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135 Newcontree the Birth of Umkhonto We Sizwe: Old And
NEWCONTREE 135 THE BIRTH OF UMKHONTO WE SIZWE: OLD AND NEW SOURCES Vladimir Shubin (Institute for African Studies, Russian Academy of Sciences) The history of the South African liberation movement is still to be written. Academic books and articles published so far left too many of its pages blank or contain information which can't withstand a scrutiny. Among the bibliographies on the anti-apartheid struggle Peter Limb's "The ANC and the Black Workers in South Africa, 1912-1992" should be singled out as well as books by Thomas Karis and Gail Gerhart. However, no special bibliography on "Umkhonto we Sizwe" (MK) has been compiled so far except for an introductory bibliography prepared by Sandi Ie Schalk and the author for the Conference on the Beginnings of the Armed Struggle in South Africa convened in December 1995 by the Mayibuye Centre for History and Culture at the University of the Western Cape. Who took a decision and when? The early history of MK is a subject to controversy. The question of when and how the decision was taken is a subject of debate among academics. Naturally nobody knew this better that the participants themselves but even the evidence of those who participated in the events directly is somewhat contradictory. The possibility of using an armed form of struggle was discussed in Congress Alliance and communist circles immediately after the Sharpeville massacre in March 1960 if not before. The mood was growing that under repressive conditions a position of non- violence was becoming more and more irrelevant. Some people even called it treacherous. -
IN THIS ISSUE Drama for Life • Sculptures at Wits • Danny K Heritage
April 2012 Volume 20 The magazine for ALUMNI and friends of the University of the Witwatersrand IN THIS ISSUE Drama for Life • Sculptures at Wits • Danny K Heritage Convocation War Memorial by Moses Kottler Through the years Wits has installed or acquired many sculptures in public spaces on its campuses. Medical School memorial sculpture by Laurence Chait By Katherine Munro and Natalie Knight Photos: Peter Maher 24 WITSReview April 2012 The Miners by Ernest Ullmann ProfileProfofiille Mindshapes Sculptures at Wits Stone bird-bath in memory of Man and His Soul by Herman Wald Raymond Dart by Marco Cianfanelli Photo: EYEscape The Unknown Miner by Herman Wald Aprilril 20122012 WITSWITSRRevieweview 25 From top to bottom: The Pioneer and The Family Group by Ernest Ullmann Relief panel by Edoardo Villa Guardian Angel by John Baloyi he University recently received a major donation of two large bronze sculptures T created by the late Herman Wald - the Unknown Miner and Man and His Soul. The donation was made by the artist’s son Louis Wald, a Wits alumnus, and throws the spotlight on the public sculptures in the Wits collection. These works include freestanding three- dimensional outdoor sculptures, incised relief panels on exterior buildings, and indoor wooden art benches for use by students. A diversity of materials is in evidence in the Wits sculptures – bronze, stainless steel, travertine, clay, concrete, and wood have all been used. The East Campus has the Convocation War Memorial sculpture by Moses Kottler. This is per- haps the most dominantly visible and meaningful to Wits. The sculpture consists of three linked bronze nudes larger than life, male and female figures with the left figure raising a hand to the heavens. -
'Nelson Mandela's '
