The Adventure of the New York World
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Re-Valuing Capital: Nicholson Baker and the Subject of Objects
Wesleyan University The Honors College Re-Valuing Capital: Nicholson Baker and the Subject of Objects by John Schmidt Class of 2013 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in English Middletown, Connecticut April, 2013 for Noah i contents acknowledgements iii Introduction 1 “The Subject Matter is Trivial” Chapter One 15 Perforation, Escalation, Meditation, Reification, Etcetera: An Incomplete List of Observations About The Mezzanine Chapter Two 33 Literature and/as Pornography: Nicholson Baker’s (Auto)Erotics of Reading Chapter Three 59 “Vast Dying Sea”: On the Life of Objects and the Texture of History Coda 87 “Last Essay” bibliography 89 ii acknowledgements This is not a project I could have ever finished on my own, and for that reason, some thanks are in order. Thank you, first of all, to my housemates at 220 Cross Street—Sam, Bennett, and Aaron—who are some of the most intelligent people I know, and who have been an inspiration all the way through this process. Thank you to Matthew Garrett, who not only introduced me to many of the theorists I draw from here, but who also took an active interest in the project itself, and managed to save my reading of Marx from vulgarity. Thank you to Marguerite Nguyen, who came into all of this in the middle with great poise and enthusiasm. Without your help and assurance I know that I would not get half as far as I did. A particularly emphatic thank you to Sally Bachner, from whose conversation this thesis arose and took shape. -
Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2011 Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009 Juan Martinez University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, American Material Culture Commons, and the Literature in English, British Isles Commons Repository Citation Martinez, Juan, "Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1459. http://dx.doi.org/10.34917/3476293 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. NABOKOVILIA: REFERENCES TO VLADIMIR NABOKOV IN BRITISH AND AMERICAN LITERATURE AND CULTURE, 1960-2009 by Juan Martinez Bachelor of -
Joseph Pulitzer Papers
Joseph Pulitzer Papers A Finding Aid to the Collection in the Library of Congress Prepared by Grover Batts with the assistance of Paul Colton Manuscript Division, Library of Congress Washington, D.C. 2011 Contact information: http://hdl.loc.gov/loc.mss/mss.contact Finding aid encoded by Library of Congress Manuscript Division, 2011 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms011159 Collection Summary Title: Joseph Pulitzer Papers Span Dates: 1897-1958 Bulk Dates: (bulk 1925-1955) ID No.: MSS75797 Creator: Pulitzer, Joseph, 1885-1955 Extent: 67,500 items; 193 containers; 77.2 linear feet; 163 microfilm reels Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Newspaper editor and publisher. Family and general correspondence, subject material, business files, and personal financial papers relating primarily to Pulitzer's editorship of the St. Louis Post-Dispatch. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Anderson, Paul Y., 1893-1938--Correspondence. Baruch, Bernard M. (Bernard Mannes), 1870-1965--Correspondence. Bovard, Oliver Kirby, 1872-1945--Correspondence. Brandt, Raymond P. (Raymond Peter), 1896-1974--Correspondence. Byrd, Richard Evelyn, 1888-1957--Correspondence. Chandler, Norman, b. 1899--Correspondence. Childs, Marquis W. (Marquis William), 1903-1990--Correspondence. Conant, James Bryant, 1893-1978--Correspondence. Crowley, Raymond L.--Correspondence. Davis, Dwight Filley, 1879-1945--Correspondence. Davison, Frederick Trubee, b. 1896--Correspondence. Dilliard, Irving, 1904-2002--Correspondence. -
Steven Piott the RIGHT of the CARTOONIST
Steven Piott CLARION UNIVERSITY THE RIGHT OF THE CARTOONIST: SAMUEL PENNYPACKER AND FREEDOM OF THE PRESS Those who have studied the role of the press during the Progressive 1Era have devoted considerable attention to the importance of muckraking. Having only recently emerged from the depression of the 1890s, and more aware than ever before of the impact of economic change on their lives and interested in understanding the workings of the political economy more clearly, the reading public was receptive to a new style of journalism. Playing on a public thirst for sensationalism, and tapping the emerging enthusiasm for issue-focused politics, journal- ists relied on exposes. Works like Lincoln Steffens' Shame of the Cities, Ida Tarbell's History of Standard Oil, and Upton Sinclair's The Jungle began as serialized articles in newspapers and magazines and shocked readers with accounts of political corruption, corporate malfeasance, the sale of adulterated meat and inhuman working conditions. These journalists were supported by the often overlooked editorial cartoonists. Cartoons like Frederick Burr Opper's series on the trusts, Homer Davenport's depictions of Mark Hanna, or