Take Back Your Government!

Total Page:16

File Type:pdf, Size:1020Kb

Take Back Your Government! TAKE BACK YOUR GOVERNMENT! By Robert A Heinlein Copyright(c) 1992, by Mrs. Virginia Heinlein INTRODUCTION Jerry Pournelle This is a book for every American who wants to reclaim the political process. Are you mad as Hell and not going to take it any more? Have you tried to participate in the traditional political process only to discover that the traditional political parties have no place for you, won't listen, and don't much matter anyway? Have you turned to the Perot movement as a remedy? Do you want to see a fundamental change in the American political system? If so, you need this book. If you have never thought about politics, and hate the whole idea, you really need this book. As Pericles of Athens was fond of observing, because you take no interest in politics is no guarantee that politics will not take an interest in you. If you look to H. Ross Perot to lead the nation to salvation, you particularly need this book. I say this in full knowledge that much of die book- indeed its very heart - seems to be badly out of date. Ironically, being "out of date" is one of die book's major values. This book was written in a very different era of American politics; in a time when ordinary people could and did participate effectively in the political scene. This was a manual to show them how to do that there were many such manuals. This one was unique m that Robert Heinlein both had practical experience in politics and was one of the dearest (and most entertaining) writers of the era. Reading this book will be good for you, but the good news is that it's fun. Heinlein offers a number of timeless insights, but many of his details are seriously out of date. That, however, is not a defect but a feature: because in describing how to operate in a political world that vanished during the "reforms" of the '60s and '70s, Heinlein describes a working democracy: not as a dead world of the past, but as the dynamic living world he knew and lived in and loved. It is a world we could reclaim. A world we must reclaim. The United States went a long way down the wrong road during the Cold War. It is time we return to more familiar territory. This book can be vial to that return. Democracy, Robert Heinlein says, "is not an automatic condition resulting from laws and constitutions. It is a living, dynamic process which must be worked at by you yourself- or it ceases to be a democracy, even if the shell and form remain." That was written in 1946, at the close of World War II, 1 before the Cold War; before the federalization of much of American life. When we look around at the disaster area that American politics has become, it is all too clear that Robert was correct. The shell and form of American democracy remain, but much of what Robert understood about American democracy has vanished. When Heinlein wrote, the typical professional politician was what was then known as a political boss. Most local, district, and county party leaders were unpaid volunteers. Professional political managers were distrusted. While some state legislators and congressmen were returned to office year after year, most were not, and those who were, though powerful through the seniority system, were often the butts of political jokes - and were quite aware that they could easily be turned out of office, either in a primary or a general election. It was a government by amateurs in a true sense, in that everyone had to live under the laws they passed. They worked hard, too. Heinlein could (and does) complain that members of Congress, and of die State Legislature, were underpaid and had too few perks of office; and offer the opinion that the main reason people went to their city council, or state capital, or Washington, and endured die hardships of public office, was patriotism. It was all true in those days. Some politicians might have been motivated by greed, or a lust for power, but most thought of themselves as, and were seen by their constituents to be, public servants, sacrificing some of their productive years to the political process. Today things are different. However the professional politicians see themselves, poll after poll shows that the American people think they are a self-perpetuating elite motivated mostly by the desire to retain power. Since Heinlein wrote this book, most states have changed from a part- time amateur legislature of citizens who approved laws they would have to live with and make a living under, to full-time paid professionals who spend most of their time in the state capital rather than in their home districts, exempt themselves from the laws and regulations they impose on others, and who, far from making a living under the laws they make, are paid by the state and sometimes prevented by conflict-of-interest laws from outside work. (A noted exception is, of course, lawyers, who have been allowed to retain their partnerships in law firms even if the firm does business with the government. They did that in Heinlein's day too.) Their idea of making a living is not yours. It's doubly true of the Congress of the United States, which has multiplied its perks while invariably exempting itself from such laws as the Civil Rights Act, the Americans with Disabilities Act, the Wage/Hours Act, most of the reporting laws, and nearly all federal regulations. Far from a largely citizen body, the Congress has become a governing elite with high job security. Since this book was written, Congress went from an assembly of the people to an institution with 98 percent