Lincoln Center Festival lead support is provided by American Express

July 7 –19 Gerald W. Lynch Theater at John Jay College

Druid Theatre Company DruidShakespeare: The History Plays By , adapted by Mark O’Rowe

DruidShakespeare: Part 1 Richard II; and Henry IV, Part I (Approximately 3 hours 25 minutes, including one intermission) July 7, 9, 14, 16

DruidShakespeare: Part 2 Henry IV, Part II; and (Approximately 2 hours 45 minutes, including one intermission) July 8, 10, 15, 17

Marathon Parts 1 and 2 in a single day (Approximately 6 hours 55 minutes, including three intermissions) July 11, 12, 18, 19

Director Sound Design Gregory Clarke Associate Director, Design Francis O’Connor Music Conor Linehan Associate Director, Movement David Bolger Dramaturg Thomas Conway Co-Costume Designer Doreen McKenna Voice Coach Andrew Wade Lighting Design James F. Ingalls Fight Director Donal O’Farrell

Major support for Lincoln Center Festival 2015 is provided by The Andrew W. Mellon Foundation. The Lincoln Center Festival 2015 presentation of DruidShakespeare: The History Plays is made possible in part by generous support from the Virginia B. Toulmin Foundation, The Andrew W. Mellon Foundation, and Jennie and Richard DeScherer. Additional support is provided by the National Endowment for the Arts. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Lincoln Center Festival 2015 is made possible in part with public funds from the New York City Department of Cultural Affairs, New York State Council on the Arts, and the National Endowment for the Arts. ’s visit to Lincoln Center Festival is made possible with the support of Culture . DruidShakespeare is co-produced by Lincoln Center Festival; Druid Theatre Company; and National University of Ireland, . Audio description for Part 1 on July 14 and Part 2 on July 17. 15 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

DruidShakespeare: Part 1

Richard II King Richard II Marty Rea , Glendower, Bishop of Carlisle, Gardener Bosco Hogan Aumerle Gavin Drea Bagot Rory Nolan Bolingbroke Derbhle Crotty Mowbray, Worcester, Exton Aaron Monaghan Scroop Karen McCartney York John Olohan Queen Isabel Charlotte McCurry Hotspur Garrett Lombard Northumberland Servant to the Gardener, Keeper Clare Barrett

Approximate performance time: 1 hour 35 minutes, followed by a brief intermission

Henry IV, Part I King Henry IV Derbhle Crotty Westmoreland Bosco Hogan Rory Nolan Poins, Vernon Gavin Drea Northumberland, the Lord Chief Justice Marie Mullen Worcester Aaron Monaghan Hotspur Garrett Lombard Bardolph Clare Barrett , Douglas John Olohan John of Lancaster Karen McCartney Francois Marty Rea Hal Aisling O’Sullivan Blunt, Peto Charlotte McCurry

Approximate performance time: 1 hour 30 minutes

Approximate performance time of Part 1: 3 hours 25 minutes, including one intermission

During a Marathon performance, Henry IV, Part I will be followed by an intermission. For complete Marathon Timings, turn to page 26.

For descriptions and full titles of the characters, see Who’s Who in DruidShakespeare on pages 22 and 23.

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Synopses Richard II Two combatants, Bolingbroke and Mowbray, come before King Richard II to beg leave to duel. At first, Richard urges them to make peace. When diplomacy fails, he takes advice from his favorite administrator, Bagot, and then decrees the exile of Bolingbroke for ten years, and of Mowbray for life. Richard declares his intention to leave for Ireland and exacts new taxes to fund his “Irish wars.” He receives a stern rebuke from his uncle (Bolingbroke’s father), John of Gaunt; then, turning on Gaunt, hears forewarning of his deposition. With news of Gaunt’s death, Richard confiscates Gaunt’s estate. Nobles and commoners alike rally to Bolingbroke, newly arrived on English soil. Dis inherited, he now has leverage to break the terms of his exile. The Percys—comprising Northumber - land, his brother, Worcester, and his son, Hotspur—are especially active on Bolingbroke’s behalf, executing Bagot, negotiating the return of Bolingbroke’s lands, arresting Richard and stage-managing events wherein Richard cedes the crown to Bolingbroke. No sooner crowned, King Henry IV reflects on his greatest security challenges: the still- living Richard and his wayward son and heir, the Prince of Wales. An ambitious courtier, Sir Piers Exton, interprets Henry to desire Richard’s death. Upon presenting Richard’s body to the court, Exton is banished for life. Henry desires to lead a crusade to the Holy Land; it might, in addition to everything else, help to pacify England. It is not in his power, however, to curb the excesses of his son.

Henry IV, Part I King Henry IV, while awaiting a response to his request for funding for his crusade, receives reports of rebellions at home. His son, meanwhile, plots a robbery on a London highway as a way of playing a trick on the disreputable knight, Falstaff. Henry IV clashes with the Percys, demanding the hostages they secured when fighting rebellions on the king’s behalf. The Percys choose rather to ally themselves with the rebels than surrender their hostages to the king. exploits Falstaff’s robbing of travelers by disguising himself and robbing Falstaff of his booty in turn. Later intercepting Falstaff at a tavern, he tolerates Falstaff’s inflated account, and then shows his hand. News of the Percy rebellion reaches the tavern; Hal rehearses the confrontation he expects with his father, with Falstaff standing in for the king. The Lord Chief Justice begs admission to search for Falstaff but, while Hal guaran - tees return of the money, he prevents his searching further. King Henry IV upbraids Hal for the same sins of reckless behavior that saw Richard lose the crown. Hal promises to show his reformation in the battle with the Percys. The king’s anger subsides and he gives Hal command of a battalion. The Scottish rebel, Douglas, kills successive noblemen disguised as the king, but the king himself survives. When Hal kills Hotspur, Falstaff feigns death. Hal is spooked to dis - cover Falstaff carrying Hotspur’s body from the battlefield. Hal decides to go along with Falstaff’s lie that he made the fatal incision.

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DruidShakespeare: Part 2

Henry IV, Part II Northumberland, the Lord Chief Justice, Silence Marie Mullen Poins, Gloucester Gavin Drea Falstaff Rory Nolan Boy, John of Lancaster Karen McCartney , Clarence Charlotte McCurry Francois Marty Rea Bardolph Clare Barrett Hal/King Henry V Aisling O’Sullivan Mistress Quickly, Warwick John Olohan Pistol Aaron Monaghan Shallow Bosco Hogan King Henry IV Derbhle Crotty Bullcalf Garrett Lombard

Approximate performance time: 1 hour, followed by a brief intermission

Henry V Chorus, Pistol, Dauphin Aaron Monaghan King Henry V Aisling O’Sullivan Exeter Marie Mullen Westmoreland, Charles VI Bosco Hogan Archbishop of Canterbury, Constable of France Marty Rea , Grandpré Garrett Lombard Nym, Monsieur Le Fer Charlotte McCurry Bardolph Clare Barrett Mistress Quickly, Governor of Harfleur John Olohan Boy, Bates, Salisbury Karen McCartney Cambridge, Gower, Orleans Rory Nolan Gloucester, Rambures, Williams Gavin Drea Montjoy Derbhle Crotty

Approximate performance time: 1 hour 25 minutes

Approximate performance time of DruidShakespeare: Part 2: 2 hours 45 minutes, including one intermission

For descriptions and full titles of the characters, see Who’s Who in DruidShakespeare on pages 22 and 23.

