Cristina Raines

Total Page：16

File Type：pdf, Size：1020Kb

Cristina Raines Cristina Raines' appearance on Fantasy Island has some slight connections with some of her earlier work. The episode in which she appeared dealt with country music and, as many are doubtless aware, Raines is famous for appearing in the seminal country & western film Nashville. It may or may not have been intentional by the show's producers to place her in the role which would have her interact with a country singer. Additionally, Cristina Raines Cristina Raines was born on February 28, 1952 in Manila, Philippines as Cristina L Herazo. She is an actress, known for Nashville (1975), The Duellists (1977) and The Sentinel (1977). She has been married to Christopher Crowe since July 26, 1986. They have two children. Cristina Raines's wiki: Cristina Raines (born Cristina Herazo ; 28 February 1952) is an American nurse and former actress. She achieved her big break in the TV movie Sunshine , with Cliff De Young. Biography Raines was born in Manila, Philippines to...Â All information for Cristina Raines's wiki comes from the below links. Any source is valid, including Twitter, Facebook, Instagram, and LinkedIn. Pictures, videos, biodata, and files relating to Cristina Raines are also acceptable encyclopedic sources. Cristina Raines: A great photo of Cristina Raines. 550 x 630 jpeg 65kB. www.themoviedb.org. Cristina Raines â” The Movie Database (TMDb). 500 x 743 jpeg 50kB. www.listal.com. Picture of Cristina Raines. 740 x 926 jpeg 49kB. hillplace.blogspot.com. Cristina Raines (born Cristina Herazo; February 28, 1952) is an American nurse and former actress. Raines was born in Manila, Philippines to American parents. She grew up the daughter of a chemical engineer and a dancer. Her paternal grandfather was an immigrant from Colombia and her paternal grandmother was of Swedish and German ancestry, while her mother is of Scotch-Irish descent. Her sister Victoria Herazo was a member of the US Olympic team at racewalking..

Copy Link

Recommended publications

159 Minutes Directed & Produced by Robert Altman Written by Joan
APRIL 17, 2007 (XIV:13) (1975) 159 minutes Directed & produced by Robert Altman Written by Joan Tewkesbury Original music by Arlene Barnett, Jonnie Barnett, Karen Black, Ronee Blakley, Gary Busey, Keith Carradine, Juan Grizzle, Allan F.Nicholls, Dave Peel, Joe Raposo Cinematography by Paul Lohmann Film Editiors Dennis M. Hill and Sidney Levin Sound recorded by Chris McLaughlin Sound editor William A. Sawyer Original lyrics Robert Altman, Henry Gibson, Ben Raleigh, Richard Reicheg, Lily Tomlin Political campaign designer....Thomas HalPhillips David Arkin...Norman Barbara Baxley...Lady Pearl Ned Beatty...Delbert Reese Karen Black...Connie White Ronee Blakley...Barbara Jean Timothy Brown ...Tommy Brown Patti Bryant...Smokey Mountain Laurel Keith Carradine...Tom Frank Richard Baskin...Frog Geraldine Chaplin...Opal Jonnie Barnett...Himself Robert DoQui...Wade Cooley Vassar Clements...Himself Shelley Duvall...L. A. Joan Sue Barton...Herself Allen Garfield...Barnett Elliott Gould...Himself Henry Gibson...Haven Hamilton Julie Christie...Herself Scott Glenn...Private First Class Glenn Kelly Robert L. DeWeese Jr....Mr. Green Jeff Goldblum...Tricycle Man Gailard Sartain...Man at Lunch Counter Barbara Harris...Albuquerque Howard K. Smith...Himself David Hayward ...Kenny Fraiser Academy Award for Best Song: Keith Carradine, “I’m Easy” Michael Murphy...John Triplette Selected for the National Film Registry by the National Film Allan F. Nicholls...Bill Preservation Board Dave Peel...Bud Hamilton Cristina Raines...Mary ROBERT ALTMAN (20 February 1925, Kansas City, Bert Remsen...Star Missouri—20 November 2006, Los Angeles), has developed Lily Tomlin...Linnea Reese the form of interlocked narrative to a level that is frequently Gwen Welles ... Sueleen Gay copied (e.g.
