Library Perspectives, Issue 25, Fall 2001
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Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
Re-Valuing Capital: Nicholson Baker and the Subject of Objects
Wesleyan University The Honors College Re-Valuing Capital: Nicholson Baker and the Subject of Objects by John Schmidt Class of 2013 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in English Middletown, Connecticut April, 2013 for Noah i contents acknowledgements iii Introduction 1 “The Subject Matter is Trivial” Chapter One 15 Perforation, Escalation, Meditation, Reification, Etcetera: An Incomplete List of Observations About The Mezzanine Chapter Two 33 Literature and/as Pornography: Nicholson Baker’s (Auto)Erotics of Reading Chapter Three 59 “Vast Dying Sea”: On the Life of Objects and the Texture of History Coda 87 “Last Essay” bibliography 89 ii acknowledgements This is not a project I could have ever finished on my own, and for that reason, some thanks are in order. Thank you, first of all, to my housemates at 220 Cross Street—Sam, Bennett, and Aaron—who are some of the most intelligent people I know, and who have been an inspiration all the way through this process. Thank you to Matthew Garrett, who not only introduced me to many of the theorists I draw from here, but who also took an active interest in the project itself, and managed to save my reading of Marx from vulgarity. Thank you to Marguerite Nguyen, who came into all of this in the middle with great poise and enthusiasm. Without your help and assurance I know that I would not get half as far as I did. A particularly emphatic thank you to Sally Bachner, from whose conversation this thesis arose and took shape. -
Brittle Paper
2/2/2016 preservationhistory Brittle Paper Brittle Paper (/Brittle+Paper) Edit 0 (/Brittle+Paper#discussion) 11 (/page/history/Brittle+Paper) … (/page/menu/Brittle+Paper) Brittle Books, Bad Paper The “brittle book” phenomenon has been one of the main preoccupations of preservationists and conservationists since the 1930s, but it has roots far deeper. Resulting from changes in papermaking that developed in the modern era, papers containing the (acidic) cause of their own early demise worried librarians and book lovers alike. Many of the preservation trends of the 20th century have emerged in response to the “inherent vice” of papers produced from the 1850s through the 1950s Why this paper crisis developed and how the library community has attempted to deal with the consequences of acidic paper is the subject of this section. Papermaking and the Creation of Acidic Paper In order to understand why brittle paper became such an issue of concern to preservationists, it is essential to learn a few basics about the papermaking process and how it has changed over time. Certain kinds of paper do not present serious or specific conservation issues because the processes used to produce them have created a relatively stable paper. The major concerns of preservationminded librarians developed out of paper produced beginning in the 1850s (approximately), which were created using chemicals and processes that contain the seeds of embrittlement and can greatly shorten the life of documents printed on them. The cellulose content of paper and the chemicals used to process it have much to do with how well the paper ages and how long it remains in good, usable condition. -
Author Nicholson Baker at UNH Feb. 12, 2015
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 2-4-2015 Author Nicholson Baker at UNH Feb. 12, 2015 Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Author Nicholson Baker at UNH Feb. 12, 2015" (2015). UNH Today. 4626. https://scholars.unh.edu/news/4626 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. UNH News: Author Nicholson Baker at UNH Feb. 12, 2015 Page 1 of 1 Media Relations February 4, 2014 Author Nicholson Baker at UNH Feb. 12, 2015 DURHAM, N.H. Internationallyacclaimedauthor Nicholson Baker will read from his work and hold a question and answer session Thursday, Feb. 12, 2015, at 5 p.m. at the University of New Hampshire’s Memorial Union Building, Theatre I, as part of the UNH English Department’s Writers Series. The event is free and open to the public. Baker is the author of 10 novels and four works of nonfiction, including The Mezzanine, Vox, Double Fold, Human Smoke, and The Anthologist. He has received a National Book Critics Circle award, a James Madison Freedom of Information Award, and the Katherine Anne Porter Award from the American Academy of Arts and Letters. His work has appeared in The New Yorker, Harper's, and The New York Review of Books. -
Libraries' Intertwined Challenges of Newspaper Morgues, Microfilm
