DOCSLIB.ORG

State Theatre Braunschweig and International Film Festival Braunschweig Announce Film Music Programme

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
State Theatre Braunschweig and International Film Festival Braunschweig Announce Film Music Programme State Theatre Braunschweig and International Film Festival Braunschweig announce film music programme German premiere “The Piano: Live-to-film” +++ “Weißer Löwe” (White Lion) for Helmut Zerlett +++ The Penelopes play “The Home Maker” +++ Videogame concert “Stories: The Path of Destinies” +++ WELLENVORM & Patrick Müller +++ German Film Orchestra Babelsberg plays to “Ausgerechnet Wolkenkratzer” The International Film Festival Braunschweig starts with the German premiere of the film concert “The Piano: Live in Concert” into its 33rd edition. The concert is part of the section “FxM Film meets Music”, in the course of which the Film Festival and State Orchestra Braunschweig present three film music concerts. Among these is the “Portrait Concert” for and with the film composer Helmut Zerlett, who receives the “Weißer Löwe” for his lifetime achievement and gets honoured with a retrospective. The portrait concert as well as the retrospective are sponsored by the Stiftung Braunschweigischer Kulturbesitz. Moreover the State Orchestra plays the interactive videogame concert “Stories: The Path of Destinies”. At this Live-to-game concert the orchestra reacts live to the players actions. The electro band “The Penelopes” adds sound to the silent film “The Home Maker” by King Baggot from 1925. The French DJ-team is known for their electro and disco remixes of Lana Del Rey, The Petshop Boys or The Cure. The concert is supportd by the Stiftung Braunschweiger Land. Electronic music is to the fore at three of the concerts, for example at the silent film concert “Silent Poe” by Jakob Gardemann and Christoph Seelinger from Braunschweig. They add sound to four films inspired by Edgar Allan Poe. Robin Alberding exhibits the installation “Fremd2k19”, a hybrid of scenic film and video. The pair of WELLENVORM & Patrick Müller presents eight short films, including two German premieres. Patrick Müller’s silent-visual reflexions about literature are accompanied live by WELLENVORM on his synthesisers. At the close of “FxM Film meets Music” the German Film Orchestra Babelsberg plays a Harold Lloyd classic “Ausgerechnet Wolkenkratzer! – Harold Lloyd” at the Wolfsburg Scharoun Theater on Sunday 24th of November. Martin Weller, director of the Braunschweig State Orchestra, gives an introduction to the film. Helmut Imig conducts the concert. OVERVIEW CONCERTS: THE PIANO – LIVE IN CONCERT (German Premiere) Directress: Jane Campion (AUS/NZL/F 1993, 121 Min.) Music: Michael Nyman The State Orchestra Braunschweig plays under the direction of Andrew Berryman. Tickets: www.staatstheater-braunschweig.de, € 20,- from Wednesday, 25.9. Tuesday, 19.11.2019, 7pm, Stadthalle Braunschweig, STORIES: THE PATH OF DESTINIES - Interactive video game concert - Live-to-Game Music: FX Dupas und Mathieu Lavoie (Vibe Avenue) The State Orchestra Braunschweig plays under the direction of Rodrigo Lopez Klingenfuss. Gameplay: Sebastian Foerster. Wednesday, 20.11.2019, 8.30 pm, State Theatre Braunschweig Probebühne ½ THE HOME MAKER – THE PENELOPES PLAY SILENT MOVIE Silent film concert with Dream Pop, Electro und Disco. German Premiere of the restored version. Director: King Baggot (USA, 1925, 90 Min.) Music: The Penelopes Thursday, 21.11.2019, 7 pm, Bartholomäuskirche Braunschweig With the friendly assistance of the Stiftung