Negrc Heritage: a Selected Book List for All Ages
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RACE, REGION, AND REALISM IN THE POSTBELLUM FICTION OF ALBION TOURGÉE, CHARLES CHESNUTT, GEORGE WASHINGTON CABLE, AND MARK TWAIN by KATHERINE BROWN BARROW (Under the Direction of James Nagel) ABSTRACT In the literary movements of Regionalism and Realism that emerged in the wake of the Civil War, Albion Tourgée (1838-1905), Mark Twain (1835-1910), George Washington Cable (1844-1925), and Charles Chesnutt (1858-1932) contributed to the growing field of Southern fiction within these traditions. With varying degrees of verisimilitude, romance, and satire, all four of these authors placed issues of race and nationhood at the thematic center of their most influential novels. In many of their postbellum works of fiction, such as The Grandissimes, Adventures of Huckleberry Finn, Pudd’nhead Wilson and Those Extraordinary Twins, A Fool’s Errand, Bricks without Straw, Mandy Oxendine, The Conjure Woman, The House Behind the Cedars, and The Marrow of Tradition, they explored the persisting racial problems of American life in the last quarter of the nineteenth-century and developed themes that suggested that the nation was still mired in the problems of its past. Perhaps the most significant aspect their postwar novels share is the manner in which they present African American protagonists who actively pursue a better life for themselves by challenging the white patriarchal order. Through various methods of empowerment, such as verbal trickery, escaping slavery, passing into white life, educational and economic advancement, as well as the subversive acts of protest, violence, and revenge, these characters refuse to submit to the social hierarchy to which they are bound by either custom or law. -
Pertaining to Negro Americans; (2) Information Pertaining to Negro
DOCUMPINT RPISUMN ED 032 087 LI 001 664 By-Phinazee, Annette Hoage, Ed. The Georgia Child's Access to Materials Pertaining to American Negroes (Proceedings of the Conference (Atlanta. November 10-11, 1967) . Atlanta Univ., Ca. School of Library Services. Pub Date 68 Note-91p.; Papers presented at a Conference bp.mbured py The ntianta University School of Library Seevict and the Georgia Council on Human Relations, Atlanta University: Novettter I: 191+7, EDRS Price MF 10.50 HC-$4.65 Descriptors-Booklists. *Chacirens Books, Conferences, *Instructional Materials. Library Materials, *Library teeia'a Slection, shlftran.; *iextboolcs Identifiers -*Georgia The topics covered in this collection of paoers include (1) educational materials pertaining to Negro Americans; (2) information pertaining to NegroAmericans in textbooks in Georgia; (3) information pertaining to Negro Americans in"Georgia Library Lists"; (4) significant factors in selecting and rejecting materials;(5) topics and types of materials needed; and (6) methods of increasing the accessibilityof materials in the schools. in libraries and in the home. A summary of the proceedings, a list of publishers who sent materials to be displayed at the conference. and some suggested questions for discussion are appended. (CC) Ll"001664 PROCEEDINGS OF THE CONFERENCE ON THE GEORGIA CHILD'S ACCESS 19 MATERIALSPERTAINING TO AMERICAN NEGROES November 10- 11,1967 Atlanta University School of Library Service Atlanta, Georgia 30314 U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. -
Notable Alphas Fraternity Mission Statement
ALPHA PHI ALPHA NOTABLE ALPHAS FRATERNITY MISSION STATEMENT ALPHA PHI ALPHA FRATERNITY DEVELOPS LEADERS, PROMOTES BROTHERHOOD AND ACADEMIC EXCELLENCE, WHILE PROVIDING SERVICE AND ADVOCACY FOR OUR COMMUNITIES. FRATERNITY VISION STATEMENT The objectives of this Fraternity shall be: to stimulate the ambition of its members; to prepare them for the greatest usefulness in the causes of humanity, freedom, and dignity of the individual; to encourage the highest and noblest form of manhood; and to aid down-trodden humanity in its efforts to achieve higher social, economic and intellectual status. The first two objectives- (1) to stimulate the ambition of its members and (2) to prepare them for the greatest usefulness in the cause of humanity, freedom, and dignity of the individual-serve as the basis for the establishment of Alpha University. Table Of Contents Table of Contents THE JEWELS . .5 ACADEMIA/EDUCATORS . .6 PROFESSORS & RESEARCHERS. .8 RHODES SCHOLARS . .9 ENTERTAINMENT . 11 MUSIC . 11 FILM, TELEVISION, & THEATER . 12 GOVERNMENT/LAW/PUBLIC POLICY . 13 VICE PRESIDENTS/SUPREME COURT . 13 CABINET & CABINET LEVEL RANKS . 13 MEMBERS OF CONGRESS . 14 GOVERNORS & LT. GOVERNORS . 16 AMBASSADORS . 16 MAYORS . 17 JUDGES/LAWYERS . 19 U.S. POLITICAL & LEGAL FIGURES . 20 OFFICIALS OUTSIDE THE U.S. 21 JOURNALISM/MEDIA . 21 LITERATURE . .22 MILITARY SERVICE . 23 RELIGION . .23 SCIENCE . .24 SERVICE/SOCIAL REFORM . 25 SPORTS . .27 OLYMPICS . .27 BASKETBALL . .28 AMERICAN FOOTBALL . 29 OTHER ATHLETICS . 32 OTHER ALPHAS . .32 NOTABLE ALPHAS 3 4 ALPHA PHI ALPHA ADVISOR HANDBOOK THE FOUNDERS THE SEVEN JEWELS NAME CHAPTER NOTABILITY THE JEWELS Co-founder of Alpha Phi Alpha Fraternity; 6th Henry A. Callis Alpha General President of Alpha Phi Alpha Co-founder of Alpha Phi Alpha Fraternity; Charles H. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
