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Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Re-Valuing Capital: Nicholson Baker and the Subject of Objects
Wesleyan University The Honors College Re-Valuing Capital: Nicholson Baker and the Subject of Objects by John Schmidt Class of 2013 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in English Middletown, Connecticut April, 2013 for Noah i contents acknowledgements iii Introduction 1 “The Subject Matter is Trivial” Chapter One 15 Perforation, Escalation, Meditation, Reification, Etcetera: An Incomplete List of Observations About The Mezzanine Chapter Two 33 Literature and/as Pornography: Nicholson Baker’s (Auto)Erotics of Reading Chapter Three 59 “Vast Dying Sea”: On the Life of Objects and the Texture of History Coda 87 “Last Essay” bibliography 89 ii acknowledgements This is not a project I could have ever finished on my own, and for that reason, some thanks are in order. Thank you, first of all, to my housemates at 220 Cross Street—Sam, Bennett, and Aaron—who are some of the most intelligent people I know, and who have been an inspiration all the way through this process. Thank you to Matthew Garrett, who not only introduced me to many of the theorists I draw from here, but who also took an active interest in the project itself, and managed to save my reading of Marx from vulgarity. Thank you to Marguerite Nguyen, who came into all of this in the middle with great poise and enthusiasm. Without your help and assurance I know that I would not get half as far as I did. A particularly emphatic thank you to Sally Bachner, from whose conversation this thesis arose and took shape. -
Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2011 Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009 Juan Martinez University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the American Literature Commons, American Material Culture Commons, and the Literature in English, British Isles Commons Repository Citation Martinez, Juan, "Nabokovilia: References to Vladimir Nabokov in British and American Literature and Culture, 1960-2009" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1459. http://dx.doi.org/10.34917/3476293 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. NABOKOVILIA: REFERENCES TO VLADIMIR NABOKOV IN BRITISH AND AMERICAN LITERATURE AND CULTURE, 1960-2009 by Juan Martinez Bachelor of -
Populations Intermixed Well After Migration out of Africa 60,000 Years
Populations Intermixed Well After Migration out of Africa 60,000 Years Ago 3 Efficient Process Using microRNA Converts Human Skin Cells Into Neurons 5 Last Dinosaur Before Mass Extinction Discovered 8 Ancient Algae: Genetically Engineering a Path to New Energy Sources? 10 Biologists Identify New Strategy Used by Bacteria During Infection 12 Researchers Identify Mechanism That Seems to Protect Brain from Aging 14 Bold New Approach to Wind 'Farm' Design May Provide Efficiency Gains 16 Computer Learns Language by Playing Games 18 Gray Whales Likely Survived the Ice Ages by Changing Their Diets 20 How the Battle Was Won, if Not Yet the War 24 Pterosaurs Not Driven Into Extinction by Birds, Study Reveals 30 Why My Father Hated India 32 Beauty Is in the Medial Orbito-Frontal Cortex of the Beholder 36 Mechanical Micro-Drum Cooled to Quantum Ground State 38 Rhesus Monkeys Have a Form of Self-Awareness Not Previously Attributed to Them 40 Cassini Captures Images and Sounds of Saturn Storm 42 New Force Driving Earth's Tectonic Plates 44 Cruelty in Fact and Fiction 46 Hydrogen Peroxide Found in Space 49 Research and Politics 52 How Hot Did Earth Get in the Past? Team of Scientists Uncovers New Information 55 Environs Prompt Advantageous Gene Mutations as Plants Grow 57 Hot Springs Microbe Yields Record-Breaking, Heat-Tolerant Enzyme 60 Why Is Contemporary Art Addicted to Violence? 63 A View Inside King Kong‘s Perch 65 At the Met, a Canvas Ahead of Its Time 68 Past Meets Present in Walk After Dark 69 New Herbicide Suspected in Tree Deaths 70 After -
Brittle Paper
2/2/2016 preservationhistory Brittle Paper Brittle Paper (/Brittle+Paper) Edit 0 (/Brittle+Paper#discussion) 11 (/page/history/Brittle+Paper) … (/page/menu/Brittle+Paper) Brittle Books, Bad Paper The “brittle book” phenomenon has been one of the main preoccupations of preservationists and conservationists since the 1930s, but it has roots far deeper. Resulting from changes in papermaking that developed in the modern era, papers containing the (acidic) cause of their own early demise worried librarians and book lovers alike. Many of the preservation trends of the 20th century have emerged in response to the “inherent vice” of papers produced from the 1850s through the 1950s Why this paper crisis developed and how the library community has attempted to deal with the consequences of acidic paper is the subject of this section. Papermaking and the Creation of Acidic Paper In order to understand why brittle paper became such an issue of concern to preservationists, it is essential to learn a few basics about the papermaking process and how it has changed over time. Certain kinds of paper do not present serious or specific conservation issues because the processes used to produce them have created a relatively stable paper. The major concerns of preservationminded librarians developed out of paper produced beginning in the 1850s (approximately), which were created using chemicals and processes that contain the seeds of embrittlement and can greatly shorten the life of documents printed on them. The cellulose content of paper and the chemicals used to process it have much to do with how well the paper ages and how long it remains in good, usable condition. -
