University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Romantic Periodicals and the Invention of the Living Author Christine Marie Woody University of Pennsylvania,
[email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Woody, Christine Marie, "Romantic Periodicals and the Invention of the Living Author" (2016). Publicly Accessible Penn Dissertations. 2102. https://repository.upenn.edu/edissertations/2102 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2102 For more information, please contact
[email protected]. Romantic Periodicals and the Invention of the Living Author Abstract ROMANTIC PERIODICALS AND THE INVENTION OF THE LIVING AUTHOR Christine Marie Woody Michael Gamer This dissertation asks how the burgeoning market of magazines, book reviews, and newspapers shapes the practice and meaning of authorship during the Romantic period. Surveying the innovations in and conventions of British periodical culture between 1802 and 1830, this study emphasizes the importance of four main periodicals—the Edinburgh Review, Quarterly Review, London Magazine, and Blackwood’s Edinburgh Magazine—to the period’s understanding of what it means to be, or read, an author who is still living. In it, I argue that British periodicals undertook a project to theorize, narrativize, and regulate the deceptively simple concept of a living author. Periodicals confronted the inadequacy of their critical methods in dealing with the living and came to define the “living author” as a disturbing model for the everyday person—an encouragement to self-display and a burden on public attention. Through their engagement with this disruptive figure, periodical writers eventually found in it a potential model for their own contingent, anonymous work, and embraced the self-actualizing possibilities that this reviled figure unexpectedly offered.