Nelson Mandela’s “Show Trials”: An Analysis of Press Coverage of Mandela’s Court Appearances Martha Evans, Centre for Film and Media Studies UCT Abstract The figure of Nelson Mandela looms large in twentieth-century history. Beloved by celebrities around the globe, critics have noted his unique charisma – referred to as “Madiba magic”– and his ability to enchant audiences. Despite this, there have been few analyses of his construction as a celebrity politician, most likely because of celebrity’s association with frivolity and lack of substance – which sits poorly with our sense of Mandela. There have been particularly few examinations of his portrayal prior to imprisonment, when the seeds of the Mandela myth were sowed. This paper examines some of the early press coverage, focusing on Mandela’s “performances” in court. The paper argues that Mandela, helped by others, had a canny ability to pre- empt reactions to his appearance, and worked hard to direct his own image for political purposes. In addition, while Winnie Mandela’s role in raising awareness of her husband’s fate is well known, the paper shows how, even at this early stage, Mandela’s prominence and machismo depended on her feminine visibility. Mandela’s famed speech from the dock also founded a new moral tradition of protest and set the stage for his resurrection as the symbol of the Anti-Apartheid Movement. Keywords: Nelson Mandela, South African media, celebrity, Rivonia Trial, Anti- Apartheid Movement, show trial, Winnie Mandela “Let us not mislead ourselves – the aim of ‘selling’ the accused to a rather broad overseas public as freedom fighters against an unbearable tyranny succeeded admirably. -
Nelson Mandela and His Colleagues in the Rivonia Trial
South Africa: The Prisoners, The Banned and the Banished: Nelson Mandela and his colleagues in the Rivonia trial http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1969_08 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org South Africa: The Prisoners, The Banned and the Banished: Nelson Mandela and his colleagues in the Rivonia trial Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 13/69 Author/Creator United Nations Centre against Apartheid Publisher Department of Political and Security Council Affairs Date 1969-10-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1969 Source Northwestern University Libraries Description Note. -
Karina Simonson Žydų Fotografai Pietų Afrikos Respublikoje XX A. 4–8 Deš
LIETUVOS KULTŪROS TYRIMŲ INSTITUTAS VILNIAUS DAILĖS AKADEMIJA LIETUVOS MUZIKOS IR TEATRO AKADEMIJA Karina Simonson Žydų fotografai Pietų Afrikos Respublikoje XX a. 4–8 deš.: LEONAS LEVSONAS ir ELI WEINBERGAS Daktaro disertacija Humanitariniai mokslai Menotyra (03H) Vilnius 2018 Disertacija rengta 2013–2017 metais Lietuvos kultūros tyrimų institute. MOKSLINĖ VADOVĖ – prof. dr. (hp) Aleksandra Aleksandravičiūtė Lietuvos kultūros tyrimų institutas, Vilniaus dailės akademija, humanitariniai mokslai, menotyra, 03H Disertacija ginama Lietuvos kultūros tyrimo instituto, Vilniaus dailės akademijos ir Lietuvos muzikos ir teatro akademijos jungtinėje Menotyros mokslo krypties taryboje: PIRMININKĖ – doc. dr. Agnė Narušytė Vilniaus dailės akademija, humanitariniai mokslai, menotyra, 03H NARIAI: dr. Vilma Gradinskaitė Valstybinis Vilniaus Gaono žydų muziejus, humanitariniai mokslai, menotyra, 03H prof. dr. Giedrė Mickūnaitė Vilniaus dailės akademija, humanitariniai mokslai, menotyra, 03H dr. Odeta Žukauskienė Lietuvos kultūros tyrimų institutas, humanitariniai mokslai, menotyra, 03H prof. dr. Deborah Posel University College London, socialiniai mokslai, sociologija, 05S Disertacija ginama viešame Lietuvos kultūros tyrimo instituto, Vilniaus dailės akademijos ir Lietuvos muzikos ir teatro akademijos jungtinės Menotyros mokslo krypties tarybos posėdyje 2018 m. lapkričio 30 d. 11 val. Lietuvos kultūros tyrimų instituto salėje (216 kab.), Saltoniškių g. 58, Vilnius. Disertacijos santrauka išsiųsta 2018 m. spalio 30 d. Su disertacija galima susipažinti Lietuvos nacionalinėje Martyno Mažvydo, Lietuvos kultūros tyrimų instituto, Vilniaus dailės akademijos, Lietuvos muzikos ir teatro akademijos bibliotekose. © Karina Simonson, 2018 © Lietuvos kultūros tyrimų institutas, 2018 TURINYS ĮVADAS / 5 I. LEONO LEVSONO IR ELI WEINBERGO KŪRYBOS KONTEKSTAI / 23 I.1. Lietuvos ir Latvijos žydų imigracija ir integracija į PAR žydų bendruomenę / 23 I.2. XX a. politinių procesų įtaka fotografų gyvenimui ir kūrybai / 31 I.2.1. -
