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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Bob Marley Spend His Free Time? B) There Was a Different Version of the Catch a Fire Album for ………………………………………………………… Jamaica
HELBLING READERS RESOURCE SHEET STUDENT ACTIVITIES Chapters 3–4 1 Correct the mistakes in these sentences. BOB Peter Tosh a) Bob, Neville and Joe Higgs formed a band called The Wailing Wailers. MARLEY b) The Wailing Wailers played in the local cinema at night. c) Coxsone Dodd knew when the look of a band was right. d) ‘Systems Men’ had film equipment on their cars. e) In the US Bob worked in a music studio. People and places f) Haile Selassie visited Ethiopia in April, 1966. Circle the correct words in italics. a) Bob’s mother and daughter / wife were both called Cedella. g) For Rastafarians, the colour blue is a sign of hope. b) Bob was born in the city / country. 2 Look at ‘The Birth of Reggae’ (pages 26–27) and discuss c) There were three / nine musicians in Bob’s first band. these questions with a partner. d) Bob moved to 56 Hope Road / Trench Town when he was a) Which of the musicians on this page did you already know? young. b) Which musicians would you like to hear more of now? Why? e) 56 Hope Road was in Kingston / Nine Miles. Chapters 5–6 Chapters 1–2 1 Are these sentences true (T) or false (F)? Correct the false 1 Answer the questions. sentences in your notebook. a) Why did Norval Marley leave his new wife? a) Chris Blackwell wanted to change the band’s sound so that young people would like it too. …………………………………………………………He said he needed an easier job in the city. …………………………………………………………F. -
The Enemy Is Among Us Pg3a
7 --------------^ The Enemy Is Among Us Pg3A THE ARTS AND ENTERTAINMENT SECTION OF THE DAILY NEXUS F o ir T h e W e : o f M a r c h 5 , ]L 9 9 2 HILLARY KAPLOWJTZ/Dtily N m Why Are These Guys Smiling? Because Their Acoustic Guitar Band is the Hottest Act at Local Clubs. As Los Guys, Jeremy Donaldson (left) and Harold Lee, Are Finding Success With a Stripped-Down Sound. Interview, pg:..fiA — 2A Thursday, March 5,1992 ■icore Generation Rap Burn This Examines Societal Angst he Dramatic Arts Department pre sents a searing T look at contempor- ary society tonight with the SAT • IvlAFf • premiere o f Lanford W il son’s controversial play A celebration of AIDS and B u m This. Directed by graduate stu Sexual Awareness dent Victoria Gilbert, B u m in Isla Vista This is a confrontational A piece dealing with the com plex issues of sex, ho mosexuality, violence, rela tionships and the stresses of the thirtysomething genera tion. According to Gilbert, the unique production fea tures something which will affect everyone in the audience. N “The play has to do with the inability o f the charac ters to maintain intimate re lationships,” as a result of the alienating society in which they live, she said. Each o f the characters is forced to deal with aliena ROGUE CHEDDAR tion on some level during the course o f the play. Because the play deals Miranda Holmes as Anna (left) and with adult themes and con Michael Sulprizio as Pale in B u rn This. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
November 21, 1991
James Macfeon University THURSDAY NOVEMBER 21,1991 VOL 69, NO. 25 JMU may cut current budget 3 percent of finance, announced Monday that hard to find." So he said yesterday the growth in revenue of about 3 percent, by Christy Mumford state agencies would have to prepare a stale's announcement was totally Rose said., But the outlook for that news editor contingency plan that would cut 3 unexpected. amount of growth is grim. JMU may have to cut this year's percent out.-of "I talked to some Consumer spending and budget 3 percent if stale revenue their 1991-92 people in Richmond investments have continued to be doesn't improve. fiscal year recently who are close sluggish, and although income tax Dr. Linwood Rose, JMU senior budgets. BUDGET to the situation, and collection has been good, it hasn't vice president, said the cuts are Rose had said they didn't know. been enough. "probable." in the Nov. 14 BLUES They kept it pretty Rose said he hasn't had time to $ But "it's a little too early to say Breeze, "There close to the vest," he meet with JMU's vice presidents and how we'll react," he said. will be no more said. "It was a complete surprise." Paul W. Timmreck, state secretary reductions, but new money . will be The state expected an annual BUDGET page 2 A campus turns to ESPN, Dukes Students congregate for first tipoff of the season by Rob Kaiser staffwriter Outside was cool and quiet, but in dorm rooms and TV lounges the air was warmed with electricity. -