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Synopses Henry IV, Part II King Henry IV cannot sleep and shows signs of illness. Prince Hal confesses to his com - panion, Poins, his sadness before his father’s failing health. Hal spies on Falstaff while disguised as a barman. He sees a prostitute dote on Falstaff. He hears Falstaff squabble with the tavern’s hostess, Mistress Quickly, and mock him and Poins for laddish exploits. Falstaff, under pressure from Hal, then cuts down the very people who maintain his world. Attending at the king’s side, Hal believes him to have died. He berates the crown resting beside the king for causing his early death. He then tries it on. The king wakes, distressed to see his crown removed. Discovering Hal to be the culprit, he demands they be left alone. He bemoans the misrule that will prevail on Hal’s succes - sion. Hal returns the crown with utmost respect. The king, appeased, advises Hal to pur - sue a foreign war to ensure unity at home. He asks to be returned to the “Jerusalem Chamber,” the room where he first took ill, believing it to be the place (and not Jerusalem in the Holy Land) where it is foretold he will die. King Henry V, the last to leave his father’s deathbed, singles out the Lord Chief Justice for jailing him some time previously. The Lord Chief Justice, offering no apology, can’t but think his life is forfeit; defying expectation, the new king appoints him as his chief advisor. The new king banishes Falstaff from his person. Falstaff, disbelieving, waits alone in the street for a summons to court.

Henry V King Henry V hears that his claim to the French crown coming through the female line is legitimate. He receives a gift of tennis balls from the French court. He returns a message that amounts to a declaration of war. Associates of Falstaff, Pistol, and Nym lock swords over gambling debts and broken be - trothals, while Bardolph threatens them both in an attempt to make peace. The king’s first act of aggression on French soil, a siege on the coastal town of Harfleur, meets with little resistance. Henry sanctions the execution of Bardolph—whom he knows from his days with Falstaff—for stealing from a church. The French king seeks punitive reparations through his ambassador, Montjoy. Tired as he knows his own to be, Henry bids his counterpart to prepare his French troops for battle. Noting dismay among his troops, Henry summons their desire for honor by giving them to know his own. By the time they admit defeat, the body count suggests a rout of the French: 10,000 dead to little more than 30 among the English. Among the English dead, however are Pistol and Nym, and a boy whom Falstaff introduced to the ways of the world. Henry entertains himself with a prank that sets a foot soldier against an officer, but not before giving credit for victory to God. The officer, out of hearing of the king, draws the analogy: Alexander the Great killed his best friend just as King Henry V disowned Falstaff. Flashback to Falstaff’s world, we hear Mistress Quickly, Pistol, Bardolph, Nym, and the boy recount Falstaff’s last moments and prepare to set off for the war in France. 19 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

The DruidShakespeare Company

Clare Barrett Richard II : Servant to the Gardener, Keeper Henry IV, Part I : Bardolph Henry IV, Part II : Bardolph Henry V : Bardolph

Derbhle Crotty Richard II : Bolingbroke Henry IV, Part I : King Henry IV Henry IV, Part II : King Henry IV Henry V : Montjoy

Gavin Drea Richard II : Aumerle Henry IV, Part I : Poins, Vernon Henry IV, Part II : Poins, Gloucester Henry V : Gloucester, Rambures, Williams

Bosco Hogan Richard II : John of Gaunt, Bishop of Carlisle, Gardener, Glendower Henry IV, Part I : Westmoreland Henry IV, Part II : Shallow Henry V : Westmoreland, Charles VI

Garrett Lombard Richard II : Hotspur Henry IV, Part I : Hotspur Henry IV, Part II : Bullcalf Henry V : Ambassador, Fluellen, Grandpré

Karen McCartney Richard II : Scroop Henry IV, Part I : John of Lancaster Henry IV, Part II : Boy, John of Lancaster Henry V : Boy, Bates, Salisbury

Charlotte McCurry Richard II : Queen Isabel Henry IV, Part I : Blunt, Peto Henry IV, Part II : Doll Tearsheet, Clarence Henry V : Nym, Monsieur le Fer 20 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Aaron Monaghan Richard II : Mowbray, Worcester, Exton Henry IV, Part I : Worcester Henry IV, Part II : Pistol Henry V : Chorus, Pistol, Dauphin

Marie Mullen Richard II : Northumberland Henry IV, Part I : Northumberland, Lord Chief Justice Henry IV, Part II : Northumberland, Lord Chief Justice, Silence Henry V : Exeter

Rory Nolan Richard II : Bagot Henry IV, Part I : Falstaff Henry IV, Part II : Falstaff Henry V : Cambridge, Gower, Orleans

John Olohan Richard II : York Henry IV, Part I : Mistress Quickly, Douglas Henry IV, Part II : Mistress Quickly, Warwick Henry V : Mistress Quickly, Governor of Harfleur

Aisling O’Sullivan Henry IV, Part I : Hal Henry IV, Part II : Hal/King Henry V Henry V : King Henry V

Marty Rea Richard II : King Richard II Henry IV, Part I : Francois Henry IV, Part II : Francois Henry V : Canterbury, Constable of France

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Who’s Who in DruidShakespeare

Characters who first appear in Richard II In order of appearance KING RICHARD II succeeds to the throne of England at the age of 10 QUEEN ISABEL wife to King Richard II BAGOT a commoner, a favorite of King Richard II DUKE OF AUMERLE a nobleman loyal to King Richard II JOHN OF GAUNT, DUKE OF LANCASTER uncle to King Richard II and father to Henry Bolingbroke; he is the wealthiest and most powerful of King Richard II’s uncles THOMAS MOWBRAY, DUKE OF NORFOLK a nobleman suspected of murdering King Richard’s uncle, the Duke of Gloucester HENRY BOLINGBROKE, DUKE OF HEREFORD , afterwards KING HENRY IV son to John of Gaunt and father to four sons, the Prince of Wales (also known as Hal), John of Lancaster, Gloucester, and Clarence DUKE OF YORK uncle to King Richard II and younger brother to John of Gaunt , EARL OF NORTHUMBERLAND a nobleman who supports Bolingbroke; he is father to Hotspur and brother to the Earl of Worcester HARRY PERCY (also known as HOTSPUR ) a nobleman and celebrated warrior, son to Northumberland and nephew to Worcester THOMAS PERCY, EARL OF WORCESTER a nobleman, younger brother to Northumberland and uncle to Hotspur OWEN GLENDOWER a Welsh nobleman and captain of the Welsh forces BISHOP OF CARLISLE a senior cleric loyal to King Richard II SIR STEPHEN SCROOP a nobleman loyal to King Richard II SIR PIERS OF EXTON a courtier who curries the favor of King Henry IV