incumbency-a lower turnover than Britain's 2 hereditary House of Lords. While private industry loses jobs, Congress multiplies its staff: there are over 30,000 "Hill Rats," as congressional staff are called in Washington. They serve 535 senators and representatives. Do you have nearly 50 people to mind details and run errands for you? Each of your legislators in Washington does, all paid with your taxes. Think about that before you contemplate running for office. Each congressman commands a political patronage machine that the old ward bosses would have envied. Other things have changed. The budget has grown enormously. Government (federal, state, and local) now spends nearly half the money generated in this country. The national debt went from an irritation to an impending disaster. The civil service at all levels has grown well beyond anyone's ability to predict in 1946. Government, in a word, has become very big business indeed, while what we used to fear as "the big business interest" has faded into the background. I could multiply examples endlessly, but surely the point is made. Somewhere between 1946 and the present the American democracy as Heinlein knew it disappeared, to be replaced with our present system in which our local affairs are governed by Washington - a city that can't govern itself, but has no qualms about telling the rest of us how we should live. The Opportunity We have a new situation in this year of grace 1992 and of the independence of these United States the 216th. To say that the American people have come to distrust their government is a silly understatement. The polls show that they hate our present political system. They're mad as Hell and they aren't going to take it any more. There is a movement to take back control, and it may work. For the first time in our lifetimes there is an alternative. Millions of Americans, disgusted with politics as usual, have turned to a man who, as I write this, is still legally only an "undeclared candidate for President" - but who, as I write this, is the likely winner of the Presidency. In the state of New Jersey both houses of the legislature went from a majority by one party to a veto-proof majority of the other. As I write this we can predict that there will be at least 100 new faces among the 435 members of the House of Representatives; and it is entirely possible that there will be many more, perhaps even a majority of new faces. There will be equally profound changes at the state and local level. Everywhere there is an opportunity to, in the words of the old political rallying cry, turn the Rascals Out. We can change the system. We very likely will. With what, then, shall we replace the system of professional politicians? It's no good "reforming" die system only to abandon it to a new crew of professional politicians. That cure could easily be worse than the disease. We must Turn die Rascals Out, but we must rebuild our system of citizen- controlled government. That, I submit, is the great value of this book. It's all in here. In this book, Robert Heinlein describes, lovingly and in great detail, the system of 3 government which worked for this republic for nearly two hundred years. This isn't a blueprint, and it's not a treatise on political science. We will need those and they will come; but this is a love story. Jerry Pournelle Hollywood, California July 1992 Robert A. Heinlein Preface (In which the defendant pleads guilty to the charge of being a politician but offers a statement in his defense.) This is intended to be a practical manual of instruction for the American layman who has taken no regular part in politics, has no personal political ambitions, and no desire to make money out of politics, but who, nevertheless, would like to do something to make his chosen form of government work better.
Recommended publications
  • Librarian As Fair Witness: a Comparison of Heinlein's Futuristic
    LIBRES Library and Information Science Research Electronic Journal Volume 21, Issue 1, March 2011 Librarian as Fair Witness: A Comparison of Heinlein’s Futuristic Occupation and Today’s Evolving Information Professional Julie M. Still Paul Robeson Library Rutgers University Camden, NJ [email protected] There has been a continuing discussion in library literature on the library as place and on the image of librarians in popular media, but there is little information on the librarian as person. The discussion on librarianship as a profession tends to focus on technology and not so much the people, other than the people skills needed in reference or teaching skills needed for instruction. The worth of the individual librarian tends to get lost in the shuffle. Before we disappear into the machine, it is useful to look at other future scenarios and similar occupations, either reality based or fiction. In this particular case, it is interesting to compare librarians to those in an occupation created by a renowned science fiction author. Robert Heinlein’s Stranger in a Strange Land, his most famous and most controversial novel, is a science fiction classic. The science fiction community recognized it with a Hugo Award, and the book was the first science fiction title to be on the New York Times bestseller list (Stover, 1987, p. 45). Heinlein outlined the novel in 1949 and finished the first draft in 1955 but on the advice of his wife set it aside. It was not published until 1961. The manuscript was edited heavily and an uncut version was published in 1991.
    [Show full text]
  • The Yes Catalogue ------1
    THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13.