the creative contributions of countless other cartoonists working the beat of municipal politics, grabbed the readers attention in much the same way.' Working together muckrakers educated the American people about the widespread cor- ruption and exploitation that seemed to intensify with the growth of industrial capitalism. Collectively they described the moral and ethical degeneration of a society where individuals seemed to conspire against the commonweal, violating laws and jeopardizing free institutions. Backing their bold accusations and biting satire with factual details, reporters and cartoonists created a unique journalistic moment that was both a response to a spirited public indignation and a means of focusing that anger and turning it into citizen activism. -
Brittle Paper
2/2/2016 preservationhistory Brittle Paper Brittle Paper (/Brittle+Paper) Edit 0 (/Brittle+Paper#discussion) 11 (/page/history/Brittle+Paper) … (/page/menu/Brittle+Paper) Brittle Books, Bad Paper The “brittle book” phenomenon has been one of the main preoccupations of preservationists and conservationists since the 1930s, but it has roots far deeper. Resulting from changes in papermaking that developed in the modern era, papers containing the (acidic) cause of their own early demise worried librarians and book lovers alike. Many of the preservation trends of the 20th century have emerged in response to the “inherent vice” of papers produced from the 1850s through the 1950s Why this paper crisis developed and how the library community has attempted to deal with the consequences of acidic paper is the subject of this section. Papermaking and the Creation of Acidic Paper In order to understand why brittle paper became such an issue of concern to preservationists, it is essential to learn a few basics about the papermaking process and how it has changed over time. Certain kinds of paper do not present serious or specific conservation issues because the processes used to produce them have created a relatively stable paper. The major concerns of preservationminded librarians developed out of paper produced beginning in the 1850s (approximately), which were created using chemicals and processes that contain the seeds of embrittlement and can greatly shorten the life of documents printed on them. The cellulose content of paper and the chemicals used to process it have much to do with how well the paper ages and how long it remains in good, usable condition. -
Libraries' Intertwined Challenges of Newspaper Morgues, Microfilm
© 2015 Richard L. Saunders Too Late Now: Libraries’ Intertwined Challenges of Newspaper Morgues, Microfilm, and Digitization Many major newspapers once produced and distributed different editions of a newspaper for different markets on the same day. This publication arrangement lasted for about a century, from the Gilded Age of the 1880s until business consoli- dation happened in the news industry during the 1970s and 1980s.1 The contents of the editions of the same newspaper could vary widely. The existence (and disappearance) of simultaneous newspaper editions represents one of the greatest documentary challenges facing present and coming generations of genealogists, local communities, and social historians. This article provides an argument to pay attention to three interrelated issues facing librarians today: first, an overlooked collection issue related to newspapers and special collections librarianship; second, why newspaper microfilm may not be an adequate substitute for print; and third, why digital options may not be adequate substitutes for newspaper microfilm. This is a situation that has evolved over time and rests on more than newspaper publication practices. As custodians of the material from which the local and national past is told, it is now very much a practical matter for libraries today. The story involves choices made when newspapers were microfilmed and involves li- braries again as microfilm becomes the platform for creating new digital resources. Since microfilm is a widely trusted medium in libraries, and since digital access to increasingly large and detailed databases is being similarly adopted, why would either newspaper microfilm or digital databases be a potential issue of concern to special collections libraries? Truthfully, it may not be. -
Indiana Newspaper History: an Annotated Bibliography