Characters who first appear in Henry IV, Part I In order of appearance WESTMORELAND a courtier and strategist to King Henry IV SIR WALTER BLUNT a nobleman loyal to King Henry IV HENRY, PRINCE OF WALES (also known as HAL and HARRY ), afterwards, KING HENRY V oldest of King Henry IV’s sons, brother to John of Lancaster, Gloucester and Clarence SIR a disreputable knight an associate of Hal and Falstaff BARDOLPH an associate of Falstaff PETO an associate of Falstaff FRANCOIS a barman in the Boar’s Head tavern MISTRESS QUICKLY also known as HOSTESS : owner of the Boar’s Head tavern; afterwards, wife to Pistol THE LORD CHIEF JUSTICE King Henry IV’s most senior law official EARL OF DOUGLAS a Scottish nobleman and celebrated warrior SIR RICHARD VERNON a nobleman who fights alongside the Percys LORD JOHN OF LANCASTER youngest of King Henry IV’s sons 22 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Characters who first appear in Henry IV, Part II In order of appearance BOY a page to Falstaff, name unknown DOLL TEARSHEET a prostitute PISTOL military attaché to Falstaff DUKE OF GLOUCESTER son to King Henry IV DUKE OF CLARENCE son to King Henry IV EARL OF WARWICK a nobleman and overseer of King Henry IV’s private chambers MASTER a Justice of the Peace in Gloucestershire and old acquaintance of Falstaff’s MASTER SILENCE a Justice of the Peace in Gloucestershire BULLCALF servant to Shallow

Characters who first appear in Henry V In order of appearance CHORUS the narrator ARCHBISHOP OF CANTERBURY senior cleric in the English church; also renowned as an orator and legal mind DUKE OF EXETER uncle to King Henry V NYM a rival to Pistol and associate of Falstaff’s RICHARD, EARL OF CAMBRIDGE a conspirator against King Henry V CAPTAIN FLUELLEN a Welsh officer in King Henry V’s army GOVERNOR OF HARFLEUR the civic leader in the Normandy town of Harfleur CHARLES VI the French king LORD RAMBURES a French nobleman CONSTABLE OF FRANCE the senior official in the French Court LOUIS, THE DAUPHIN heir to the French throne CAPTAIN GOWER an English officer in King Henry V’s army LORD MONTJOY the French negotiator DUKE OF ORLEANS a French nobleman JOHN BATES a foot-soldier in King Henry V’s army MICHAEL WILLIAMS a foot-soldier in King Henry V’s army EARL OF SALISBURY a nobleman who fights alongside King Henry V EARL OF GRANDPRÉ a French nobleman MONSIEUR LE FER a French soldier

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A Respectful Irreverence equally familiar (though, for our purposes, When Garry Hynes asked me to adapt less essential) moments which have been these four plays into one, I jumped at the summarily sacrificed. What I’m suggest - chance for several reasons. One was the ing, I suppose, is that our being Irish was simple fact that I, like most Irish drama - probably an advantage in tackling a project tists, I would think, wanted to work with of this type; this very lack of reverence for, her. Another was that the idea of engaging or interest in, this history and these tradi - with Shakespeare on such an intimate level tions, the contrary relationship we have was incredibly exciting. He is my favorite historically with the English (and with their writer bar none. Scratch that. He is the language too, which, after all, is one which greatest writer, and it won’t cause too was imposed on us), was, in all likelihood, much debate to say that his work repre - a naturally liberating element in my own re - sents the very pinnacle of what language lationship with these plays—one which can do, both in beauty and dramatic func - carried through, I suspect, to the rehearsal tion. The third reason was simply the chal - room, where all felt free to work unbur - lenge: could it be done? Cutting anything dened by concerns which were really none at all out of Shakespeare is, by definition, of our business. throwing away gold. Every play has its own A word about Garry Hynes. I think, in light separate set of themes or concerns, and of the astonishing career she’s already had, every line in every play serves those con - she could easily be forgiven for taking it cerns, and so is essential. However, our easy or playing it safe occasionally. In - task was to tell a new story, and so it stead, she continues to challenge herself, quickly became apparent that, in order to and with DruidShakespeare has set herself allow that story to be told in a single, unin - an enormous and impossibly risky under - terrupted arc (well, except for intermis - taking: a truly epic piece of theater, both in sions, of course), I would need to choose length and scope, replete with musical per - a set of themes which I felt would most ef - formances, battle scenes, over a hundred fectively be served or illustrated by that characters (played by a company of just arc. Once that decision was made, it be - thirteen!), and with a completely gender- came a little easier to decide how to pro - blind approach to casting, allowing women ceed. to play men and vice versa. And yet, it’s One interesting aspect of working on these this very risk which seems to fuel and bring very English plays as Irish practitioners is out the best in her creatively. It was a priv - that it permits us a certain irreverence. This ilege and an education to sit in on re - is not to say that we’ve taken them any - hearsals and watch her interrogating the thing less than completely seriously, but text, shaping scenes both physically and we simply aren’t bound by the same re - emotionally, her clear and no-nonsense strictions as the English: the fact that it’s notes and suggestions cutting to the heart their history Shakespeare was writing of things, the freedom afforded to her cast about; the traditions of performance; the and collaborators enabling them to match expectation that these traditions will be up - her creatively in a collective effort to bring held, that the St. Crispin’s Day speech in this massive story to theatrical life. Henry V , for example, will be spoken. This is a play about fathers and sons. It’s Don’t worry, we held onto that one. But out about leadership, honor, the question of of a dramaturgical, and not an historical or which elements contribute most to great - traditional, necessity. And there are other, ness—birth or environment or both. It’s 24 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE about class. It’s about the affections a ticity of the work. There are in fact camels leader must quell or kill in himself in order in the Koran and there are indeed refer - to be a leader—which relationships he ences to the Nine Years’ War in Shake - must terminate, which to nourish. It’s speare’s plays. But to go looking for them about war—its origins, its workings, its is to miss the point of their obviousness consequences … All pretty serious stuff, and ubiquity. but alongside this, there is an abundance of humor, of spectacle, of exuberance, and There is a temptation, in any sustained Irish of that incredibly potent humanity which exploration of these plays, to go camel- resides in, and breathes through, all of hunting, to seize on the few outward Irish Shakespeare’s work. references and display them as trophies. —Mark O’Rowe But in truth everything in these plays is Irish—just as everything in them is French and Polish and German and Japanese. The Follies of Camel-Hunting There is no need for special pleading. What Vietnam is in every American play and there is every need for, though, is bold ap - movie of the late 1960s and early 1970s— propriation. For centuries, before it occurred including those that have nothing to do to anyone that there might be a problem, with Vietnam. It is woven into the texture Irish thinkers, directors, and performers— of the times. Similarly, the Tudor state’s Edmund Malone, Peg Woffington, Charles bloody and phenomenally expensive Nine Macklin, Thomas Sheridan, James O’Neill, Years’ War from 1594 to 1603 against the Anew McMaster, Tyrone Guthrie— just as - revolt in Ireland led by Hugh O’Neill looms sumed that Shakespeare belonged to them. large in Shakespeare’s history plays. They had nothing to prove; or rather what they had to prove was not about being Irish This is not because Shakespeare wrote but about being very good at what they about it (he could not have done so even if were doing. DruidShakespeare is in that un - he had wanted to) but because it relates to apologetic tradition. everything that he did write about. It is just beneath the surface of every large ques - T.S. Eliot wrote that “immature poets imi - tion: the meaning of Englishness, loyalty tate; mature poets steal.” We might adapt and treachery, sovereignty and rebellion, this: immature non-English approaches to power and danger, the scepter’d isle and Shakespeare imitate some version of Eng - its threatening neighbors. It gives urgency lishness; mature approaches steal Shake - and immediacy to the anxieties at the heart speare. Stealing in this case does not mean of the plays: how can you be a monarch if taking a thing from anyone but rather mak - you cannot maintain your authority? How ing it your own, transmuting it into your can a state rid itself of the chaos and vio - own voice, your own cadences and lence from which it emerges? Is the right rhythms, your own movements and ges - to rule given by God or simply conferred tures, your own anxieties and concerns, by brute force? and indeed into your own history. The kings we see on Shakespeare’s stage were In this sense, the place of Ireland in Richard lords of Ireland too. They claimed us and II , Henry IV (Parts I and II ) and Henry V we need not hesitate to claim them back. brings to mind Edward Gibbon’s famous —Fintan O’Toole claim that there are no camels in the Koran and Jorge Luis Borges’s remark that it is Fintan O’Toole is an author, as well as the literary editor and op-ed columnist for . this very absence that proves the authen - 25 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

