PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. www.nfgaleria.com 28010, Madrid Blanca deNavarra, 12. Curated by BrunoLeitão. Ângela Ferreira, GradaKilombayRogelio LópezCuenca. Pretérito perfecto. PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. The exhibition Curator: BrunoLeitão. Ângela Ferreira, GradaKilombaandRogelioLópezCuenca. Pretérito perfecto. (Huelva, 1965) Kilomba that compose the exhibition share asacritical The tool for research:artists an understanding ofart Ferreira Ângela , the past. and, ingeneral, powerdynamicsincurrent society. Atpresented theexhibiton, the artworks are co-produced with López Cuenca of Rogelio The works until videos,theatricalinstallations, inwhatsheentitles“Performing Knowledge”. trauma, gender, and postcolonialism. Her workisrealized in different fromformats, texts,stage reading and acting, her workcentered knowfor an interdisciplinaryis artist Grada Kilomba(, 1968) onthe examination of memory, play acentralrole incontextssubduedtoacolonialpast. postcolonialism in the contemporary world: a research scope where identity and the configuration of a modern movement FerreiraÂngela practice is focused in the analisis ofconsequences (Maputo, her artistic from1958), colonialism and that werely onitscriticalstudytoshedlightpastepisodesandconsequncesinthepresent. PretéritoPerfecto , inPortugal, DemocraticRepublic oftheCongoandothercountries. History tation of fouding classics of European culture or the hommage to different figures or utopian episodes of the 20th Century Hence, in this exhibition, several time layers: the reference to Spain’s recent past through the non-fictional, the reinterpre understanding theworldtoday. vision, generates disruptive forms and opens to diverse formalizations that contribute to new possibilities of seeing and out on theyperceivingestablished discourses. The carry work on memory the past as amoment of timeinconstant re- structurally encrusted in our societies and, with their counter-hegemonic gaze, keep on pushing the boundaries of the ghout their respective careers, havethese artists worked oncolonialism,statesofexception, silencing and other issues that meet and resonate among themselves, and in which they explore and reflect on several momentsofHistory. Throu and Rogelio López Cuenca Rogelio Pretérito Perfecto

[Past Perfect]therefore, is, atitle charged with irony, that questions ourrelation and implies with History

aims towards generating an encounter between the current moment and its preludes in , from, different countries and alluding to different contexts, develop practices artistic (Nerja, 1959) abounds on language, mass media, migration crises, historic memory abounds on language, historic memory (Nerja,1959) media, migration crises, mass Bruno Leitão Elo Vega Grada - -

PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. NF/ NIEVES FERNÁNDEZ, Madrid NF/ NIEVESFERNÁNDEZ, Installation view 2020 Curator: BrunoLeitão ba andRogelioLópezCuenca. Pretérito Perfecto. Ângela Ferreira, GradaKilom - PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. 54’35”, loop Two channelsvideoinstallation, color, sound 2019 Illusions Vol. III,Antigone Grada Kilomba [still] PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. eventually disappears.Andfrom that,there appearssomething new.’ burial. This burial comes indifferent moments of the work and is mimicked from one work to another [as in herinstallation dignified a doing and properly told been not has history when place history.that from to moments going excavatepainful ‘It’sstoryteller,about often to a seeks As Kilomba to revise through ofvoice, history music andtheperformance asthebringersofthatknowledge.’ role of a griot, an African historian, storyteller, the praise singer, on poet, or musician. ‘The griot works like takes a human archive’, says Kilomba, ‘They remind and are Kilomba us ofhistory able Storyteller#1, work the in captured as persona, this Adopting films. these of narrator the as Kilomba’sposition is message this conveying to Critical ofproperlyto embodytheimportance acknowledgingpastatrocities even ifitmeansfightingagainstviolentsystemsofoppression, which donotallowforit. In of storytelling. to explore memory, trauma and the post-colonial condition. The trilogy isdisplayed in atriangular installation, at the centre room, ofthe gallery creating an immersive space In A World of Illusions Illusions Vol. III, Antigone (2019), Kilomba (2019), restages three Greek myths[Narcissus, choreography Oedipus and Antigone], using as a storytelling, way and performance in which (2019), Kilomba considers (2019), how we treat the wounds of history. Antigone’s determination to give herbrother a proper burial isused by Kilomba Table of Goods (2017)].It develops also and PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. 54’35”, loop Two channelsvideoinstallation, color, sound 2019 Illusions Vol. III,Antigone Grada Kilomba [still] PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. ø 345,8x48,4cm Pine andwavy zinc plate 2019 Dalaba: Sold’ExilTelhado Ângela Ferreira PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. African vernacular architectures and,above all,asymbolicplaceofexile and statelessness. Inspired by her,Ferreira creates sculptural pieces based on the architectural elements of the round building, almost asaprototype of the relations between modernist and to Stokely Carmichael,activistandleaderoftheBlackPanther Party. Shethenlived inexilebetween1968and1983,Guinea. The first black woman to address the United Nations, Makeba was forbidden from returning to South Africa in 1960, and also to the United States in 1968, after her marriage in SouthAfrica. In this project, This workisinspired by historicalepisodeslinked tocolonialism,itsfailures anditstraumas. , Ângela Ferreira focuses on the singer and activist Miriam Makeba (1932-2008), one of the most prominent figures in the struggle against apartheid apartheid against struggle the in figures prominent most the of one (1932-2008), Makeba Miriam activist and singer the on focuses Ferreira Ângela Dalaba, PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. ø 345,8x48,4cm Pine andwavy zinc plate 2019 Dalaba: Sold’ExilTelhado Ângela Ferreira PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. NF/ NIEVES FERNÁNDEZ, Madrid NF/ NIEVESFERNÁNDEZ, Installation view 2020 Curator: BrunoLeitão ba andRogelioLópezCuenca. Pretérito Perfecto. Ângela Ferreira, GradaKilom - PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. 66,5 x100cm Digital printonpaper gluedtowall(MamadouCellouforÂngela Ferreira) 2019 Dalaba: Sold’ExilConakry Ângela Ferreira PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. 60 x40cmeach Xerox on paper 2019 Dalaba: Sold’Exil5Posters Ângela Ferreira PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. The mythology of progress,linked tothe do tedly sacrificed. projects for the sake ofwhich they are repea ble collateral damage in the execution ofthose their suffering is considered only as an inevita ignoreslly the individual lives ofitsinhabitants: the political and economic elites systematica byin Malaga. The exploitation of the territory in the settlement town of Santa Rosalía, also neighbors,of its mostofwhomwere relocated of the reservoir wasthe cause of the exodus of the Guadalteba reservoir. The construction Peñarrubia has been buried under the waters of town Malaga the 70s, early essay.the Since populations is the central theme of thisvideo of them,the massive and forced transfer of ces onthe mapoftheIberian Peninsula. One control of water resources – sowspainful tra main of nature – and most notably, to the Rogelio LópezCuenca - - - - - 22’39” Vídeo HD, color 2016 Aquí estaba Rogelio LópezCuencaandEloVega PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. NF/ NIEVES FERNÁNDEZ, Madrid NF/ NIEVESFERNÁNDEZ, Installation view 2020 Curator: BrunoLeitão ba andRogelioLópezCuenca. Pretérito Perfecto. Ângela Ferreira, GradaKilom - PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. to refugees andundocumentedmigrants. with system, special attention contemporary and protection for marginalized people in the in Barcelona, an urban Quilombo inthe Plaza Antonio López of construction the propose they finally, And, in thatcity. trade and who has amonument in hishonor has been built fromwhose fortune the slave nio López,apre-eminent Barcelona merchant Anto of figure the highlight they addition, In and familyagriculturalproduction. historical communities of cultural preservation during slavery to thisday and that survive as founded by the escaped slaves from Brazil to the communitiesof resistance and freedom dictionaries, whose meaning does not link it the Spanish in quilombo word the of finition On the other hand,they revisit the wrong de economic elites. ofa society infavorHistory ofitspolitical and elements that subvert the construction of the the production of monuments as symbolic Rogelio López Cuenca and Elo Vega question (Antonio 1 In theworkQuilombo#López) ​which could be aspace ofrefuge - - , 16 sheetsof42x29,7 cmeach Inkjet printonHahnemühle RAG Satin310grpaper 2016 Quilombo #1(AntonioLópez) Rogelio LópezCuencaandEloVega PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. arque, VilaNova daBarquinha alk Tower forIngrid Jonker. AppletonSquare, Lisboa alk Tower forIngridJonker. DIDAC, SantiagodeCompostela an AfricanUnityMural.ComisariadaporJürgen Bock.MAAT –Museu ouco aPouco. ComisariadaporBrunoLeitão.CGAC, Santiagode 2015 2016 2017 2018 2019 Solo exhibitions(selection) Ângela Ferreira