© 2015 Richard L. Saunders Too Late Now: Libraries’ Intertwined Challenges of Newspaper Morgues, Microfilm, and Digitization Many major newspapers once produced and distributed different editions of a newspaper for different markets on the same day. This publication arrangement lasted for about a century, from the Gilded Age of the 1880s until business consoli- dation happened in the news industry during the 1970s and 1980s.1 The contents of the editions of the same newspaper could vary widely. The existence (and disappearance) of simultaneous newspaper editions represents one of the greatest documentary challenges facing present and coming generations of genealogists, local communities, and social historians. This article provides an argument to pay attention to three interrelated issues facing librarians today: first, an overlooked collection issue related to newspapers and special collections librarianship; second, why newspaper microfilm may not be an adequate substitute for print; and third, why digital options may not be adequate substitutes for newspaper microfilm. This is a situation that has evolved over time and rests on more than newspaper publication practices. As custodians of the material from which the local and national past is told, it is now very much a practical matter for libraries today. The story involves choices made when newspapers were microfilmed and involves li- braries again as microfilm becomes the platform for creating new digital resources. Since microfilm is a widely trusted medium in libraries, and since digital access to increasingly large and detailed databases is being similarly adopted, why would either newspaper microfilm or digital databases be a potential issue of concern to special collections libraries? Truthfully, it may not be. -
ED325122.Pdf
DOCUMENT RESUME ED 325 122 IR 053 313 AUTHOR Merrill-Oldham, Jan; Walker, Gay TITLE Brittle Books Programs. SPEC Kit 152. INSTITUTION Association of Research Libraries, Washington, D.C. Office of Management Studies. REPORT NO ISSN-0160-3582 PUB DATE Mar 89 NOTE 161p. AVAILABLE FROMAssociation of Research Libraries (ARL), Office of Management Studies, 1527 New Hampshire Ave., NW, Washington, DC 20036 ($20.00 per copy; subscriptions are available). PUB TYPE Guides - Non-Classroom Use (055) Reports Research/Technical (143) -- Tests/Evaluation Instruments (160) EDRS PRICE MF01 Plt;. postage. PC Not Available from EDRS. DESCRIPTORS Academic Libraries; *Administrative Policy; Books; Guidelines; Higher Education; Library Collection Development; Library Standards; Library Surveys; *Microreproduction; *Preservation; Program Descriptions; Records (Forms); *Research Libraries; Search Strategies; *Serials IDENTIFIERS *Brittle Books ABSTFACT This document focuses on the evaluation, bibliographic searching, replacement, preservation photocopying, and microfilming of library materials that are too brittle to handle without risking damage. To assess these activities, a SPEC (Systems and Procedures Exchange Center) survey was sent to members of the Association of Research Libraries (ARL), with resonses from 64 to 118 member libraries (54%). Over 90% of the responding libraries have some mec%anism for systematically identifying brittle books. Most libraries operate programs for replacing brittle books with hard or film copies and for fitting materials that cannot be replaced with protective wrappers and boxes. More than half of the libraries have developed preservation photocopying and microfilming capabilities. Nearly half of the libraries segregate brittle materials. Most libraries assign the responsibility of selecting preservation options to professional librarians, and many have forged links between preservation and collection development. -
Microforms: Marriages, Mergers, and Migrations
University of South Florida Scholar Commons School of Information Faculty Publications School of Information 2005 Microforms: Marriages, Mergers, and Migrations Authors: Anna H. Perrault “Migration” is a term used to describe the reformatting of materials or the moving of information from one format to a different format. The onc version of printed and original documents to microformats was a migration from paper, which was regarded as impermanent, to film, which was regarded as permanent. Today the term “migration” is most often used to denote the conversion of print or microform texts to electronic format to another. This paper begins with a brief history of the development of microforms as a storage and preservation medium with emphasis on the last two decades of the twentieth century in the United States. Recent issues in access and preservation are examined. Finally, the future of microforms is considered in light of migration to electronic formats for preservation. Follow this and additional works at: https://scholarcommons.usf.edu/si_facpub Part of the Library and Information Science Commons Scholar Commons Citation Perrault, Anna H., "Microforms: Marriages, Mergers, and Migrations" (2005). School of Information Faculty Publications. 