“Un Bel Atelier Moderne”: the Montparnasse Artist at Home Louise Campbell
CHAPTER 14 “UN BEl ATElIER MOdERNE”: THE MONTpARNASSE ARTIST AT HOmE Louise Campbell In 1925, an article about studio-houses in the rue Cassini, Montparnasse, concluded: “We hear that there are charming things inside, but respectful of the privacy of these ‘homes’ of artists, we have not spoken of them” (L’Architecture 1925: 436). Such restraint— more typical of an architectural journal than of the popular press—did not last long. By the end of the decade, even specialized journals like L’Architecture were illustrating the interiors of the homes of artists who had commissioned leading architects to work for them. The journal—published by the Société Centrale des Architectes—was until 1927 dominated by reviews of exhibitions, reports of architectural competitions and congresses, analyses of public buildings and town-planning schemes. After that date, L’Architecture grew in size and scope; now supported by the Société des Architectes Diplômés par le Gouvernement and the Association Provinciale des Architectes Français, it included accounts of new buildings alongside historic ones and adopted a more conversational style. Although house interiors were shown devoid of their inhabitants, there was some discussion of the personality and tastes of the clients, rather than simply the architectural character of their homes. By contrast, the drier and more factual journal L’Architecte illustrated few interiors and generally identified clients only by their initials. This informal new tone reflects both the journalistic practices of 1920s and the publicity courted by contemporary artists. It does not merely indicate a dwindling concern for privacy and a merging of the techniques of the mass media with the sober traditions of architectural journalism. -
Arthur Goldreich 1929 – 2011 an Appreciation by Denis Goldberg
Arthur Goldreich 1929 – 2011 An appreciation by Denis Goldberg I have read many obituaries on the internet about Arthur Goldreich. Some of what follows is well known, but I have added details that others have not talked about, mostly from personal contact with him. When I met Arthur in May 1963 he appeared to be a well off, handsome, strongly built man in his thirties with a certain self confident swagger. He liked to wear jodhpurs and riding boots with a well fitting tweed jacket and open weave riding gloves with leather palms and fingers, all colour coordinated in shades of brown and tan. He drove what was then a seemingly exotic Citroen DS19 car with an avant garde shape. He was a designer for one of the large department chain stores. He was also a prize winning artist and dressed the part. He had designed and constructed the sets of the hit South African musical King Kong. That was in itself an indicator of his character for it was a theatre piece with story, music and lyrics written by black South Africans about black South Africans at a time of ever deepening apartheid repression. His social contacts were with musicians, artists and performers. He was consciously opposed to the apartheid policies of the time. In part, I believe his opposition was shaped by growing up in Pietersburg (now Polokwane) in the then Northern Transvaal (now Limpopo Province) near to an asbestos mine and his family being of Jewish origin faced open anti-Semitism from the predominantly Afrikaner mining and farming community. -
1* Henry Somm 1844-1907 (French) Woman with Umbrella Watercolor on Paper 25 X 19 Cm (10 X 7 In.) Signed Lower Right