    [Show full text]
  • Grumbles from the Grave
    GRUMBLES FROM THE GRAVE Robert A. Heinlein Edited by Virginia Heinlein A Del Rey Book BALLANTINE BOOKS • NEW YORK For Heinlein's Children A Del Rey Book Published by Ballantine Books Copyright © 1989 by the Robert A. and Virginia Heinlein Trust, UDT 20 June 1983 All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Grateful acknowledgment is made to the following for permission to reprint the following material: Davis Publications, Inc. Excerpts from ten letters written by John W. Campbell as editor of Astounding Science Fiction. Copyright ® 1989 by Davis Publications, Inc. Putnam Publishing Group: Excerpt from the original manuscript of Podkayne of Mars by Robert A. Heinlein. Copyright ® 1963 by Robert A. Heinlein. Reprinted by permission of the Putnam Publishing Group. Library of Congress Catalog Card Number: 89-6859 ISBN 0-345-36941-6 Manufactured in the United States of America First Hardcover Edition: January 1990 First Mass Market Edition: December 1990 CONTENTS Foreword A Short Biography of Robert A. Heinlein by Virginia Heinlein CHAPTER I In the Beginning CHAPTER II Beginnings CHAPTER III The Slicks and the Scribner's Juveniles CHAPTER IV The Last of the Juveniles CHAPTER V The Best Laid Plans CHAPTER VI About Writing Methods and Cutting CHAPTER VII Building CHAPTER VIII Fan Mail and Other Time Wasters CHAPTER IX Miscellany CHAPTER X Sales and Rejections CHAPTER XI Adult Novels CHAPTER XII Travel CHAPTER XIII Potpourri CHAPTER XIV Stranger CHAPTER XV Echoes from Stranger AFTERWORD APPENDIX A Cuts in Red Planet APPENDIX B Postlude to Podkayne of Mars—Original Version APPENDIX C Heinlein Retrospective, October 6, 1988 Bibliography Index FOREWORD This book does not contain the polished prose one normally associates with the Heinlein stories and articles of later years.
    [Show full text]
  • “Run with the Fox and Hunt with the Hounds”: Managerial Trade Unionism and the British Association of Colliery Management, 1947-1994
    “Run with the fox and hunt with the hounds”: managerial trade unionism and the British Association of Colliery Management, 1947-1994 Abstract This article examines the evolution of managerial trade-unionism in the British coal industry, specifically focusing on the development of the British Association of Colliery Management (BACM) from 1947 until 1994. It explores the organization’s identity from its formation as a conservative staff association to its emergence as a distinct trade union, focusing on key issues: industrial action and strike cover; affiliation to the Trades Union Congress (TUC); colliery closures; and the privatization of the coal industry. It examines BACM’s relationship with the National Union of Mineworkers (NUM) and the National Association of Colliery Overmen, Deputies and Shotfirers (NACODS), the National Coal Board (NCB) and subsequently the British Coal Corporation (BCC). This is explored within the wider context of the growth of managerial trade unions in post-war Britain and managerial identity in nationalized industries. Keywords: Managerial unionism; white-collar trade unions; public ownership; coal industry The British Association of Colliery Management was a very British institution in that it seemed to have the freedom both to run with the fox and hunt with the hounds … Although it never really joined in the dispute [1984-5 miners’ strike] when it came, it took some getting used to a situation in which people who clearly laid full claim to being representatives of “management” could, and did, through their union, criticize that management.1 Former NCB chairman Ian MacGregor’s vituperative attack on BACM reflected the breakdown between the two parties and their distinct 1 outlooks on the future of the industry in the 1980s.
    [Show full text]
  • Magazin Ausgabe 05
    2 Oldie Markt 05/04 Plattenbörsen Oldie Markt 05/04 3 Plattenbörsen 2004 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teu- ren Raritäten bieten die Händler günstige Second-Hand-Platten, Fachzeitschriften, Bücher, Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 1. Mai Saarbrücken Congresshalle ReRo (02 34) 30 15 60 1. Mai Frankfurt/Main Jahrhunderthalle Wolfgang W. Korte (061 01) 12 86 62 2. Mai Nürnberg Meistersingerhalle First & Last (03 41) 699 56 80 2. Mai Wiesbaden Kurhaus ReRo (02 34) 30 15 60 8. Mai Salzburg/Österreich Kleingmainer Saal Werner Stoschek (085 09) 26 09 9. Mai Dortmund Westfalenhalle-Goldsaal Manfred Peters (02 31) 48 19 39 9. Mai Köln Tanzbrunnen Wolfgang W. Korte (061 01) 12 86 62 9. Mai Innsbruck/Österreich Hüttenberger Saal Werner Stoschek (085 09) 26 09 15. Mai Halle Händelhalle First & Last (03 41) 699 56 80 16. Mai Dortmund Westfalenhalle 2 ReRo (02 34) 30 15 60 16. Mai Berlin Berlin-Arena First & Last (03 41) 699 56 80 16. Mai Linz/Österreich Volkshaus Bindermichl Werner Stoschek (085 09) 26 09 22. Mai München Kolpinghaus Werner Stoschek (085 09) 26 09 22. Mai Amsterdam/Holland Jaap Edenhal ARC (00 31) 229 21 38 91 23. Mai Münster Halle Münsterland ReRo (02 34) 30 15 60 23.