v ti DO MEN? BESUEE ED 117 713 Cs 202 464 AUTHOR liopovich, Mark, Comp.; And Others TITLE- Indiana Newspaper History: An Annotated Rihi n h INSTITUTION Sigma Delta ChiMuncie, Ind. RUB-DATZ Pan 74 NOTE 57p. --t EDRS PRICE MF-$0.0 HC-$3.50'Plus Postage DESCRIPTORS *Annotated Bibliographies; Books; Directories; *History; Journalism; Local History; News Media; *Newspapers; Periodicals IDENTIFIERS *Indiana ABSTRACT The purposes of this bibliography are to bring together materials that relate to the history of newspapers in Indiana and to assess, in a general way, the value of the material. The bibliography contains 415 entries, with descriptive annotations, arranged in seven sections: books; special materials; general newspaper histories and lists of publications; periodicals; Indiana histories and related monographs; county histories; and directories, almanacs, and gazetteers. An index of authors and subjects concludes the bibliography. Material was gathered from Indiana and other periodicals, Indiana history books, and Indiana count/ and local histories (masters theses or doctoral. dissertations about Indiana journalism are not included). (JM) ********************************************* *********************** Documents acquired by ERIC in ude many informal unpublished * materials not available from othe sources. ERIC makes every effort * * to obtain the best copy available Nevertheless, items of marginal * * reproducibility are often encountrea and this affects the quality * * of the microfiche and hardcopy reroductions ERIC makes available -
ED325122.Pdf
DOCUMENT RESUME ED 325 122 IR 053 313 AUTHOR Merrill-Oldham, Jan; Walker, Gay TITLE Brittle Books Programs. SPEC Kit 152. INSTITUTION Association of Research Libraries, Washington, D.C. Office of Management Studies. REPORT NO ISSN-0160-3582 PUB DATE Mar 89 NOTE 161p. AVAILABLE FROMAssociation of Research Libraries (ARL), Office of Management Studies, 1527 New Hampshire Ave., NW, Washington, DC 20036 ($20.00 per copy; subscriptions are available). PUB TYPE Guides - Non-Classroom Use (055) Reports Research/Technical (143) -- Tests/Evaluation Instruments (160) EDRS PRICE MF01 Plt;. postage. PC Not Available from EDRS. DESCRIPTORS Academic Libraries; *Administrative Policy; Books; Guidelines; Higher Education; Library Collection Development; Library Standards; Library Surveys; *Microreproduction; *Preservation; Program Descriptions; Records (Forms); *Research Libraries; Search Strategies; *Serials IDENTIFIERS *Brittle Books ABSTFACT This document focuses on the evaluation, bibliographic searching, replacement, preservation photocopying, and microfilming of library materials that are too brittle to handle without risking damage. To assess these activities, a SPEC (Systems and Procedures Exchange Center) survey was sent to members of the Association of Research Libraries (ARL), with resonses from 64 to 118 member libraries (54%). Over 90% of the responding libraries have some mec%anism for systematically identifying brittle books. Most libraries operate programs for replacing brittle books with hard or film copies and for fitting materials that cannot be replaced with protective wrappers and boxes. More than half of the libraries have developed preservation photocopying and microfilming capabilities. Nearly half of the libraries segregate brittle materials. Most libraries assign the responsibility of selecting preservation options to professional librarians, and many have forged links between preservation and collection development. -
Microforms: Marriages, Mergers, and Migrations
University of South Florida Scholar Commons School of Information Faculty Publications School of Information 2005 Microforms: Marriages, Mergers, and Migrations Authors: Anna H. Perrault “Migration” is a term used to describe the reformatting of materials or the moving of information from one format to a different format. The onc version of printed and original documents to microformats was a migration from paper, which was regarded as impermanent, to film, which was regarded as permanent. Today the term “migration” is most often used to denote the conversion of print or microform texts to electronic format to another. This paper begins with a brief history of the development of microforms as a storage and preservation medium with emphasis on the last two decades of the twentieth century in the United States. Recent issues in access and preservation are examined. Finally, the future of microforms is considered in light of migration to electronic formats for preservation. Follow this and additional works at: https://scholarcommons.usf.edu/si_facpub Part of the Library and Information Science Commons Scholar Commons Citation Perrault, Anna H., "Microforms: Marriages, Mergers, and Migrations" (2005). School of Information Faculty Publications. 27. https://scholarcommons.usf.edu/si_facpub/27 This Book Chapter is brought to you for free and open access by the School of Information at Scholar Commons. It has been accepted for inclusion in School of Information Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Microforms: Marriages, Mergers, and Migrations by Anna H. Perrault History The production of microforms can be traced to an invention by John Dancer of Manchester, England, who in 1839 had the idea of “marrying” two devices with lenses to fashion a camera which would produce the magnification of a microscope. -
Environmentalism Contained: a History of Corporate Responses to the New Environmentalism