By John Milward
By John Milward ... HE WORD TRAFFIC IS FREQUENTLY FOLLOWED BY JAM. FOR shedding with Winwood were guitarist Dave Mason, the British rock band Traffic, the musical jam ses drummer Jim Capaldi and the horn-blowing Chris Woovd. sion began in the spring of 1967 at a country cot The resulting album, Mr. Fantasy, fit right into a year that tage in Berkshire, England. As the quartet wrote saw the release of Sgt. Pepper and the rise of San Francisco and rehearsed, member Steve Winwood’s soulful psychedelic bands Jefferson Airplane and Grateful Dead. voice and wailing organ could be heard on the ra And the song “Dear Mr. Fantasy” was a monster jam of key dio via “Gimme Some Lovin’ ” and “I’m a Man,” monster hits boards and guitars that could go on pretty much forever. from his previous band, the Spencer Davis Group. Now wood- In 1994, two decades after the original band broke up, Winwood and Capaldi re-formed Traf- Above: Jim Capaldi, fic and toured with the king of the jam Dave Mason, Chris bands, the Grateful Dead, who played Wood and Steve “Dear Mr. Fantasy” when Traffic did Winwood (from le ft) not. In 2002, Winwood attended the annual gathering of jam bands, the Bonnaroo Music Festival, and sat in with Widespread Panic and the String Cheese Inci dent, making his “long strange trip” slightly more typical than that of his buddies, the Dead. His journey was that of a gifted singer and musician. By expanding rock’s instrumental palette, Traffic broke new ground in popular music. -
February 7, 1991
OPINION 181 SPORTS James Madison Itaveisiy THURSDAY FEBRUARY 7,1991 VOL 68. NO. 36 Opposing sides gearing up for ground battles UPDATE Mfce Consedine & Roger Friedman ,^_l stqffwriters A major U.S.-led ground offensive into Kuwait and Iraq may soon begin. Both the military and political machines are gearing up for the prospect of a ground offensive in the near future. On Tuesday, President Bush said he was sending Defense Secretary Dick Cheney and Gen. Colin Powell, chairman of the Joint Chiefs of Staff, to the Persian Gulf to assess whether a ground offensive is AMY MARTWEZ/THE BREEZE needed. Junior Steve Schein sets up a mock calf to demonstrate how veal is produced while junior Bush, in a press conference Tuesday said, "I'm not Dale Smith sports a "Boycott Veal" shirt as part of a demonstration against veal Tuesday saying it wouldn't be a difficult decision, but I am afternoon on the commons. A petition against the serving of veal at D-nall collected 515 saying I am prepared to make it." signatures and will be sent to the SGA. A D-nall spokesman said after the protest that milk- The military also is making preparations to attack fed veal is not served in D-hall, but they will investigate the way their veal is raised. with ground forces, as naval and air power continued to bomb dug-in Iraqi positions. Monday, the U.S. battleship Missouri entered the war with the first firings of its 16-inch-diameter guns Survey, authorities differ at Iraqi positions. -
Taking a Look Back at SA's Successful Year by Chad Sirovina a Project That Stapleton Has Achievements," Stapleton Said
Volume 37. Number 55 Page 2 HS May 6, 1993 Taking a look back at SA's successful year By Chad Sirovina A project that Stapleton has achievements," Stapleton said. "The top administration put been working on is child care "I think we've restored the "Her whole focus is the re a kabosh on [the proposal] be Since hindsight is 20/20, within the University of Wis credibility of student source center." cause things were not being some of that perfect vision consin System. government with the An item which was worked done by the rules and regula should be used to look at the Stapleton said a draft of a administration." on but never came to fruition tions," said Stapleton. performance of the University child care proposal is due out -Lisa Meyer, SA president was the proposed bus pass plan, "We wish the best of luck to of Wisconsin-Milwaukee