The DruidShakespeare Marathon

2:00 p.m. Richard II

3:35 p.m. INTERMISSION

3:55 p.m. Henry IV, Part I

5:25 p.m. INTERMISSION

6:10 p.m. Henry IV, Part II

7:10 p.m. INTERMISSION

7:30 p.m. Henry V

8:55 p.m. END

All timings are approximate.

During intermissions you are welcome to step outside the theater, but due to the short break times it is recommended that you not leave the building. Your ticket stub is required for re-entry; please keep it with you at all times.

Pre-purchased box meals may be picked up in the atrium during the second intermission. À la carte snack concession items are also available for purchase.

Please remember to turn off your mobile phones and other electronic devices each time you enter the auditorium.

Latecomers will not be admitted once the performance has begun.

Lincoln Center Festival Photo Exhibit

Be sure to visit the Lincoln Center Festival photo exhibit now on display in the theater lobby.

Featuring archival images by photographer Stephanie Berger, it highlights some of the more than 1,200 exciting performances that have taken place during the festival’s 19 previous seasons.

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About the Creative Team and Asia. His work with Druid includes: Mark O’Rowe (Writer) is a playwright Brigit , Bailegangaire , The Colleen Bawn , from . These performances of Druid - DruidMurphy—Plays by , Big Shakespeare mark his debut with the com - Maggie , The Silver Tassie , The Gigli Concert , pany. His plays include: an adaptation of , Long Day’s Jour - Ibsen’s Hedda Gabler , Our Few and Evil ney Into Night , Leaves , Empress of India , Days , Terminus , Made in China (Abbey and The Year of the Hiker , DruidSynge, The Well Peacock Theatres), Crestfall (), of the Saints , The Tinker’s Wedding , Howie the Rookie (Bush Theatre), and From Sharon’s Grave , Sive , The Good Father , My Both Hips (Fishamble). His screenplays in - Brilliant Divorce , The Beauty Queen of clude Broken , based on the novel by Daniel Leenane , The Lonesome West , A Skull in Clay, Perrier’s Bounty , Boy A , based on the Connemara , The Leenane Trilogy , The novel by Jonathan Trigell, and Intermission . Country Boy , The Way You Look Tonight , Shadow and Substance , and Wild Harvest . Garry Hynes (Director) founded Druid in His awards include: Two Irish Times Irish 1975 and has worked as its Artistic Direc - Theatre Awards, Best Design; Boston Crit - tor from 1975 to 1991, and from 1995 to ics Circle; Dora Mavor Moore Award; and, today. From 1991 to 1994 she was Artistic most recently, a nomination for the Faust Director of the , Dublin. Prize, Germany. Garry has also worked with the Abbey and Gate Theatres (Ireland); the Royal Shake - David Bolger (Associate Director—Move - speare Company and the Royal Court (UK); ment) is Artistic Director of CoisCéim Dance Second Stage, Signature Theater, and the Theatre. He has choreographed 20 produc - Manhattan Theater Club in New York; the tions for the company, including Agnes , Kennedy Center in Washington D.C.; the Pageant , Touch Me , and Swimming With Mark Taper Forum in Los Angeles; and the My Mother , which played at the Brighton Spoleto Festival (USA). Awards include: Festival and received an Argus Angel Award Best Director Award (UK Theatre Awards) 2012. He is a member of Aosdána, an Arts- for DruidMurphy – Plays by Tom Murphy; Council-supported affiliation of creative the Joe Callaway Award (New York) for artists in Ireland. His work with Druid in - Outstanding Directing for The Cripple of cludes The Colleen Bawn , DruidMurphy— Inishmaan by Martin McDonagh (2009); Plays by Tom Murphy, The Silver Tassie , Honorary Doctorates from University Col - DruidSynge, The Year of the Hiker , Sive , lege Dublin (2011), University of Dublin Sharon’s Grave , and The Playboy of the (2004), National University of Ireland Western World . Other theater, opera, and (1998) and the National Council for Educa - musical theater: As a freelance choreogra - tion Awards (1988); and Tony Award for pher and director, he has worked for the Direction for The Beauty Queen of Leenane Abbey Theatre, Opera Ireland, Covent Gar - (1998). This is her fourth production seen den, English National Opera, the Guthrie as part of Lincoln Center Festival: Theater, and London’s National Theatre. His DruidSynge in 2006, The Silver Tassie in short dance film, Deep End Dance , has 2011, and DruidMurphy in 2012. been screened at a number of festivals and has won awards including Best Short Film Francis O’Connor (Associate Director— (Irish Film Festival, Boston; Celtic Media Design) is a regular collaborator with Garry Festival 2011; Fastnet Film Festival 2011) Hynes and Druid. His designs for plays, and a Special Jury Prize (Idill, 2011). Other musicals and opera have been seen in Ire - Films include Hit and Run , Flatbed , Michael land, the UK, throughout the U.S., Europe, Collins , and Dancing at Lughnasa . 27 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Doreen McKenna (Co-Costume Designer) London (National Theatre, London); The has worked as Druid’s Costume Supervisor Merchant Of Venice , Cloud Nine (Almeida); since 2003, and her productions with the All’s Well That Ends Well , The Heart of company include: Brigit , Bailegangaire , Be Robin Hood , Great Expectations , Cori - Infants in Evil , The Colleen Bawn , Druid - olanus , The Merry Wives of Windsor , Tan - Murphy—Plays by Tom Murphy, Big Mag - talus , Cymbeline , and A Midsummer gie , The Silver Tassie , Penelope , The Gigli Night’s Dream (Royal Shakespeare Com - Concert , The Cripple of Inishmaan , The New pany). London West End credits include: Electric Ballroom , My Brilliant Divorce , Long My Night With Reg , Goodnight Mr. Tom , Day’s Journey Into Night , Empress of India , The Vortex , A Voyage Around My Father , The Year of the Hiker , The Walworth Farce , And Then There Were None , Some Girls , DruidSynge, The Playboy of the Western , What The Butler Saw , World , The Tinker’s Wedding , The Well of Journey’s End , and Equus . He is the recip - the Saints , and Sharon’s Grave . ient of a Tony Award for Best Sound De - sign for Equus (2009) and a Drama Desk James F. Ingalls (Lighting Design) trained Award for Journey’s End (2007). at the Yale School of Drama and the Univer - sity of Connecticut and often collaborates Conor Linehan (Music) is a pianist, com - with California’s Melanie Rios Glaser and poser and teacher from Dublin and is on the Wooden Floor Dancers. DruidShake - the piano faculty of the Royal Irish Acad - speare marks his debut with Druid. Addi - emy of Music where he also teaches tional theater credits include Long Day’s courses in improvisation and is currently Journey Into Night (Oregon Shakespeare pursuing a Doctorate in Performance in as - Festival), The Price (Mark Taper Forum, Los sociation with Trinity College Dublin. Druid - Angeles), and The Second Girl (Huntington Shakespeare marks his debut with the Theatre Company, Boston). His operatic company. Other theater includes: produc - credits include: John Adams’s The Gospel tions with the Abbey and Peacock The - According to the Other Mary and Henry Pur - atres, the Gate, Dublin; the Lyric, ; cell’s The Indian Queen , both directed by the Royal Shakespeare Company; the Na - Peter Sellars (English National Opera, Lon - tional Theatre, London; Liverpool Play - don); Kat’a Kabanová , directed by Garry house; Hampstead Theatre; Corn Hynes (Spoleto Festival). Dance includes Exchange; Siren Productions; and Cois - Celts , choreographed by Lila York (Boston Céim Dance Theatre. Awards: Irish Times Ballet), Sea Lark and Death and the Maiden Award (with Ben Delaney), (Paul Taylor Dance Company), Don Quixote Best Sound Design for the score of The (Pacific Northwest Ballet) and The Sleeping Last Days of a Reluctant Tyrant and Irish Beauty (American Ballet Theatre). Times Irish Theatre Judges’ Special Award nomination for “setting the standard of Gregory Clarke (Sound Design) has theatre composition”; PlayShakespeare worked with Druid on: Brigit , Bailegangaire , website’s Falstaff Award for Best Score Penelope , The New Electric Ballroom , and Worldwide for scoring the Royal Shake - The Hackney Office . Other theater includes: speare Company’s production of The The Twits , The Ritual Slaughter of Gorge Cordelia Dream by . Mastromas (Royal Court); Misterman (Gal - way Arts Festival and Landmark Produc - Thomas Conway (Dramaturg) teaches tions); Medea , The Doctor’s Dilemma , contemporary theatre at the Lir, National Twelfth Night , No Man’s Land , Tristan & Academy of Dramatic Arts at Trinity College Yseult , The Emperor Jones , Earthquakes in Dublin, is Druid Director-in-Residence at 28 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