    [Show full text]
  • {PDF EPUB} the Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A
    Read Ebook {PDF EPUB} The Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A. Heinlein. Published 1949. Originally published as The Day After Tomorrow by Anson McDonald in Astounding Magazine , (later Analog ),1941. 241 pages (from the Virginia Heinlein edition, based on the 1949 Gnome Press hardback.) Review by Mark Yon. Here’s one of my occasional re-reads of Robert Anson Heinlein’s novels. This one is what they call ‘a fixup’, originally being in three parts in the January, February and March editions of Astounding Magazine , under the editorial tuition of John W. Campbell. It became a slightly revised novel in 1949, with the author’s real name rather than his pseudonym, and a little tidying up. Putting it in the context of Heinlein’s other writing, it was published as a novel after his juvenile book Red Planet and before Farmer in the Sky . As written by Anson McDonald, however, it was not written with the intention of being for the juvenile market, but as something more adult. I found it less satisfying than Red Planet and Farmer in the Sky , its adult voice both uncertain and unreal. It reflects the fact that it was written before Heinlein had had any novels published, and seems a little wobbly both in its concept and its delivery: something which would become much less noticeable as Heinlein becomes more confident in later writing. This lack of success may also be partly due to the fact that Sixth Column was based upon an idea given to Heinlein from Campbell, the only major work of Heinlein’s career to be plotted by someone else.
    [Show full text]
  • The New Heinlein Opus List
    Nhol.fm Page 253 Wednesday, March 22, 2000 7:21 PM Excerpted from the book Robert A. Heinlein: A Reader’s Companion. This excerpt is from the final press version of the book, and the numbering scheme herein can be considered final. Any updates or changes to this list will use the addendum numbering described on the second page. ©1996–2000 James Gifford. All Rights Reserved. May be duplicated and quoted from according to the terms described in “Reproduction & Use of the Hew Heinlein Opus List” within. The author may be contacted at: [email protected] www.nitrosyncretic.com Nitrosyncretic Press PO Box 4313, Citrus Heights, CA 95611 916-723-4765 voice & fax The New Heinlein Opus List This section presents a complete listing of every known work by Robert A. Heinlein, in the order of creation. Each work is prefaced by a unique identify- ing number, the New Heinlein Opus Number. These numbers, in the format ‘G.nnn,’ have been used throughout this book to identify the work in ques- tion. These numbers have not been used previously for Heinlein’s works. Those readers who are familiar with Heinlein’s opus list may wonder why I did not use Heinlein’s own numbers for these works. The answer is simple: Heinlein’s list was developed and maintained as the core of a filing system for the business management of his works. It was not created until about 1948, with the number of existing works approaching three digits. It is neither complete nor completely accurate in its numbering: there are minor works that do not appear on it, as well as some works that appear out of sequence.
    [Show full text]
  • Robert A. Heinlein's Stranger in a Strange Land and the Church of All
    Science Fiction as Scripture: Robert A. Heinlein’s Stranger in a Strange Land and the Church of All Worlds1 Carole M. Cusack Introduction ‘Scripture’ is a term used to refer to the sacred writings of religious groups, for example the Bible in Christianity, the Qur’an in Islam and the Vedas in Hinduism. The etymology of scripture derives from the Latin scriptura, the past participle stem of scribere, ‘to write’.2 This may have had particular significance in past societies where only the most important, authoritative narratives were written down; in an age of mass literacy such as the twenty- first century, potentially all writings are scripture. From the mid-twentieth century Western culture experienced a sharp increase in new religious movements (NRMs), some of which were generated within the West, while others were imported from the other cultures, chiefly the East (India, Tibet, and Japan in particular). Most of these new religions possessed scriptures, generally the writings of founders (for example, Sun Myung Moon’s Divine Principle for the Unification Church, and Dianetics and other books by L. Ron Hubbard, within the Church of Scientology). This paper investigates how Robert A. Heinlein’s bestselling science fiction novel, Stranger in an Strange Land (1961, reissued ‘uncut’ in 1991), became the foundational scripture of the Church of All Worlds (CAW), a Gaia-oriented Pagan religion founded in 1962 by two American college students, Tim Zell (b. 1942) and (Richard) Lance Christie (b. 1944) who met at Westminster College, Fulton, Missouri, and became fast friends. The Church of All Worlds, registered as a religion in the United States in 1968 and now a significant presence in the contemporary Pagan revival, takes its name from the fictional church in Heinlein’s novel.