27. https://scholarcommons.usf.edu/si_facpub/27 This Book Chapter is brought to you for free and open access by the School of Information at Scholar Commons. It has been accepted for inclusion in School of Information Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Microforms: Marriages, Mergers, and Migrations by Anna H. Perrault History The production of microforms can be traced to an invention by John Dancer of Manchester, England, who in 1839 had the idea of “marrying” two devices with lenses to fashion a camera which would produce the magnification of a microscope. -
Progressive Librarian #24 Page 1 EDITORIAL
PROGRESSIVETABLE LIBRARIAN OF #24 CONTENTS WINTER 2004/05 EDITORIAL Miss Leftist Manners’ Guide to Excruciatingly Correct Communication with Right-Wingers by John Buschman 2 ARTICLES The Controversy over Double Fold as a Battle of Elites, by David Woolwine 5 The View from the Intersection of School Library Women and Work, by Linda Esser 14 The Myth of the Neutral Professional by Robert Jensen 28 Into a Google World: Rethinking Ubiquity by Peter McDonald 35 DOCUMENTS Jailed for Dissent “In These Times” speech by Chris Gaunt 41 Declaration from Buenos Aires, by the First Social Forum on Information, Documentation & Libraries 50 PRODUCT REVIEW HP Scanjet 4670C: A Review, by Lincoln Cushing 53 NOTES ON CONTRIBUTORS 55 PLG STATEMENT OF PURPOSE 56 Progressive Librarian #24 page 1 EDITORIAL Miss Leftist Manners’ Guide to Excruciatingly Correct Communication with Right-Wingers The editors of Progressive Librarian have been inundated with mail from Our Readers, beseeching us for advice in matters of professional communication with some of our similarly political- ly-engaged colleagues ...on the Right. None of our dear readers felt qualified to engage in the delicate matters of proper and polite communications with The Other of our Hallowed Profession, so they engaged my services (and properly so) – Miss Leftist Man- ners. Fortunately MLM (as she refers to herself) is quite familiar with all the newfangled aspects of our field – dreadfully and fa- miliarly called information technology – as well as the honored traditions of organizing and housing -
Archives As Artifacts: Authenticity, Preservation, and Significant Properties in Microfilm and Digital Surrogates Jamie A
Provenance, Journal of the Society of Georgia Archivists Volume 33 Article 9 Number 1 SNAP 2015 Archives as Artifacts: Authenticity, Preservation, and Significant Properties in Microfilm and Digital Surrogates Jamie A. Patrick-Burns University of North Carolina at Chapel Hill Follow this and additional works at: https://digitalcommons.kennesaw.edu/provenance Part of the Archival Science Commons Recommended Citation Patrick-Burns, Jamie A., "Archives as Artifacts: Authenticity, Preservation, and Significant Properties in Microfilm and Digital Surrogates," Provenance, Journal of the Society of Georgia Archivists 33 no. 1 (2015) . Available at: https://digitalcommons.kennesaw.edu/provenance/vol33/iss1/9 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Provenance, Journal of the Society of Georgia Archivists by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. 49 Provenance XXXIII, Issue 1: SNAP Special Issue Archives as Artifacts: Authenticity, Preservation, and Significant Properties in Microfilm and Digital Surrogates Jamie A. Patrick-Burns “[Microfilm] promised to have an impact on the intellectual world comparable with that of the invention of printing,” wrote one scholar in the 1930s.1 Microphotography was “one of the most important developments in the transmission of the printed word since Gutenberg,” claimed another enthusiastic author.2 Leading librarians in research universities, the Library of Congress and the Council on Library Resources touted microfilm as the way of the future, and many in the library community followed their lead.3 The technology has not lived up to the predictions of fervent devotees, but it has become a staple in archives and libraries around the world. -
Perspectives
