1 the Silver Trumpet Owen Barfield Part I Chapter I Once Upon a Time
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Sut Lovingood: Yarns Spun
Sut Lovingood: Yarns Spun George Washington Harris Sut Lovingood: Yarns Spun Table of Contents Sut Lovingood: Yarns Spun.....................................................................................................................................1 George Washington Harris.............................................................................................................................2 PREFACE......................................................................................................................................................3 DEDICATORY..............................................................................................................................................4 SUT LOVINGOOD'S DADDY, ACTING HORSE......................................................................................5 SUT'S NEW−FANGLED SHIRT..................................................................................................................8 THE WIDOW MC CLOUD'S MARE.........................................................................................................11 PARSON JOHN BULLEN'S LIZARDS.....................................................................................................15 A RAZOR−GRINDER IN A THUNDER−STORM...................................................................................19 OLD SKISSIM'S MIDDLE BOY................................................................................................................21 BLOWN UP WITH SODA..........................................................................................................................24 -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Download 1 File
Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
Chinese Cinderella: the True Story of an Unwanted Daughter
After a while I said, “When did my mama die?” “Your mama came down with a high fever three days after you were born. She died when you were two weeks old. …” Though I was only four years old, I understood I should not ask Aunt Baba too many questions about my dead mama. Big Sister once told me, “Aunt Baba and Mama used to be best friends. A long time ago, they worked together in a bank in Shanghai owned by our grandaunt, the youngest sister of Grandfather Ye Ye. But then Mama died giving birth to you. If you had not been born, Mama would still be alive. She died because of you. You are bad luck.” ALSO AVAILABLE IN LAUREL-LEAF BOOKS: THE HERMIT THRUSH SINGS, Susan Butler BURNING UP, Caroline B. Cooney ONE THOUSAND PAPER CRANES, Takayuki Ishii WHO ARE YOU?, Joan Lowery Nixon HALINKA, Mirjam Pressler TIME ENOUGH FOR DRUMS, Ann Rinaldi CHECKERS, John Marsden NOBODY ELSE HAS TO KNOW, In- grid Tomey TIES THAT BIND, TIES THAT BREAK, Lensey Namioka CONDITIONS OF LOVE, Ruth Pennebaker I have always cherished this dream of creating something unique and imper- ishable, so that the past should not fade away forever. I know one day I shall die and vanish into the void, but hope to preserve my memories through my writing. Perhaps others who were also unwanted children may see them a hundred years from now, and be encouraged. I imagine them opening the pages of my book and meeting me (as a ten-year-old) in Shanghai, without actually having left 6/424 their own homes in Sydney, Tokyo, London, Hong Kong or Los Angeles. -
April Parent and Caregiver Guide
Big Heart World Parent & Caregiver Guide Identity and Belonging Released April 2021 What is Big Heart World? Big Heart World will help families learn together about social and emotional skills — what it means to have a big heart and how to grow one. This means: ● Learning about me (self) ● Learning about you (others) ● Learning about us (relationships) Learning social and emotional skills is always important to children’s development. From the time babies are born, they are learning about who they are, developing confidence, compassion, and a sense of what is right and what is wrong. Parents are particularly concerned about their children’s social and emotional development now due to transitions and school closures brought about by COVID-19. If you’re wondering how to help your child express their feelings, figure out friendships, share, enter a classroom environment, or learn what makes them special, Big Heart World is for you. If you’re feeling overwhelmed by the pandemic and endless change and transition, Big Heart World is for you. If you feel like you can’t handle one more tantrum and you want to know what your child is really trying to tell you when they act out, Big Heart World is for you. How wonderful would it be if everyone lived in a Big Heart World? Big Heart World is produced by Sparkler Learning with support from Noggin, the Walton Family Foundation, and many non-profit partner organizations. Learn more: https://bigheartworld.org/about-us/ 1 All About Me: The First Unit of Big Heart The question, “Who am I?” is deceptively simple, but it can take a lifetime to answer! Learning about yourself — who you are — starts when children are tiny. -
