Anglo~Jewish Exhibition 1851-1951
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IN THIS ISSUE Drama for Life • Sculptures at Wits • Danny K Heritage
April 2012 Volume 20 The magazine for ALUMNI and friends of the University of the Witwatersrand IN THIS ISSUE Drama for Life • Sculptures at Wits • Danny K Heritage Convocation War Memorial by Moses Kottler Through the years Wits has installed or acquired many sculptures in public spaces on its campuses. Medical School memorial sculpture by Laurence Chait By Katherine Munro and Natalie Knight Photos: Peter Maher 24 WITSReview April 2012 The Miners by Ernest Ullmann ProfileProfofiille Mindshapes Sculptures at Wits Stone bird-bath in memory of Man and His Soul by Herman Wald Raymond Dart by Marco Cianfanelli Photo: EYEscape The Unknown Miner by Herman Wald Aprilril 20122012 WITSWITSRRevieweview 25 From top to bottom: The Pioneer and The Family Group by Ernest Ullmann Relief panel by Edoardo Villa Guardian Angel by John Baloyi he University recently received a major donation of two large bronze sculptures T created by the late Herman Wald - the Unknown Miner and Man and His Soul. The donation was made by the artist’s son Louis Wald, a Wits alumnus, and throws the spotlight on the public sculptures in the Wits collection. These works include freestanding three- dimensional outdoor sculptures, incised relief panels on exterior buildings, and indoor wooden art benches for use by students. A diversity of materials is in evidence in the Wits sculptures – bronze, stainless steel, travertine, clay, concrete, and wood have all been used. The East Campus has the Convocation War Memorial sculpture by Moses Kottler. This is per- haps the most dominantly visible and meaningful to Wits. The sculpture consists of three linked bronze nudes larger than life, male and female figures with the left figure raising a hand to the heavens. -
Mahnmal Für Die Toten Des Krieges
Benno Elkan – Mahnmal für die Toten des Krieges Erinnerungskultur mit modernster Technik Am Freitag, den 31.08.2018, wurde das Modernste Denkmal Deutschlands der Öffentlichkeit im Orches- terzentrum NRW vorgestellt. Die 3D-Rekonstruktion des Denkmals „Mahnmal für die Toten des Krieges“ von Benno Elkan kann virtuell im realen Raum betrachtet werden. Damit wird die Kunst auf ein neues, innovatives Level befördert. Der Vorstand des Historischen Vereins, Oberbürgermeister Ullrich Sierau, die Enkelin des Künstlers aus San Francisco, Beryn Hammil, sowie Vertreter des Sponsors und der Geschäftsführer des Dortmunder Virtual-Reality-Unternehmens viality haben vor zahlreichen Gästen aus Politik, Verwaltung, Wissenschaft und Kultur die 3D-Konstruktion in Dortmund präsentiert. Das Mahnmal konnte live auf der Bühne mit einer Augmented-Reality-Brille von allen Seiten angeschaut werden, während die jeweilige Perspektive für alle anderen Gäste auf einer Projektionsfläche zu sehen war. Zusätzlich konnte das Event per Li- vestream auf YouTube und Facebook verfolgt werden. Diese Videos stehen weiterhin frei zur Verfügung und können bei Bedarf unter folgenden Links angesehen werden: https://www.youtube.com/watch?v=5kW-mqSikDY https://www.facebook.com/dortmund/videos/2094925910520165/ Das virtuelle Mahnmal Benno Elkans kann ab sofort im Museum für Kunst und Kulturgeschichte, mit für Besucher bereitgestellten Smartphones, angeschaut werden. Die Besucher können allerdings auch ihr eigenes Smartphone nutzen, wenn die App „Benno Elkan AR“ installiert ist. Die Benno-Elkan-Alle am Dortmunder U, welche dem verstorbenen Dortmunder Künstler im Frühjahr 2016 gewidmet wurde, wird in fünf bis sechs Wochen eine bedeutende Rolle spielen. Dort wird das Mahn- mal für Jeden virtuell sichtbar werden. Auch wenn die Menschen vor Ort augenscheinlich um Nichts herumlaufen werden, können sie mit Hilfe einer App auf ihrem Smartphone oder Tablet das virtuelle Mahnmal in seiner vollen Größe sehen und genauer betrachten. -