1* Henry Somm 1844-1907 (French) Woman with umbrella watercolor on paper 25 x 19 cm (10 x 7 in.) signed lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $900-1,200 2* Victor Guerrier 1893-1968 (French) Lady in a cafe oil on canvas 100 x 73 cm (39 x 28 in.) signed lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $9,000-11,000 3* Albert Malet 1902-1986 (French) View on Seine oil on canvas 61 x 81 cm (24 x 32 in.) signed lower left, titled on the reverse Other Notes: Location: Europe. For estimated delivery time please contact us. $1,800-2,200 4* Unknown artist Landscape oil on canvas 38 x 51 cm (15 x 20 in.) Other Notes: Location: Israel. For estimated delivery time please contact us. $300-400 5* Joseph Vital-Lacaze 1874-1946 (French) Landscape, 1903 1 oil on panel 20 x 27 cm (8 x 11 in.) signed and dated lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $500-700 6 Maximilien Luce 1858-1941 (French) Pecheurs a Rolleboise oil on canvas 38 x 55 cm (15 x 21 in.) signed lower left Provenance: Sale: Artcurial, May 31, 2009, lot 14. Private collection, Miami. Other Notes: Location: Europe. For estimated delivery time please contact us. $12,000-15,000 7* Natalia Goncharova 1881-1962 (Russian) Gathering mushrooms, 1908 oil on canvas 45 x 57 cm (18 x 22 in.) signed lower left Provenance: Sale: Matsart, November 25, 2007, lot 126. -
South African Architectural Recorr
SOUTH AFRICAN ARCHITECTURAL RECORR THE JOURNAL OF THE CAPE, NATAL, ORANGE FREE STATE AND TRANSVAAL PROVINCIAL INSTITUTES OF SOUTH AFRICAN ARCHITECTS AND THE CHAPTER OF SOUTH AFRICAN QUANTITY SURVEYORS OPENING CEREMONY SOUTH AFRICA AND ART NOW, by John Paris, M.A., B.Litt., Director of the National Gallery 16 BOOK REVIEWS 22 NOTES AND NEWS 22 EDITOR VOLUM E 35 The Editor will be glad to consider any MSS., photographs or sketches submitted to him, but they should be accompanied by stamped addressed envelopes for return if W. DUNCAN HOWIE unsuitable. In case of loss or injury he cannot hold himself responsible for MSS., photographs or sketches, and publication in the Journal can alone be taken as evidence ASSISTANT EDITORS of acceptance. The name and address of the owner should be placed on the back of all pictures ond MSS. The Institute does not hold itself responsible for the opinions UGO T O M A S E L LI 1 expressed by contributors. Annual subscription £1 10s. direct to the Secretary, GILBERT HERBERT 612, KELVIN HOUSE, 75, MARSHALL STREET, JOHANNESBURG. PHONE 34-2921. BUSINESS MANAGEMENT: G. J. McHARRY (PTY.), LTD., 43, BECKETT’S BUILDINGS, JOHANNESBURG, P.O. BOX 1409. ’PHONE 33-7505. I V GENERAL J. C. SMUTS — Bronie. Mose* Koltler, Academy Gold Medalist, 1949 “ITS u n i v e r s e library 2 J C 1 6 3 9 9 9 THE SOUTH AFRICAN ACADEMY THIRTIETH ANNUAL EXHIBITION. 1949 INTRODUCTION The Report of the Jury for Painting and Sculpture The Thirtieth South African Academy Exhibition was submitted to the Committee after selecting the work to held in the Municipal Art Gallery, Joubert Park, Johannes be hung is as follows: burg, from October 7th to October 23rd, 1949. -
Rolling up Rivonia: 1962–1963 GARTH BENNEYWORTH*
South African Historical Journal, 2017 https://doi.org/10.1080/02582473.2017.1332086 Rolling up Rivonia: 1962–1963 GARTH BENNEYWORTH* Sol Plaatje University; McGregor Museum, Kimberley Abstract Liliesleaf was purchased in 1961 by the South African Communist Party and it functioned as a nerve centre for the liberation movements and key leaders of that era. The significance of Liliesleaf is that this was a place where the transition into a new form of struggle, namely armed struggle occurred, making an icon of that struggle for freedom. Liliesleaf marks a seminal shift in South Africa’s liberation struggle history. On 11 July 1963 the police raided Liliesleaf. Their rolling up of Rivonia in turn culminated in the Rivonia Trial. For the apartheid government this was a coup. For the liberation movement, it represented a blow. Many theories abound as to how the police identified Liliesleaf. This paper presents new information about these complex and myriad historical events. The paper shows that the raid was the culmination of a much longer term investigation by various state agencies and not only the Security Branch of the South African Police. Key words: Liliesleaf; Rivonia; Mandela; intelligence; SADF; Security Branch; direction finding; Umkhonto we Sizwe; South African Communist Party; African National Congress Introduction Popular culture portrays the South African Police Security Branch experiencing a lucky Downloaded by [Mr Garth Benneyworth] at 06:32 15 August 2017 break when they raided Liliesleaf farm in the then peri-urban suburb of Rivonia, Johannes- burg on 11 July 1963. Security Branch (SB) is popularly perceived as a proverbial Mr Plod staffed with witless policemen, who bumbling along, finally caught up.1 Contemporary lit- erature suggests that when 14 Security Branch including Lieutenant Van Wyk and an Alsa- tian called Cheetah leapt from their dry cleaning van at Liliesleaf to raid the premises, they had little idea of the enormity of the haul they were about to make. -