National University of Ireland, Galway, and Inspector , The Shaughraun , Portia Cough - editor of The Oberon Anthology of Contem - lan , I Do Not Like Thee , Dr. Fell , porary Irish Plays . He is the outgoing Liter - Defender of the Faith , Henry IV , Part I , ary Manager for Druid, in which role he has Done Up Like a Kipper , Lovers At Versailles , served the company since 2005. Directing , The Honey Spike credits include: Whoop It Up For Liberty! , (Abbey Theatre); and The Unlucky Cabin Gentrification , The Crown Jewels , The Gim - Boy (Lime Tree Theatre). Film and television mick , The Winter’s Tale , The King of Friday’s includes: The Frankenstein Chronicles , Sing Men , Once Upon a Barstool , Closer , In the Street , The Secret Scripture , Clean Break , Blood , Beowulf , What Where , Rockaby , and Love/Hate , The Fall , Line of Duty , Frank , Catastrophe . He has worked as a dramaturg Traders , The Canal , 6 Degrees , Scup , Moon - with companies including: Painted Bird ( Be - fleet , Life of Crime , Ice Cream Girls , Gold , tween Trees and Water , Best New Play Byzantium , Titanic (Blood and Steel) , Nev - Award, Tiger Dublin Fringe Festival 2014, erland , What Richard Did , Primeval , Treas - for which he is co-author with Fiona McGe - ure Island , Citadel , Haywire , The Guard , My own), Una McKevitt, Moonfish, Pan Pan, Brothers , The Runway , Zonad , Happy Ever Fabulous Beast, Idle Motion, and Cups and Afters , Jack Taylor , George Gently , and Crowns, among others. Wake Wood .

