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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Newly Cataloged Items in the Music Library August - December 2017
Newly Cataloged Items in the Music Library August - December 2017 Call Number Author Title Publisher Enum Publication Date MUSIC. MCD3.C63 B37 v.1 Vivaldi, Antonio, 1678- Vivaldi : Venetian splendour. International Masters 2006 2006 1741. Pub., MUSIC. MCD3.C63 B37 v.2 Bach, Johann Sebastian, Bach : Baroque masterpieces. International Masters 2005 2005 1685-1750. Pub., MUSIC. MCD3.C63 B37 v.3 Bach, Johann Sebastian, Bach : master musician. International Masters 2007 2007 1685-1750. Pub., MUSIC. MCD3.C63 B37 v.5 Handel, George Frideric, Handel : from opera to oratorio. International Masters 2006 2006 1685-1759. Pub., MUSIC. MCD3.C63 C63 v.1 Haydn, Joseph, 1732- Haydn : musical craftsman. International Masters 2006 2006 1809. Pub., MUSIC. MCD3.C63 C63 v.2 Haydn, Joseph, 1732- Haydn : master of music. International Masters 2006 2006 1809. Pub., MUSIC. MCD3.C63 C63 v.3 Mozart, Wolfgang Mozart : musical masterpieces. International Masters 2005 2005 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 C63 v.4 Mozart, Wolfgang Mozart : classic melodies. International Masters 2005 2005 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 C63 v.5 Mozart, Wolfgang Mozart : magic of music. International Masters 2007 2007 Amadeus, 1756-1791. Pub., MUSIC. MCD3.C63 E17 .1 Beethoven, Ludwig van, Beethoven : the spirit of freedom. International Masters 2005 2005 1770-1827. Pub., MUSIC. MCD3.C63 E17 Rossini, Gioacchino, Rossini : opera and overtures. International Masters 2006 v.10 2006 1792-1868. Pub., MUSIC. MCD3.C63 E17 Schumann, Robert, 1810- Schumann : poetry and romance. International Masters 2006 v.11 2006 1856. Pub., MUSIC. MCD3.C63 E17 Mendelssohn-Bartholdy, Mendelssohn : dreams and fantasies. International Masters 2005 v.12 2005 Felix, 1809-1847. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
V for Vendetta’: Book and Film
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro Dissertação orientada por Doutora Teresa Cid MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 Abstract The current work seeks to contrast the book version of Alan Moore and David Lloyd‟s V for Vendetta (1981-1988) with its cinematic counterpart produced by the Wachowski brothers and directed by James McTeigue (2005). This dissertation looks at these two forms of the same enunciation and attempts to analise them both as cultural artifacts that belong to a specific time and place and as pseudo-political manifestos which extemporize to form a plethora of alternative actions and reactions. Whilst the former was written/drawn during the Thatcher years, the film adaptation has claimed the work as a herald for an alternative viewpoint thus pitting the original intent of the book with the sociological events of post 9/11 United States. Taking the original text as a basis for contrast, I have relied also on Professor James Keller‟s work V for Vendetta as Cultural Pastiche with which to enunciate what I consider to be lacunae in the film interpretation and to understand the reasons for the alterations undertaken from the book to the screen version. An attempt has also been made to correlate Alan Moore‟s original influences into the medium of a film made with a completely different political and cultural agenda. -
Newsletter the Society of Architectural Historians
VOL. XXXIII NO. 2 APRIL 1989 liTJ(JTAS RRmrrns UEDU51BS - NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS SAH NOTICES the National Council on Public History Special Announcement in cooperation with the Society for 1990 Annual Meeting-Boston, Industrial Archeology, June 23 -30, 1989, Massachusetts (March 28-April 1 ). At the Annual Meeting in Montreal this month, the SAH will Loyola University, Chicago, Illinois. Elisabeth Blair MacDougall, Harvard Industrial history has become an in University (retired), will be general chair kick off its 50th Anniversary Fund Raising Campaign. The Board of creasingly important concern for cultural of the meeting. Keith Morgan, Boston resource professionals. Thirty-eight na University, will serve as local chairman. Directors has approved as a con cept and slogan for this campaign, tional parks and numerous state facilities Headquarters for the meeting will be the are already involved in interpreting tech Park Plaza Hotel. A Call for Papers for "$50 FOR THE 50th." It is our goal that every member (Active catego nological and industrial history to the the Boston meeting appears as a four public. In the wake of Lowell National page insert in this issue. Those who wish ry and higher) contribute at least $50 to one of the campaign pro Historical Park, industrial heritage initia to submit papers for the Boston meeting tives all across the country are being are urged to do so promptly, and in any grams to be announced at the Annual Meeting in Montreal. All linked to economic development and case before the deadline of August 31, tourism projects. The assessment, inter 1989. -