ENVIRONMENTALISM CONTAINED: A HISTORY OF CORPORATE RESPONSES TO THE NEW ENVIRONMENTALISM Joe Greene Conley II A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY RECOMMENDED FOR ACCEPTANCE BY THE PROGRAM IN HISTORY OF SCIENCE NOVEMBER 2006 UMI Number: 3236171 UMI Microform 3236171 Copyright 2006 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © Copyright by Joe Greene Conley II, 2006. All rights reserved. Abstract This dissertation describes how affected industries responded to the new environmentalism that emerged as a potent political and cultural force in late-twentieth- century America. Through a series of case studies, it traces how large corporations linked to pollution or toxics problems sought to contain the broad environmental agenda embodied in the landmark environmental laws of the 1970s. These companies and trade associations used public relations and advertising campaigns to shape popular perceptions of industrial environmental impacts. They also employed a variety of tactics to strategically manage scientific information on alleged harms, to inject cost and feasibility considerations into federal environmental laws and the regulatory process, and to challenge the policies used by federal regulators to estimate environmental risks. Drawing on internal corporate documents, records of public relations and advertising campaigns, as well as more traditional sources, this dissertation argues that affected industries were a driving force in moving the discourse of environmental politics toward an increasingly narrow, more technical language of cost-benefit analysis, risk assessment, and risk-benefit balancing. -
Causes of the Spanish-American War EQ – How Did Yellow Journalism Contribute to the Start of the Spanish-American War?
Name _______________________________________ Date __________________________ Period _______________ Directions: Read the following essay. Highlight or underline key information as you read. Causes of the Spanish-American War EQ – How did yellow journalism contribute to the start of the Spanish-American War? Yellow Journalism The Spanish-American War is often referred to as the first "media war." During the 1890s, journalism that sensationalized—and sometimes even manufactured—dramatic events was a powerful force that helped propel the United States into war with Spain. Led by newspaper owners William Randolph Hearst and Joseph Pulitzer, journalism of the 1890s used exaggerated news stories with sensational headlines to sell millions of newspapers--a style that became known as yellow journalism. The term yellow journalism came from a popular New York World comic called "Hogan's Alley," which featured a yellow-dressed character named the "the yellow kid." Determined to compete with Pulitzer's World in every way, rival New York Journal owner William Randolph Hearst copied Pulitzer's sensationalist style and even hired "Hogan's Alley" artist R.F. Outcault away from the World. In response, Pulitzer commissioned another cartoonist to create a second yellow kid. Soon, the sensationalist press of the 1890s became a competition between the "yellow kids," and the journalistic style was coined "yellow journalism." Yellow journals like the New York Journal and the New York World relied on sensationalist headlines to sell newspapers. William Randolph Hearst understood that a war with Cuba would not only sell his papers, but also move him into a position of national prominence. From Cuba, Hearst's star reporters wrote stories designed to tug at the heartstrings of Americans. -
The Stereopticon, the Tariff Illustrated, and the 1892 Election
chapter 1 The Stereopticon, The Tariff Illustrated, and the 1892 Election The 1892 US presidential election was a rematch that pitted former Pres- ident Grover Cleveland against President Benjamin Harrison. Cleveland was a conservative or “Bourbon Democrat” who had been elected gov- ernor of New York State in 1882 by a landslide. In 1884 he became the fi rst Democratic president since the Civil War, defeating former Senator James Blaine, a Maine Republican, by the thinnest of margins. His vic- tory depended on winning his home state, which he did by 1,047 votes out of the 1,171,312 that were cast. His strongest supporter—the one most responsible for his success—was the publisher of the New York World, Joseph Pulitzer. Pulitzer, a longtime Democrat and owner of the St. Louis Post-Dispatch, had purchased the World in 1883. Barely a year later he was working hard on behalf of Cleveland’s nomination for pres- ident. During the actual campaign the World savagely attacked his Republican opponent for corruption and for his sweetheart deals with the railroads. Pulitzer’s World was particularly eff ective during the fi nal days of the campaign. For the fi rst time, and with some justice, Republi- cans could blame the liberal media for their loss of the White House, where they had enjoyed a twenty-eight-year occupancy. Mass-circula- tion daily newspapers had proved themselves to be a dominant political force, and Pulitzer had become a kingmaker.1 Four years later, Cleveland’s Republican challenger was former Indi- ana Senator Benjamin Harrison, the grandson of the ninth US president, William Henry Harrison.