Braunschweiger Land. HELMUT ZERLETT: PORTRÄTKONZERT Film music by Helmut Zerlett, ca. 70 min. u.a. from Jerry Cotton, Haus der Krokodile, Neues vom Wixxer, Tatort - Die Guten und die Bösen, Vampirschwestern The State Orchestra Braunschweig plays under the direction of Christopher Lichtenstein as well as the „Akademix“ under the direction of Helmut Zerlett Friday, 22.11.2019, 8pm, State Theatre Braunschweig Probebühne ½ With the friendly assistance of the Stiftung Braunschweigischer Kulturbesitz. DIE VAMPIRSCHWESTERN 2 – FLEDERMÄUSE IM BAUCH Helmut Zerlett comments live on the music of the romantic fantasy-comedy. Recommended for children and young people from the age of 9. Saturday, 23.11., 11 am, Roter Saal SILENT POE – Silent film concert Four short films inspired by Edgar Allan Poe Music: Jakob Gardemann (Synthi & Guitar), Christoph Seelinger (Effects) Saturday, 23.11.2019, 8 pm, Schrill (former Gloria-Kino) FREMD 2k19 Scenic film und video-installations by Robin Alberding Friday, 22.11.19, 8pm, Schrill (former Gloria-Kino) AUSGERECHNET WOLKENKRATZER! – HAROLD LLOYD (OT: SAFETY LAST!) Stummfilmkonzert Director: Fred C. Newmeyer, Sam Taylor (USA, 1923, 73 Min.), Music: Carl Davis Supporting film: Der Tramp (OT: The Tramp), Music: Helmut Imig Director: Charlie Chaplin (USA 1915, 26 Min.) The German Film Orchesta Babelsberg plays under the direction of conductor: Helmut Imig Introduction to concert with Martin Weller: 7.15 pm Sunday 24.11.19, 8pm, Scharoun Theatre Wolfsburg, Großes Haus WELLENVORM + PATRICK MÜLLER Film concert with eight short films (16mm-Filmprojektion) by Patrick Müller. Music: Wellenvorm (Analogue and digital Synthesisers) Sunday, 24.11.2019, 7pm, LOT The 33rd International Film Festival Braunschweig is sponsored by: .
Load more

Recommended publications
  • Sound Speed Marker: an Archeology of Cinema by Gene Fowler – August 3, 2015
    Sound Speed Marker: An Archeology of Cinema By Gene Fowler – August 3, 2015 The skeletal remains of Reata, the grand Their curiosities piqued by having seen facade of a Victorian mansion built near Wim Wenders’ 1984 film Paris, Texas while Marfa for the 1956 film Giant, stand like growing up in Australia and Switzerland, the crumbling bones of some impossible Hubbard and Birchler visited the small dinosaur that refused to fold into the earth. East Texas city of Paris, 20 miles south of Or some alien shipwreck that outlasted an the Red River, in 2007. There, exploring ancient sea, its creaking timbers moaning potential turf for their photographic series and defiant in the West Texas wind. Filmstills, they discovered the abandoned Grand Theater. With a history going back to The artist team of Teresa Hubbard and the silent film era, the Grand and collective Alexander Birchler spent two years filming Parisian memories of the theater proved to the ruin in all seasons and weather condi- be rich in what Fairfax Dorn of Ballroom tions. Its ghostly presence and the landscape Marfa, writing in the Sound Speed Marker in which it lingers play major roles in their catalog, calls “the physical, social, and psy- three-channel video installation, Giant chological traces that movies leave behind.” (2014), part of Sound Speed Marker, a trilogy of video installations on view at the Interviews with local residents, from the University of Houston’s Blaffer Art Museum Paris News film critic to an elderly woman that also includes the two-channel work who ran the theater’s candy stand in the Movie Mountain (Méliès) (2011) and the 1930s, excavate and interpret the movie pal- single-screen Grand Paris Texas (2009).
