DOCSLIB.ORG

Denkmäler Im Bezirk Mitte - Berlin.De

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Denkmäler Im Bezirk Mitte - Berlin.De Denkmäler im Bezirk Mitte - Berlin.de 440 Ergebnisse gefunden Sortieren nach: Bitte wählen Straße Postleitzahl Künstlername Name des Denkmals Ortsteil Erbaut Sinkende Mauer Invalidenpark 10115 Christophe Girot Mitte 1997 Wiedervereinigungsdenkmal Ecke Liesenstr./ Chausseestr. 10115 Hildegard Leest Gesundbrunnen 1962 Geschwister Kopppenplatz 10115 Karl Lemke Mitte 1968 Revolutionstele 1 "Orte der Friedlichen Revolution" Hannoversche Str. 30 10115 Robert-Havemann-Gesellschaft e.V. Mitte Gedenkstein Sammellager Große Hamburger Str. 27 10115 unbekannt Mitte 1995 Denkmal Jüdische Opfer des Faschismus Große Hamburger Str. 27 10115 Will Lammert Mitte 1957 Robert-Koch-Denkmal Robert-Koch-Platz 10115 Louis Tuaillon Mitte 1916 Emil-Fischer-Denkmal Robert-Koch-Platz 10115 Fritz Klimsch und Erich Scheibe Mitte 1921/52 Bertol Brecht Bertolt-Brecht-Platz 10117 Fritz Cremer Mitte 1988 Reiterstandbild Friedrichs des Großen Unter den Linden 9 10117 Christian Daniel Rauch Mitte 1836 - 1951 Hugenotten-Pelikan Friedrichstr. 131 10117 Michael Klein Mitte 1994 Versunkene Bibliothek Bebelplatz 10117 Micha Ullmann Mitte 1994 - 1995 Claire Waldoff Friedrichstr. 107 10117 Reinhard Jacob Mitte 1986 Wilhelm von Humboldt Unter den Linden 6 10117 Martin Paul Otto Mitte 1882 - 1883 Alexander von Humboldt Unter den Linden 6 10117 Reinhold Begas Mitte 1882 - 1883 Heilige Gertrud Gertraudenbrücke 10117 Rudolf Siemering Mitte 1896 Max Planck Unter den Linden 6 10117 Bernhard Heiliger Mitte 1948 - 1949 Theodor Mommsen Unter den Linden 6 10117 Adolf Brütt Mitte 1905 Hermann von Helmholtz Unter den Linden 6 10117 Ernst Herter Mitte 1899 Scharnhorst Unter den Linden 5 10117 Christian Daniel Rauch Mitte 1816 - 1822 Bülow Unter den Linden 5 10117 Christian Daniel Rauch Mitte 1816 - 1822 Parlament der Bäume Schiffbauerdamm 40 10117 Ben Wargin Mitte 1990 Blücher Unter den Linden 5 10117 Christian Daniel Rauch Mitte 1819 - 1824 Quadriga Pariser Platz 10117 Johann-Gottfried Schadow Mitte 1790-93 Gneisenau Unter den Linden 5 10117 Christian Daniel Rauch Mitte 1855 York Unter den Linden 5 10117 Christian Daniel Rauch Mitte 1855 Pietà (Mutter mit totem Sohn) Unter den Linden 4 10117 Käthe Kollwitz Mitte 1937 Heinrich-Heine Platz der Märzrevolution 10117 Waldemar Grzimek Mitte 1954 - 1956 Eilhard Mitscherlich Platz der Märzrevolution 10117 Carl Ferdinand Hartzer Mitte 1894 Mahnmal für die von den Nationalsozialisten hingerichteten Unter den Linden 6 10117 Johanna Jura Angehörigen der Universität Mitte 1976 Hegel Hegelplatz 10117 Gustav Bläser Mitte 1872 Thaer Schinkelplatz 10117 Christian Daniel Rauch Mitte 1856 - 1859 Lise-Meitner-Denkmal Unter den Linden 6 10117 Anna Franziska Schwarzbach Mitte 2016 Schinkel Schinkelplatz 10117 Friedrich Drake Mitte 1860 - 1869 Fünf-Kinder-Tröpfelbrunnen Marion-Gräfin-Dönhoff-Platz 10117 Evelyn Hartnick-Geismeier Mitte 2013 Beuth Schinkelplatz 10117 August Karl Eduard Kiß Mitte 1861 Gedenkort "Weiße Kreuze" Ebert- /Ecke Scheidemannstr. 