Copyright Statement
COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources. -
Visual Art in the English Parish Church Since 1945
Peter Webster Institute of Historical Research Visual art in the English parish church since 1945 [One of a series of short articles contributed to the DVD-ROM The English Parish Church (York, Centre for the Study of Christianity and Culture, 2010).1] Even the most fleeting of tours of the English cathedrals in the present day would give an observer the impression that the Church of England was a major patron of contemporary art. Commissions, competitions and exhibitions abound; at the time of writing Chichester cathedral is in the process of commissioning a major new work, and the shortlist of artists includes figures of the stature of Mark Wallinger and Antony Gormley. It is less well known that this activity is in fact a relatively recent phenomenon. In the early 1930s, by contrast, it was widely thought (amongst those clergy, artists and critics who thought about such things) that there was, in the strictest sense, no art at all in English churches. Of course, the medieval cathedrals and parish churches contained many exquisite examples of the art of their time. The nineteenth century had seen a massive boom in urban church building in the revived Gothic style, with attendant furnishings and decoration. However, the vast bulk of the stained glass, ornaments and church plate of the more recent past was regarded as hopelessly derivative at best, and of poor workmanship at worst. The sculptor Henry Moore wrote of the ‘affected and sentimental prettiness’ of much of the church art of his time. One director of the Tate Gallery argued that if the contents of churches were the only evidence available, ‘our civilisation would be found shallow, vulgar, timid and complacent, the meanest there has ever been.’ Much research remains to be done on that nineteenth century heritage, to determine how justly such charges were laid against it. -
Rare Books, Autographs & Maps
RARE BOOKS, AUTOGRAPHS & MAPS Tuesday, November 24, 2020 DOYLE.COM RARE BOOKS, AUTOGRAPHS & MAPS AUCTION Tuesday, November 24, 2020 at 10am Eastern VIEWINGS BY APPOINTMENT Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on 11-13-2020 Please see addendum for any changes The most up to date information is available on DOYLE.com Sale Info View Lots and Place Bids Doyle New York 1 3 [MANUSCRIPT] [ILLUMINATED MANUSCRIPT] Single leaf with miniature on vellum extracted Les Tres Riches Heures du Duke de Berry from a Book of Hours. ?Paris: circa 1450-1475. [with] Commentary to the Facsimile Edition of 5 3/4 x 4 inches (14.5 x 10.5 cm), the recto Manuscript 65 from the Collection of the bearing a fine arch-topped miniature of the Musee Conde, Chantilly. Lucerne, Switzerland; Annunciation to the Shepherds, surrounded with Faksimile-Verlag, 1984. Number 312 of 980 elaborate vine and acanthus borders, the text copies. Two volumes (facsimile and written in a textura quadrata of good quality, with commentary), the facsimile volume bound by a richly ornamented four-line initial "D" Burkhardt of Zurich in facsimile of the original illuminated in gold and colors; the verso 15 lines, manuscript in full red morocco, the commentary with one- and two-line illuminated initials, line in quarter morocco, housed together in an acrylic fillers etc. Leaf inlaid into a leaf of paper, the slipcase. -
Karina Simonson Žydų Fotografai Pietų Afrikos Respublikoje XX A. 4–8 Deš