    [Show full text]
  • Bulletinculturel
    BulletinJunCe 2u01l3turel AMADOU ET MARIAM JIMMY ROBERT MOHAMED BOUROUISSA Every day brings some more improvement that summer is coming: after the weather improvement, it is now clearly heralded by the comeback of Toronto's large festivals. At North by North East, enjoy the French band The Sommaire Penelopes, while Luminato welcomes Amadou and Mariam, winners of two PAGE 4 ‐ Music Victoires de la Musique, during a unique free outdoor concert. PAGE 5 ‐ Visual Arts In visual arts, the Paris‐Toronto series continues this month with projects PAGE 6 ‐ Cinema involving two internationally renowned French artists of the younger PAGE 6 ‐ Television generation : Jimmy Robert, with an exhibition at The Power Plant, including a public performance by the artist, and Mohamed Bourouissa with a two‐ PAGE 7 ‐ Professionals month residency at the Art Gallery of Ontario. And for fashionistas – and other design lovers! ‐ the Design Exchange will welcome at the end of the month a Christian Louboutin retrospective exhibition, curated in collaboration with the designer, which will tell you all you need to know about the famous red soles… Claire Le Masne, Attachée Culturelle JUNE 2013 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1 2 ...UN PEU DE TERRE SUR LA PEAU... 3 4 5 6 7 8 9 SCARBOROUGH ... FILM SCARBOROUGH FESTIVAL... FILM FESTIVAL 10 11 12 13 14 15 16 LUMINATO... NXNE... ...NXNE 17 18 19 20 21 22 23 RETROSPECTIVE CHRISTIAN LOUBOUTIN... JIMMY ROBERT... ...LUMINATO 24 25 26 27 28 29 30 RESIDENCE MOHAMED LE GUETTEUR BOUROUISSA... Editor: Claire Le Masne Visual Arts: Caroline Touéry Book: Julian Compan Audiovisual and layout: Sarah Arcache Music NXNE JUNE 10 ‐ 16 The North by Northeast Festival is back this year with an excellent selection of artists.
    [Show full text]
  • DOSSIER DE PRESSE Festival DIÈSE 7 Nouvelles Formes D
    DOSSIER DE PRESSE Festival DIÈSE 7 Nouvelles formes d’expressions artistiques du 2 au 7 juillet 2012 Orientations Le festival DIÈSE est organisé par la ville de Dijon en collaboration avec un collège de programmateurs associatifs dijonnais. Cette singularité assure une nature pluridisciplinaire au festival; les formes abordées, toujours renouvelées cherchent à éveiller la curiosité des publics. Le festival DIÈSE, 7e édition, se déroulera dans le centre historique de Dijon du 2 au 7 juillet 2012. Dièse est une manifestation qui a pour but de faire découvrir de nouvelles formes d’expressions artistiques. Sa programmation s’articule autour des arts numériques, d’expérimentations, des arts visuels, des musiques électroniques et contemporaines ou de toute expression mettant en jeu des esthétiques contemporaines, des formes innovantes et le croisement des disciplines artistiques. Le festival s’intéresse tout particulièrement à la notion de performance artistique qui favorise la proximité entre artistes et publics. L’accent est mis sur la valorisation du patrimoine historique de Dijon par l’intervention réelle des spectacles sur les sites retenus. Le patrimoine du centre-ville historique devient l’écrin idéal des artistes accueillis. DIÈSE, festival des émergences, fait le pari de l’exigence et de la découverte internationale et française sans oublier le vivier local. Le festival intègre la volonté de la ville d’être une référence écologique : de la conception du programme jusqu’aux installations techniques, à chaque fois que cela est possible, la dimension écologique est prise en considération. En parallèle, le festival s’engage à rendre plus accessibles les spectacles pour les publics en situation de handicap, en particulier les publics déficients auditifs et visuels.
