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Diplomarbeit DIPLOMARBEIT Titel der Diplomarbeit „Französische Einflüsse in der ungarischen Schlossarchitektur des Barock“ Verfasserin Timea Molnár BA angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, November 2012 Studienkennzahl lt. Studienblatt: A 315 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreuer: Ao. Univ.-Prof. Dr. Petr Fidler 1 2 DANKSAGUNG Ich möchte mich an dieser Stelle bei den Menschen bedanken, die mir aufgrund ihrer Unterstützung, ihrem Beistand und ihrem Zuspruch Kraft gegeben haben, eine für mich so wichtige Arbeit zu schreiben. Mein allererster und größter Dank geht an meine Eltern Viktoria und István Molnár. Ihr habt mir nicht nur die Möglichkeit geschenkt, eine gute und fundierte Ausbildung zu erhalten, sondern diese auch in jenem Fachbereich genießen zu können, der mir Freude bereitet und mich ausfüllt. Durch euren Mut und eure Kraft habt ihr mich zu dem Menschen geformt der ich heute bin und dafür kann ich euch nicht genug danken. Ihr seid die liebsten, großzügigsten und verständnisvollsten Menschen die ich kenne. Ich hoffe, ich kann euch eines Tages das was ihr für mich getan habt in einer euch würdigen Art und Weise wieder zurück geben. Köszönöm szépen! Ein großes Dankeschön geht an meine bessere Hälfte, Thomas. Danke, dass du so geduldig mit mir warst, mich angetrieben hast als ich kraftlos war, mir Mut gemacht hast, als ich hoffnungslos war. Ohne deine Liebe und dein Verständnis hätte ich das alles nie so bravourös meistern können. Szeretlek! Außerdem möchte ich mich bei meinem Diplombetreuer, Univ.-Prof. Dr. Petr Fidler bedanken, der mir aufgrund seines kunstgeschichtlichen Fachwissens, das mir grenzenlos scheint, dieses Thema vorgeschlagen hat. Mein Interesse an der Architektur wurde nicht zuletzt durch Ihr spannendes Seminar über die italienische Barockarchitektur geweckt. Dass das Thema meiner Diplomarbeit dann von französischer und ungarischer Architektur handelt, hätte ich dann doch nicht geahnt, bereue es aber in keinster Weise. Vielen Dank! Zu guter Letzt möchte ich auch meine Lektorinnen Julia Traub und Verena Umgeher nicht unerwähnt lassen. Danke, dass ihr euch die Mühe gemacht habt, meine Arbeit durchzulesen und ihr den letzten Schliff zu verleihen. Muchas gracias! 3 4 Inhaltsverzeichnis Inhaltsverzeichnis ........................................................................................................................... 5 1 Einleitung ................................................................................................................................ 8 2 Forschungsstand ................................................................................................................... 11 3 Die Entwicklung einer neuen Stilrichtung in Frankreich ......................................................... 13 3.1 Der Wandel von der wehrhaften Burg zum repräsentativen Schloss ....................................... 14 3.2 Das „maison de plaisance“ ........................................................................................................ 15 3.3 Der Aufstieg des neuen Adels ................................................................................................... 16 4 Schlösser der Frühklassik ..................................................................................................... 17 4.1 Das Schloss Maisons ................................................................................................................ 17 4.2 Das Schloss Vaux-le-Vicomte: Inbegriff eines Lustschlosses ................................................... 19 4.2.1 Grundriss ......................................................................................................................... 20 4.2.2 Fassadengestaltung ........................................................................................................ 22 4.2.3 Ausstattung ...................................................................................................................... 24 5 Die Prachtbauten König Ludwig XIV. ..................................................................................... 26 5.1 Der Louvre: Palast des Sonnenkönigs ...................................................................................... 27 5.1.1 Entwürfe für die Ostfassade ............................................................................................ 27 5.1.2 Ausführung der Ostfassade und Verdoppelung des Südflügels ..................................... 29 5.2 Das Schloss Versailles: Herrschaftssitz und Symbol der Macht ............................................... 31 5.2.1 Der Wandel vom Jagdschloss zum Lustschloss ............................................................. 31 5.2.1.1 Umbaumaßnahmen am Jagdschloss Ludwig XIII. (bis 1668) ............................... 31 5.2.1.2 Louis Le Vaus Plan des „enveloppe“ (nach 1668) ................................................. 32 5.2.1.3 Veränderungen am Schloss durch Jules Hardouin-Mansart ................................. 34 5.2.2 Das Innere des Schlosses ............................................................................................... 35 5.2.2.1 Exkurs: Der Régence-Stil und der Übergang zum Rokoko ................................... 35 5.2.2.2 Räume und Ausstattung ......................................................................................... 38 6 Landhäuser und Lustschlösschen ......................................................................................... 40 6.1 Clagny: ein château für die Maitresse des Königs .................................................................... 40 6.2 Choisy: Das Anwesen von Anne-Marie-Louise d’Orléans ........................................................ 42 6.3 Der Übergang zur simplicité ...................................................................................................... 44 7 Französische Architekturtraktate als Musterbücher für Europa .............................................. 45 7.1 Jacques I. Androuet du Cerceau ............................................................................................... 46 7.2 Augustin Charles D’Aviler .......................................................................................................... 47 7.3 Charles-Étienne Briseux ............................................................................................................ 48 7.4 Jacques-François Blondel ......................................................................................................... 49 8 Stilelemente der französischen Klassik im Schlossbau ......................................................... 50 8.1 Schlosstypen und Grundrissformen .......................................................................................... 50 5 8.2 Fassadengestaltung .................................................................................................................. 52 8.3 Ausstattung und Gestaltung des Schlossinneren ..................................................................... 53 9 Das Aufkommen des Barocks in Ungarn ............................................................................... 55 9.1 Historische Vorläufer ................................................................................................................. 56 9.2 Erste barocke Ansätze ............................................................................................................... 57 9.3 Zur Entfaltung des Barocks in der heutigen Slowakei .............................................................. 59 10 Die ungarischen Schlösser der frühen Barockphase ....................................................... 60 10.1 Schloss Savoyen in Ráckeve ............................................................................................... 61 10.1.1 Grundrissdisposition ........................................................................................................ 62 10.1.2 Fassadengestaltung ........................................................................................................ 63 10.2 Barockschlösser mit Wohntürmen ........................................................................................ 66 10.2.1 Schloss l’Huillier-Coburg in Edelény .................................................................................... 67 10.2.2 Schloss Esterházy in Cseklész ............................................................................................. 69 11 Die Ungarischen Barockschlösser im „Grassalkovich – Stil“ .................................................. 71 11.1 Exkurs: Der königliche Palast von Buda .............................................................................. 71 11.1.1 Der Vorgängerbau unter Karl VI. ..................................................................................... 71 11.1.2 Der Entwurf für den königlichen Palast ........................................................................... 72 11.1.3 Weitere Veränderungen am ungarischen Palast ............................................................. 76 11.2 Schloss Grassalkovich in Gödöllő ........................................................................................ 76 11.2.1 Baugeschichte ................................................................................................................. 76 11.2.2 Fassadengliederung ........................................................................................................ 79 11.2.3 Raumaufteilung und Ausstattung ....................................................................................
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