(Centr Monuments inRe P Independence Chacha.Comisariada porJoãoPinharanda.Galeriado A T Mourão. Z Messy Ressignificação. W Oliv Under Douchy-les-Mines Boca. Johannesbur South F T Museum, Chicago Zip ZapandZ Magical Land.LaboratóriodeCuradoria,Coimbra T Internacional deEsculturaContemporânea,SantoTirso Contrato (atempoindeterminado),conF Car Demythologiz Ar P Dalaba: sol’Exil.ComisariadaporDelfimSar Oporto Dalaba: sol’Exil.ComisariadaporDelfimSar Celebration. Dessau Zip ZapCir Compostela P attle andDaub.ComisariadaporSusanaPomba. OldSchool,Lisboa te Arquitetura Tecnologia, Lisboa endency toForget, Novo BancoPrize, MuseuBerardo, Lisboa valho, EstátuaDomCarlosI,Palácio daAjuda,Lisboa eira. GaleriadaÍndia,Lisboa ground Cinemas & Towering Radios. Comisariada por Ana Balona de Comisariada por Muriel Enjalran. Centre Régional de la Photographie, o para os Assuntos da Arte eArquitetura),o paraosAssuntos daArte Guimarães Colonialism, Wild Decolonization. Comisariada por Luís Silva & João acing. ComisariadaporAmyWatson, Johannesburg Gallery, Art ona MACO SUR,CiudaddeMéxico ona MACO cus School.Festival ModelanRuin.BauhausCentenary go umbi. ComisariadaporJulieRodriguesWidholm.DePaul Art e That History AndPutItToe ThatHistory Rest.ComisariadaporMárcio Comisariada por António Olaio, Colégio das Artes, Coimbra verse. Comisariadapor Ana BalonadeOliveira. CAAA ernando JoséPereira. Museu do. Fidelidade Arte, Lisboa. do. FidelidadeArte, Culturgestdo. FidelidadeArte/ ega 2000.Módulo –Centro Lisboa DifusordeArte, ega 2000,Catete Gallery. MuseudaRepública,RiodeJaneiro enice. ComisariadaporJürgen Bock aradys. ErmidadeN.Sra.daConceição,Lisboa olitical Cameras.ComisariadaporFilipaOliveira. Stills,Edimburgo 2014 1996 1997 1998 1999 2000 2001 2002 2003 2007 2008 2009 2010 2011 2012 2013

Reor Double SidedP Amnésia. BienalInternacionaldas CaldasdaRainha Double SidedP Sem título1998.La Kanimambo. Expo Casa Maputo:Umr P P public ar Zip ZapCir Visitas Priv Lapa, MuseudoChiado-MN Ângela F Monument toD V Maison T Har Cultural deBelém,Lisboa Har Hor Double Lectur P Appleton Appleton Recess#3.ComisariadaporAnaAnacletoeBrunoMar Tomar Maison T Stone F P Biennale, comisariadaporElviraDy Entr Indépendance La Ha Re volutionary Traces.volutionary ComisariadaporFrancien van Westrenen. Stroom, d RainShow. ComisariadaporJürgen Bock.LaCriée,Rennes d RainShow, Berardo Museum.ComisariadaporJürgen Bock.Centro tas naAuto-Estrada. MuseumofNeo-Realism,VilaFranca deXira er danslaMine.ComisariadaporJürgen Bock.3rd Lubumbashi dering Reality. Módulo–Centro Lisboa Difusor deArte, ya ree. Marlborough Contemporary, Londres t. ICA – Institute of Contemporary Art, CiudaddelCabo Art, t. ICA–InstituteofContemporary erreira, EmSítioAlgum/NoPlaceatAll.Comisariada porPedro ropicale, representation Portuguese in52.ªVenice Biennale, ropicale eoutros lugares. Centro eImagemGaleriaIPT, deArte

Squar cus School.ComisariadaporThomasMulcaire, temporary adas. MuseuNacionalSoares dosReis,Oporto e. CarpeDiem,Lisboa Cha Cha. Comisariada por Jürgen Bock. Lumiar Cité, Lisboa art I.Fundaçãoart Chinati, Marfa Centre, II.IbisArt Nieu Bethesda art . Flavin. Jardins doCastelo,Guimarães e, Lisboa ’98, Lisboa etrato íntimo.Fundação deSerralves, Oporto vanderia Fundació, Barcelona AC, Lisboa angani Ose.Lubumbashi chand. PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. rente Verso Inverso. UniãodasCidadesCapitais deLínguaPortuguesa, orreão NascentedaCordoaria. Lisboa aulo Mendes.Centro deOliva, SãoJoãodaMadeira deArte rabalho Capital | EnsaioSobre GestoseFragmentos. Comisariadapor zeredo Perdigão, Lisboa dosPequenitos. Módulo–Centroortugal Lisboa DifusordeArte, 2018 2019 Group exhibitions(selection) 1990 1992 1993 1995 Ângela Ferreira