10117 Berliner Bürger-Verein Tiergarten / Großer Tiergarten 1971 Fragen eines lesenden Arbeiters Unter den Linden 8 10117 Werner Stötzer Mitte 1958-61 Löwenpaar mit Jungem Platz des 18. März 10117 Wilhelm Wolff Tiergarten / Großer Tiergarten 1872 Lesender Arbeiter Unter den Linden 8 10117 Werner Stötzer Mitte 1958-62 Goethe-Denkmal Ebertstraße 10117 Fritz Schaper Tiergarten / Großer Tiergarten 1880 Die Sinnende Unter den Linden 6 10117 Sabina Grzimek Mitte 1972/74 Denkmal für die im Nationalsozialismus verfolgten Ebertstraße 10117 Michael Elmgreen und Ingar Homosexuellen Dragset Tiergarten / Großer Tiergarten 2008 Historische Uhr Bebelplatz, Unter den Linden 10117 unbekannt Mitte Hommage á Liebermann Pariser Platz 10117 Markus Lüpertz Mitte 1997 Tanzende Berolina Hausvogteiplatz 12 10117 Axel Anklam Mitte 2004 Herkules Musagetes Platz des 18. März 10117 Georg Franz Ebenhecht Tiergarten / Großer Tiergarten 1745 Preußischer Null-Meilenstein Leibziger Str. 46 - 48 10117 unbekannt Mitte Ende des 18. Jh. Denkzeichen Modezentrum Hausvogteiplatz Hausvogteiplatz 10117 Rainer Görß Mitte 2000 Schillerdenkmal Gendarmenmarkt 10117 Reinhold Begas Mitte 1831-1911 Denkmal der Toleranz Houseball Bethlehemkirchplatz 10117 Claes Oldenburg und Coosje van Bruggen Mitte 1995-97 Mauern durchbrechen Mauerstraße 11 10117 Georgi Tschapkanow Mitte 2006 Mauerskulpturen 1992 Wilhelmstr. 97 10117 Eberhard Foest Mitte 1992 Denkmal des Reichsfreiherr vom und zum Stein Niederkirchnerstr. 5 10117 Hermann Schievelbein und Hugo Hagen Mitte 1867-68 Denkmal zur Erinnerung an den Aufstand des 17. Juni 1953 Leibziger Str. 7 10117 Wolfgang Rüppel Mitte 2000 Denkmal für die ermordeten Juden Europas Cora-Berliner-Straße 1 10117 Peter Eisermann Mitte 1997-2005 Fürst Leopold I. von Anhalt-Dessau (Alter Dessauer) Wilhemplatz an der Mohrenstraße 10117 Johann Gottfried Schadow Mitte 1798 General von Zieten Wilhemplatz an der Mohrenstraße 10117 Johann Gottfried Schadow Mitte 1794 Miracolo Schiffbauerdamm 10117 Marino Marini Mitte 1969/70 General Friedrich Wilhelm von Seydlitz Zietenplatz 10117 August Kiss Mitte 1862 Säulenbrunnen, Kunstsäule Mittelstr. 51-54 10117 unbekannt Mitte Großer Phönix III Unter den Linden 36-38 10117 Bernhard Heiliger Mitte 1972/92 Generalfeldmarschall Jakob von Keith Zietenplatz 10117 August Kiss Mitte 1862 Generalfeldmarschall Kurt Christoph von Schwerin Zietenplatz 10117 August Kiss Mitte 1862 Generalleutnant Hans Carl von Winterfeldt Zietenplatz 10117 August Kiss Mitte 1862 Revolutionsstele 2 "Orte der Friedlichen Revolution" Reichstagsufer 17 10117 Robert-Havemann-Gesellschaft e.V. Mitte Büste des Friedrich Daniel Ernst Schleiermacher Taubenstr. 3 10117 Fritz Schaper Mitte 1903/04 Züge in die Freiheit-Züge in den Tod Georgenstraße 196 10117 Frank Meisler Mitte 2008 Georg-Elser-Denkzeichen Wilhelmstr. 92 10117 Ulrich Klages Mitte 2011 Carl Friedrich Fasch Am Festungsgraben 2 10117 Gustav Bläser Mitte 1891 Paul Langerhans Charité 10117 Herwegs Bronzegießerei Kreuzberg Mitte 2012 Friedrich Kraus Charité 10117 Hugo Lederer Mitte 1927 Rahel Hirsch Charité 10117 Susanne Wehland Mitte 1995 Gingko-IBI Charité 10117 Claus-Frenz Claussen Mitte 1992 Wilhelm Griesinger Charité 10117 unbekannt Mitte unbekannt Sockel für Karl Liebknecht Denkmal Potsdamer Platz 10 10117 unbekannt Tiergarten 1951/2002 Rudolf Virchow Charité 10117 unbekannt Mitte 2002 Franz König Charité 10117 Ferdinand Hartzer Mitte 1904 Adolf Bardeleben Charité 10117 Martin Wolff Mitte 1889 Friedrich Althoff Charitéplatz 10117 Ferdinand Hartzer Mitte 1902 Albrecht v. Graefe Schumannstr. 