Andrew Wade (Voice Coach) was Head of Voice at the Royal Shakespeare Company from 1990–2003. DruidShakespeare marks his debut with Druid. In conjunction with About the Artists Cicely Berry, he recorded Working Shake - Clare Barrett speare —a series on voice and text work— Richard II: Servant to the Gardener, Keeper with Helen Hunt, Samuel L. Jackson, Toby Henry IV, Part I: Bardolph Stevens, and Claire Danes. He trained at Henry IV, Part II: Bardolph Rose Bruford College and Arts Educational Henry V: Bardolph School and also served as Head of Voice at Clare Barrett is a graduate of the Conser - East 15. He was Verse Consultant on the vatory of Music and Drama, Dublin Insti - film Shakespeare in Love , coached Court - tute of Technology, and DruidShakespeare ney Love for the role of Lady , and marks her debut with the company. Other worked on the musical Lord of the Rings . theater includes: Moll (Verdant/Gaiety The - Since leaving the RSC in 2003, he has con - atre), Beautiful Dreamers (Anu/Perfor - tinued to work all over the world in a free - mance Corporation), I Heart Alice Heart I lance capacity. He teaches at the Stella (Hot for Theatre), Bernarda’s House (nom - Adler Studio, Delaware University, the Na - inated for Best Female Performer, Tiger tional Theater School in Montreal, and the Dublin Fringe Festival 2014), I’m Not Guthrie Theater, Minneapolis. Other the - A.D.H.D., I’m Bold (Wicked Angels), Crude ater includes: La Traviata , Donkeys’ Years , Mechanicals , Happiness (Bewley’s Café and Boeing-Boeing. Theatre), Power Point (nominated for Best Female Performer, Performance Corpora - Donal O’Farrell (Fight Director) has worked tion, Absolut Dublin Fringe Festival 2009). with Druid on Be Infants in Evil and his Film and television includes: Sacrifice , Run other theater includes: The Field (Lane Pro - and Jump , Dark Touch , Roy , Fair City . ductions/The Olympia Theatre); She Stoops Awards: Best Female Performer, Absolut To Conquer , The Hanging Gardens , King Dublin Fringe Festival 2010 for I Heart Alice Lear , Quietly , Drum Belly , The Government Heart I . 29 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Derbhle Crotty Bosco Hogan Richard II: Bolingbroke Richard II: J ohn of Gaunt, Glendower, Henry IV, Part I: King Henry IV Bishop of Carlisle, Gardener Henry IV, Part II: King Henry IV Henry IV, Part I: Westmoreland Henry V: Montjoy Henry IV, Part II: Shallow Derbhle Crotty’s work with Druid includes Henry V: Westmoreland, Charles VI The Silver Tassie , The Playboy of the Western Bosco Hogan has worked with Druid on World , Sive , The Good Father , and Gaslight . Brigit . Other theater includes: A Doll’s Other theater includes: The Events (ATC); House , A Cry from Heaven , The House Thirteen (Anu); Best Man (Everyman & Proj - (Abbey Theatre); Wuthering Heights , An ect); The Dead (Abbey Theatre); Dubliners Enemy of the People , A Streetcar Named (Corn Exchange); The Beauty Queen of Desire , The Threepenny Opera (Gate The - Leenane (Young Vic); Macbeth , atre); and The Sanctuary Lamp (B*Spoke). (nominated for Award for Out - Film and television includes: The Borgias , standing Supporting Performance); Little Vexed , Titanic: Blood and Steel , Stailc 1913 , Eyolf (Royal Shakespeare Company); The The General , King Arthur , Evelyn , In , Summerfolk (National Name of the Father , Sense and Sensibility , Theatre, London). Film and television in - A Taste for Death , Love Lies Bleeding , Act cludes: Noble , Stella Days , Joy , The Clinic , of Betrayal , Ballykissangel , and DDU . Notes on a Scandal , Inside I’m Dancing , The Merchant of Venice , Any Time Now , Poor - Garrett Lombard house , Gold in the Streets . Awards include: Richard II: Hotspur Irish Times Irish Theatre Award, Best Ac - Henry IV, Part I: Hotspur tress for Masha in Three Sisters (Abbey Henry IV, Part II: Bullcalf Theatre), Ian Charleson/ Sunday Times Henry V Ambassador, Fluellen, Grandpré Award for her performance as Asta in Little Garrett Lombard is originally from Gorey, Eyolf (Royal Shakespeare Company). Co. Wexford, and trained at the Centre, Trinity College Dublin. His work with Druid includes: DruidMurphy– Gavin Drea Plays by Tom Murphy, The Silver Tassie , The Richard II: Aumerle Walworth Farce , The Year of the Hiker . Henry IV, Part I: Poins, Vernon Other theater includes: Bedroom Farce , An Henry IV, Part II: Poins, Gloucester Henry V: Gloucester, Rambures, Williams Ideal Husband , The Caretaker , All My Sons , Gavin Drea has appeared with the Druid in Death of a Salesman , The Glass Menagerie DruidMurphy–Plays by Tom Murphy. Other (Gate Theatre); The Rehearsal , Playing the theater includes: Sive (Abbey Theatre Dane (Pan Pan); Cavalcaders , The Recruit - National Tour), Philadelphia, Here I Come! ing Officer (Abbey Theatre); Alone It Stands (Lyric Theatre), Breaking Dad (Landmark), (Lane Productions); Playing from the Heart Hamlet (University College Dublin Drama (the Ark); The Field (national tour for Scott- Society), and Alice in Wonderland (Up - Rellis Productions). Film and television in - start). Film and television includes: cludes: Quirke , Rough Diamond , Fair City , Love/Hate , Jack Taylor , What Richard Love is the Drug , Pure Mule , Alexander , Did , Beirt Le Chéile , and Cruelty . Radio Frontline , Stella Days . includes: The Crossing , The Snapper/ , , and The Music of Karen McCartney Ireland . He was nominated for Irish Times Richard II: Scroop Irish Theatre Award, Best Supporting Actor Henry IV, Part I: John of Lancaster for Des ( A Whistle in the Dark ) in Druid- Henry IV, Part II: Boy, John of Lancaster Henry V: Boy, Bates, Salisbury 3M0 urphy—Plays by Tom Murphy. LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Karen McCartney is a native of Carlow, and Arrah na Pogue, Christ Deliver Us, Romeo a graduate of the inaugural Bachelor in and Juliet , Drama at Inish , The Shaughraun , Acting at the Lir, National Academy of Dra - She Stoops to Conquer , The Burial at matic Art. DruidShakespeare marks both Thebes , I Do Not Like Thee, Dr. Fell , The her professional debut and her debut with Wolf of Winter , and Finders Keepers (Abbey the company. Other theater includes: The Theatre). Film and television includes: Pan , Clearing , Into the Woods , The Night Sea - Vikings , Inspector Jury , Clean Break , Sacri - son , Mary Stuart , Scenes from the Big Pic - fice , The Other Side of Sleep , Single- ture , The Rover , The Suppliants , and Love’s Handed , Jack Taylor , Love/Hate , Little Labour’s Lost (the Lir). Foxes , The Tudors , Ella Enchanted , and LSD:73 . Awards include: OBIE, Lucille Lor - tel, and Manchester Evening News Best Charlotte McCurry Actor Awards for Cripple Billy in The Crip - Richard II: Queen Isabel Henry IV, Part I: Blunt, Peto ple of Inishmaan ; Irish Times Irish Theatre Henry IV, Part II: Doll Tearsheet, Clarence Award, Best Supporting Actor for Liam Henry V: Nym, Monsieur le Fer (Conversations on a Homecoming ) in Druid - Charlotte McCurry has appeared with Druid Murphy–Plays by Tom Murphy. in DruidMurphy–Plays by Tom Murphy. Other theater includes: She Stoops to Con - quer , The Risen People , The Dead , The Pic - Marie Mullen Richard II: Northumberland ture of Dorian Gray (Abbey Theatre); The Henry IV, Part I: Northumberland, Lord Chief Threepenny Opera (Gate Theatre); Hedda Justice (Green Room); Both Sides (Ransom Produc - Henry IV, Part II: Northumberland, Lord Chief tions); The Jungle Book , The Crucible (Lyric Justice, Silence Theatre, Belfast); The Great Carmo! (Ca - Henry V: Exeter hoots); The Haunting of Helena Blunden (Big Marie Mullen is a founding member of Telly); The Famous Five (Tabard Theatre); and Druid and has appeared in numerous pro - Kitty and Damnation (Lion and Unicorn). Film ductions including, Conversations on a and television includes: The Titanic Inquiry Homecoming , Brigit , Bailegangaire , The and Our William (BBC ). Cripple of Inishmaan , Long Day’s Journey Into Night , DruidSynge , and The Beauty Queen of Leenane . Other theater includes: Aaron Monaghan Testament ( and Richard II: Mowbray, Worcester, Exton Dublin Theatre Festival); The Man Who Henry IV, Part I: Worcester Came to Dinner , , The Man of Henry IV, Part II: Pistol Henry V: Chorus, Pistol, Dauphin Mode (RSC); The Last Days of a Reluctant Aaron Monaghan trained at the Samuel Tyrant , and The Power of Darkness (Abbey Beckett Centre, Trinity College Dublin, and Theatre). Film and television includes: How at the British American Drama Academy, and Why , When Brendan Met Trudy , Danc - Oxford. His work with Druid includes The ing at Lughnasa , and Circle of Friends . Colleen Bawn , DruidMurphy–Plays by Tom Awards include: Irish Times Irish Theatre Murphy, The Silver Tassie , Penelope , The Award, Best Supporting Actress for Missus Playboy of the Western World , The Cripple (Conversations on a Homecoming ) in Druid - of Inishmaan , Empress of India , The Year of Murphy–Plays by Tom Murphy; Tony the Hiker , The Walworth Farce , and Award and Obie Award, Best Actress for DruidSynge. Other theater includes: King The Beauty Queen of Leenane . Lear , Translations , 16 Possible Glimpses ,