Author Nicholson Baker at UNH Feb. 12, 2015
University of New Hampshire University of New Hampshire Scholars' Repository Media Relations UNH Publications and Documents 2-4-2015 Author Nicholson Baker at UNH Feb. 12, 2015 Erika Mantz UNH Media Relations Follow this and additional works at: https://scholars.unh.edu/news Recommended Citation Mantz, Erika, "Author Nicholson Baker at UNH Feb. 12, 2015" (2015). UNH Today. 4626. https://scholars.unh.edu/news/4626 This News Article is brought to you for free and open access by the UNH Publications and Documents at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Media Relations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. UNH News: Author Nicholson Baker at UNH Feb. 12, 2015 Page 1 of 1 Media Relations February 4, 2014 Author Nicholson Baker at UNH Feb. 12, 2015 DURHAM, N.H. Internationallyacclaimedauthor Nicholson Baker will read from his work and hold a question and answer session Thursday, Feb. 12, 2015, at 5 p.m. at the University of New Hampshire’s Memorial Union Building, Theatre I, as part of the UNH English Department’s Writers Series. The event is free and open to the public. Baker is the author of 10 novels and four works of nonfiction, including The Mezzanine, Vox, Double Fold, Human Smoke, and The Anthologist. He has received a National Book Critics Circle award, a James Madison Freedom of Information Award, and the Katherine Anne Porter Award from the American Academy of Arts and Letters. His work has appeared in The New Yorker, Harper's, and The New York Review of Books. -
Libraries' Intertwined Challenges of Newspaper Morgues, Microfilm
© 2015 Richard L. Saunders Too Late Now: Libraries’ Intertwined Challenges of Newspaper Morgues, Microfilm, and Digitization Many major newspapers once produced and distributed different editions of a newspaper for different markets on the same day. This publication arrangement lasted for about a century, from the Gilded Age of the 1880s until business consoli- dation happened in the news industry during the 1970s and 1980s.1 The contents of the editions of the same newspaper could vary widely. The existence (and disappearance) of simultaneous newspaper editions represents one of the greatest documentary challenges facing present and coming generations of genealogists, local communities, and social historians. This article provides an argument to pay attention to three interrelated issues facing librarians today: first, an overlooked collection issue related to newspapers and special collections librarianship; second, why newspaper microfilm may not be an adequate substitute for print; and third, why digital options may not be adequate substitutes for newspaper microfilm. This is a situation that has evolved over time and rests on more than newspaper publication practices. As custodians of the material from which the local and national past is told, it is now very much a practical matter for libraries today. The story involves choices made when newspapers were microfilmed and involves li- braries again as microfilm becomes the platform for creating new digital resources. Since microfilm is a widely trusted medium in libraries, and since digital access to increasingly large and detailed databases is being similarly adopted, why would either newspaper microfilm or digital databases be a potential issue of concern to special collections libraries? Truthfully, it may not be. -
ED325122.Pdf
DOCUMENT RESUME ED 325 122 IR 053 313 AUTHOR Merrill-Oldham, Jan; Walker, Gay TITLE Brittle Books Programs. SPEC Kit 152. INSTITUTION Association of Research Libraries, Washington, D.C. Office of Management Studies. REPORT NO ISSN-0160-3582 PUB DATE Mar 89 NOTE 161p. AVAILABLE FROMAssociation of Research Libraries (ARL), Office of Management Studies, 1527 New Hampshire Ave., NW, Washington, DC 20036 ($20.00 per copy; subscriptions are available). PUB TYPE Guides - Non-Classroom Use (055) Reports Research/Technical (143) -- Tests/Evaluation Instruments (160) EDRS PRICE MF01 Plt;. postage. PC Not Available from EDRS. DESCRIPTORS Academic Libraries; *Administrative Policy; Books; Guidelines; Higher Education; Library Collection Development; Library Standards; Library Surveys; *Microreproduction; *Preservation; Program Descriptions; Records (Forms); *Research Libraries; Search Strategies; *Serials IDENTIFIERS *Brittle Books ABSTFACT This document focuses on the evaluation, bibliographic searching, replacement, preservation photocopying, and microfilming of library materials that are too brittle to handle without risking damage. To assess these activities, a SPEC (Systems and Procedures Exchange Center) survey was sent to members of the Association of Research Libraries (ARL), with resonses from 64 to 118 member libraries (54%). Over 90% of the responding libraries have some mec%anism for systematically identifying brittle books. Most libraries operate programs for replacing brittle books with hard or film copies and for fitting materials that cannot be replaced with protective wrappers and boxes. More than half of the libraries have developed preservation photocopying and microfilming capabilities. Nearly half of the libraries segregate brittle materials. Most libraries assign the responsibility of selecting preservation options to professional librarians, and many have forged links between preservation and collection development. -