    [Show full text]
  • Sw05 28/11/07 14:38 Page 1
    sw05 28/11/07 14:38 Page 1 Gratis_n°05_Star wax / Beat & Discovery presents Phohat sw05 28/11/07 14:38 Page 2 sw05 28/11/07 14:38 Page 4 Sommaire - édito par les membres du bureau z y’a plus d’ours, que des moutons... 02 NEWS 04 FLYING LOTUS 06 RARE WAX 08 PHOHAT & CREESTAL 10 SIBOT 16 DOSSIER JUNGLE 18 CHRONIQUES 20 PLAYLIST 20 ABONNEMENTS Dans un pays où le gouvernement contrôle la globalité des actes des citoyens, tout projet artistique et culturel basé sur le respect, l'échange ou l'amour est incompatible avec notre système. Le libéralisme économique prôné par notre nouveau président et son corollaire sécuritaire accélèrent encore un peu plus cet état de fait. Loin de prôner la désobéissance civile, nous tenons seulement à vous rappeler que si vous êtes pauvres et/ou maladroit vous feriez mieux de ne pas trop sortir de chez vous et de vous abonnez à Star Wax, la bible des djs et compositeurs de toutes les musiques actuelles car malgré le nombre grandissant de festivals et de soirées en club, l’inflation constante, la multiplication des contrôles d’alcoolémie, l’interdiction de fumer dans les Starwax Secrétaire de rédaction Distribution nationale lieux publics et autres joyeuseries du même ordre devenues indissociables de la moindre “L’actualité des Djs” «Plus bonne que la plus bonne de tes copines» Compos-it & friends Edité par Compos-it (Liste du réseau sur simple sortie du samedi soir risquent de vite vous refroidir. Alors pourquoi donc tenter le diable 120 rue Edouard vaillant Photographie demande mail à Delphine) 93 100 Montreuil Fr Christophe Urbain, Elo-b, stereochromie, et affronter tous ces dangers quand vous pouvez avoir les meilleurs djs chez vous à tel.
    [Show full text]
  • International
    international APRIL 1984 intetnational RICHARD STEVENSON Editor-in-Chief NONA KENT Managing Editor RICHARD STEVENSON LIDIA A. WOLANSKYJ Poetry Editor Copy Editor ANNE HENDERSON JACQUELINE D'AMBOISE Drama Editor Translations Advisor BILL HURST GEORGE MCWHIRTER Fiction Editor Advisory Editor LASHA SENIUK Business Manager Editorial Board LEO COOPER MICHAEL PACEY MARNIE DUFF KAREN PETERSEN JOHN FOSTER GREG REINBOLD MARTHA HENRY LASHA SENIUK GLENDA LEZNOFF JWU international A QUARTERLY JOURNAL OF CONTEMPORARY WRITING PRISM international, a journal of contemporary writing, is published four times per year at the Department of Creative Writing at the University of British Columbia, Vancouver, B.C. V6T IW5. Microfilm editions are available from Xerox University Microfilms, Ann Arbor, Michigan, and reprints from the Kraus Reprint Corporation, New York, N.Y. Contents Copyright si H584 PRISM international for the authors. Cover photo by Eduardo Meneses from 'Passion Play.' One year individual subscriptions $10.00, two-year subscriptions $16.00. Libraries and institution subscriptions $14.00, two-year subscriptions $20.00. Sample copy $4.00. All manuscripts should be sent to the Editors at the above address. Manuscripts must be accompanied by a self-addressed envelope with Canadian stamps or international reply coupons. Manuscripts with insufficient return postage will be held for six months and then discarded. Payment to contributors is $15.00 per page and a subscription. PRISM international purchases First N.A. Serial Rights only. Our gratitude to the Canada Council, Dean Will and the University of British Columbia. Also financially assisted by the Government of British Columbia through the British Columbia Cultural Fund and Lottery Revenues.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Hollywood Walk of Fame Master Plan Community Meeting Presentation
    Hollywood Walk of Fame Master Plan Community Meeting Presentation November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN Welcome & Introductions Community Presentation Page 2 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE The Master Plan is being developed with consensus, guidance and advocacy from many parties Client Team Design Team Community & City Partners Neighborhood Councils Community Organizations City Deparments Central Hollywood Neighborhood Council Hollywood Partnership Los Angeles Bureau of Street Lighting Hollywood Hills West Neighborhood Council Hollywood Chamber of Commerce Los Angeles Bureau of Street Services Hollywood Studio District Neighborhood Council Hollywood Heritage Los Angeles Department of Transportation Hollywood United Neighborhood Council Hollywood Historic Trust Los Angeles County Metro Los Angeles Office of Historic Resources Los Angeles Police Department (LAPD) Los Angeles Fire Department (LAFD) Page 3 of 59 HOLLYWOOD AGENDA WALK OF FAME MASTER PLAN 1. Project Update 2. Vision 3. Traffic & Mobility 4. Street Design 5. Street Trees 6. Street Amenities Community Presentation Page 4 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD WALK OF FAME MASTER PLAN 1. Project Status Update Community Presentation Page 5 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT PURPOSE WALK OF FAME MASTER PLAN To improve the Walk of Fame experience for those who live in, work in and visit the area. THE STREET IS FOR EVERYONE! Community Presentation Page 6 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD COMMUNITY OUTREACH OVERVIEW WALK OF FAME MASTER PLAN Community Presentation Page 7 of 59 November 19, 2020 *50% SCHEMATIC DESIGN DRAFT - SUBJECT TO CHANGE HOLLYWOOD PROJECT SCHEDULE WALK OF FAME MASTER PLAN WHERE WE ARE TODAY ARE WE WHERE DEC.