Meel, Pr Serralv Coleção deSerralv Lisboa F da Cor Campo deVisão,FieldofView| Aquisições 2016-2017.T 12th GwangjuBiennale|ImagineBor O Haus Wittgenstein:Ar T Critéria. ComisariadaporMiguelV Paris Aff Sz Metade doCéu.ComisariadaporP P T Celebration, Dessau Zip ZapCir por Álv After theEnd:TimingSocialisminContemporar A A Pr Sites andSer National Galler Sites andSer da Ar Mar Museu doChiado–MN Uma Escala.Sequência,OEngenhodaDeriv P Estado Das Coisas. Comisariada por João Silvério. Camões Berlim, enes, Lisboa ective Utopia.ComisariadaporBrunoLeitãoeMónicaMiranda. Kadist, quises. ComisariadaporJoãoFernandes, inCoincidências,Jornadas opósito de…,Fundação Gulbenkian,Centro ModernaJoséde deArte te Contemporânea,Oporto doaria Nacional,Lisboa aro Luís Lima.Wallach Gallery, Art ColumbiaUniversity. Nueva York es. Oporto ess. AppletonSquare, Lisboa cus School.Festival ModelanRuin.BauhausCentenary vices. Módulo–Centro Lisboa DifusordeArte, vices, TheAnnexe. Program. InvitedArtist SouthAfrican y, CiudaddelCabo es: Novas linhas,imagens, objetos,MuseuColeçãode te, Arquitetura,MAAT, Filosofia. Lisboa AC, Lisboa on Hafe. Fundación ARCO. Galeriado edro CabritaReis.Fundação Arpad ders, GwangjuBiennale, y African Art. Comisariada y AfricanArt. a eUmFilmeRetardado, orreão Nascente t British Bar #1 con Rui Sanches y Eduardo Souto de Moura. Comisariada emFlagrante. Operação3.Comisariada porPenelope Ana ortugal Curtis, adrão dosDescobrimentos, Lisboa az Albergaria &AnaAnacleto,GaleriaMunicipaldoPorto, Oporto

2017 por P A Calouste Gulbenkian,Lisboa Barata, AnaV P Internacional EsculturaContemporânea, SantoTirso Fifteen Sculptur P Exposição RacismoeCidadania.ComisariadaporF V Quote /Unquote–Entr por P Utopia /Dystopia.AP Oporto Them orUs!ComisariadaporP Andr 4,543 Milliar Lisboa A classedospo AAH Room.ComisariadaporSaratMaharaj.L M Uma Coleção=UmMuseu|2007-2017.ComisariadaporJoãoSilv Racism andCitiz in Madeira Strategic Curar eReparar Still Cabanon,ano Collection. MUSEION,Bolzano INST Le SonEntr Escala 1:1.T Campo deVisão.Cor Serralv A Minha Casa é a Tua Casa, Imagens de Doméstico e do Urbano na Coleção ACE, MuseuColecção AntónioCachola,Elvas ews &MarianaCánepaLuna. CAPC,Burdeos ALLATION ART -Walk-in andexpansive worksfrom theMuseion edro CabritaReis, Lisboa edro Gadanho,JoãoLaia&SusanaVentura. MAAT, Lisboa es. Paços, GaleriaMunicipaldeTorres Vedras Narratives ofTechnology M-ITIand Africa, | HCIResearch Institute e. FRAC -Nord-Pas deCalais,Dunkerque ds. LaQuestiondelaMatière. ComisariadaporLatitudes,Max abacalera, Madrid asconcelos, LeonorNazaré &Patrícia RosasPrior. Fundação , anozero’17. ContemporâneadeCoimbra BienaldeArte vos extintos.FUSO, Internacionalde AnualdeVídeoArte es. ComisariadaporÁlvaro BritoMoreira, Museude enship. Padrão dosDescobrimentos,Lisboa zero’17 Convergentes. Edifício Chiado,Coimbra doaria Nacional,Lisboa aradigm Shift in Art andArchitecture.aradigm ShiftinArt Comisariada e Apropriação eDiálogo.ComisariadaporGabriela aulo Mendes.GaleriaMunicipaldoPorto, umiar Cité,Lisboa rancisco Bethencourt,. ério, PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. anguardas eNeovanguardas doséc.XXeXXI. portuguesa naarte 2013 2014 2015 2016 Ângela Ferreira

Miguel v Colección: adquisicións eincorporaciónsr No por F Do Barr 93. Comisariada Ciudad deMéxico El Compostela Hospitalidade. ComisariadaporMiguelv por DelfimSar Brigadas doSAAL:Ar São P Às Mar Paulo Open Plan.ComisariadaporJacopoCriv Mining Sar Obras deF Contemporar A Stor (MN Comisariada porRuiAfonso.MuseuNacionaldeAr V Lisboa PLMJ. ComisariadaporJoãoSilv Materiais T Ar Built Things F the F 10thT por P Visualidade t, Savannah Teatro DelMundo. Comisariada por Andrea Torreblanca, Museo Tamayo, va deCerveira. do, EspaçoChiado8,Lisboa AC), Lisboa World. Comisariada por Storm Janse van Rensburg. SCAD Museum of uture. ComisariadaporCorinneDiserens. Taipei átima Lambert eLourençoátima Lambert Egreja. Fundação BienaldeCerveira ,Vila edro Lapa,MuseuColecçãoBerardo, Lisboa aipei Bienal-Gestures andArchives ofthePresent; Genealogiesof aulo y WithinaStory. GIBCA,Gotenberg InternationalBiennialfor Lubum. Comisariada por Patrick Mudekereza. Vansa, Johannesburgo gens dosMares. ComisariadaporAgnaldoFarias. SESCPinheiros, oco paraoBarroco contemporânea.Comisariada –estáaarte on Hafe Perez. CGAC, Santiago deCompostela all Apart. Comisariada por Mark Nash. Calvert 22,Londres ComisariadaporMarkNash.Calvert all Apart. ernanda Fragateiro eÂngelaFerreira. ComisariadaporDelfim ransitórios –NúcleodeEsculturadaColecçãoFundação & Visão – Portuguesa Arte na Coleção Berardo II. Comisariada y Arte. ComisariadaporElviraDyangani Ose,Gotemburgoy Arte. do,.Museu deSerralves, Oporto por Miguel von Hafe Perez. CGAC, Santiago de Compostela quitetura e Participação, 1974-1976.Comisariada quitetura eParticipação, ério. Sociedade Nacional de Belas Artes, ério. SociedadeNacionaldeBelasArtes, elli Visconti. SP-Arte/2015, São elli Visconti.SP-Arte/2015, on Hafe Perez, CGAC, Santiagode ecentes. Comisariada por te Contemporânea