Institute of Jewish Affairs Additional Papers 4: General Sequences
223 MS 241 Institute of Jewish Affairs Additional Papers 4: general sequences MS 241/1 Numerical sequence MS 241/1/1 Arab-Israeli war - description of events prior to the 1967: Apr - Jul 1967 IJA 1A newspaper articles, press releases; the American Jewish Committee Foreign Affairs Department booklets `Reflections in Western Europe and Latin America to the situation in the Middle East' and `The Palestinian Liberation Organisation: an appraisal of its effect on Middle East tensions'; printed article; copies of the Jerusalem post and American Jewish Committee `Reports from.. Israel', Jul 1967 MS 241/1/2 Arab-Israeli war: newspaper articles, some in French, relating to Jun - Aug 1967 IJA 1B the war and to Israel's relations with other countries; United Nations paper on the situation in the Middle East IJA 10 United Nations: newspaper articles, some in French; JTA bulletins, 1967-70 MS 241/1/3 United Nations weekly summaries, bulletins all relating to Israel and the situation in the Middle East IJA 11 Arab statements: newspaper articles, some in German, Hebrew 1967 MS 241/1/4 script, on Arab countries reaction to the Arab-Israeli war IJA 12 Jews in Arab countries: newspaper articles; JTA bulletins; World 1967-8 MS 241/1/5 Jewish Congress correspondence, press releases, memorandums; notes; bulletins IJA 13 Arab activities outside the Middle East: newspaper cuttings; 1967 MS 241/1/6 bibliographical reference IJA 14 Public reaction to the Arab-Israeli war - United States of America: 1967-8 MS 241/1/7 newspaper articles, some in French and German; -
Hoofstuk 5: Voorlopige Metodologiese Oorwegings
PSIGOBIOGRAFIESE PERSOONLIKHEIDSBESKRYWING VAN GENERAAL CHRISTIAAN DE WET Riana Henning Ingedien ter vervulling van die vereistes van die graad Doctor Philosophiae in die Fakulteit Geesteswetenskappe Sielkunde Departement Rhodes Universiteit Januarie 2010 Promotor: Professor Roelf van Niekerk Mede-promotor: Professor Catriona Macleod i DANKBETUIGINGS Sonder die onderstaande persone sou ek nie hierdie studie kon voltooi nie. Ek rig daarom 'n besondere woord van dank aan hulle: Die Allerhoogste, wat my in staat gestel het om hierdie studie te voltooi; Dr Roelf van Niekerk, vir waardevolle raad en leiding gedurende die studie; Louise Luttig en Elize du Plessis, vir die taalkundige en tegniese versorging van die studie; Anna, Rona, Louise, Alta en Pappa, vir die proeflees van die manuskrip; Die personeel van die Oorlogmuseum in Bloemfontein, asook die Museum in Graaff-Reinet en Aliwal-Noord, vir hulp met die opsporing van biografiese- en geskiedkundige data; Drr Servaas Rossouw en Andrew McLeod asook Me Elria Wessels, vir die voltooiing van die persoonlikheidsvraelyste; Mnr Leon Endemann van die Genealogiese Instituut in Stellenbosh, vir hulp met die opsporing van Generaal De Wet se naasbestaandes; Prof Tienie Van Schoor, vir raad asook toegang tot sy ongepubliseerde boek; En laastens aan my pa en suster, baie dankie vir al jul hulp, bystand en aanmoediging die afgelope jare. ii OPGEDRA AAN Ek dra hierdie studie aan my wonderlike ouers op. Hulle aanmoediging en geloof in my het my in staat gestel om hierdie studie te voltooi. Baie dankie vir julle onvoorwaardelike liefde, aanvaarding en ondersteuning. Ek is trots om julle as ouers te hê. iii OPSOMMING Hierdie is 'n psigobiografiese studie van Generaal Christiaan Rudolph de Wet.