[Show full text]
Eastern Progress 1978-1979 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1978-1979 Eastern Progress 1-25-1979 Eastern Progress - 25 Jan 1979 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1978-79 Recommended Citation Eastern Kentucky University, "Eastern Progress - 25 Jan 1979" (1979). Eastern Progress 1978-1979. Paper 16. http://encompass.eku.edu/progress_1978-79/16 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1978-1979 by an authorized administrator of Encompass. For more information, please contact [email protected]. Volurrw 57. No. 17 Official StudMit Publication 14 JmiKV 26. 1t7t of EMMM Kentucky Unnforeity Overall thefts down over break Stolen keys linked to robbery in Todd Hall By ROB DOLLAR keys could have opened. have been responsible for this theft, Staff Writer This theft eventually turned out to be since arrests were made in the previous the only one reported which involved the case and the people involved were no; According to a Public Safety and nine missing keys. longer on campus. According to the Security report filed Security report filed Jan. 7 by David iin the brighter side. Lindquist - Cecil. Todd Hall dorm director, an by Baker, a $400 stereo system and a 12- inch television set were removed from pointed out that dorm thefts mn unknown person or persons somehow Christmas break this year were> gained access into the dormitory, en- his room, which indicated no signs of forced entry. tremendously lower than for the same£ tered a locked office, and then pried period last year open an office key box.
[Show full text]
Ridley Scott – Cinema E Visioni Dalla New Hollywood
RICCARDO ANTONIAZZI CINEMA E VISIONI DALLA NEW HOLLYWOOD Ridley Scott Cinema e visioni dalla New Hollywood di Riccardo Antoniazzi © dell’Autore dei testi 2021 © Edizioni NPE per questa edizione © degli aventi diritto per le immagini utilizzate Collana: Narrativa, 36 Direttore Editoriale: Nicola Pesce Ordini e informazioni: [email protected] Caporedattore: Stefano Romanini Ufficio Stampa: Gloria Grieco Service editoriale: Massimo De Martino Progetto grafico e illustrazione di [email protected] e quarta: Nino Cammarata Correzione bozze: Gabriella Vajano Stampato presso Rotomail Italia S.p.A. – Vignate (MI) nel mese di 2021 lugliooEdizioni NPE è un marchio in esclusiva di Solone srl Via Aversana, 8 – 84025 Eboli (SA) edizioninpe.it facebook.com/EdizioniNPE twitter.com/EdizioniNPE instagram.com/EdizioniNPE #edizioninpe Riccardo Antoniazzi Ridley Scott Cinema e visioni dalla New Hollywood Indice introduzione South Shields, autunno 1937 5 parte prima Gli esordi 9 capitolo Boy and Bicycle 11 primo capitolo I Duellanti 15 secondo parte seconda I primi capolavori 21 capitolo Alien 23 terzo capitolo Blade Runner 31 quarto capitolo 1984 39 quinto parte terza Il dopo-Blade Runner 43 capitolo Legend 45 sesto capitolo Chi protegge il testimone 51 settimo capitolo Black Rain: Pioggia Sporca 57 ottavo parte quarta Il decennio del disimpegno 63 capitolo Thelma & Louise 65 nono capitolo 1492: La conquista del paradiso 71 decimo capitolo L’Albatross: Oltre la tempesta 77 undicesimo capitolo Io sono leggenda 83 dodicesimo capitolo Soldato
[Show full text]
Escenarios Para Íntimos Enemigos En El Cine De Ridley Scott: Los Duelistas (1977) Y Blade Runner (1982)