31 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Rory Nolan Peacock theaters); Borstal Boy , The Field Richard II: Bagot (Gaiety Theatre); Fings Ain’t Wot They Use Henry IV, Part I: Falstaff T’Be (Theatre Royal, Stratford East); A Skull Henry IV, Part II: Falstaff in Connemara (Decadent); Rough for The - Henry V: Cambridge, Gower, Orleans Rory Nolan graduated from the Gaiety atre I and Rough for Theatre II (Beckett Fes - School of Acting in 2003 and his work with tival/Barbican Centre); Mackerel Sky , The Druid includes The Colleen Bawn and Salvage Shop (Red Kettle). Film and Televi - DruidMurphy–Plays by Tom Murphy. Other sion includes: The Tudors , Fatal Inheritance , theater includes: Breaking Dad , Between Single-Handed , , Amongst Women , Foxrock and a Hard Place , The Last Days of Father Ted , Rawhead Rex , The Butcher Boy , the , Sleeping Beauty (Land - and Bobbie’s Girl . He received the Irish mark); Bedroom Farce , A Christmas Carol , Times Irish Theatre Award for Best Sup - Death of a Salesman (Gate Theatre); The porting Actor for Byrne in Big Maggie . Critic , Peer Gynt , The Importance of Being Earnest , Don Carlos , The Taming of the Aisling O’Sullivan Shrew , Improbable Frequency , (Rough Henry IV,Part I: Hal Magic); She Stoops to Conquer , Aristocrats , Henry IV, Part II: Hal/King Henry V The Government Inspector (nominated for Henry V: King Henry V Irish Times Irish Theatre Award, Best Sup - Aisling O’Sullivan’s work with Druid in - porting Actor), Translations , Arrah Na cludes: Bailegangaire , The Colleen Bawn , Pogue , Macbeth , The Rivals (Abbey The - Big Maggie , and The Playboy of the West - atre); Observe the Sons of Ulster Marching ern World . Other theater includes: Liola , Towards the Somme (Livin’ Dred/Nomad); The Cripple of Inishmaan , Mutability (Na - Cat on a Hot Tin Roof (Corn Exchange); The tional Theatre, London); Marble , Lay Me Evils of Tobacco (Mangiare Theatre – nom - Down Softly , The Cavalcaders , Famine inated for Best Male Performer, Dublin (Abbey Theatre); Crestfall (Gate Theatre); Fringe Festival 2006). Film and television Miss Julie (Haymarket Theatre, London); includes: Charlie , Fair City , A Thousand The Duchess of Malfi (Royal Shakespeare Times Goodnight , The Baker Street Irregu - Company); The Maids (Young Vic); Slavs lars , Trouble in Paradise , and Nothing Per - (Hampstead Theatre); and Hysteria (Royal sonal . Court at the Duke of York’s). Film and tele - vision includes: The Secret Scripture , Snap , The Butcher Boy , Raw , The Clinic , and John Olohan Cracker . Awards include: Irish Times Irish Richard II: York Theatre Award, Best Supporting Actress Henry IV, Part I: Mistress Quickly, Douglas for The Playboy of the Western World and Henry IV, Part II: Mistress Quickly, Warwick Henry V: Mistress Quickly, Governor of Harfleur IFTA Best Actress for The Clinic (RTÉ). John Olohan trained at the Abbey School of Acting and was a member of the Abbey Marty Rea Theatre Acting Company from 1980 –90. Richard II: King Richard II His work at Druid includes: The Colleen Henry IV, Part I: Francois Bawn , DruidMurphy–Plays by Tom Mur - Henry IV, Part II: Francois phy, Big Maggie , The Silver Tassie , and The Henry V: Canterbury, Constable of France Playboy of the Western World . Other the - Marty Rea graduated from the Royal Acad - ater includes: A Midsummer Night’s emy of Dramatic Art in 2002, and his work Dream , The Duty Master , A Little Like Para - with Druid includes, Brigit , Be Infants in Evil , dise , The Muesli Belt , Savoy (Abbey and The Colleen Bawn , and DruidMurphy–Plays by Tom Murphy. He is currently New Writ - 32 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE ing Associate with the company. Other the - Druid Theatre Company ater includes: The Caretaker , An Ideal Hus - Druid was founded in Galway in 1975 by band , My Cousin Rachel , Little Women , Hay graduates of the National University of Ire - Fever , Arcadia , The Glass Menagerie , Oscar land, Galway: Garry Hynes, Marie Mullen Wilde’s Salomé (Gate Theatre); John Gabriel and (1945 –2010). The company Borkman (in partnership with BAM New has had two artistic directors: Garry Hynes York), The Rivals , Only an Apple , An Ideal (1975 –91 and 1995 to date) and Maelíosa Husband , The Big House , Saved , The Impor - Stafford (1991 –94). The company has al - tance of Being Earnest (Abbey Theatre); ways seen itself as a theater for Ireland Hamlet , Philadelphia , Here I Come! (Second and touring is an essential part of its Age); Improbable Frequency (New York mission. The company also tours interna - tour); Pentecost , Spokesong (Rough Magic); tionally, making it one of the best-known and Observe the Sons of Ulster Marching theater companies in the English-speaking Towards the Somme (Livin’ Dred). Radio in - world. Recent productions include Brigit cludes: BBC Radio 4, RTÉ Radio, and BBC and Bailegangaire by Tom Murphy and The Radio Northern Ireland. He received the Colleen Bawn by Dion Boucicault. Previous Irish Times Irish Theatre Award, Best Actor large-scale projects to tour nationally and for the title role of Hamlet. internationally include DruidSynge and DruidMurphy–Plays by Tom Murphy (which were highlights of Lincoln Center Festivals DruidShakespeare Staff in 2006 and 2012), and The Leenane Trilogy . General Manager Sarah Lynch Druid productions have won many awards Production Associate Craig Flaherty including four for the com - Production Manager Eamonn Fox pany’s world premiere of Martin McDon - Technical Manager Barry O’Brien agh’s The Beauty Queen of Leenane on Broadway. Wildfire Films are producing a Company Stage Manager Paula Tierney documentary for RTÉ, which follows the Stage Manager Clare Howe process of making DruidShakespeare. It is Assistant Stage Manager directed by Maurice Sweeney and will be Richie O’Sullivan shown on Irish television this fall. Wardrobe Mistress Amanda Donovan Wigs and Make Up Val Sherlock Master Carpenter Gus Dewar DRUID THEATRE BOARD OF DIRECTORS Chief Electrician Shannon Light Cathal Goan, Chairman Set Construction TPS, Rynn Engineering, Druid Eugene Downes Liz McConnell Tour Carpenter Pete Nelson Donncha O’Connell Seamus O’Grady Bride Rosney Colm Tóibín Bernadette Murtagh, Company Secretary DRUID THEATRE FOUNDERS Garry Hynes Mick Lally (1945–2010) Marie Mullen