Microforms: Marriages, Mergers, and Migrations
University of South Florida Scholar Commons School of Information Faculty Publications School of Information 2005 Microforms: Marriages, Mergers, and Migrations Authors: Anna H. Perrault “Migration” is a term used to describe the reformatting of materials or the moving of information from one format to a different format. The onc version of printed and original documents to microformats was a migration from paper, which was regarded as impermanent, to film, which was regarded as permanent. Today the term “migration” is most often used to denote the conversion of print or microform texts to electronic format to another. This paper begins with a brief history of the development of microforms as a storage and preservation medium with emphasis on the last two decades of the twentieth century in the United States. Recent issues in access and preservation are examined. Finally, the future of microforms is considered in light of migration to electronic formats for preservation. Follow this and additional works at: https://scholarcommons.usf.edu/si_facpub Part of the Library and Information Science Commons Scholar Commons Citation Perrault, Anna H., "Microforms: Marriages, Mergers, and Migrations" (2005). School of Information Faculty Publications. 27. https://scholarcommons.usf.edu/si_facpub/27 This Book Chapter is brought to you for free and open access by the School of Information at Scholar Commons. It has been accepted for inclusion in School of Information Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Microforms: Marriages, Mergers, and Migrations by Anna H. Perrault History The production of microforms can be traced to an invention by John Dancer of Manchester, England, who in 1839 had the idea of “marrying” two devices with lenses to fashion a camera which would produce the magnification of a microscope. -
HUMAN SMOKE a Collage of Villainy
1/10 HUMAN SMOKE A collage of villainy Human Smoke, Nicholson Baker London: Simon & Schuster, 2008 Review by Don Milligan, June 18, 2008 icholson Baker’s new book, Human Smoke, is a collage of villainy. He has assembled 527 pages of Nq uotations, reportage, and notes, which demon- strate the brutality and racism of the leaders of the liberal democracies through the first half of the twentieth century. Although this dismal reckoning is heavily reliant upon memoirs and newspaper stories there is little reason to doubt the fundamental accuracy of Baker’s impression. Winston Churchill and Franklin and Eleanor Roosevelt were anti-Semites, the fledgling Royal Air Force earned it’s wings by bombing and machine gunning tribes- men in various parts of the British Empire, and with the collapse of the currency in Weimar Germany there was a collapse of values: “Berlin became a Babylon: ‘Every high school boy wanted to earn some money, and in the dimly lit bars one might see government officials and men of the world of finance tenderly courting drunken sailors without any shame.’”1 What is more, Winston Churchill and the Conservatives used the Zinoviev Letter to destroy the first Labour government;2 British imperial authorities frequently 1 Here Nicholson Baker is citing Stefan Zweig’s familiar depiction of homosexual prostitution as the harbinger of the decay and disintegration of the Weimar Republic. Human Smoke, p.11. 2 The Zinoviev Letter was allegedly from Grigori Zinoviev, President of the Communist International, to Arthur MacManus of the Central Committee of © Don Milligan, ‘Human Smoke: A Collage of Villainy’, posted on Reflections of a Renegade, June 18, 2008, at www.donmilligan.net. -
The Anthologist Freeze-Dry the Mental Processes and the Springy, Silly-Putty-Like Vocabulary of a Nine-Year-Old Girl
FREE THE ANTHOLOGIST PDF Nicholson Baker | 256 pages | 05 Aug 2010 | Simon & Schuster Ltd | 9781847397829 | English | London, United Kingdom The Anthologist by Nicholson Baker The Anthologist is a novel about poetry by Nicholson Bakerwhich was first published in Its protagonist is Paul Chowder, a poet with a commission to prepare and edit an anthology of poetry, Only Rhyme. The novel shows his life, his thoughts, aspirations and struggles with writer's block. Michael Schmidtreviewing the book for The Independentgave it a mixed reception, [1]. The ineffectual protagonist is a beguiling misfit, advancing at tangents, a pair of ragged claws. The novel misfires The Anthologist this voice is overridden by that of the author who makes Chowder The Anthologist his own spokesman, giving him The Anthologist on LarkinMarinetti or Poundeither at odds with the character or outside the parameters of the novel. David Orrreviewing for The New York Timesliked the novel's portrayal of, and engagement with, the world of poets and poetry, [2]. From Wikipedia, the free encyclopedia. Redirected from The Anthologist novel. The Independent on Sunday. The New York Times. Works by Nicholson Baker. American Newspaper Repository. Categories : American novels The Anthologist by Nicholson Baker Novels about writers Metafictional novels American novel stubs s novel stubs. Hidden categories: All stub articles. Namespaces Article Talk. Views Read Edit View history. Help Learn to The Anthologist Community portal Recent The Anthologist Upload file. Download as PDF Printable version. This article about an American novel is a stub. You can help Wikipedia by expanding it. Further suggestions might be found on the article's talk page.