5 10117 Rudolf Siemering Mitte 1882 Rudolf-Virchow-Denkmal Karlplatz 10117 Fritz Klimsch Mitte 1905 Otto Brahm Schumannstr. 13 10117 Eberhard Bachmann Mitte 1963 Heinz Hilpert Schumannstr. 13 10117 Eberhard Bachmann Mitte 1960er Jahre Max Reinhardt Schumannstr. 13 10117 Wilfried Fitzenreiter Mitte 1960 Wolfgang Langhoff Schumannstr. 13 10117 Eberhard Bachmann Mitte 1960er Jahre Theaterstele Schumannstr. 13 10117 Christa Sammler Mitte 1983 Rosa Luxemburg Torstraße 6 10119 Rolf Biebl Mitte 1999 Jüngling Volkspark Weinbergsweg 10119 Theo Balden Mitte 1963 Schwestern Volkspark Weinbergsweg 10119 Christa Sammer Mitte 1963 Der verlassene Stuhl hinter dem leeren Tisch vor dem Kopppenplatz 10119 Karl Biedermann umgestürzten Stuhl Mitte 1996 Gedenktafel für Christian Koppe Kopppenplatz 10119 Friedrich August Stüler Mitte 1855 Gedenktafel der ehemaligen Synagoge Kleine Auguststr. 10 10119 unbekannt Mitte 2006 Heinrich Heine-Denkmal Volkspark am Weinbergsweg 10119 Waldemar Grzimek Mitte 1954-56 Für Dietrich Bonhoeffer Griebenowstraße 16 10119 Karl Biedermann Mitte 1997 Bauarbeiter Karl-Liebknecht-Str. 31 10178 Gerhard Thieme Mitte 1968 Monument for Historical Change Linienstraße 227 10178 Clegg und Guttmann Mitte 2004 Gedenkstein Herbert-Baum-Gruppe Kreuzung Weydingerstraße / 10178 Jürgen Raue Linienstraße Mitte 1981 Friedrich Wilhelm IV Bodestraße 1-3 10178 Alexander Calandrelli Mitte 1886 Granitschale Am Lustgarten 10178 unbekannt Mitte 1834 Kämpfende Amazone Am Lustgarten 10178 August Kiss Mitte 1842 Löwenkämpfer Am Lustgarten 10178 Albert Wolff Mitte 1861 Herkules mit dem Nemeïschen Löwen ringend Bodestraße 1-3 10178 Max Klein Mitte 1879 Amazone zu Pferde Bodestraße 1-3 10178 Louis Tuaillon Mitte 1895 Diana Bodestraße 1-3 10178 Reinhold Felderhoff Mitte 1910 Stehende Löwin Bodestraße 1-3 10178 August Gaul Mitte 1900 Die Sphinx Am Lustgarten 10178 Ingeborg Hunzinger Mitte 1975 Die Würde und Schönheit freier Menschen Marx-Engels-Forum zwischen 10178 Margret Midell Spandauer Str. und Spree Mitte 1985-86 Herbert Baum Lustgarten / Schloßplatz 10178 Jürgen Raue Mitte 1981 Alte Welt Marx-Engels-Forum zwischen 10178 Werner Stötzer Spandauer Str. und Spree Mitte 1985-87 O Deutschland, bleiche Mutter Bodestraße 10178 Fritz Cremer Mitte 1964/65 Altberliner Orginale Am Nußbaum/Spandauer Str. 10178 Gerhard Thieme Mitte 1987 Diesterweg Burgstraße 27 10178 Robert Metzkes Mitte 1990 Allegorie "Wissenschaft" Nikolaikirchplatz 10178 Albert Wolf Mitte 1876 Frauenprotest Rosenstrasse Rosenstraße 1 10178 Ingeborg Hunzinger Mitte 1989-94 Klio – die Muse der Geschichtsschreibung Nikolaikirchplatz 10178 Albert Wolf Mitte 1876 Luther Karl-Liebknecht-Straße 8 10178 Paul Otto, Robert Toberentz Mitte 1885 Leierkastenmann Poststr. 28 10178 Gerhard Thieme Mitte 1987 Marx / Engels Karl-Liebknecht-Str. 1-2 10178 Ludwig Engelhardt Mitte 1985-86 Angler Spreeufer 6 10178 Gerhard Thieme Mitte 1987 Aufbauhelferin Rathausstraße 10178 Fritz Cremer Mitte 1954 Historische Uhr Am Spreeufer/Probststr. 10178 unbekannt Mitte Aufbauhelfer
Load more

Recommended publications
  • 11. Heine and Shakespeare
    https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0.
    [Show full text]
  • The University of Chicago Objects of Veneration
    THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies...............................................................................
    [Show full text]
  • Intimacy, Marriage, and Risk in Turn-Of-The-Century Berlin
    © 2014 Tyler Carrington LOVE IN THE BIG CITY: INTIMACY, MARRIAGE, AND RISK IN TURN-OF-THE-CENTURY BERLIN BY TYLER CARRINGTON DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor Peter Fritzsche, Chair Professor Harry Liebersohn Professor Mark Micale Professor Mark Steinberg ABSTRACT This dissertation examines the surprising push and pull between tradition and modernity that occurred when men and women living in Europe’s fastest growing city fought off isolation and attempted to find love using self-consciously modern mindsets and technologies. Whether it was the decision to approach a stranger on the streetcar, go dancing with a co-worker, look for a mate in one of the city’s many gay bars, post a newspaper personal ad, or eschew the institution of marriage altogether and opt for a free love union, Berliners of all stripes left the shores of tradition and ventured into the choppy waters of a more individualized kind of love. And while there was much to be gained (as they describe in diaries, short stories, penny novels, and lively newspaper debates), the decision to break with the way “grandfather took grandmother” was risky, not least because these maverick Berliners were testing the boundaries of both middle- class respectability and hegemonic masculinity and femininity. In exploring Berliners’ narratives about their love lives, their metropolis, and their status as men and women, this dissertation argues that, even in a city whose most celebrated trait was its newness, traditional respectability proved remarkably robust.
    [Show full text]
  • Page, Canvas, Wall: Visualising the History Of
    Title Page, Canvas, Wall: Visualising the History of Art Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/15882/ Dat e 2 0 2 0 Citation Giebelhausen, Michaela (2020) Page, Canvas, Wall: Visualising the History of Art. FNG Research (4/2020). pp. 1-14. ISSN 2343-0850 Cr e a to rs Giebelhausen, Michaela Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Issue No. 4/2020 Page, Canvas, Wall: Visualising the History of Art Michaela Giebelhausen, PhD, Course Leader, BA Culture, Criticism and Curation, Central St Martins, University of the Arts, London Also published in Susanna Pettersson (ed.), Inspiration – Iconic Works. Ateneum Publications Vol. 132. Helsinki: Finnish National Gallery / Ateneum Art Museum, 2020, 31–45 In 1909, the Italian poet and founder of the Futurist movement, Filippo Tommaso Marinetti famously declared, ‘[w]e will destroy the museums, libraries, academies of every kind’.1 He compared museums to cemeteries, ‘[i]dentical, surely, in the sinister promiscuity of so many bodies unknown to one another… where one lies forever beside hated or unknown beings’. This comparison of the museum with the cemetery has often been cited as an indication of the Futurists’ radical rejection of traditional institutions. It certainly made these institutions look dead. With habitual hyperbole Marinetti claimed: ‘We stand on the last promontory of the centuries!… Why should we look back […]? Time and Space died yesterday.’ The brutal breathlessness of Futurist thinking rejected all notions of a history of art.