V CONGRESO INTERNACIONAL DE HISTORIA Y CINE: ESCENARIOS DEL CINE HISTÓRICO ESCENARIOS PARA ÍNTIMOS ENEMIGOS EN EL CINE DE RIDLEY SCOTT: LOS DUELISTAS (1977) Y BLADE RUNNER (1982) MANUEL ARIZA CANALES IES Laguna de Joatze l - Getafe Resumen El cineasta británico Ridley Scott es un creador de universos. A través de Los duelistas (1977) y Blade Runner (1982), en esta comunicación estudiamos los escenarios donde se desarrolla el enfrentamiento entre íntimos enemigos. Palabras clave: Ridley Scott, ci ne histórico, escenarios, ínti mos enemigos, esteticismo, histo- ria del arte, romanticismo, postmodernidad, cine negro fu turista, campañas napoleónicas, identidad y memoria. Abstract The British filmmaker Ridley Scott is a creator of universes. Through The Duellists (1977) and Blade Runner (1982), in this paper we study scenarios where the confrontation between intimate enemies develops. Keywords: Ridley Scott, historical fil ms, scenes, intimate enemies, aestheticism, art history, romance, postmodernism, futuristic black cinema, Napoleonic campaigns, identity and memory. l. UN DIRECTOR "A diario utilizo todo lo que aprendí en la escue- la de arte. Todas las posibilidades que te ofrecen las hojas de papel en blanco, los rotuladores y el saber di- bujar"552. (Ridley Scott). Una estética cuidada hasta el último detalle y numerosas referencias a la historia del arte, en general, y del cine, en particular constituyen una reconocible constante en el cine del director británico Ridley Scott. Lo cual resulta lógico si se tienen en cuenta sus comienzos. Nacido el 30 de Noviembre de 1937 en Stockton- on-Tees, Durham, Inglaterra, realizó sus estudios superiores en el West Hartlepool College of Art, donde se hizo patente su talento par·a el diseño gráfico y la pintura, hasta tal punto que le valieron la concesión de una beca que le permitió consolidar su formación en Estados Unidos y, posteriormente, ser contratado como diseñador de producción y, tan solo un año después, como director en la BBC.
[Show full text]
Keith Carradine Regis Dialogue Formatted
Keith Carradine Regis Dialogue with Phil Anderson, 1991 Phil Anderson: Well anyway, thanks for coming yourself. I want to start, I have a small question and I have a big question. Small question is simple. How did you get involved with the Material Girl video directed by Mary Lambert? Keith Carradine: They called me up. Phil Anderson: Why do you think they asked you? What do you think they needed from you? Keith Carradine: I don't know. I was requested by her ladyship and Mary Lambert, the director. Apparently I was their first choice to play the part, this Howard Hughes-esque character who was supposed to be this mysterious wealthy owner of the studio for which she is one of their stars. There was something about what I had done, I guess, that they saw, that they thought was right for this. So they called me up and I said, "Yeah. Sure, what the heck?" Phil Anderson: Well I asked that because who wouldn't? Keith Carradine: Well, actually, there are a few people that might not. Phil Anderson: It seems that throughout your career, people seem to think you stand for something. At certain points in your career, you stand for different things. But in this and in many other things, you seem to stand for a kind of purity or a sense of morality, whereas in other times you're quite evil, quite sneaky. You're not on trial here, but I have some character references I found. There is a current article in American Film about you, based on The Ballad of the Sad Café where the author Will Schneider says, "Carradine relishes a full day on a ski slope, sews is a top-notched kid-sized Spider- Man costume, saddles a horse deftly and rides easily, and hasn't raised his voice at his agent once in their seven-year relationship." Another reference I found that people in your family apparent describe you as the white sheep of the Carradine family.