Steve Anderson Full Discography
Steve Anderson - Complete Discography Artist Album or Project Description Label Format A Man Called Adam Bread Love And Dreams Remixer Big Life CD Single ABC The Look Of Love Remixer DMC DMC Mix ABC Viva Love Remixer DeConstruction CD Single Adeva It Should Have Been Me Remixer DMC DMC Mix Alanis Morrisette Uninvited Remixer DMC White Label Alexander O’Neal If You Were Here Tonight Remixer DMC DMC Mix Alexander O’Neal Love Makes No Sense Remixer A+M CD Single Alison Limerick And Still I Rise Producer/Co-writer Arista Album Alison Limerick Getting It Right Producer/Co-writer Arista Album Track Alison Limerick Hear My Call Producer/Co-writer Arista CD Single Alison Limerick Make It On My Own Producer/Co-writer Arista CD Single Alison Limerick The Difference Is You Producer/Co-writer Arista Album Track Alison Limerick Trouble Producer/Co-writer Arista Album Track Alison Limerick Where Love Lives Remixer Arista CD Single Alison Limerick You And I Producer/Co-writer Arista Album Track Alyson WIlliams My Love Is So Raw Remixer DMC DMC Mix Amy Grant Baby Baby Remixer A+M CD Single Amy Grant Good For You Remixer A+M CD Single Angel Baby Format 2.1 Producer/Co-writer DMC Album Track Art Of Noise Beatbox Remixer DMC DMC Mix Art Of Noise Dream In Color Remixer ZTT CD Single Asia Blue Escaping Remixer A+M CD Single Atomic Kitten Feels So Good Producer/Co-writer Innocent Album Track Bas Noir I’m Glad You Came To Me Remixer Virgin CD Single Basic Black Whatever It Takes Remixer Motown CD Single Billie Ray Martin Imitation Of Life Remixer East West -
Lyrics by Benj Pasek and Justin Paul
begins not with music, have a single person to whom we can actually speak. We but with noise. As the house lights fade, the audience envisioned two families, each broken in its own way, and is immersed momentarily in the roar of the internet: a two sons, both of them lost, both of them desperate to cacophony of car insurance ads, cat videos, scattered be found. And at the heart of our story, in a world starving shards of emails and text messages and status updates. for connection, we began to imagine a character utterly And then, all at once: silence. On stage, in the white glow incapable of connecting. of a laptop, a boy sits in his bedroom, alone. Though many of the rudiments of the character were Like so many of us, Evan is a citizen of two different already in place by the end of 2011, Evan didn’t fully come worlds, two distinct realities separated by the thin veil of a to life for me until almost two years into the process, when laptop screen. On one side of the screen, the promise of Benj and Justin emailed me a homemade demo of a song instant connection. On the other, a lonely kid, staring at a they were tentatively calling “Waving Back At Me.” blinking cursor, as desperate to be noticed as he is to stay This was to become “Waving Through a Window,” hidden. Evan’s first sung moment in the musical, when we see, Benj Pasek, Justin Paul, and I first began to create with incredible vividness, how the world looks through the the character of Evan over several months in 2011. -
TITLE AIDS Bication of School-Aged Youth. Hearing Before the Committee on Governmental Affairs
DOCUMENT RESUME ED 326 514 SP 032 748 TITLE AIDS bication of School-Aged Youth. Hearing before the Committee on Governmental Affairs. United States Senate, One Hundred First Congress, Second Session. INSTITUTION Congress of the U.S., Washington, D.C. Senate Committee on Governmental Affairs. PUB DATE 3 May 90 NOTE 275p. AVAILABLE FROMSuperintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legslative/Regulatory Materials (090) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS *Acquired Immune Deficiency Syndrome; Risk Persons; *Educational Policy; Elementary Secondary Education; *Government Role; *Health Education; National Surveys ABSTRACT The focus of this hearing was two Government Accounting Office (GAO) evaluative reports on the Centers for Disease Control (CDC) programs to educate school-aged youth about the dangers of Acquired Immune Deficiency Syndrome AIDS) and ways to avoid human immunodeficiency virus (HIV) infection. The GAO's first report ia based on its national survey of school districts and their policies on reaching young people who stay in school and on training teachers in AIDS instruction. The GAO found that more Federal leadership is needed to improve the HIV curriculum and to train teachers about students' knowledge, behavior, and beliefs. The second report concerns the slow progress made by Federal, State, and local governments in reaching the small but critical percentage of youth who are not in school. This group includes the runaways, the homeless, the incw:cerated, the migrants, and street youth who may be involved in a variety of higP-risk behaviors. Witnesses before the committee included educators dnd government officials. -