Stu of a UW System committee in which would have given stu the new administration," said dent Association over the past Madison May 13. breaking in the new director dents an unlimited pass for the Meyer. year. "It very clearly defines the and improving communication Milwaukee County Transit **§*i "We've been busy," said real purpose and necessity of with students through the de System with an increase in stu Lisa Meyer, SA president. what we are now going to call velopment of a written policy. dent fees. The new University The achievements of the SA children's centers on UW cam Meyer said one of the big According to Meyer, the which Meyer pointed to in puses because they are more gest accomplishments of the program got tied up because clude the creation of the than just child-care facilities," past year was the reorganiza administrative staff people for women's center, the rewriting said Stapleton. -
Fall Enrollment Drops 2 Percent to 8240 Smith Said
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 1991-09-26 Chanticleer | Vol 39, Issue 4 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 39, Issue 4" (1991). Chanticleer. 1042. https://digitalcommons.jsu.edu/lib_ac_chanty/1042 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. Features b Lindquist urges students: life is first priority if attacked can be sued, as well as the universities. Melanie Jones Lindquist said fratemity brothers should monitor each News Editor others' behavior. He said it is a part of most fraternities' When the sound of gunfire rang out in the Montgomery oaths that members swear to be gentlemen. Lindquist said Building Monday night, a surprised audience realized he likes to ask the men to define that. "Does it mean you lecturer Scott Lindquist's message - If you hurt a open the door for your date after you rape her?" he said. criminal a little, he's going to hurt you more. Lindquist said one of the easiest ways to prevent crime Lindquist's gun certainly was not real, but it served its is to be alert. He said that criminals watch prospective purpose. It forced his audience to accept the reality of victims for an average of seven seconds before attacking. crime. If aperson seems alert, the criminal will look for someone Lindquist is concerned that most people have been else, but a person who is looking for her car keys is likely taught to react physically when attacked, but he said that to become a victim. -
View the 2011 Sync up Program Book
Welcome to the fourth annual Sync Up conference, an economic development program of the New Orleans Jazz & Heritage Foundation. Held in conjunction with the world-famous New Orleans Jazz & Heritage Festival presented by Shell, Sync Up brings together top leaders from music, film, television and new media. Discussion topics include the international music festivals market, licensing music to film and TV and using new technologies to market and sell music. www.syncupconference.com Looking for Louisiana music? Visit the Jazz & Heritage Talent Exchange, a searchable online database of Louisiana music in every imaginable genre. See talent.jazzandheritage.org. The Jazz & Heritage Talent Exchange is a free service designed to connect the independent musicians of Louisiana with talent buyers for live performance engagements and music supervisors for licensing recordings to visual media. You can sample music and videos, create playlists and contact artists or their representatives for bookings or licensing inquiries through the site’s internal messaging system. Find Louisiana music at talent.jazzandheritage.org. The New Orleans Jazz & Heritage Foundation is the nonprofit organization that owns the New Orleans Jazz & Heritage Festival presented by Shell. The Foundation uses the proceeds from Jazz Fest, and other revenues, for year-round programs in the areas of education, economic development and cultural events. Education programs include the Don Jamison Heritage School of Music and the Tom Dent Congo Square Lecture Series. Economic Development initiatives include the Raisin’ the Roof housing program, Community Partnership Grants, the Sync Up conference, the Jazz & Heritage Talent Exchange and others. Cultural program- ming includes the Jazz Journey concert series and four free community festivals held throughout the year.