[Show full text]
Christiano's (JOUR 40 WAGON TRAIN Stefartie Powers
page 4 ad lib thursday, march 2, 1978 EVENINO straight ahot and a good farmer :00 EMERGENCY ONI Meanwhile, Lorna Doone, grows 0 LAWRENCE WELK SHOW Into a young woman who yearns tl ABC NEWS to leave Doone Valley. 0 NEWS oo CD NEWS U O 09 11noemergencyOff one 30 PINK PANTHER GILFLAP'8 TROUPE VAN DYKE dick van dyke show 0009 BATMAN-TARZA- IN THE 0 DICK SHOW fB0 SUN: QUTEN TAG IN 0NEW3 fB ONCE UPON A CLASSIC 'Lorna Doone DEUTSCHLAND O MOVIE 'V, 'You're Telling Me' Episode Two. JO 0NEWLYWEDGAME 1043 Robert Young John earns a reputation as Hugh Herbert, Paige. a 1 MARY TYLER MOORE Jungle beetles, game strong wrestler, a straight shot f big hunting and a farmer. CI TO TELL THE TRUTH and advertising become entangl- good Meanwhile, CONCENTRATION INCREDIBLE ed with each other. Lorna Doone, grows Into a young f (00 mln.) woman U OONQ SHOW 09 8UN: PSYCHOLOGY who yearns to leave OOO COUPLE Doone Valley. J 6:30 WELCOME 09 GOOD TIMES Wlllona Is HULK 10:00 0POPEYE O BACK, KOTTER ol other BAGGY PANTS AND NIT- Mr. Kotter has his hands lull when suspected being the 0 0 must woman when Bookman is WITS he decide to either help thought Julie with to be out on his wile 'The Incredible Hulk' Bill Q KROFFT 8UPERSHOW; the housework or help stepping starring SCHOOL.0 ROCK Barbarlno with a make-u- p test. MACNFIL LEHRER REPORT hour-lon- CD Bixby in an g series about 0GET8MAR. 7:00 JOKER'S WILD the adventures of David Bruce 10:20 Q SUN: PSYCHOLOGY PETER CITRON: JUST KID- 0 to 10:30 SPACE 8ENTINEL8; JR.
[Show full text]
BUSINESS Latest Shuttle Takes Off for High-Tech
20 MANCIIESTF.r< HKRALO, Siiliirday, April 27. I9B5 MANCHESTER BOLTON SPORTS WEATHER BUSINESS Police seize LSD, Candidate profiles: Mental errors hurt Clear skies tonight; 1 arrest three in raid Converse, Manning East Catholic nine warmer on Tuesday | page 2 Homeowners gain with new insurance policy ... page 3 ... page 7 ... page 11 propertynrnnartv isia coveredpnvprAH for upIIO totO $250. Previously, all remained unchanged. Within a few months — by the end of 1985 — an business property was excluded under your ho The key changes; meowners policy. This coverage extends to you if you updated and expanded homeowners insurance poiicy • Personal liability coverage jumps to $100,000 free-lanceormoonlightathome. will be in effect throughout the country — to the from $25,000. • Coverage fordamagetoboatsandtheirtrailersand benefit of many policyholders. Your • Medical payments to others are covered for as equipment is doubled to $1,000. If you’re a serious The new policy requires no change in the premium much as $1,000 per person, double today’s $500. This Money's boating enthusiast, it’s assumed that you carry you pay — and contains both good and bad news for pays for medical costs for events that may or may not additional protection. you. The good news; the contract significantly raises be your liability but which occurred on your property. Worth • The basic contract now includes $500 coverage on the coverage for personal liability, increases the • Cooperative apartments will be eligible for credit cards, forgery and counterfeit money. The new coverage for medical expenses and the dollar limits Sylvia Porter coverage under the policy originally designed for JianrlirHlPr IrralJi language includes fund transfer cards, too (the cards for many common household items.