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Colecção Berar A CulpaNãoÉMinha –ObrasdaColecçãoAntónio Cachola,Museu Notícias, República Re Gulbenkian, Centr Pr Comisariada porDelfimSar Quando aar e LeonorNazar Res Publica,1910–2010F Glasgow. por VictorGollancz.MackintoshMuseum,TheGlasgowSchool ofAr Living F Corr Jankowicz. CICCair Pr Collection, Neu-Ulm. Appr Matos. MuseuMunicipaldeT Z Maputo: AT Ginga, MuseudoChiado–MN Ar do Chiado–MN Outr Comisariada porV Guimarães. Betweenwallsandwindows.Ar Reakt. ViewsandPr MN Ar Lapa. MuseuColecçãoBerar F 17ª BienaldeVilaNo e You StillAwake?. ComisariadaporEmíliaTavares. Museu doChiado– ofessores, .ComisariadaporIsabel Carlos.Fundação Calouste opaganda by Monuments.ComisariadaporClare ButchereMia te Portuguesa doSéculoXX1960–2010.ComisariadaporAdelaide te Portuguesa AC, Lisboa. espondencias 03.ComisariadaporFilipaValadares eMariadoMar os Olhares – Novos Projectos. Comisariada por Adelaide Ginga, Museu opriated Landscapes.ComisariadaporCorinneDiserens. TheWalther Today, with information from the George Archive. Orwell Comisariada

Lisboa. Ar te Contempo,Lisboa. ale ofOneCity, Maputo. MuseuNacionaldeArte, te falaarquitectura [construir, desconstruir, habitar]. visitada. ComisariadaporPedro Lapa.GaleriadoDiário de do, Lisboa. é, Fundação CalousteGulbenkian, Lisboa. AC, Lisboa. o de Arte ModernaJosédeAzeredoo deArte Perdigão, Lisboa. alerie Smith.HausderKulturen derWelt, Berlin. o. ocesses. ComisariadaporGabrielaVaz Pinheiro, va Vila Nova deCerveira. deCerveira. ace aFace. Comisariadapor HelenadeFreitas do, ChiadoMuseum,Lisboa. do, Lisboa. avira, Tavira. AC, Lisboa. chitecture andideology, t, PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. Art Contemporain LanguedocRoussillon Art aulo. InLivingContact –.ComisariadaporIvo Mesquita,SãoPaulo or Mozambique [Model #3 for Propaganda Stand, Screen and Loudspeaker arasol Unit–Foundation Londres For Art, Contemporary ront ofHouse,withAndrew Renton,Narelle Jubelin,Marcos Corrales, onto deVista:ObrasdaColecçãoFundação PLMJ.Comisariadapor aulo Reis,David Barro. MuseuPátio Herreriano de Valladolid, Valladolid arangolé –Fragmentos .Comisariadapor desdeos90:Brasil,Portugal. udo o que é sólido dissolve-se no ar: o social na Colecção Berardo, Museu 2008 2009 Ângela Ferreira

Diser Sète P d’ Continents àladeriv Curating Ar P Platform CelebratingaP F Cultural deLagos,Lagos Mundos Locais.ComisariadaporL P F Miguel Amado,MuseudaCidade,Lisboa P P P Museu doChiado–MN Múltiplas Dir Maputo: The Gr Modernologies. ComisariadaporSabineBr SAIC, Chicago. Learning Modern.ComisariadaporMar Montevideo. Tir Contemporar Modernologies. ComisariadaporSabineBr Entr Biennale 4.Buchar Abandoned Settler Colecção Berar T Herbst F Monument undUtopiaII.ComisariadaporSabineBr ésias – Videos de artistas Made in . Centro MadeinPortugal. ésias –Videosdeartistas CulturaldeEspaña, e Muros. ComisariadaporFilipaOliveira. Óbidos. ens, Museion,Bolzano eripheral Vision – Collective Memory. ComisariadaporCorinne eat Divide, Art Gallery ofNewSouthWales, Gallery eat Divide,Art Sydney. estival, Graz. A Tale of One City -AfricainOsloFestival. OsloMuseum,IKM, chitecture, TheShowroom, Londres ecções, MultipleDirections. ComisariadaporPedro Lapa. y Art ofWarsaw,y Art Warsaw. do, Lisboa. ’s House. ComisariadaporFelix Vogel. Bucharest est. e. ComisariadaporMurielEnjalran. Centre Régional AC, Lisbon ost -IndependenceUtopia],28ª BienaldeSão úcia Marques, Paula Roush.Centro y JaneJacob.Sullivan Galleries, eitwieser. Barcelona. MACBA, eitwieser. Museum eitwieser. Steirischer otal ObjectComplete withMissingParts, Tramway, Glasgow ’Universel? Dialoguesavec Senghor, JoalFadiouth /University ofDakar/ ’Universel? Dialoguesavec Senghor, Culturgest Lisboa/Spacex-Exeter ’Universel? Dialoguesavec Senghor. ComisariadaporMarie-Thèrese erritórios deOeste, MACUF, UnionFenosa, LaCoruña 2007 2001 2002 2003 2004 2005 2006

Lisboa No T In theMeantime…,DeAppelF Squatters #2,WittedeWith,Rotter Squatters #1,MuseudeAr Cr Bank, F Contemporar Lisboa Collections. ComisariadaporP Lisboa Dif Continuar Video Brasil2003,SãoP Pr 1980 MN 1944 –2004CinquentaAnosdeAr Re -Location/Shak Le F L Pinheir O ContratoSocial.ComisariadaporJoãoPinharanda.MuseuBor L Champèmes, Unesco,P L Comisariada porFilipaOliv Mo As P T Ex esra SarigedikOktem.F An A oença JúniorMuseum,CasteloBranco ossing theLine(withNarelle Jubelin),LaFabrica, Madrid changing Visions,InstitutoCamões,Maputo erença e Conflito - O Século XX na Colecção do Museu do Chiado, MNAC, vas Aquisições eDoações2000–2001,Museu doChiado–MNAC, ving Still,Espace Videographe, Montreal; Saw Video, Ottawa. (Re)volver. AC, Lisboa ranchouk, Dunkerque ortas doMundo,CasaBrasil,Maputo ortas tlas ofEvents. ComisariadaporAntónio PintoRibeiro, DebraSinger, – 2004 – Colecção do Museu do Chiado – FranciscoMNAC, Tavares o, Lisboa rankfurt e. ComisariadaporJürgen Bock.MaiaBienal, y Art Fromy Art ComisariadaporPedro Portugal. Lapa.European e the Limits, ICCA-MNAC, Buchareste theLimits,ICCA-MNAC, undação CalousteGulbenkian,Lisboa aris aulo te ContemporâneadeSerralves, Oporto eira. PlataformaRevolver, Lisboa oundation, Amsterdam edro Lapa.MuseudoChiado–MNAC, dam te Portuguesa, MuseudoChiado– te Portuguesa, dalo

