, Led Kaapana, Cyril Pahinui, George Kuo, Ozzie Kotani, Bla Pahinui, Martin Pahinui, George Kahumoku, Jr., Moses Kahumoku, Cindy Combs, Malaki Kanahele, and Patrick Cockett, and others. Also planned are more recordings of pure duets of Slack Key guitar with acoustic steel guitar, including the late Barney Isaacs playing acoustic steel guitar duets with Slack Key guitarists George Kuo, Led Kaapana, and Cyril Pahinui; and Bob Brozman on acoustic steel with Led Kaapana and with Cyril Pahinui. 3. Mahalo nui loa (special thanks) to the following people who contributed in many various ways to make this information booklet possible: Leimomi Akana, Carlos Andrade, Haunani Apoliona, Kapono Beamer, Keola & Moanalani Beamer, Nona Beamer, Kapono Beamer, Reggie Berdon, Milan Bertosa, the late Lawrence Brown, Bob Brozman, Kiki Carmillos, Walter Carvalho, the late Sonny Chillingworth, Mahina Chillingworth, Patrick Cockett, Cindy Combs, Michael Cord, Jack DeMello, Jon DeMello, Cathy Econom, Ken Emerson, Heather Gray, the late Dave Guard, Gretchen Guard, Gary Haleamau, Uluwehi Guerrero, Keith Haugen, Tony & Robyn Hugar, the late Leland “Atta” Isaacs, Jr., the late Barney Isaacs & Cookie Isaacs, Barney Boy Isaacs, the late Winola Isaacs, Wayne Jacintho, Howard Johnston, J.