African American Lives
Civil War Book Review Fall 2004 Article 5 African American Lives Erica L. Ball Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Ball, Erica L. (2004) "African American Lives," Civil War Book Review: Vol. 6 : Iss. 4 . Available at: https://digitalcommons.lsu.edu/cwbr/vol6/iss4/5 Ball: African American Lives Review Ball, Erica L. Fall 2004 Gates, Henry Louis Jr., Editor and Higginbotham, Evelyn Brooks, Editor. African American Lives. Oxford University Press, $55.00 ISBN 019516024X 611 voices Fleshing out historical figures The scholarly literature on African American history has grown dramatically since the 1982 publication of Rayford Logan and Michl Winston's Dictionary of American Negro Biography. Since that time, scholars have drawn upon unexamined primary sources, applied new methodologies to old questions, and published a wealth of monographs and syntheses that both complicate and expand our understanding of the experiences, history, and influences of Africans and their American-born descendants. The editors of African American Lives, Henry Louis Gates, Jr. and Evelyn Brooks Higginbotham, make the most of the scholarly developments of the last two decades. These two respected and distinguished scholars have combined their expertise with those of the fellows at Harvard University's W.E.B. DuBois Institute for African and African American Research, and the editors of Oxford University Press to create a thorough and engaging reference work. African American Lives includes 611 alphabetically organized biographies ranging from the sixteenth century to the present day. They include the experiences of the most well known black Americans, the life histories of the once-famous and now-forgotten, and a number of ordinary people, whose lives of distinction shaped the contours and content of U.S. -
A Selective Study of Negro Worksongs in the United States Margaret E
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 A Selective Study of Negro Worksongs in the United States Margaret E. Hilton Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Hilton, Margaret E., "A Selective Study of Negro Worksongs in the United States" (1976). Masters Theses. 3429. https://thekeep.eiu.edu/theses/3429 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. A SELECTIVE STUDY OF NEGRO WORKSONGS IN THE UNITED STATES (TITLE) BY MARGARET E. HILTON THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENlS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1976 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE 5'/t.. g�,.i� 1 ADVISER �t9/t '"(' •err 8'4r: DEPARTMENT HEAD I PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. ' The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holding s . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
“Jewish Problem”: Othering the Jews and Homogenizing Europe
NOTES Introduction 1. Dominick LaCapra, History and Memory after Auschwitz (Ithaca, NY; London: Cornell University Press, 1998), 26. 2. Lyotard, Jean Francois, Heidegger and “the jews,” trans. Andreas Michel and Mark S. Roberts (Minneapolis: University of Minnesota Press, 1990). 3. Kathy Acker, Empire of the Senseless (New York: Grove Press, 1988). 4. Charles Maier, The Unmasterable Past, History, Holocaust and German National Identity (Harvard University Press, 1988), 1. 5. See Maurizio Passerin d’Entrèves and Seyla Benhabib, eds., Habermas and the Unfinished Project of Modernity (Cambridge, MA: MIT Press; Cambridge, UK: Polity Press, 1996). 6. LaCapra, History and Memory after Auschwitz, 22, note 14. 7. Ibid., 41. 8. Ibid., 40–41. 9. Jeffrey Alexander et al., Cultural Trauma and Collective Identity (Berkeley: University of California Press, 2004). 10. Idith Zertal, Israel’s Holocaust and the Politics of Nationhood, trans. Chaya Galai, Cambridge Middle East Studies 21 (New York: Cambridge University Press, 2005), 4. 11. Angi Buettner, “Animal Holocausts,” Cultural Studies Review 8.1 (2002): 28. 12. Angi Buettner, Haunted Images: The Aesthetics of Catastrophe in a Post-Holocaust World (PhD diss., University of Queensland, 2005), 139. 13. Ibid, 139. 14. Ibid., 157. 15. Ibid., 159–160. 16. Ibid., 219. 17. Tim Cole, Selling the Holocaust: From Auschwitz to Schindler, How History Is Bought, Packaged and Sold (New York: Routledge, 1999). 18. LaCapra, History and Memory after Auschwitz, 21. Chapter One Producing the “Jewish Problem”: Othering the Jews and Homogenizing Europe 1. Yosef Hayim Yerushalmi, “Exile and Expulsion in Jewish History,” in Crisis and Creativity in the Sephardic World 1391–1648, ed. -