LIETUVOS KULTŪROS TYRIMŲ INSTITUTAS VILNIAUS DAILĖS AKADEMIJA LIETUVOS MUZIKOS IR TEATRO AKADEMIJA Karina Simonson Žydų fotografai Pietų Afrikos Respublikoje XX a. 4–8 deš.: LEONAS LEVSONAS ir ELI WEINBERGAS Daktaro disertacija Humanitariniai mokslai Menotyra (03H) Vilnius 2018 Disertacija rengta 2013–2017 metais Lietuvos kultūros tyrimų institute. MOKSLINĖ VADOVĖ – prof. dr. (hp) Aleksandra Aleksandravičiūtė Lietuvos kultūros tyrimų institutas, Vilniaus dailės akademija, humanitariniai mokslai, menotyra, 03H Disertacija ginama Lietuvos kultūros tyrimo instituto, Vilniaus dailės akademijos ir Lietuvos muzikos ir teatro akademijos jungtinėje Menotyros mokslo krypties taryboje: PIRMININKĖ – doc. dr. Agnė Narušytė Vilniaus dailės akademija, humanitariniai mokslai, menotyra, 03H NARIAI: dr. Vilma Gradinskaitė Valstybinis Vilniaus Gaono žydų muziejus, humanitariniai mokslai, menotyra, 03H prof. dr. Giedrė Mickūnaitė Vilniaus dailės akademija, humanitariniai mokslai, menotyra, 03H dr. Odeta Žukauskienė Lietuvos kultūros tyrimų institutas, humanitariniai mokslai, menotyra, 03H prof. dr. Deborah Posel University College London, socialiniai mokslai, sociologija, 05S Disertacija ginama viešame Lietuvos kultūros tyrimo instituto, Vilniaus dailės akademijos ir Lietuvos muzikos ir teatro akademijos jungtinės Menotyros mokslo krypties tarybos posėdyje 2018 m. lapkričio 30 d. 11 val. Lietuvos kultūros tyrimų instituto salėje (216 kab.), Saltoniškių g. 58, Vilnius. Disertacijos santrauka išsiųsta 2018 m. spalio 30 d. Su disertacija galima susipažinti Lietuvos nacionalinėje Martyno Mažvydo, Lietuvos kultūros tyrimų instituto, Vilniaus dailės akademijos, Lietuvos muzikos ir teatro akademijos bibliotekose. © Karina Simonson, 2018 © Lietuvos kultūros tyrimų institutas, 2018 TURINYS ĮVADAS / 5 I. LEONO LEVSONO IR ELI WEINBERGO KŪRYBOS KONTEKSTAI / 23 I.1. Lietuvos ir Latvijos žydų imigracija ir integracija į PAR žydų bendruomenę / 23 I.2. XX a. politinių procesų įtaka fotografų gyvenimui ir kūrybai / 31 I.2.1. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
South African Architectural Recorr
SOUTH AFRICAN ARCHITECTURAL RECORR THE JOURNAL OF THE CAPE, NATAL, ORANGE FREE STATE AND TRANSVAAL PROVINCIAL INSTITUTES OF SOUTH AFRICAN ARCHITECTS AND THE CHAPTER OF SOUTH AFRICAN QUANTITY SURVEYORS OPENING CEREMONY SOUTH AFRICA AND ART NOW, by John Paris, M.A., B.Litt., Director of the National Gallery 16 BOOK REVIEWS 22 NOTES AND NEWS 22 EDITOR VOLUM E 35 The Editor will be glad to consider any MSS., photographs or sketches submitted to him, but they should be accompanied by stamped addressed envelopes for return if W. DUNCAN HOWIE unsuitable. In case of loss or injury he cannot hold himself responsible for MSS., photographs or sketches, and publication in the Journal can alone be taken as evidence ASSISTANT EDITORS of acceptance. The name and address of the owner should be placed on the back of all pictures ond MSS. The Institute does not hold itself responsible for the opinions UGO T O M A S E L LI 1 expressed by contributors. Annual subscription £1 10s. direct to the Secretary, GILBERT HERBERT 612, KELVIN HOUSE, 75, MARSHALL STREET, JOHANNESBURG. PHONE 34-2921. BUSINESS MANAGEMENT: G. J. McHARRY (PTY.), LTD., 43, BECKETT’S BUILDINGS, JOHANNESBURG, P.O. BOX 1409. ’PHONE 33-7505. I V GENERAL J. C. SMUTS — Bronie. Mose* Koltler, Academy Gold Medalist, 1949 “ITS u n i v e r s e library 2 J C 1 6 3 9 9 9 THE SOUTH AFRICAN ACADEMY THIRTIETH ANNUAL EXHIBITION. 1949 INTRODUCTION The Report of the Jury for Painting and Sculpture The Thirtieth South African Academy Exhibition was submitted to the Committee after selecting the work to held in the Municipal Art Gallery, Joubert Park, Johannes be hung is as follows: burg, from October 7th to October 23rd, 1949. -