    [Show full text]
  • A History of German-Scandinavian Relations
    A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term
    [Show full text]
  • Center 5 Research Reports and Record of Activities
    National Gallery of Art Center 5 Research Reports and Record of Activities ~ .~ I1{, ~ -1~, dr \ --"-x r-i>- : ........ :i ' i 1 ~,1": "~ .-~ National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Center 5 Research Reports and Record of Activities June 1984---May 1985 Washington, 1985 National Gallery of Art CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS Washington, D.C. 20565 Telephone: (202) 842-6480 All rights reserved. No part of this book may be reproduced without thc written permission of the National Gallery of Art, Washington, D.C. 20565. Copyright © 1985 Trustees of the National Gallery of Art, Washington. This publication was produced by the Editors Office, National Gallery of Art, Washington. Frontispiece: Gavarni, "Les Artistes," no. 2 (printed by Aubert et Cie.), published in Le Charivari, 24 May 1838. "Vois-tu camarade. Voil~ comme tu trouveras toujours les vrais Artistes... se partageant tout." CONTENTS General Information Fields of Inquiry 9 Fellowship Program 10 Facilities 13 Program of Meetings 13 Publication Program 13 Research Programs 14 Board of Advisors and Selection Committee 14 Report on the Academic Year 1984-1985 (June 1984-May 1985) Board of Advisors 16 Staff 16 Architectural Drawings Advisory Group 16 Members 16 Meetings 21 Members' Research Reports Reports 32 i !~t IJ ii~ . ~ ~ ~ i.~,~ ~ - ~'~,i'~,~ ii~ ~,i~i!~-i~ ~'~'S~.~~. ,~," ~'~ i , \ HE CENTER FOR ADVANCED STUDY IN THE VISUAL ARTS was founded T in 1979, as part of the National Gallery of Art, to promote the study of history, theory, and criticism of art, architecture, and urbanism through the formation of a community of scholars.
    [Show full text]
  • Lange Nacht Der Museen JUNGE WILDE & ALTE MEISTER
    31 AUG 13 | 18—2 UHR Lange Nacht der Museen JUNGE WILDE & ALTE MEISTER Museumsinformation Berlin (030) 24 74 98 88 www.lange-nacht-der- M u s e e n . d e präsentiert von OLD MASTERS & YOUNG REBELS Age has occupied man since the beginning of time Cranach’s »Fountain of Youth«. Many other loca- – even if now, with Europe facing an ageing popula- tions display different expression of youth culture tion and youth unemployment, it is more relevant or young artist’s protests: Mail Art in the Akademie than ever. As far back as antiquity we find unsparing der Künste, street art in the Kreuzberg Museum, depictions of old age alongside ideal figures of breakdance in the Deutsches Historisches Museum young athletes. Painters and sculptors in every and graffiti at Lustgarten. epoch have tackled this theme, demonstrating their The new additions to the Long Night programme – virtuosity in the characterisation of the stages of the Skateboard Museum, the Generation 13 muse- life. In history, each new generation has attempted um and the Ramones Museum, dedicated to the to reform society; on a smaller scale, the conflict New York punk band – especially convey the atti- between young and old has always shaped the fami- tude of a generation. There has also been a genera- ly unit – no differently amongst the ruling classes tion change in our team: Wolf Kühnelt, who came up than the common people. with the idea of the Long Night of Museums and The participating museums have creatively picked who kept it vibrant over many years, has passed on up the Long Night theme – in exhibitions, guided the management of the project.We all want to thank tours, films, talks and music.
    [Show full text]
  • 9. Gundolf's Romanticism
    https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0.