[Show full text]
Robert Altman's Nashville Hassan Melehy, University of North Carolina at Chapel Hill, USA
Narratives of Politics and History in the Spectacle of Culture: Robert Altman's Nashville Hassan Melehy, University of North Carolina at Chapel Hill, USA Robert Altman's Nashville (1975) has long been recognized as a masterpiece in its treatment of the spectacularization of American culture through an ostensible examination of the country music industry. In this article I will consider the movie's critique of the ways that American politics, history, and culture are produced as simulacra through the media, with attention to the function of narrative in this production. [1] The movie presents these fields as scarcely available except as simulacra in a "society of the spectacle"; the social relations that Nashville denotes are mediated especially by the proliferation of visual images (Debord, 1995: 12). Much previous writing on Nashville has very effectively noted its critique of politics, history, and culture through its staging of their spectacularized forms -- I will refer to many excellent commentaries. What I propose here is that Nashville treats these domains as inseparable from the mechanisms of representation and simulation in which they take place, indeed as taking place solely and uniquely in them. Through reflexive strategies, the film doesn't stop short of implicating cinema, and indeed itself, in the systems of simulation that it examines. [2] As a film that treats U.S. culture and politics in a time of crisis, Nashville's critique underscores cultural operations that persist in their effectiveness into the present day. As in the mid-1970s, the U.S. currently finds itself exhausted from an unpopular war and divided over the proper way to end the term of a president viewed as a failure largely in connection with his handling of the war.
[Show full text]
Off the Beaten Path
Off the Beaten Path A Comprehensive List of the Horror Community’s Favorite Overlooked Films Tomatometer Audience Score Mentions Logline [Rec] (2007) 89% 82% Reporter Angela (Manuela Velasco) and her trusty cameraman Pablo are following a local fire crew for a segment of their reality television series "When You're Asleep" when the firefighters receive a distress call from a nearby apartment building. An elderly woman has become locked in her apartment; a routine call by any account. The police are already on the scene, so now it's up to firemen Manu (Ferran Terraza) and Alex (David Vert) to break down the door and ensure that no harm has come to her. Upon arriving at the building, everything appears normal. But the calm atmosphere at the moment betrays the horrors that begin to unfold after the firemen break down the tenant's door and experience something that no one would believe had it not been captured on camera. Later, as the building is surrounded and quarantined, Pablo continues to roll tape to ensure that whatever the outcome of this terrifying situation may be, there will be some evidence to ensure that the truth gets out. [Rec] 2 (2010) 68% 60% The highly anticipated sequel to one of the scariest films of all time, "[REC] 2" picks up 15 minutes from where we left off, taking us back into the quarantined apartment building where a terrifying virus has run rampant, turning the occupants into mindlessly violent, raging beasts. A heavily armed SWAT team and a mysterious government official are sent in to assess and attempt to neutralize the situation.
[Show full text]
Examining the Dialogic Construction of Women In
“TAKE HER CLOTHES OFF AND BRING HER TO ME!”: EXAMINING THE DIALOGIC CONSTRUCTION OF WOMEN IN ROBERT ALTMAN’S FILMS A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF ENGLISH, SPEECH, AND FOREIGN LANGUAGES COLLEGE OF ARTS AND SCIENCES BY CHARLENE SMITH GREEN B.A., M.A. DENTON, TEXAS DECEMBER 2017 Copyright © 2017 by Charlene Smith Green DEDICATION For my daughters, Christianne and Natalie Build your castles in the air, and then put foundations under them. ii ACKNOWLEDGEMENTS I would like to express deep and sincere gratitude to my advisor and director Dr. Lou Thompson for her support and encouragement throughout my academic journey, which began so many years ago. I am especially grateful for her thoughtful insight and tireless dedication to my research and writing about films, most especially her guidance with this project on the women in Robert Altman’s films. I would have never completed this project without her unwavering commitment to my research and writing. I would also like to thank my committee members Dr. Genevieve West and Dr. Brian Fehler for providing invaluable comments and feedback on my work. I am especially grateful for the tough questions they asked because those questions made me dig deeper and think harder when I made revisions. Their comments and questions have also led me toward ideas for future research and writing, and that is a priceless contribution indeed. Finally, there are two additional professors I would like to thank for their contributions to my research, writing, and academic growth.
