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Grada Kilomba GRADA KILOMBA THE MOST BEAUTIFUL LANGUAGE exposição individual (índia) solo exhibition g alerias m unicipais curadoria curated Gabi Ngcobo produção criativa creative production Moses Leo 27/10/17 ► 04/03/18 Grada Kilomba Grada Kilomba Grada Kilomba (n. 1968, Lisboa, Portugal) é uma artista Grada Kilomba (b. 1968, Lisbon, Portugal) is an interdisciplinary interdisciplinar e autora que vive em Berlim – com raízes em artist and writer living in Berlin – with roots in São Tomé e São Tomé e Príncipe, Angola e Portugal. O seu trabalho tem Príncipe, Angola, and Portugal. Her work has been presented at sido apresentado em locais tão distintos como a Documenta renowned venues such as Documenta 14 in Kassel (2017), 32nd 14 de Kassel (2017), 32ª Bienal de São Paulo (2016), Rauma Bienal de São Paulo (2016), Rauma Biennal Balticum (2016), Art Biennal Balticum (2016), Art Basel, Cape Town Art Fair, Basel, Cape Town Art Fair, Transmediale, Secession Museum in Transmediale, Secession Museum em Viena, Bozar Museum em Vienna, Bozar Museum in Brussels, Maritime Museum in London, Bruxelas, Maritime Museum em Londres, SAVYY Contemporary SAVYY Contemporary in Berlin, Wits Theatre in Johannesburg, em Berlim, Wits Theatre em Joanesburgo, Theatre Münchner Theatre Münchner Kammerspiele in Munich, WdW Center for Kammerspiele em Munique, WdW Center for Contemporary Contemporary Art in Rotterdam, among others. Art em Roterdão, Kilomba is the author of ‘Plantation Memories’ (2008); entre outros. and the co-editor of ‘Mythen, Subjekte, Masken’ (2005), an Kilomba é autora do livro “Plantation Memories” (2008) interdisciplinary anthology on critical whiteness studies. She is e coeditora de “Mythen, Subjekte, Masken” (2005), uma best known for her subversive writing and unconventional use of antologia interdisciplinar de estudos críticos da branquitude. artist practices in which she intentionally creates a hybrid space Sendo particularmente conhecida pela sua escrita subversiva between the academic and artistic languages, using installation, e pelo uso não convencional de práticas artísticas, Kilomba video, theatre, music, sound, and performance to explore cria intencionalmente um espaço híbrido entre as linguagens ‘silenced voices’ and ‘uncomfortable knowledges’. Strongly académica e artística, usando a instalação, o vídeo, o teatro, influenced by the work of Frantz Fanon, Kilomba started writing, a música, o som e a performance para explorar “vozes and developing projects on memory and trauma, extending her silenciadas” e “ conhecimentos incómodos”. Fortemente concerns to form, language, performance, and the staging of influenciada pelo trabalho de Frantz Fanon, Kilomba começou a post-colonial narratives. More recently, she extended her work escrever e a desenvolver projetos sobre a memória e o trauma, into visual arts and installation, and started experimenting estendendo as suas preocupações à forma, à linguagem, à with film, video, and sound, introducing another performative performance e à encenação de narrativas pós-coloniais. Mais element to her writings. recentemente ampliou o seu trabalho às artes visuais e à Kilomba holds a doctorate on Philosophy from the Freie instalação, e começou a experimentar o uso de filmes, vídeos Universität Berlin, 2008, and has been lecturing at several e som, introduzindo mais um elemento performativo na sua international universities, including at the Humboldt Universität escrita. Berlin, where she was last an Associate Professor (2013), with Kilomba é doutorada em Filosofia pela Freie Univesität Berlin, her work on ‘Performing Knowledge’, in which she combines 2008, e tem lecionado em várias universidades internacionais, post-colonial studies, gender studies, and performance. Since nomeadamente na Humboldt Universität Berlin, onde 2015, she has been invited by the Maxim Gorki Theatre, in foi Professora Associada (até 2013) com o seu trabalho Berlin, to develop the artist talk series ‘Kosmos²’, a political “Performing Knowledge”, no qual combina os estudos pós- intervention in the contemporary arts in collaboration with coloniais com os estudos de género e a performance. Desde refugee artists. The artist is represented by the Goodman Gallery 2015 foi convidada pelo Maxim Gorki Theatre, em Berlim, in Johannesburg. para desenvolver a série de conversas de artistas “Kosmos2”, uma intervenção política nas artes contemporâneas com a colaboração de artistas refugiados. A artista é representada pela Goodman Gallery, em Joanesburgo. 