    [Show full text]
  • 2 Records Aug 15 2021
    Sept 2, 2021 Latest additions indicated by asterisk (*) C * ? & THE MYSTERIANS 99 TEARS / MIDNIGHT HOUR 10 CC I'M NOT IN LOVE/CHANNEL SWIMMER 1910 FRUITGUM CO, SIMON SAYS REFLECTIONS FROM THE LOOKING GLASS 1910 FRUITGUM CO. SIMON SAYS/REFLECTIONS FROM THE LOOKING GLASS 2 R 1910 FRUITGUM CO. INDIAN GIVER / POW WOW 3 SHARPES QUARTET LES MY LOVE WAS NOT TRUE LOVE/BELLE ST. JOHN R 49TH PARALLEL NOW THAT I'M A MAN / TALK TO ME R 6 CYLINDER AIN'T NOBODY HERE BUT US CHICKENS / STRONG WOMAN.... 6 CYLINDER AIN'T NOBODY HERE BUT US CHICKENS / STRONG WOMAN'S LOVE 8TH DAY IF I COULD SEE THE LIGHT / IF I COULD SEE THE LIGHT (INST) 9 LAFALCE BROTHERS MARIA, MARIA, MARIA/THE DEVIL'S HIGHWAY A TASTE OF HONEY SUKAYAKI / DON'T YOU LEAD ME ON A*TEENS DANCING QUEEN / MAMMA MIA A*TEENS DANCING QUEEN / MAMMA MIA AARON LEE ONLY HUMAN / EMPTY HEART A * ABBA KNOWING ME KNOWING YOU / HAPPY HAWAII A * ABBA MONEY MONEY MONEY / CRAZY WORLD ABBOTT GREGORY SHAKE YOU DOWN / WAIT UNTIL TOMORROW ABBOTT RUSS SPACE INVADERS MEET PURPLE PEOPLE EATER/COUNTRY COOPERMAN ABC ALL OF MY HEART / OVERTURE ABC ALL OF MY HEART / OVERTURE ABC THAT WAS THEN BUT THIS IS NOW / VERTIGO ABC THE LOOK OF LOVE / THE LOOK OF LOVE ABDUL PAULA MY LOVE IS FOR REAL / SAY I LOVE YOU ABDUL PAULA I DIDN'T SAY I LOVE YOU/MY LOVE IS FOR REAL ABDUL PAULA IT'S JUST THE WAY YOU LOVE ME/DUB MIX . PICTURE SLEEVE ABDUL PAULA THE PROMISE OF A NEW DAY/THE PROMISE OF A NEW DAY ABDUL PAULA VIBEOLOGY/VIBEOLOGY ABRAMS MISS MILL VALLEY/THE HAPPIEST DAY OF MY LIFE ABRAMSON RONNEY NEVER SEEM TO GET ALONG WITHOUT YOU/TIME
    [Show full text]
  • Stranger in a Strange Land” by Robert Heinlein
    “Stranger In A Strange Land” by Robert Heinlein NOTICE: All men, gods; and planets in this story are imaginary, Any coincidence of names is regretted. Part One HIS MACULATE ORIGIN, 5 Fart Two HIS PREPOSTEROUS HERITAGE, 81 Fart Three HIS ECCENTRIC EDUCATION, 261 Part Four HIS SCANDALOUS CAREER, 363 Part Five HIS HAPPY DESTINY, 425 Preface IF YOU THINK that this book appears to be thicker and contain more words than you found in the first published edition of Stranger in a Strange Land, your observation is correct. This edition is the original one-the way Robert Heinlein first conceived it, and put it down on paper. The earlier edition contained a few words over 160,000, while this one runs around 220,000 words. Robert's manuscript copy usually contained about 250 to 300 words per page, depending on the amount of dialogue on the pages. So, taking an average of about 275 words, with the manuscript running 800 pages, we get a total of 220,000 words, perhaps a bit more. This book was so different from what was being sold to the general public, or to the science fiction reading public in 1961 when it was published, that the editors required some cutting and removal of a few scenes that might then have been offensive to public taste. The November 1948 issue of Astounding Science Fiction contained a letter to the editor suggesting titles for the issue of a year hence. Among the titles was to be a story by Robert A. Heinlein-"Gulf." In a long conversation between that editor, John W.