[Show full text]
Texto Completo Libro (Pdf)
La discapacidad en el La discapacidad en el cine en 363 películas © Luis Alberto Jiménez Acevedo Diseño y Maquetación: Luis Alberto Jiménez Acevedo y Chus Jiménez Diseño de Portada y Contraportada: JJSG Foto solapa: Lucía Gismero Armendáriz Correcciones: Mercedes Jiménez Edita: Fundación ONCE y el autor Distribuye: Fundación ONCE y el autor Imprime: ESPAGRAF Impresores S.L. Segunda edición: junio de 2017 Depósito legal: M-28220-2014 ISBN: 978-84-88934-32-1 Permitido el uso de datos de este libro citando su procedencia. “Oscar” es una marca registrada de la Academia de Artes y Ciencias Cinematográficas de Hollywood. Todas las imágenes del libro pertenecen a sus respectivos autores y/o productoras/distribuidoras. A mis padres y hermanos. Porque sin su apoyo, comprensión y ayuda, no hubiera llegado a ser lo que soy en la vida. Prólogo segunda edición Cuando hice la primera edición de este libro que tienes en las manos, no sabía si tendría aceptación, ni si recibiría el reconocimiento a todo el esfuerzo que puse en llevar a cabo este proyecto, lo cual era lo de menos para mí porque lo que quería era hacer un libro de consulta, donde se pudieran encontrar datos referentes a las películas de las que hablo. Las expectativas no pudieron ser mejores. El libro causó grata impresión en quien lo leyó. A las diferentes Asociaciones, Fundaciones, Federaciones y Centros que trabajan en el mundo de la discapacidad, donde llegó la obra para sus bibliotecas, les pareció interesante, por lo que mis expectativas estaban cumplidas. Pero hubo muchas demandas y los libros se agotaron pronto, por lo que me embarqué en preparar una segunda edición.
[Show full text]
Ifflanrhrbtpr Im Lli CLYDE DEPENDABLE Houte- Saekhos and Ttusdoiar Ssrvlos and Lower Level Family Home Sites in a Gor ELECTRICAL WORK CHEVROLET-BUICK, INC
to — MANCHESTER HERALD. Wednesday. June 15, 1988 I^ H O M E S H O M ES MISCELLANEOUS IC A R D . ISJ r m s a l e IFO R S A LE F 0 H 8 A L E FO R S A LE Compromise Overdue AAA^CHESTER- DBCORATIV^B^nTM" Glaitonbury tine. Red EIGHTH District gra VOLVO Wagon DL 1981. cious oldie but goodie! A Spccioli plate glass m irror, Automatic, AM-FM wood Forms. 8 room w i doted 1958. Best offer Colonial. 4 bedrooms, 6 large rooms loaded stereo. $4,450. Please Town offers dea[ Burks and Bosox JV^ baths, 2 car att with charm. Excellent 633-6164.0___________ telephone 742-8171. ached oarage. Fire- condition. Must be ATLANTA Cost Iron Pot FORD Escort 1982. 1 to ml[I developer/3 slam the Yankees/11 placed family room, seen I Blanchard 8> ICARPENTRY/ ROOFMB/ MISCELLANEOUS Belly Stoye with acces owner. Excellent con hardwood floors, eat- Rossetto Realtors," ICHILO CARE R E M 0 0 ELH I6 Is m in B E in n C E B sories. New, $125. Ey- dition. $2300. Please in kitchen, deck. By We're Selling Houses" enlngs, 6^2002, telephone 742-7625. 646-2482.0________^ owner. $229,900. 643- DAYCARE Mitiw, iMaMiii, d piMS ...... 'K lilN A R D HAWNES TREE SERVICE I CUSTOM Hotpoint elect DODGE Arles 1986. 4 8751.________________ SUPER Duplex. Spectac HOMf IMPROVtMNT ric stove with quick door, power steerlno, Mode lee A edecaileaal. If GmhwIiN w i Tiis Wall. SIdliis- Oockt • RiBloc.intwt Buoksi, truck 8 ohippsr.
[Show full text]