Ep 13 - Etan Thomas: the Activist Athlete
SEEKING THE EXTRAORDINARY Ep 13 - Etan Thomas: The Activist Athlete JUNE 30 2021 [00:00:00] Seeking the Extraordinary is sponsored by The Colony Group, a national wealth and business management com- pany that seeks the extraordinary by pursuing an unrelenting mission of providing clients with peace of mind and empowering their visions of tomorrow. To learn more about how The Colony Group manages beyond money, visit thecolonygroup.com. Michael Nathanson: Welcome fellow seekers of the extraordinary, welcome to our shared quest. A quest, not for a thing, but for an ideal. A quest, not for a place, but into the inner unexplored regions of ourselves. A quest to understand how we can achieve our fullest potential by learning from others who have done or doing exactly that. May we always have the courage and wisdom to learn from those who have something to teach. Join me now in Seeking the Extraordinary. I’m Michael [00:01:00] Nathanson, your chief seeker of the extraordinary. Friends. I’ve had the privilege of interviewing several professional athletes on this show. But every one of them was extraor- dinary for reasons that exceeded their athleticism. Today’s guest is most certainly of the same caliber. He attended Syracuse University where he played basketball and graduated with a degree in Business Management. In 2000, the year in which he was selected to the first team, All Big East, he was drafted number 12 in the NBA draft and went on to play as a center and power forward for the Washington Wizards, Oklahoma City Thunder and Atlanta Hawks. -
Serial Podcast Season One Every Episode, from 1 to 12, Combined in One Easy-To-Search File
1 Complete Transcripts for Serial Podcast Season One Every episode, from 1 to 12, combined in one easy-to-search file These transcripts are based on the Serial Podcast produced by This American Life and WBEZ Chicago. Original audio files can be found on www.serialpodcast.org, iTunes, and other podcast distribution sites. Producing the transcripts was a crowd sourced effort by some users of the the /r/serialpodcast subreddit during the original release period of the podcast from October to December 2014. Please note they may not be an exact, verbatim record - contributors were told "don't worry about getting every um, and, er. Just try to get the point of the sentence as clear as possible." Particular thanks to /u/JakeProps, organizer of the transcriptions and a founding moderator of the subreddit. Link Title Original release date Episode 1 The Alibi 3 October 2014 Episode 2 The Breakup 3 October 2014 Episode 3 Leakin Park 10 October 2014 Episode 4 Inconsistencies 16 October 2014 Episode 5 Route Talk 23 October 2014 Episode 6 The Case Against Adnan Syed 30 October 2014 Episode 7 The Opposite of the Prosecution 6 November 2014 Episode 8 The Deal with Jay 13 November 2014 Episode 9 To Be Suspected 20 November 2014 Episode 10 The Best Defense is a Good Defense 4 December 2014 Episode 11 Rumors 11 December 2014 Episode 12 What We Know 18 December 2014 This file was downloaded from the Undisclosed Wiki website https://www.adnansyedwiki.com/serial/ where you can find out about aspects of this case that were not covered by Serial, including original case files from both police and the defense, photos, trial transcripts, and other evidence which has come to light since the podcast was made. -
There Are Three Composers That I Have at One Time Or Another Tried to Play
Love Will Come – new long web notes: There are three composers that I have at one time or another tried to play all of their songs: New Orleans R&B pianist Professor Longhair, The Doors, and Vince Guaraldi...Vince Guaraldi and his music are so much a part of the deep heart and soul of San Francisco, and of the experience of childhood, and beyond.” — George Winston In 1996, George released his first album of Guaraldi compositions, entitled LINUS AND LUCY - THE MUSIC OF VINCE GUARALDI. It nicely mixed well known-standards like the title track and Cast Your Fate to the Wind, with less well-known material, including some music cues that had only been heard in the soundtracks. George’s second album of Guaraldi music delves even deeper into the repertoire, uncovering some hidden gems. Like many musicians of his generation, George Winston first heard the music of San Francisco based jazz pianist Vince Guaraldi on his 1962 hit Cast Your Fate to the Wind, and on the 1965 televised Peanuts® animation special A Charlie Brown Christmas. First aired on the CBS network in 1965, the television special was created by the Peanuts® comic strip creator Charles Schulz (1922-2000), writer/producer Lee Mendelson (1933-2019), and former Warner Brothers animator Bill Melendez (1916-2008). Vince Guaraldi was hired to compose the jazz soundtrack, a bold step for network television at that time. Vince completed the diamond that was the Dream Team. At first, some executives at CBS weren’t fully on board about using jazz for the music soundtrack.