    [Show full text]
  • The Real Meaning of Technological Literacy
    Bates College SCARAB Faculty Books 2019 Technology from the Very Bottom: the real meaning of technological literacy Gene Clough Bates College Follow this and additional works at: https://scarab.bates.edu/books Recommended Citation Clough, Gene, "Technology from the Very Bottom: the real meaning of technological literacy" (2019). Faculty Books. 4. https://scarab.bates.edu/books/4 This Book is brought to you for free and open access by SCARAB. It has been accepted for inclusion in Faculty Books by an authorized administrator of SCARAB. For more information, please contact [email protected]. TECHNOLOGY from the very BOTTOM The real meaning of technological literacy... What it is... How to nurture it... Why it has nothing to do with the computer... And why it matters! Gene Clough TECHNOLOGY FROM THE VERY BOTTOM The AUTHOR, during an early phase of his technological education. TECHNOLOGY FROM THE VERY BOTTOM The Real Meaning of Technological Literacy What it is….. How to grow it in yourself….. How to nurture it in your children….. Why it has (almost) nothing to do with the computer….. And why it matters! by Gene Clough Bates College The title and epigraph for Chapter 1 are from “Forgetfulness”, by Don A. Stuart [John W. Campbell, Jr.], copyright 1937 by Street & Smith Publications, Inc., and originally published in ASTOUNDING STORIES, vol. XIX, No. 4, June 1937, and are used here with the permission of the estate of John W. Campbell, Jr. The title and epigraph for Chapter 3 and the word “grok” are from Stranger in a Strange Land, by Robert A.
    [Show full text]
  • Chris Squire Fish out of Water Mp3, Flac, Wma
    Chris Squire Fish Out Of Water mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Fish Out Of Water Country: Europe Released: 2018 Style: Prog Rock MP3 version RAR size: 1253 mb FLAC version RAR size: 1747 mb WMA version RAR size: 1951 mb Rating: 4.3 Votes: 430 Other Formats: MP1 MP2 AIFF ASF MPC VOC VOX Tracklist The New Stereo Mix 1-1 –Chris Squire Hold Out Your Hand 4:15 1-2 –Chris Squire You By My Side 5:02 1-3 –Chris Squire Silently Falling 11:21 1-4 –Chris Squire Lucky Seven 6:56 1-5 –Chris Squire Safe (Canon Song) 15:02 The Original Stereo Mix Re- Mastered 2-1 –Chris Squire Hold Out Your Hand 4:16 2-2 –Chris Squire You By My Side 5:02 2-3 –Chris Squire Silently Falling 11:57 2-4 –Chris Squire Lucky Seven 6:57 2-5 –Chris Squire Safe (Canon Song) 15:06 Bonus Tracks 2-6 –Chris Squire Lucky Seven (Single Mix) 3:30 2-7 –Chris Squire Silently Falling (Single Version) 3:00 2-8 –Chris Squire & Alan White Run With The Fox 4:12 2-9 –Chris Squire & Alan White Return Of The Fox 4:03 Companies, etc. Record Company – Cherry Red Records Phonographic Copyright (p) – Cherry Red Records Ltd. Copyright (c) – Cherry Red Records Ltd. Remastered At – The Audio Archiving Company Credits Artwork, Design – Hugh Gilmour Bass, Twelve-String Guitar, Vocals – Chris Squire Coordinator – Mark Powell Cover, Photography – Laurence Bernes Drums, Percussion – Bill Bruford Engineer – Gregg Jackman Flute – Jimmy Hastings Liner Notes – Sid Smith Orchestrated By – Andrew Pryce Jackman Organ [Pipe Organ] – Barry Rose Organ, Synthesizer [Bass Synthesizer] – Patrick Moraz Piano [Acoustic And Electric Pianos] – Andrew Pryce Jackman Remastered By – Paschal Byrne (tracks: CD2) Remix – Jakko Jakszyk* (tracks: CD1) Saxophone – Mel Collins Written-By, Arranged By, Producer – Chris Squire Notes Issued in digipak format, includes 24 pages booklet with pictures, production notes and tribute to Chris Squire.
    [Show full text]