Moses and Frances Asch Collection, 1926-1986
Moses and Frances Asch Collection, 1926-1986 Cecilia Peterson, Greg Adams, Jeff Place, Stephanie Smith, Meghan Mullins, Clara Hines, Bianca Couture 2014 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement note............................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-1987 (bulk 1947-1987)........................................ 5 Series 2: Folkways Production, 1946-1987 (bulk 1950-1983).............................. 152 Series 3: Business Records, 1940-1987.............................................................. 477 Series 4: Woody Guthrie -
Literary African Heritage, Primarily in Response to an Omnipresent
DOCUMENT RESUME ED 058 182 TE 002 438 AUTHOR Schultz, Elizabeth TITLE The Blues in Black Literature. PUB DATE Feb 71 NOTE 5p. JOURNAL CIT Kansas English; v56 n3 p19-23 February 1971 EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *American Literature; Composition (Literary); *Cultural Factors; *Language Usage; *Literary Criticism; *Negro Literature; Poetry; Social Dialects ABSTRACT The literature of black America repeatedly reflects a native rootlessness and its creators' yearning for a home. The black writer settles his work in an ethos, which has evolved from an older African heritage, primarily in response to an omnipresent white society. In this document, one of these ethnic expressions--the blues--is examined as a means of exploring American Negro literature in general. The blues form a body of significant poems and, transmuted, they become the symbolic basis of such complex works as Richard Wright's "Black Boy" and Ralph Ellison's "Invisible Man." In formal terms, the blues are typically a 12 bar, three line stanza--the first two lines repeated, but linked in content and rhyme with the third. (CK) The Blues in Black Literature ELIZABETH SCHULTZ Kansas University American literature has always reflected the American's restlessness and rootlessness. Ishmael goes off to the South Seas. Huck Finn takes a raft down the Mississippi. Christopher Newman heads for Europe. Yet American writers repeatedly ground their works in a particular locale. Hawthorne sticks close to Salem, Faulkner confines himself to his particular postage-stamp, Yoknapataw- pha County, Saul Bellow locates the majority of his works in large urban cen- ters. -
John Lowe Louisiana State University
University of Bucharest Review Vol. XI, no. 1, 2009 John Lowe Louisiana State University Calypso Magnolia: Transience and Durability in the Global South1 Keywords: circumCaribbean literature; Haitian revolution; Southern literary canon; slavery; U.S. South Abstract: The transnational turn in U.S. literary and cultural studies has led to a new consideration of the Atlantic world, particularly of the circumCaribbean, which has been the theatre for some of the most dramatic events of Atlantic history. Haiti, as a nexus for revolution, racial turmoil, and colonial and postcolonial struggle, has always been a lodestar for Southern and circumCaribbean writers. This paper briefly considers links between the U.S. South and the Caribbean, and then examines many examples of the ways in which the Haitian Revolution was reflected in both well-known and more obscure works of U.S. Southern and Caribbean literature, focusing on writers such as Séjour, Cable, Bontemps, Faulkner, Carpentier, Glissant, and James. The concluding section demonstrates how the contemporary Southern writer Madison Smartt Bell drew on this rich literary vein to create his magnificent trilogy on the Haitian Revolution, which begins with the text considered here, All Souls Rising. I also argue that this new configuration of region and cultural history has had and will have future consequences for the status of “durable” and “transient” notions of literary canons. One of the salutary effects of transnationalism/globalization has been the rethinking of nation and national boundaries. The rise of multi-national entities of all kinds and the advent of transnational markets has shaken us into an awareness that cultural configurations have always ignored real and imaginary sovereign boundaries.