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Recent Acquisitions.SouthAfrican NationalGaller New W Depois deAmanhã.Centr Johannesbur Arriv Contemporáneo, Badajo E Jetlag. Univ Ar F Z P Pr Cabo Graft –T 1st BiennialIber AIP Biennial,E Biennial Ar Na Entr The P Signs ofLif K T A Geraçãode1911,F Colecção Initiar A .R.E.A.2000,Kjar Um OceanoInteir del Cabo Soft Ser Sul/ South,InstitutoCamões,Maputo émio UniãoLatina.Fundação CalousteGulbenkian,Lisboa tists /Architects. Centro CulturaldeBelém,Lisboa vegar éPreciso, Centro CulturaldeSãoPaulo, SãoPaulo emundos, LaRábida,Sevilla als / Departures, Africus – 1st Johannesburg Biennial. Museum Africa, e. Centro CulturaldeBelém,Lisboa assion andtheWave, IstanbulBiennial,Estambul ood Sculptures. SouthAfricanNationalGallery, CiudaddelCabo ve 2: A Multimedia Art Event.veMultimedia 2:AArt South African National Gallery,Ciudad rade Routes.2ndJohannesburg Biennial,S.A.N.G.Ciudaddel Banco Privado, Contemporânea Museu Arte de Serralves, Oporto t ofPontevedra, Pontevedra e, MelbourneInternationalBiennial, ersidade deLisboa,Lisboa go uroparque, SantaMariadaFeira o AmericanadeLima,Peru o paraNadar, Culturgest, Lisboa valsstadir, Reykyavik undação CalousteGulbenkian,Lisboa z o CulturaldeBelém.Lisboa y, CiudaddelCabo Public Art Michaelis School Of Fine Art Collection.UCT,Michaelis School OfFineArt Sudafrica Market Foundation. Gallery Johannesburgo, Sudafrica. Barcelona,MACBA, España Contemporânea, Portugal Instituto deArte Fundación laCaixa,España Fundação deSerralves, Portugal Fundação Pro-Justitiae, Portugal Fundação PLMJ,Portugal Fundação CalousteGulbenkian,Portugal Fundação ARCO, Madrid,España FRAC Rennes,Francia FRAC Dunkerque, Francia Emile StippCollection,Sudafrica Culturgest, Portugal CRP Photo,Duchy-les-Mines,Francia Coleção JuliãoSarmento,Portugal Coleção DGARTES, Portugal FundaçãoColeção deArte EDP, Portugal Coleção AntónioCachola,Portugal CGAC, SantiagodeCompostela,España Câmara MunicipaldeLisboa,Portugal Associação IndustrialPortuguesa, Portugal ofNewSouthWales, Gallery Art Australia. Collections 1998 2008 2010 2012 2013

Kanimambo, P Sesriem –Opoçodasseiscorr Meridian House,F mo Monument toD Cape Sonnets,SteirischerHerbstF Rega /Irrigation,P Cajú -T Entr vimento, Leiria er DanslaMine,3rd Lubumbashi Biennale remoço, Circuit, PublicArt Paredes arque dasNações,Lisboa . Flavin, naPraçadom|i|mo-museudaimagemem rieze Sculpture Park, London arque UrbanoVilaNova daBarquinha eias, SantoTirso estival, Graz PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. eatro Teatro Maxim Gorki,Berlín eatro VilaVelha, Salvador and Aesthetics Exhibition, ofArts nowledge Unbounded.Department ulnerability. Rauma BiennialBalticum,Rauma enSãoPauloortugal 2016 2017 2017 2017 Selected performances Exhibition,University ofRiodeJaneiro, Arts Contemporary RíodeJaneiro 2016 2017 2018 Group exhibitions 2017 2018 Solo exhibitions Grada Kilomba

Wits Theatr T 32. BienaldeSãoP T Goodman Galler SA Documenta 14,Kassel Banquete Univ K V Incer P O futur SouthSouth -LetMeBeginAgain.GoodmanGaller de SãoP Incer The SilencesBetween.GoodmanGaller 3. BerlinerHerbstsalon.T de SãoP Incer W Ar In Context:IwaswaitingforthisP The MostBeautifulLanguage,GaleríaA Secr Speaking theUnspeakable.GoodmanGaller Secr e don’t need another hero, 10. Berlin Biennale for Contemporary Art, Berlín tBasel, Suiza VVY Contemporary, Berlín ersity ofStockholm,Estocolmo ets totell.MAAT Arquitectura. -MuseudeArte, yTecnología, Lisboa ets totell.ThePower Plant,Toronto teza Viva –Live Uncertainty. 32.BienaldeSãoPaulo, SãoPaulo teza Viva – Live Uncertainty, selected artist to represent the 32. Bienal teza Viva – Live Uncertainty, selected artist to represent the 32. Bienal o seráumaréplica -Thefuture willbeareplica, Consuladode aulo. Palácio das Artes, BeloHorizonteaulo. Palácio dasArtes, aulo. Centro eCultura,Fortaleza DragãodoMardeArte nrpfgc – nhoohgc aqe, eatet of Department Banquet, Anthropophagic – Antropofágico e, Johannesburgo y, CiudaddelCabo aulo, SãoPaulo eatro MaximGorki,Berlín ast. GoodmanGallery, CiudaddelCabo y, CiudaddelCabo venida daIndia,Lisboa y, Johannesburgo y, CiudaddelCabo eatro MaximGorki, Berlín eatro MaximGorki,Berlín ransmediale, HouseoftheWorld Cultures, Berlín eatro Teatro MaximGorki,Berlín