    [Show full text]
  • City of Displacement: on the Unsteadiness of Berlin Sites and Sights1
    WEIMARPOLIS, Multi-disciplinary Journal of Urban Theory and Practice Vol. 1, Issue 2, pp. 53-64, ISSN 1869-1692 City of Displacement: On the unsteadiness of Berlin sites and sights1 Marc Schalenberg Helsinki Collegium for Advanced Studies Email: [email protected] Abstract This essay starts from the observation that the city of Berlin, throughout the 20th century, has been particularly prone to shift buildings in their entirety or in parts to other sites. These shiftings have to be seen against their specific backgrounds, such as war destruction, technological refurbishment, myth making, symbolic or memory politics by the respective political regime, resuming the “spirit” or name of a place for reasons of identification or marketing. But beyond those, the disposition to translocate can be understood as symptomatic in a city whose narratives, images and practices have been explicitly oriented towards the “new”, “unsteady” and “shiftable”. Attempts to remove material objects – not less than their meanings – are to be found in completely diverse political and cultural contexts. It seems an interesting challenge, therefore, to transcend the level of individual instances of displacements and try to test some concepts recently suggested in Urban Studies, like “habitus” or “intrinsic logic” for Berlin. Zusammenfassung Der Beitrag geht von der in Berlin vor allem im 20. Jahrhundert auffallenden Bereitschaft aus, Bauwerke oder Teile von ihnen an andere Orte der Stadt zu versetzen. Jenseits der konkreten Hintergründe (z.B. Kriegszerstörung, technische Modernisierung, „Mythenbildung“, Symbol- und Erinnerungspolitik des jeweiligen politischen Regimes, Anknüpfen an den „Geist“ eines Ortes bzw. Namens aus identifikatorischen oder kommerziellen Gründen) wird diese Disposition als symptomatisch verstanden für eine Stadt, deren Narrative, (Selbst-) Bilder und Praktiken stark am „Neuen“, „Unsteten“ und „Verrückbaren“ orientiert waren und sind.
    [Show full text]
  • Popular Nationalism, Political Culture, and the Early German Cinema, 1895-1918
    MOBILIZING LIGHT AND SHADOW: POPULAR NATIONALISM, POLITICAL CULTURE, AND THE EARLY GERMAN CINEMA, 1895-1918 by JOHN PETERS MERSEREAU A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by J Peters Mersereau 2015 Mobilizing Light and Shadow: Popular Nationalism, Political Culture, and the Early German Cinema, 1895-1918 J Peters Mersereau Doctor of Philosophy Department of History University of Toronto 2015 Abstract This dissertation explores representations of the German nation as projected onto German cinema screens in the years between the invention of film in 1895 and the end of the Kaiserreich in 1918. This was a period of intense growth for the German film industry. From a novelty feature in travelling exhibitions at the end of the nineteenth century, film was a part of the everyday lives of millions of Germans by the First World War. Unified only in 1871, Germany was a young state and attempts to define, popularize, and harness its national image formed a central and contested aspect of German political culture. This dissertation argues that the conflicting cinematic representations of the German nation in this period should be understood within the larger context of Wilhelmine political history and that invocations of the nation were instrumental in the development of the German cinema. Kaiser Wilhelm II, political pressure groups on the radical right, foreign and domestic film producers, and, ultimately, military and civilian authorities of the German state all promoted cinematic visions of the nation that were overlapping, complementary, and conflicting. Kaiser Wilhelm II was Germany’s first film celebrity and personified onscreen a nation of monarchists and military might, yet his media-constructed political authority was overshadowed by his film stardom.