33 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

DRUID THEATRE STAFF the larger New York City community. The Artistic Director Garry Hynes theater is dedicated to the creation and General Manager Sarah Lynch presentation of performing arts program - Production Associate Craig Flaherty ming of all disciplines with a special focus Financial Controller Brian Duffy on how the artistic imagination can shed light on the many perceptions of justice in Financial Administrator Lisa Nolan our society. The theater is also a member Communications and Development of CUNY Stages, a consortium of 16 per - Associate Róisín Stack forming arts center located on CUNY cam - New Writing Associate Marty Rea puses across New York City. Office Assistant Niamh Bent

DRUID ENSEMBLE The theater has hosted events in the Lin - coln Center Festival since its first season in The Druid Ensemble is a core group of ac - 1996, as well as New York City Opera, tors who work closely with Druid to shape Great Performers at Lincoln Center , Metro - the future direction of the company’s work. politan Opera Guild, and Alvin Ailey Amer - Garrett Lombard, Aaron Monaghan, ican Dance Theater/Ailey II. The theater Marie Mullen, Rory Nolan, has also been the site of many television Aisling O’Sullivan, Marty Rea, and film specials including A&E’s Live by Maelíosa Stafford Request , Comedy Central’s Premium Blend , Robert Klein in Concert , and VH1’s Soundtrack Live . For more information, John Jay College of Criminal and to view a schedule of events, visit Justice of The City University jjay.cuny.edu/theater. of New York and the Gerald W. Lynch Theater President Jeremy Travis John Jay College, an international leader in Senior Vice President, Office of Finance and Administration educating for justice, offers a rich liberal Robert M. Pignatello arts and professional studies curriculum to Executive Director Jeffrey Brown upwards of 15,000 undergraduate and graduate students from more than 135 na - GERALD W. LYNCH THEATER tions. In teaching, scholarship and re - Managing Director Johanna Whitton search, the College approaches justice as Technical Supervisor Joshua Redfearn an applied art and science in service to so - Stage Supervisor Mark Lorenzen ciety and as an ongoing conversation Audience Services Manager about fundamental human desires for fair - Rubina Shafi ness, equality and the rule of law. For more House Electrician Amelia Vlah Roy information, visit jjay.cuny.edu. House Carpenter/Rigger Jeffrey Kurtze Since opening its doors in 1988, the Gerald House Audio Engineer William Grady W. Lynch Theater has been an invaluable Stagehand David Nelson cultural resource for John Jay College and Custodian Alyshia Burke

34 LINCOLN CENTER FESTIVAL 2015 DRUIDSHAKESPEARE

Lincoln Center Festival rela tions, and manager of the Lincoln Cen - Now in its 20th season, Lincoln Center Fes - ter campus. A presenter of more than tival has received worldwide attention for 3,000 free and ticketed events, perform - presenting some of the broadest and most ances, tours, and educational activities an - original performing arts programs in Lin - nually, LCPA offers 15 series, festivals, and coln Center’s history. The Festival has pre - programs including American Songbook , sented over 1,300 performances of opera, Avery Fisher Career Grants, Free Thursdays music, dance, theater, and interdisciplinary at the David Rubenstein Atrium, Great Per - forms by internationally acclaimed artists formers , Lincoln Center Festival , Lincoln from more than 50 countries. To date, the Center Out of Doors , Lincoln Center Vera Festival has commissioned more than 42 List Art Project, Martin E. Segal Awards, new works and offered some 142 world, Meet the Artist, Midsummer Night Swing , U.S., and New York premieres. It places Mostly Mozart Festival , White Light Festival , particular emphasis on showcasing con - and the Emmy Award-winning Live From temporary artistic viewpoints and multidis - Lincoln Center , which airs nationally on ciplinary works that challenge the PBS. As manager of the Lincoln Center boundaries of traditional performance. campus, LCPA provides support and serv - ices for the Lincoln Center complex and the 11 resident organizations. In addition, Lincoln Center for the LCPA led a $1.2 billion campus renovation, Performing Arts completed in October 2012. Lincoln Center for the Performing Arts Acknowledgements (LCPA) serves three primary roles: presen - Lighting Equipment PRG Lighting ter of artistic programming, national leader Sound Equipment in arts and education and community Audio Production Services

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Even More DruidShakespeare Druid Theatre, Ireland & DruidShakespeare Symposium Thursday, July 9, 1 p.m. to 5p.m.

Generoso Pope Memorial Auditorium, Fordham University, 113 W 60th St. (at 9th Avenue)

To coincide with DruidShakespeare at Lincoln Center Festival 2015, Irish and American experts will discuss the relationship between Shakespeare and Ireland—exploring how Druid’s approach to Shakespeare’s history plays needs to be seen in the context of Irish history and culture. The afternoon of lectures and panels includes onstage interviews with Tony Award-winning director, Garry Hynes, Druid company member, Derbhle Crotty, and major Irish playwright and DruidShakespeare adapter, Mark O’Rowe. All parts of the pro - gram will include a question-and-answer session and informal conversation with the par - ticipants.

Sponsored by the Fordham University Institute of Irish Studies and the National University of Ireland, Galway’s Druid Academy, in association with the Irish Arts Centre and Druid Theatre.

This event is free and open to the public.

DruidShakespeare Talk Back Tuesday, July 14—post-performance

Following the performance of DruidShakespeare, Part 1, audience members are invited to remain in their seats for an on-stage discussion with director Garry Hynes and play - wright Mark O’Rowe, moderated by Dr. James Shapiro, professor of English at Columbia University. This event is free for ticketholders at the July 14 performance.

Born and raised in Brooklyn, James Shapiro studied at Columbia and the University of Chicago. He is currently the Larry Miller Professor of English and Comparative Literature at Columbia University, where he has taught since 1985. He is the author of several sur - veys and commentaries on literature (especially that of Shakespeare), including Shake - speare and the Jews , The Troubling Story of the World’s Most Famous Passion Play , and Contested Will . His essays and reviews have appeared in the New York Times , The Guardian, The London Review of Books , The Chronicle of Higher Education , and The Financial Times . He serves on the Board of Governors of the Folger Shakespeare Library as well as the Board of Governors of the Royal Shakespeare Company.

For more information about these and the other ancillary events that are part of Lincoln Center Festival, visit LincolnCenterFestival.org.

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