2015 2016 2017 Selected seminarsandconferences 2015

Theater Ballhaus Naunynstrasse,Berlín Academia deBellas Ar T Goethe InstitutSãoP Univ Mousonturm HouseofAr Ar Univ Goethe InstitutSalv Afr T Ar T Academy ofAr Casa deLiteraturaOslo,Oslo Theater BallhausNaunynstrass,Berlín Centr T Academia deBellasAr Antwerpen Museum,Amber Theater MünchnerKammerspiel,Munich SO Bo Mostra InternacionaldeT Kampnagel, Hambur Berliner F Univ Univ Secession MuseumVienna,Viena TheaterT Goethe InstitutBar Theater MünchnerKammerspiel,Munich tBasel, Basilea t Fair CiudaddelCabo,Cabo zar Museum for Contemporary Arts, Bruselas Arts, zar MuseumforContemporary oTranscendente, SãoPaulo AS Universidad deLondres, Londres ersidad deAccra,Accra deBerlín-UdK, ersidad deArtes ersidad deAccra,Accra ersidad deLagos,Lagos o Internacional de las Artes JoséGuimarães,Guimarães o InternacionaldelasArtes reffen, HausderBerlinerFestspiele, Berlín estspiele, Berlín ts Berlin,Berlín celona, ador deBahía go aulo, SãoPaulo tes deViena,Viena tes deViena,Viena ts, Frankfurt eatro enSãoPaulo Bar ​​ es celona PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. eatro MaximGorki,Berlínv ree University Berlin, Berlín Grada Kilomba T Univ Univ F Univ ersidad deHamburgo, Hamburgo ersidad deAmsterdam, Amsterdam ersidad deLinköping,Linköping PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. Rogelio LópezCuenca 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 Sofía. Madrid 2019 2020 Solo exhibitions(selection) CCESORIOS. Año35/Madrid.MuseoNacionaldeAntropología, Madrid OS BÁRBAROS.SalaAlcalá31.Madrid A[I]SAJE (conEloVega). LaCasaInvisible ADA TAN INVISIBLE(conEloVega). CasalSolleric.Palma deMallorca

GI Madrid EN TIEMPOSDECRISIS…(conAntoni Muntadas).SoloPr A P EN TRÁNSI GI CERCANÍ Guatemala GI EM TRÂNSI EL REP EFIGIES YF Ar HIST EN TRÁNSI Montevideo GI Galler THE ELS PRONOMSFEBLES.GaleríaP RADICAL GEOGRAPHICS.IV otr LE /MONDECH A L Candelaria, Benagalbón M P N YENDO DÉLIRE DELIRE.GaleríaJuanadeAizpuru.Madrid ALAGA GUERNICA951(conEloVega).ALAGA Harvey. SalaRobert CEIPLa TANOS DE PAPEL (con EloVega). SalaCajasol, Jerez delaFrontera TANOS DEPAPEL (conEloVega). RealAcademiadeEspaña, Roma TANOS DEPAPEL (conEloVega). Paiz, Antigua BienaldeArte XVIII TANOS DEPAPEL (conEloVega). Centro CulturaldeEspañaen te Contemporáneo,Santiago os futuros. Arco ’16, Madrid ARTILHA. PEDRO OLIVEIRA,Oporto GALERÍA ART OF SEDUCTION (con Daniel García Andújar). Palma Dotze Pop Up ORIA DEDOSCIUDADESORIA /SAHARAWHY (conEloVega). Museode y, Barcelona ARTIMENT. Centro LaPanera, Lleida deArte LEYENDO, DANDO LUGAR. Museo Nacional Centro de Arte Reina Arte de Centro Nacional Museo LUGAR. DANDOLEYENDO, AS. Centro Contemporáneo,Sevilla AndaluzdeArte TO. Centro CulturaldeEspañaenMéxico..Ciudad deMéxico TO. SalaJuanEgenau. Universidad deChile,Santiago TO. Centro Cultural daEspanha,SâoPaulo ANTASMAS (conEloVega). MuseodeHuelva, Huelva ANGE / DE / MAIN (con EricBaudelaire). DE/MAIN ANGE / Imaginando AM, Valencia az yComedias,Valencia ojects, Arco ‘09,

A SORTIE DESUSINES.Caixaforum,Barcelona 2018 2019 2020 Group exhibitions(selection) 1990 1993 1997 1999 2001 2002 2005 2007 2008

DESCUBRIENDO UNDI itinerante (Mur PICASSO BESTEA N Congr EL 1989. ELFINDELSIGL TIEMPOS CONVULSOS.HIST EN ELNOMDELP ENSA WE REFUGEES.CGA Santander COLECCION EL SUEÑODEL CINCO I DO NO HOME SYNDROME.Unicaja,Málaga READ ST Tampa READ &M OPIUM POPULI.SalaMunicipaldeExposiciones,Gir AL Y Madrid. EspacioCajabur Granada EL P Casa deAmérica,Madrid. Paulo ASTILH L M LE P HOJ ALAGA 1937.SalaAlameda,DiputaciónProvincial,ALAGA Málaga PODER DEL ARTE. OBRAS DE LA COLECCIÓN DEL MUSEO REINA SOFÍA. ARAÍSO ESDELOS EXTRAÑOS.Palacio delosCondesGabia, ARTAGE. GaleríaJuanadeAizpuru,Madrid AS DERUTA. MuseoPatio Herreriano, Valladolid AZIRA ALANDALUS. Project Rooms,Arco ‘01,Madrid YO SOBREELTRABAJO. BienalSur, Rosario eso delosDiputados.Madrid T CROSSART SCENE.Kunsthalle Basel,Basilea AOGRAFO. Contemporáneo.São BienalInternacionaldeArte XXV TINERARIOS YUNPUNTO DEVISTA. COLECCIÓNMUSAC. León. ATE. Málaga MuseodeBellasArtes, , EL VIAJE DELGUERNICA.Fundación, ELVIAJE LaCaixa.Exposición ADE. Contemporary Art MuseumUniversity ofSouthFlorida. Art ADE. Contemporary AIZ. Koldo Mitxelena Kulturunea. Donostia ANDO PROCESOS.25AÑOSDEITINERARIOS. Centro Botín, cia, Córdoba, Málaga,Santa CruzdeTenerife…) A RAZÓN. SalaKubo-Kuttxa. Donostia ARE. MuseuPicasso.Barcelona C. SantiagodeCompostela O XX.IVAM, Valencia ÁLOGO ENEL TIEMPO. MuseoLázaro Galdiano, gos, Burgos ORIAS YMICROHISTORIAS. IVAM,ORIAS Valencia ona PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. Rogelio LópezCuenca 2016 2017 AKE. NOESVERDAD, NOESMENTIRA. Ivam. Valencia. CUERDOS. VIDEOARTE INTERNACIONAL. Salaaudiovisual. Universidad asión. Valladolid