Benno Elkan 1 Benno Elkan
Benno Elkan 1 Benno Elkan Benno Elkan OBE (* 2. Dezember 1877 in Dortmund; † 10. Januar 1960 in London) war ein deutscher Bildhauer, der die Große Menora vor der Knesset in Jerusalem und zahlreiche Denkmale, Büsten und Medaillen in Deutschland und England geschaffen hat. Elkan begann sein Schaffen als Bildhauer in seiner Heimatstadt Dortmund mit Grabdenkmalen. Später porträtierte er Militärs, Staatsmänner, Wissenschaftler und Künstler, vor allem aus Deutschland, Frankreich und England in Büsten und Medaillen. Elkan erhielt als jüdischer Künstler 1935 Berufsverbot und emigrierte nach London. In Deutschland war er zunächst vergessen, bis seine Werke in den 1950er-Jahren erneut in Ausstellungen gezeigt wurden. Elkans Schaffen ist keiner festen Stilrichtung zuzuordnen. Leben Kindheit und Jugend in Dortmund Benno Elkan in seinem Atelier in London Elkan war das einzige Kind des Schneidermeisters Salomon Elkan, während der Arbeit an der Menora für die Mitinhaber eines Herrentextilgeschäftes in der Dortmunder Knesset Innenstadt[1] und seiner jungen Frau Rosalie (* 1861 in Heidelberg). Hier besuchte er auch das Städtische Gymnasium (damals „Schola Tremoniae“) bis zum „Einjährigen“.[2] Dortmund war zur Jugendzeit Elkans eine Stadt, in der sich die kleine jüdische Gemeinde (1.306 von 90.000 Einwohnern im Jahre 1890[3] ) erfolgreich etablieren konnte, wofür der Bau einer großen Synagoge und die Integration eines jüdischen Bereichs auf dem Ostenfriedhof Indizien waren. Soweit bekannt nahm Benno Elkan am Leben der jüdischen Gemeinde teil, feierte seine Bar Mitzwa und besuchte am Gymnasium den jüdischen Religionsunterricht. Wanderjahre Um seine Sprachkenntnisse zu verbessern, besuchte Elkan das seit 1880 bestehende private Knabenpensionat Château du Rosey in Rolle am Genfersee. In Antwerpen übte er kurz eine kaufmännische Tätigkeit aus, brach sie aber mit Einverständnis seiner Eltern ab, um sich zunächst ab Dezember 1897 in München auf der privaten Kunstschule des Malers Walter Thor auf die Aufnahmeprüfung der Kunstakademie vorzubereiten. -
Bishop of Barking “For Centuries, the Arts Have Been an Important
NEWHAM AREA BARKING AND DAGENHAM AREA CONTINUED HAVERING AREA CONTINUED St MARGARET’S BARKING St ANDREW’S, ROMFORD St PAUL’S STRATFORD Stratford Barking Romford Maryland Road, Stratford, E15 IJL The Broadway, North Street, Barking, IG11 8AS Cotleigh Road, Romford, RM7 9AT Artwork: A striking wooden hanging cross, painted and gilded and matching Artwork: St Margaret’s has a rich history of involvement in the visual arts. The Artwork: The East Window (1996) depicts the Transfiguration. There altar frontal (both unattributed) c. 1950’s. high altar was produced by Arts and Crafts architect and Morris & Co. designer, is a an icon by the iconographer John Coleman (2006), in the nave. Philip Webb. Morris & Co. designer , George Jack contributed a window, carved Opening Times: Sunday services: 11.00am Opening by prior arrangement at other Opening Times: Sunday, 10.30am. See website for full details. Access at other times times. Contact: Revd Kelvin Woolmer T: 020 8279 4053 or Frank Simons 0208 923 statuetes, and a painted font cover to a early Twentieth century reordering. A by prior arrangement with the Rector or Parish Secretary Contact: Rector, Fr John- 1453 E: [email protected] W: www.achurchnearyou.com/stratford-st-paul painting by Alan Stewart, entitled Early in the Morning (2005 – detail shown), Francis Friendship T: 01708 741256 or Parish Secretary 01708737791 shows a black Christ cooking breakfast for his disciples depicted as being E: [email protected] W: www. standrewromford.org.uk St MICHAEL & ALL ANGELS, MANOR PARK of every ethnic origin to reflect the diverse worshipping community at St Manor Pk EDWARD THE CONFESSOR, ROMFORD Romford Rd/Toronto Ave, Manor Park, E12 5JF Margaret’s. -