    [Show full text]
  • UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
    UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr.
    [Show full text]
  • Scanned by Scan2net
    SOCIAL AND POLITICAL INTERESTS IN THE WORKS OF ELIZABETH BARRETT BROWNING A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF :MASTER OF ARTS IN ENGLISH LITERATlmE IN THE GRADUATE DIVISION CF THE TEXAS STATE COLLEGE FOP. ½OMEU DEPARTMENT or ENGLISH BY MARY BETH STEPHENSON, B. A. DENTON, TEXAS SEPTEMBER, 1944 .J TEXAS STATE COLLEGE FOR WOMEN DENTON, TEXAS 1943_ _______ S�tember _,__ __ _ __ I hereby recommend that the thesis prepared under my supervision by Mary Beth Stephenson entitled---- - SOCIAL AND _E__9Ll_Tl__G_AL__INTEREST_S_JN_ _TRE - - WORKS OF ELIZABETH BARRET'I,1__ BROvVNlNG ------------------------···· --..--- -·-·-······-· be accepted as fulfilling this part of the requirements for the Degree of Master of Arts. 4� -- ----------··- �£-� ln Charge cf ...Thesis ✓ -----·-- - --·- - --- /.$. Director�- of� Department� Accepted: I I . I ( /1 . Director, Gradu.ate Division ACKNOWI.EDGMENT The writer wishes to express her appreciation to Dr. L. M. Ellison for his assistance in directing this study. His constructive criticisms have done much to im­ prove the quality of the work. iii TABLE OF CONTENTS ACKNOWLEDGMENT • • • iii LIST OF ILLUSTRATIONS • • viii TO ELIZABETH BARRETT BROWNING (Walter Savage Landor). xii CHAPTER PAGE I. SIGNIFICANT FACTS IN THE LIFE OF ELIZABETH BARRETT BROWNING. 1 Early Life • . • . 1 Life from 1830 to 1845 • . • 3 Fifteen Years in Italy • • . • • 6 In Memoriam . 6 II. MRS . BROWNING'S INTEREST IN THE SOCIAL PROBLEMS OF HER AGE • . 7 Significance of the Industrial Revolution. 7 Humanitarianism • 15 Mrs. Browning's Humanitarian Poems and Their Influence • . • . • 19 "The Cry of the Children" 19 .Anti-Slavery Poems • • . 22 Aurora Leigh as a Social Treatise . 25 summary .
    [Show full text]
  • Silent Stage Qwartz (P.8-9) WART Z Live Set Privés Au Casque Pour 50 Personnes Max
    Le QWARTZ PRIX DU GÉNIE MUSICAL PIERRE HENRY GrimaldiOrélie De l’autre côté de la musique Pour commencer, puisqu’il faut bien, on pourrait évoquer ce qu’est une rencontre et en particulier celle-ci. Qu’est-ce donc de rencontrer Pierre Henry et sa musique ? A n’en pas douter une émotion singulière pour ne pas dire rare que certains ont pu vivre au cœur de l’église Saint-Eustache ou ailleurs. Et là, on se rend compte que le verbe entendre ne suffit déjà plus pour fixer cet instant. Disons alors l’aventure que fut « La bête ». Mais s’exposer au travers de cet artiste ce n’est pas invoquer Pierre Henry et son génie. Oui, osons ce terme puisque le prix l’indique déjà. Et Pierre Henry fait partie de ces rares personnes où les détours sont proscrits. Ainsi, n’en prenons pas pour « dire » et honorer son geste. Puisqu’avant même la musique, l’œuvre de Pierre Henry fut une nouvelle syntaxe, une grammaire peut-être, et toujours une absolue modernité. Pierre Henry arpente depuis des décennies un silence et on imagine qu’il lui rend ses bruits. Il est en quelque sorte son hors champs et sa quête. On suppose que sa musique procède d’une insuffisance plus que d’une insatisfaction. Il manque toujours quelque chose et à ce quelque chose. A ce manque Pierre Henry lui peint ses mots. N’est-ce pas le signe des créateurs de génie de nous emporter dans un autre langage, de nous détourner de notre imaginaire et ainsi de transformer notre vision du monde ? Et, de cette lumière aux allures de foudre, ce monde en a besoin.