TESTIMONIOS, RESISTENCI F Barcelona GEL DISCURSOS PREMEDI 1975-1992. CAA CIBERGEOGRAFÍ EL BORDEDEUN [EX]POSICIONES CRÍ AR HORS PISTES:TRA EL AR 1975-1995. CGA [EX]POSICIONES CRÍ COMPLET THEM ORUS!GaleríaMunicipaldoP TURISMO de CienciasyAr A PRO León REGION (Losr Herr JU P LIBER EN EL AR REFUGIO CON Bellas Ar TRAZ JUEGOS TIPOGRÁFICOS.MuseoP OROI. QUED Madrid ANA DEAIZPURU:EXTRACTOANA COLECCIÓN. MuseoPatio DEUNA TE YCULTURA ENTORNO A1992.CAAC. Sevilla TRE LA FIGURACIÓN Y LA ABSTRACCIÓN, LA ACCIÓN. ABSTRACCIÓN, CAAC, FIGURACIÓN LA Sevilla YLA TRE LA ATINA DURA.HISTORIAS ESCAMOTEADAS DELOS 80.MACBA, eriano, Valladolid VINCIA 35. VINCIA territorio Arte, y descolonización del Sahara. MUSAC, León. OS DE LA PALABRA.OS DELA VIÑETAS DEREVISTA DEOCCIDENTE. Museode TE Y EL SISTEMA (DELARTE).TE YELSISTEMA Vitoria Artium, TE (ACTO 1).ARTIUM, Vitoria-Gasteiz TAD CREATIVA. LOS COLECCIÓNICO. AÑOS80ENLA Museodela tes deAsturias.Oviedo AK. Koldo Mitxelena Kulturunea. Donostia ANDO DISCURSOS.MUSAC, León A MUCHOPASADO POR DELANTE. ARTIUM, Vitoria-Gasteiz elatos). Cambiosdelpaisajeypolíticasagua.MUSAC, TRA LA TORMENTA.TRA LA MIRADAS ALEXILIO. MUSAC. León tes deChiapas.Tuxla Gutiérrez, Chiapas C. Sevilla C. SantiagodeCompostela ASS. MEIAC. BadajozASS. MEIAC. A HERIDA. Centro Centro. Madrid VESIAS MARITIMAS. Centre MARITIMAS. Pompidou.VESIAS Málaga TICAS. CGAC. SantiagodeCompostela TICAS. DISCURSOSCRÍTICOS ENELARTE ESPAÑOL, TADOS. Centre delCarme. Valencia AS, FICCIONES… MEIAC. Badajoz.AS, FICCIONES… MEIAC. atio Herreriano, Valladolid orto. Porto orto. A LLAMADA DEL DESTINO.A LLAMADA Limac.Madrid ’ANGE DEL’HISTOIRE. Centre d’Art Contemporain Walter Benjamin. INMATERIAL.A HERENCIA Macba.Barcelona. MEDITERRANEUM.EsBaluardA MERAU MILIEUDESTERrES//MARE dMoFA Kuandu Taiwan. MueseumofFineArts. 2014 2015

UN AR CHILE VIVE:MEMORI 93. CGA AR DESMON L DE Perpignan L L CRÍ COL NONUMEN NO Museu d’ L Argentina CIBERGEOGRAFÍ TRANSL PRO CRÍ AL PIEDEL Centr EL MEDI IV EN Barcelona GEST SI AÑOS. Centr (RE) VISIONES.ASPEC K AN AM. Valencia TUACIONES. LaPanera, Lleida. TE FICCIÓN.Caixaforum. Barcelona RED.TE ENLA Edith Oldenburg RussHaus forMediaArt, TRE ELMITO YELESPANTO. ELMEDITERRÁNEO COMOCONFLICTO. ALOG WELCOME, DIGITAL Center. ARCHIVE.NamJunePaik Art Seul/ A MÁQUINA DESEAINSTRUCCIONES COMOUNJARDÍNA MÁQUINA DESEA LA LA NATURALEZA HUMANA. Museo de Arte Contemporáneo de Alicante. TICA DE LA RAZÓNTICA DELA MIGRANTE. La CasaEncendida.Madrid. RAZÓNTICA DELA MIGRANTE. Centro CulturaldeEspaña,México VER, VER, NO OIR Y CALLAR. Centro Andaluz de Arte Contemporáneo. Sevilla ONIA APÓCRIFA.ONIA MUSAC, León. YECTO PARA UNTEXTO. Centro Pepe Espaliú.Córdoba deArte o de las Artes deSevilla o delasArtes OS ICONOCLASTAS. HETERODOXAS. IMÁGENES Caixaforum. C. SantiagodeCompostela TERRÁNEO COMOFRONTERA: REALIDAD YREPRESENTACIÓN. OCACIONES. Arts SantaMónica.BarcelonaOCACIONES. Arts Art Modern.Palma deMallorcaArt TAJE, EINTRUSIONES. RE/APROPIACIONES TÁCTICAS DEL TO (conEloVega) .Macba.Barcelona A LETRA.Palacio delosCondesGabia.Granada o de las Artes deSevilla. o delasArtes AS. Centro CulturalParque España/AECID. Rosario, A ACTIVADA. Centro CulturaldeEspaña, Santiago TOS DELVIDEOARTE ANDALUZ DELOS ULTIMOS PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. Rogelio LópezCuenca 2009 2010 2011 2012 A MEMORIA DEL OTRO. Museo de Arte, Universidad Nacional de Colombia. O USOPERFUME PARA OCUPAR ESPACIO. MÁS Carrillo MuseodeArte TOPIA (conEloVega) .CCCB.Barcelona AS POTOSI PRINZIP. HousederKulturen derWelt. Berlin ARALELOS. Museud’Art JaumeMorera. Lleida abacalera. Madrid

Bogotá L CAMUFL Gil, CiudaddeMéxico Y IL A 5 X5.Espaid’ DESTIN ARS I IN PRINCIPIO PO ABISMOS CON D México M LIBRES P SIN REALID EJERCICIOS DEMEMORI PRINCIPIO PO P CA FIGURAS DEL T CROSSING EAST PREMIOS AR MON CAR SOBRE QUÉ PENSAR,DESEAR,H Andaluz deAr OND KUNST UNDMIGRA DISCIPLIN UMINACIÓN DECONTRASTE.UMINACIÓN MuseoColecciones ICO. Madrid ANO A MANO CON EL GENERAL CÁRDENAS, Parque CONEL GENERAL CÁRDENAS, España,Ciudadde ANO AMANO TERACCIONES (POST)ELECTORALES. CCEBA.BuenosAires TÁSTROFES. Vitoria Artium, TOGRAFÍAS CONTEMPORÁNEAS. CaixaForum, Barcelona /Madrid AS EN EXPANSION: DERIVAS DEL CONCEPTUAL LINGÜISTICO. Centro TAJE DEATRACCIONES. Vitoria Artium, TINERIS. MuseodeHuesca CAPITAL Y TERRITORIO (2007-2012). Centro de las Artes de Sevilla ATION X.MuseumofWorld Culture. Göteborg AJES,. LaCasaEncendida.Madrid ARA PINTAR. MuseoColeccionesICO, Madrid A. Marco. Vigo AD NOHAY UTOPÍA- CAAC, Sevilla TES PLÁSTICAS UNED.TES PLÁSTICAS Círculo Madrid deBellasArtes. Art Contemporani.Castellón Art te Contemporáneo.Sevilla TOSI. MNCARS.Madrid TOSI. MuseoNacionaldeEtnografía.LaPaz, Bolivia A EXCLUSIÓN. MuseoPatio Herreriano. Valladolid TEMPORÁNEOS I. Palacio das Artes. Oporto TEMPORÁNEOS I.Palacio dasArtes. -WEST. NARRATIVES BY THEENDOFVIDEOART TION. Kunsthalle Bahnitz.BahnitzanderHavel A. Centre d’Art LaPanera., Lleida ACER. CaixaForum, Barcelona OUR-ISMOS. Fundació Tàpies. Barcelona A PALABRA –Diálogosentre IMAGINADA plásticayliteraturaenelarte ARAGOZA REBELDE.Centro deHistorialaciudad.Zaragoza ’EGO ALTERAT. Centre d’Art Torre Muntadas.ElPratdeLlobregat VNI 2009:RIZOMAS. CCCB.Barcelona 2001 2002 2003 2004 2005 2006 2007 2008