Institute of Jewish Affairs Additional Papers 4: General Sequences
223 MS 241 Institute of Jewish Affairs Additional Papers 4: general sequences MS 241/1 Numerical sequence MS 241/1/1 Arab-Israeli war - description of events prior to the 1967: Apr - Jul 1967 IJA 1A newspaper articles, press releases; the American Jewish Committee Foreign Affairs Department booklets `Reflections in Western Europe and Latin America to the situation in the Middle East' and `The Palestinian Liberation Organisation: an appraisal of its effect on Middle East tensions'; printed article; copies of the Jerusalem post and American Jewish Committee `Reports from.. Israel', Jul 1967 MS 241/1/2 Arab-Israeli war: newspaper articles, some in French, relating to Jun - Aug 1967 IJA 1B the war and to Israel's relations with other countries; United Nations paper on the situation in the Middle East IJA 10 United Nations: newspaper articles, some in French; JTA bulletins, 1967-70 MS 241/1/3 United Nations weekly summaries, bulletins all relating to Israel and the situation in the Middle East IJA 11 Arab statements: newspaper articles, some in German, Hebrew 1967 MS 241/1/4 script, on Arab countries reaction to the Arab-Israeli war IJA 12 Jews in Arab countries: newspaper articles; JTA bulletins; World 1967-8 MS 241/1/5 Jewish Congress correspondence, press releases, memorandums; notes; bulletins IJA 13 Arab activities outside the Middle East: newspaper cuttings; 1967 MS 241/1/6 bibliographical reference IJA 14 Public reaction to the Arab-Israeli war - United States of America: 1967-8 MS 241/1/7 newspaper articles, some in French and German; -
The Life and Work of Abbot Anscar Vonier
English Benedictine Congregation History Commission – Symposium 1996 THE LIFE AND WORK OF ABBOT ANSCAR VONIER Dom Leo Smith OR MANY YEARS NOW South Devon has become a centre of tourism attracting large numbers of holiday makers from all over the British Isles, from Europe, especially FHolland and Germany, and increasingly from the United States and Canada. Buckfast lies on the edge of the Torbay area and is on the fringe of Dartmoor, so that even without the saga of the rebuilding of the abbey at Buckfast, the district would have been an attraction, a sort of gateway to the English Riviera and a pass to the lair of the Hound of the Baskervilles. Every year now Buckfast abbey receives some half a million visitors and this is due to the interest aroused by the reconstruction in modem times of a medieval monastery by the labours of four monks who were the masons. This achievement was the life-work of one man who inspired the work and by the force of his personality saw its achievement in spite of enormous difficulties. He was Abbot Anscar Vonier, the subject of this paper. In the south aisle of the abbey church there is a memorial plaque to Abbot Anscar, the work of Benno Elkan1. There the Abbot, a figure of no small stature, is depicted as offering his life’s work to our Lady to whom the abbey is dedicated. There is an epic quality about the story developed in the scroll of the plaque. The young monk saved from a shipwreck in which his abbot perished; his own election as abbot; the decision to rebuild the abbey church; the first load of stone from the quarry delivered in a borrowed horse and cart; the labour of building with no modem equipment, and the final touch, his acclaim of the finished work with the skeleton of death calling him to his reward.