3 5 1 4 7 2 6 1 Alonso, Liliana Coutinho, Mariana Thindi. Design de Luz e Som vertical, HD, cor, um canal de The Simple Act of Listening Duarte, Natalie Riedelsheimer, por Grada Kilomba. Música de som, 35 min 05 seg, em loop. Grada Kilomba, 2017 Olga Ramirez Oferil, Robert A. Geisbaba (Michael Geithner, Créditos: Escrito e Realizado por Bellinger, Suelyn Melo Range, Moses Leo). Editado por Grada Grada Kilomba. Interpretado Instalação com uma cadeira Thais Vera Utrilla, Theophilus, Kilomba. Finalização da Imagem por Martha Fessehatzion, Moses de madeira, três bancos, cinco Wouter Arrazola. Artist por Zé de Paiva. Produzido por Leo, Grada Kilomba, Zé de Paiva. microfones fixos com cabos e Collection. Grada Kilomba em coprodução Diretor de Fotografia Zé de Paiva. poema impresso em vinil na com Kultursprünge im Ballhaus Assistência de Câmara e Som de parede. Coleção da artista. Naunynstrasse, Berlim. Leitura Laura Alonso, Tito Casal. Figurino Installation with a wooden chair, 3 encenada baseada no livro de e Música de Moses Leo. Editado three benches, five standing The Dictionary Grada Kilomba, “Plantation por Grada Kilomba. Coleção da microphones with cables, and a Grada Kilomba, 2017 Memories-Episodes of Everyday artista. poem printed in vinyl, on the wall. Racism”. Coleção da artista. Two-channel video installation, Artist Collection. Instalação vídeo de cinco canais, 4 Two-channel video installation of one large projection, one in min, em loop. Coleção da artista. staged reading, 5 min, looped. vertical monitor, HD, color, one Five-channel video installation, Credits: Written and Directed sound channel, 35 min 05 sec, 2 4 min, looped. Artist Collection. by Grada Kilomba. Performed looped. Printed Room by Martha Fessehatzion, Moses Credits: Written and Directed Leo, Michael Edode Ojake, by Grada Kilomba. Performed Grada Kilomba, 2017 4 Araba Walton, Sara-Hiruth by Martha Fessehatzion, Moses The Chorus Zewde. Camera by Zé de Paiva, Leo, Grada Kilomba, Zé de Paiva. Instalação áudio e papel de Kathleen Kunath, Thabo Thindi. Director of Photography by Zé parede (paginas A3). Grada Kilomba, 2017 Light Design and Sound Design de Paiva. Camera and Sound Créditos: Música de Moses Leo; by Grada Kilomba. Music by Assistance by Laura Alonso, Páginas por Angela Guerreiro, Poema impresso em vinil, cor Geisbaba (Michael Geithner and Tito Casal. Costume and Sound Anne Caroline Quiangala, Anne cinza em parede branca. Coleção Moses Leo). Editing by Grada Design by Moses Leo. Editing by Wiegman, Claudia Mignone, da artista. Kilomba. Image Mastering by Grada Kilomba. Artist Collection. Gia Abrassart, Heather, Iury S Poem printed in vinyl, colour grey, Zé de Paiva. Produced by Grada Trojaborg, Jamil Khan, Laura on a white wall. Artist Collection. Kilomba in co-production with Alonso, Liliana Coutinho, Mariana Kultursprünge im Ballhaus 7 Duarte, Natalie Riedelsheimer, Naunynstrasse Berlin. Staged Table of Books Olga Ramirez Oferil, Robert A. 5 Reading based on the book Grada Kilomba, 2017 Bellinger, Suelyn Melo Range, Plantation Memories by Grada Kilomba ‘Plantation Thais Vera Utrilla, Theophilus, Grada Kilomba, 2015 Memories’. Episodes of Everyday Wouter Arrazola. Coleção da Terra, velas, objetos achados. Racism’. Artist Collection. Coleção da artista. artista. Instalação vídeo em dois canais de Audio installation and wallpaper Earth, candles, found objects. leitura cénica, 5 min, em loop. Artist Collection. (A3 pages). Créditos: Escrito e Realizado por 6 Credits: Music by Moses Leo. Grada Kilomba. Interpretado Illusions Pages by Angela Guerreiro, por Martha Fessehatzion, Moses Grada Kilomba, 2017 Anne Caroline Quiangala, Anne Leo, Michael Edode Ojake, Wiegman, Claudia Mignone, Araba Walton, Sara-Hiruth Gia Abrassart, Heather, Iury S Instalação vídeo de dois canais, Zewde. Câmara/Som de Zé de uma grande projeção, um monitor Trojaborg, Jamil Khan, Laura Paiva, Kathleen Kunath, Thabo Organização Parceiros Galeria Avenida da Índia Organisation Partners Avenida da Índia, 170 1400-207 Lisboa, Belém.
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