    [Show full text]
  • Denkmäler Im Bezirk Mitte - Berlin.De
    Denkmäler im Bezirk Mitte - Berlin.de 440 Ergebnisse gefunden Sortieren nach: Erbaut von Z nach A Straße Postleitzahl Künstlername Name des Denkmals Ortsteil Erbaut Kriegerdenkmal Plötzensee Dohnagestell 4 13351 unbekannt Wedding vermutlich 1920/1930 Gefreiter Will John-Foster-Dulles-Allee 10 10557 unbekannt Tiergarten / Großer Tiergarten vermutlich 1890 Metallsäulen Brunnenstr.95/96 13355 Unbekannt Gesundbrunnen Unbekannt Hängende Kunst Brunnenstr. 81 13355 Unbekannt Gesundbrunnen Unbekannt Uhrenkandelaber Olof-Palme-Platz 10787 unbekannt Tiergarten unbekannt Carl-Leid-Gedenkstein Volkspark Rehberge 13351 Unbekannt Wedding Unbekannt Gedenkstein zur Errichtung des Volkspark Rehberge Volkspark Rehberge 13351 Unbekannt Wedding Unbekannt Ohne Titel Klopstockstr. 13-17 10557 Volkmar Haase Hansaviertel unbekannt 3 Figuren "Gesundheit" Schwyzer Str. 6 13349 Unbekannt Wedding Unbekannt Stele Schwyzer Str. 6 13349 Unbekannt Wedding Unbekannt Fuß Schwyzer Str. 6 13349 Unbekannt Wedding Unbekannt Sandsteinherz Parkanlage am Plötzensee 13351 Unbekannt Wedding Unbekannt Kunstbögen Seestr. 10 13353 Unbekannt Wedding Unbekannt Versunkene Stadt Vineta Wolliner Str. 34-37 13355 Frank Oehring Gesundbrunnen unbekannt Widder Brunnenplatz 1 13357 Karl Wenke Gesundbrunnen unbekannt Kakadu Brunnenplatz 1 13357 Karl Wenke Gesundbrunnen unbekannt Kreuz "Ich lebe und ihr sollt auch leben" Dohnagestell 4 13351 unbekannt Wedding unbekannt Gedenkstätte für die Opfer des Faschismus in aller Welt Seestr. 92-93 13347 unbekannt Wedding unbekannt Storchenpaar Monbijoupark
    [Show full text]
  • Christian Daniel Christian Rauch Museum Daniel Bad Arolsen
    C. D. Rauch, Alexander von Humboldt, 1857 | E. Wolff, Die Nacht, 1842 | J. G. Schadow, Königin Luise von Preußen, 1798 | E. Wolff, Mädchen, 1842 | C. D. Rauch, Satyr, 1796­97 Christian Daniel Christian Rauch Museum Daniel Bad Arolsen Diemelstadt C. D. Rauch- Geburtshaus Ausstellungen im Schloss Rauch Museum Bad Arolsen Schreibersches Dazu gehören Bildwerke berühmter französischer Künstler wie auf die Antike andererseits, die sich die Künstler schöpferisch Haus Christian Daniel Stadtkirche Rauch-Museum Barye, Bosio oder David d’Angers, denen man in deutschen anverwandelten. Kaulbach- Haus Samm lungen nur selten begegnet, und zahlreiche Werke von P Kassel Hauptmeistern der deutschen Kunstgeschichte wie etwa von dem Die Kunst der Goethezeit ist geprägt von einem hohen Bildungs­ Historicum Berliner Hofbildhauer Gottfried Schadow, von Schinkels engstem anspruch und einem anspruchsvollen Menschenbild, in dem sich Mitarbeiter Friedrich Tieck, von zahlreichen Schülern und Mit­ die Überzeugung von der Würde des Individuums spiegelt und Anreise individuelle Lebensleistungen als Vorbilder und Ideale formuliert arbeitern Rauchs sowie von dem Schweizer Alexander Trippel. Sie erreichen Bad Arolsen über die Autobahn A44 Dortmund – Kassel, werden. In dem Glauben an die ethisch­moralische Vorbildlichkeit Abfahrt Diemelstadt und die Bundesstraße B 252. In dieser Zusammenstellung entsteht ein reiches Bild der großer Denker und edler Herrscher wurzelt die Bedeutung, die dem Öffnungszeiten deutschen und internationalen Kunstszene der Goethezeit mit Denkmal und dem Bildnis in dieser Zeit zukam und aus dem die Mittwoch bis Samstag 14.00 bis 17.00 Uhr ihren realistischen Tendenzen einerseits und ihren Bezügen Aktualität dieser Kunst resultiert. Sonntag 11.00 bis 17.00 Uhr und nach Vereinbarung Am 24.
    [Show full text]