AN EN ELL Creta THE GEOGRAFIE LIVING INSIDETHEGRID VIII BienalInternacionaldeAr Moderno (CAAM),LasP AR T Museum, Albuquer SAL Barcelona DESA IDEN Museum, St.P SAL EN PLEINAIR.GaleríaP EN PHO ESTRECHO DUDOSO CIUT español. MuseodeAr L EXISTENCI NEW CON MEDI Isidor RELEC Z L IM O NO M AGINAR_HISTORIAR. Centro DosdeMayo. deArte Móstoles TE PORTUGUÉS YESPÀÑOL DELOS 90.Centro Atlántico deArte TRE LA PALABRATRE LA Fundación IMAGEN. Luis YLA Seoane,Coruña TAGONISMES. Museud’Art Contemporani deBarcelona (MACBA), VADOR DALÍ ANDACENTURY OFART FROMSPAIN. TheAlbuquerque VADOR DALÍ ANDACENTURY OFART FROMSPAIN. Salvador Dalí TO-TRAFIC. Centre delaPhotographie.Genève DEATH OF CHE GUEVARA. Centre Rethymnon, Art. for Contemporary ATS PLATJA. Contemporànies.Vic AssociacióperalesArts TIDADES CRÍTICAS. Patio Herreriano, Valladolid TERRÁNEO(S). Centre d’Art LaPanera. Lleida CUERDOS. Museud’Art ContemporanideBarcelona (MACBA), o Valcárcel MEdina). SalaParpalló, Valencia ÁS HÉROES. Artium. Vitoria ÁS HÉROES.Artium. TURAS. HERRAMIENTAS DELARTE. (ConGabrielGarcía Andújare ADO DE LA TELEVISIÓN.Espaid’ArtADO DELA Contemporani. Castellón TEMPORARY ART FROMSPAIN: APROPOSAL.KIAF, Seú AS. Musac.León UND DIE POLITIK DER MOBILITÄT. Generali Foundation. Viena etersburg, Florida que . SanJosé(CostaRica) te ContemporáneoEstebanVicente,Segovia alma XII.VillafrancadelPenedès almas deGranCanaria . NewMuseum.Nueva York te ContemporáneodeEstambul PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. Rogelio LópezCuenca 1994 1995 1996 1997 1998 1999 2000 üpersmuhle SammlungGrothe Museum.Duisburg

WEL VIDEOBRASIL COCIDO YCRUDO BL PENINSUL Centr THE IM DIE RO THE IM M Uppsala K IN JUN Biblioteca deAndalucía.Granada AND OSMOSIS. Centr AR AR EN CONSTRUCCIÓN.Centr DESCOBER TERRI SP SEN FUTUROPRESEN HOME ABRO EL PODERDEN RESISTENCI INDOMESTICO Bienal K OFELI Donostia IRONÍ Barcelona ANIFESTA 1.MaritimMuseum.Roterdam TERZONES. Kunstforeningen.Copenhague AIN ISDIFFERENT. CenterforVisualArts Sainsbury ACK LOOKS, WHITE MYTHS. AfricusBiennale.Johanesburgo TISTAS MonasteriodeSantaInés.Sevilla PRO DERECHOS HUMANOS. TISTAS SOLIDARIOS. Contemporáneo. Sevilla MuseoArte YALS PUBLICS.CanPaluet. Mataró T –MORAL.Kunsthalle Basel.Basilea TOS PERONOREVUELTOS. LaHabana. ALUCINACIONES. Teatro Central.Sevilla o Wilfredo Lam.La Habana A. Fundació JoanMiró, Barcelona/Koldo Mitxelena Kulturnea, AS YULISES.AntichiGraneialleZitelle.BienaldeVenecia TORIO PLURAL. Fundacion LaCaixa.Madrid Internacional del Deporte en el Arte. Universitat de Valencia. Valencia TE BURG.HausderKulturen derWelt, Berlín AGE OFEUROPE.Nicosia AGE OFEUROPE.Tesalónica onstmuseum. Uppasala ARES. Modulo–Centro Lisboa DifusordeArte. TA COL.LECIO. DELA Barcelona MACBA. AS. Koldo Mitxelena Kulturnea. SanSebastián AD. Sala1.Roma/Frankfurt ’94. SaoPaulo /Riode Janeiro . Imatra.Bilbao ARRAR. Espaid’Art Contemporani.Castellón o deAyuda alRefugiado.Sevilla TE. SaladeExposicioneslaComunidadMadrid . Centro ReinaSofía.Madrid deArte e d’Art SantaMònica.Barcelona A PALABRA PINTADA. de Jaén MuseodeBellasArtes undació LaCaixa.Barcelona IVAM. Valencia Colección UNED. Collection Fonds Nationalsd’Art Contemporain.Paris. Collection Fondation Colás.París. Colección Fundación CocaCola.Madrid. Colección MinisteriodeAsuntosExteriores. Madrid. Colección Fundación ICO. Madrid. Colección Fundación LaCaixa.Barcelona. Colección delaBibliotecaNacional.Madrid. Colección BESART. Lisboa. Colección BancodeEspaña.Madrid. Fundación Ludwig deCuba.LaHabana. Museo Patio Herreriano. Valladolid. LaHabana. Museo NacionaldeBellasArtes. Roma. Academia EspañoladeBellasArtes. Centro Contemporáneo. AndaluzdeArte MUSAC. León. Badajoz.MEIAC. ARTIUM. Vitoria. Museo deSanTelmo. SanSebastián. Museo Nacional–Centro ReinaSofía.Madrid. deArte ContemporáneodeBarcelona.Museo deArte Collections L EV+A. Limerick AR II BIEN F COL.LECCIO TESTIMONI1993-94.SalaSantJaume TIST’S SELECT. Space,Nueva Artists York AL MARTINEZ GUERRICABEITIA. Palau Scala,Valencia PRETÉRITO PERFECTO. ÂNGELA FERREIRA, GRADA KILOMBA Y ROGELIO LÓPEZ CUENCA. www.nfgaleria.com 28010, Madrid Blanca deNavarra, 12.