Looking for Leisure. Court Residences and Their Satellites 1400-1700
A Variation on the ‘Villa’ at the Bohemian Periphery: The Case of the Rožmberk (Rosenberg) Looking for Leissure Residence of Kratochvíle Ondřej Jakubec ‘There are meanings hidden behind the veil of stories.’ (Giorgio Vasari, Ragionamenti) In August 1582, Vilém of Rožmberk (1535–1592), the ruler of the Rožmberk family and the highest burgrave, met with his well-travelled brother Petr Vok (1539–1611) in Vilém’s recently-acquired fortified manor house near Netolice in South Bohemia. Vilém, the most important representative of the Bohemian estates, intended to build a new residence there, later to be called Kratochvíle. The purpose of this meeting was to discuss how to ‘erect a glorious building here’.1 The expression ‘glorious’ in the sense of ‘outstanding’ or ‘famous’ shows that from the very beginning, Vilém of Rožmberk meant his residence to be something exceptional that would attract the desired attention. The goal of this text is to introduce the Kratochvíle complex, the occasional and recreational residence begun at the end of the sixteenth century by Vilém of Rožmberk and later completed by his brother Petr, the last two members of the family line. The residence is well preserved, including its rich decoration, and provides a wealth of material for interpretation. What did Kratochvíle mean to its owners? How is it related to other, similar buildings of the period? Kratochvíle is quite unique among these buildings, as it is at once a pleasure house (Lustgebäude), a hunting lodge (casino del caccia), an occasional residence, and a villa. Kratochvíle’s uniqueness lies not only in its appearance and adornment but also in its origins and how it came to take on this particular form. -
Perceptions of Meaningfulness Among High School Instrumental
Perceptions of Meaningfulness Among High School Instrumental Musicians by Janet Cape A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved January 2012 by the Graduate Supervisory Committee: Sandra Stauffer, Chair Jeffrey Bush Margaret Schmidt Jill Sullivan Evan Tobias ARIZONA STATE UNIVERSITY May 2012 ABSTRACT The purpose of this multiple case study was to investigate what students in three high school music groups perceived as most meaningful about their participation. I also examined the role that context played in shaping students’ perceptions, and sought potential principles underlying meaning and value in instrumental ensembles. Over the course of six months I conducted a series of in-depth, semi- structured interviews with six student wind ensemble members, five student guitar class members, and six jazz band members at three high schools in Winnipeg, Canada. I interviewed the participants’ music teachers and school principals, observed rehearsals and performances, and spoke informally with parents and peers. Drawing upon praxial and place philosophies, I examined students’ experiences within the context of each music group, and looked for themes across the three groups. What students perceived to be meaningful about their participation was multifaceted and related to fundamental human concerns. Students valued opportunities to achieve, to form and strengthen relationships, to construct identities as individuals and group members, to express themselves and communicate with others, and to engage with and through music. Although these dimensions were common to students in all three groups, students experienced and made sense of them differently, and thus experienced meaningful participation in multiple, variegated ways. -
Downloads.Html [Accessed November 29, 2011]