A Newsletter Fall 2001 ✦ Issue No. 25 of the Oberlin College Library Library Perspectives ILLiad Improves Nicholson Baker to Speak at Friends Dinner Interlibrary Loan Novelist, essayist, and library activist Over the summer the Oberlin Nicholson Baker will be the featured College Library implemented a new speaker at the Friends of the Library an- interlibrary loan (ILL) processing nual dinner on Saturday, November 10. system that promises to be substan- Baker’s most recent book, Double Fold: Li- tially more efficient and convenient braries and the Assault on Paper, is an im- for both patrons and library staff. passioned critique of the collection pres- The new system, called ILLiad, al- ervation programs of our nation’s research lows users to create personal ac- libraries, particularly the Library of Con- counts, and once logged on, they gress. can make new interlibrary loan re- Double Fold, which has received sub- quests as well as track, modify, or stantial media attention, focuses on the cancel requests that are already in practice of microfilming newspapers and progress. ILLiad replaces the paper brittle books and discarding the original and Web forms that were previously paper copies. Princeton historian Robert used for placing requests. Darnton (who will deliver the Jantz Lec- Nicholson Baker ILLiad, which stands for ture at Oberlin this fall – see related ar- InterLibrary Loan internet acces- ticle below) reviewed the book positively in the April 26 New York Review of Books and sible database, was developed by the it was featured on the cover of the April 15 New York Times Book Review. -
Introduction to Bibliography
INTRODUCTION TO BIBLIOGRAPHY Seminar Syllabus G. THOMAS TANSELLE ! Syllabus for English/Comparative Literature G4010 Columbia University ! Charlottesville B O O K A R T S P R E S S University of Virginia 2002 This page is from a document available in full at http://www.rarebookschool.org/tanselle/ Nineteenth revision, 2002 Copyright © 2002 by G. Thomas Tanselle Copies of this syllabus are available for $25 postpaid from: Book Arts Press Box 400103, University of Virginia Charlottesville, VA 22904-4103 Telephone 434-924-8851 C Fax 434-924-8824 Email <[email protected]> C Website <www.rarebookschool.org> Copies of a companion booklet, Introduction to Scholarly Editing: Seminar Syllabus, are available for $20 from the same address. This page is from a document available in full at http://www.rarebookschool.org/tanselle/ CONTENTS Preface • 10 Part 1. The Scope and History of Bibliography and Allied Fields • 13-100 Part 2. Bibliographical Reference Works and Journals • 101-25 Part 3. Printing and Publishing History • 127-66 Part 4. Descriptive Bibliography • 167-80 Part 5. Paper • 181-93 Part 6. Typography, Ink, and Book Design • 195-224 Part 7. Illustration • 225-36 Part 8. Binding • 237-53 Part 9. Analytical Bibliography • 255-365 Subject Index • 367-70 A more detailed outline of the contents is provided on the next six pages. This page is from a document available in full at http://www.rarebookschool.org/tanselle/ 4 Tanselle: Introduction to Bibliography (2002) OUTLINE OF CONTENTS 1. The Scope and History of Bibliography and Allied Fields A. Selected Basic Readings (pages 13-14) B. -
Double Fold Or Double Take? Book Memory and the Administration of Knowledge
Libri, 2002, vol. 52, pp. 28–35 Copyright Saur 2002 ______________________________________________ Printed in Germany · All rights reserved Libri ISSN 0024-2667 Double Fold or Double Take? Book Memory and the Administration of Knowledge TARA BRABAZON School of Media, Communication and Culture, Murdoch University, Murdoch, Western Australia, Australia The year 2001 will be known for many destructive and braries, librarians and the distinctions between information highly visible public tragedies. However within the librarian and knowledge. Yet the article also suggests that Baker did discourse, it will be remembered for the controversies en- not extend his case for preservation far enough: to the realm circling the publication of Nicholson Baker’s Double Fold. of popular memory, popular culture and digital ephemera. This article assesses the rationale, direction and scope of this Without attention to these matters, libraries will remain ne- book and resultant debate, showing what it reveals about li- glected cemeteries: the passionless cranium of the culture. Prologue cultural studies. To pay for his education, he is working at one of Western Australia’s University My garage spells of naphthalene. Because I hang libraries as the jack-the-lad lifter, stacker, shifter washing out to dry in the conjoined garage, my and gofer. One day, his mother informed me that frocks smell of naphthalene. Because the car lives this library was disposing of the entire collection there, my car smells of naphthalene. The origin of The West Australian, the longest surviving state- of – and rationale for – this piquant odour re- based newspaper. Her son was responsible for quires the telling of a story.