    [Show full text]
  • Photoplay Magazine PUBLISHED MONTHLY A
    The Photoplay Magazine PUBLISHED MONTHLY A. H. McLAUGHUN, PUBLISHER PHOTOGRAPHIC NOTICE—Pay no money to anyone representing: the PHOTOPLAY MAGAZINE unless they bear credentials, properly signed, fron/the Company. Vol. Ill OCTOBER, 1912 No. 3 ART STUDIES TABLE OF CONTENTS COVER DESIGN "JACK" W. KERRIGAN THE GALLERY OF PHOTOPLAY STARS PHOTOGRAPHIC ART STUDIES 1-16 PLAYERS* PERSONALITIES 86 PHOTOPLAY STORIES UNDINE (Thanhouser) By Raymond L. Schrock SUNDERED TIES (Broncho) By Randolph Van Buren THE WORD OF HONOR (Eclair) By Philip White CALAMITY ANNE"S WARD (American) By J. Rutherford Caswell. KINGS IN EXILE XGaumont) By O. A. Miller THE BUTTERFLY (Majestic) By Alice Ward Bailey THE ADVENT OF JANE (Victor) By Edna Frances HEARTS AND SKIRTS (Nestor) By Russell E. Smith FILIAL LOVE (Eclair) CALEB WEST (Reliance) THE LITTLE BEGGAR BOY (Lux) THE FUGITIVE (Solax) SPECIAL ARTIGLES LATEST IN NEWSDOM—By Willard Howe THE NEW ERA (Poem)—By O, A. Miller INTERVIEW WITH FLORENCE LA BADIE (Thanhouser}. INTERVIEW WITH KING BAGGOT (Imp.) DEPARTMENTAL NEWS FROM THE WORLD OF THE PHOTOPLAY 74 REFLECTIONS OF THE CRITIC 77 THE PHOTOPLAYWRIGHT AND HIS ART-By A. W. Thomaa. 88 THE QUESTION BOX 92 JUST BETWEEN OURSELVES 100 WHAT THEY THINK ABOUT IT 102 THE PHOTOPLAY MAGAZINE. Copyright 1912 by Photoplay Magazine. Entered at the Postoffice at Chicago, Illinois, as second class matter, April 20th, 1912. under the act of March 3rd, 1879. Subscription $1.00 a year in advance in the United States, Cuba and Mexico; in Canada and in other foreign countries, $1.50. Single copies, 10 cents. Stamps accepted. All manu- facturers of Motion Pictures are invited to submit scenarios and photos.
    [Show full text]
  • The Home-Maker 1924 Free
    FREE THE HOME-MAKER 1924 PDF Dorothy Canfield Fisher,Karen Knox | 288 pages | 30 Sep 1999 | Persephone Books Ltd | 9780953478064 | English | London, United Kingdom The Home-Maker by Dorothy Cnafield Fisher – Persephone Books As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. A man's life seems to be falling apart. He's bored with his job, gets passed over for a promotion and, when the pressures get to be too much, he tries to commit suicide, but he even fails at that and manages only to cripple himself instead of killing himself. Forced to stay at home, he finds the role of "househusband" enjoyable--until his wife takes The Home-Maker 1924 low-paying job with his old company, and rapidly rises up the corporate ladder. Written by frankfob2 yahoo. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. He's bored with his job, gets passed over for a promotion and, when the pressures get to be too much, he tries to commit suicide, but he even fails Director: King Baggot. Added to Watchlist.
    [Show full text]