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 A Performer's Guide to Dr. Thomas Jefferson Anderson's Sunstar for Solo B-Flat Trumpet and Two Cassette Recorders Kenneth C. Trimmins Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A PERFORMER’S GUIDE TO DR. THOMAS JEFFERSON ANDERSON’S SUNSTAR FOR SOLO B-FLAT TRUMPET AND TWO CASSETTE RECORDERS By KENNETH C. TRIMMINS A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester, 2012 Kenneth C. Trimmins defended this treatise on June 27, 2012. The members of the supervisory committee were: Christopher R. Moore Professor Directing Treatise Richard Clary University Representative Paul Ebbers Committee Member Patrick Meighan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii I believe in the old saying about a village raising a child. I would like to dedicate this document to the “village” that raised and educated me; my entire family, former teachers and friends who have been so supportive of me during my life of learning. iii ACKNOWLEDGEMENTS I want to thank God for giving me the strength and presence of mind to accomplish this wonderful achievement. The completion of this treatise would not have been possible without the encouragement, assistance and support of many people. First, to the members of my committee: Christopher Moore, Richard Clary, Patrick Meighan, and Paul Ebbers. -
From the Library of Cosmo Alexander Gordon
FROM THE LIBRARY OF COSMO ALEXANDER GORDON Lucretius De Rerum Natura 1-27 Sixteenth century 28-33 Seventeenth century 34-53 Eighteenth century 54-79 Nineteenth century 80-90 Twentieth century 91-92 BERNARD QUARITCH LTD List 2015/3 [email protected] +44 (0)20 7297 4888 Introduction by Nicolas Barker ‘Cosmo and I found our tastes and interests were always in harmony and I came to love his particular sense of humour and gentle goodness, as well as to respect his unusual style of scholarship and general culture.’ So wrote his life-long friend, Geoffrey Keynes in The Gates of Memory. All those who knew him shared the same feeling of calm and contentment, leavened by humour, in his company. Something of this radiates from this residue of a collection of books, never large but put together with a discrimination, a sense of the sum of all the properties of any book, that give it a special quality. Cosmo Alexander Gordon was born on 23 June 1886, the son of Arthur and Caroline Gordon of Ellon, Aberdeen. Ellon Castle was a modest late medieval building, with eighteenth-century additions and yew avenue, the river Ythan running by, where Cosmo fished for salmon and sea-trout. Dr Johnson stayed there in 1773 and admired the local antiquities. So did Cosmo; his taste had extended to medieval manuscripts before he left Rugby for King’s in 1904, where it was nurtured by M. R. James. Although Keynes had also been at Rugby, they did not meet until both were at Cambridge, where Gordon introduced his new friend to David’s book-stall and seventeenth-century literature; they shared a passion for Browne and Fuller. -
Canada 14Usic
TTItr CAI{ADIAAT MUSIC TtrACHER LE PROFESSET_IR DE MUSTQUE CANADTEN oF Muslc lE4c,,eaa. -{f€o€FAnoN r"*2.,fo* c-ffi'r,A % 'W' o CFMTA tt^n't*f*ff#**.*d FCAPM CANADA 14USIC otfft'" t*""t""'ru" -rr$teoeRerto* "\ "".- cFffisl-A iwr 7 CONTTNIS n-*"^"F"#HM.,".."d h|EEK* Greetings from CFMT4....................... 3 Pyovincial Co-ordinators ............ ..........4 Canada Music WeekrM Supplies ............5 LA SEMAINE DE LA MUSIOUE CANADIENNE Diamond Jubilee CoIIection .................6 From the Provinces ..............................8 Editing Your Composition,................13 M)'sten' Music ....,.............14 Lessons With Yiolet fucher................I5 Inten'ierv u'ith Nlartin Beaver.............16 Classical trlusic Comes to lvlanitoulin ............ ........21 The Forsvths...,.,......... ......23 Music and Creativin' ............ ..............27 Music Writing Competition ...............29 1999 Provincial Winners ............ ........29 Music Writing Competition Regulations...............30 Music Writing Entry Form........ .........32 Music Writing Competition Winners .......33 Reviervs.... ........37 Music Qui2......... ..............39 - I - Executive Directory ..........40 NOVEMBEP 19 26 ' 2OAO P 26 NOVEMBPE Advertising Rate Card. ......42 The Prcven Theory Series It's the proven series to help your students learn, understand, enjoy and excel on RCM exams. Written by one of Canada's leading theorists and the former head of exams for the Royal Conservatory. The Lawless Theory Series Tnk,tl ,i Getting off to the right start... This -
JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY Orbil ID™E Eclronic 1Ynrhe1izer P,UJ ~ -~Oh Xe01pinel Orgon Equoj
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbil ID™e eclronic 1ynrhe1izer P,UJ ~ -~oh_xe01pinel orgon equoJ... rhenewe;I woy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dep t: 1072 WURLilzER ® The Wurlitzer Company, DeKalb, Illinois 60115. ha.4'1he ,vay cover- photo ... Genii's console, the 3/13 235 Special Wurlitzer with Brass Trumpet, was installed in the Canal Street Theatre in New York in 1927, and was moved to the Triboro The atre in Queens, New York in 1931. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk;