(NARM) Association® Members Fall 2020
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Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
Download Curriculum Vitae
C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA Ensemble, Spalding Nix Fine Art, Atlanta, GA Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary Art, Athens, -
High Museum of Art
About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections. -
Washington Funding Report: FY 2011 – 2016
Washington Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 431 * $19,618,687 59% $12,830,000 * $32,448,687 Competitive Awards to Museums & Libraries 146 $13,378,884 41% $10,161,216 $23,540,100 Total 577 $32,997,571 100% $22,991,216 $55,988,787 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $3.26 M plan and use subawards and statewide projects to improve library services. FY 2015 $3.30 M In FY 2014, IMLS’s $3.28 million grant to the SLAA leveraged FY 2014 $3.28 M approximately $2.27 million in support from the state that year for library services through the SLAA. -
Bma Presents 2019 Jazz in the Sculpture Garden Concerts
BMA PRESENTS 2019 JAZZ IN THE SCULPTURE GARDEN CONCERTS Tickets on sale June 5 for Vijay Iyer, Matana Roberts, and Wendel Patrick Quartet BALTIMORE, MD (May 2, 2018)—The Baltimore Museum of Art’s (BMA) popular summer jazz series returns with three concerts featuring national and regional talent in the museum’s lush gardens. Featured performers are Vijay Iyer (June 29), Matana Roberts (July 13), and the Wendel Patrick Quartet (July 27). General admission tickets are $50 for a single concert or $135 for the three-concert series. BMA Member tickets are $35 for a single concert or $90 for the three-concert series. Tickets are on sale Wednesday, June 5, and will sell out quickly, so reservations are highly recommended. Tickets for BMA Members are available beginning Wednesday, May 29. Saturday, June 29 – Vijay Iyer, jazz piano Grammy-nominated composer-pianist Vijay Iyer sees jazz as “creating beauty and changing the world” (NPR) and is recognized as “one of the best in the world at what he does.” (Pitchfork). Saturday, July 13 – Matana Roberts, experimental jazz saxophonist As “the spokeswoman for a new, politically conscious and refractory music scene” (Jazzthetik), Matana Roberts’ music has been praised for its “originality and … historic and social power” (music critic Peter Margasak). Saturday, July 27 – Wendel Patrick Quartet Wendel Patrick is the “wildly talented” (Baltimore Sun) alter ego of acclaimed classical and jazz pianist Kevin Gift. The Baltimore-based musician creates a unique blend of jazz, electronica, and hip hop. The BMA’s beautiful Janet and Alan Wurtzburger Sculpture Garden presents 19 early modernist works by artists such as Alexander Calder, Isamu Noguchi, and Auguste Rodin amidst a flagstone terrace and fountain. -
Position Overview
DIRECTOR OF DEVELOPMENT Birmingham, AL Search conducted by Development Resources, inc. www.driconsulting.com Art Free For All The Birmingham Museum of Art (BMA) sparks the creativity, imagination, and liveliness of Birmingham by connecting all its citizens to the experience, meaning, and joy of art. Founded in 1951, the Birmingham Museum of Art has one of the finest collections in the Southeast supported by a strong educational program designed to make the arts come alive for children and adults throughout the region. More than 27,000 objects represent a rich panorama of cultures, including Asian, European, American, African, Pre-Columbian, and Native American. Highlights include the Museum’s collection of Asian art, considered the finest and most comprehensive in the Southeast; a remarkable Kress collection of Renaissance and Baroque paintings, sculpture, and decorative arts from the late 13th century to the 1750s; and the Museum’s world-renowned collection of Wedgwood, the largest outside of England. The Museum connects with the community through educational programs and curated exhibitions that engage, entertain, and enlighten visitors. Programs are designed around the Museum’s permanent collection and changing exhibitions, and provide opportunities for all ages and levels of experience to connect with art. In its most recent fiscal year, BMA welcomed 124,039 visitors, an increase of 3,000 guests over the previous year. This increase was spurred by relevant and innovative exhibitions and programs, such as the popular Family Festivals and the Barbie: Dreaming of a Female Future exhibition, which received widespread acclaim from visitors and the media. Barbie: Dreaming of a Female Future Emblematic of the types of programs and exhibitions the Museum features, this exhibition takes a critical look at Barbie on her 60th anniversary. -
Copyright (C) 2005 Fruitlands Museum, Harvard, Massachusetts Permission to Publish from This Material Should Be Discussed with the Museum Curator
Guide to the Transcendentalist Manuscript Collection, Fruitlands Museum, Harvard, Massachusetts www.fruitlands.org REGISTER MS T.1 S. Margaret Fuller Ossoli (1810-1850) Papers, ca 1836-1850 Size: 2 Linear inches Acquisition: Materials were purchased from The Goodspeed Book Shop by Clara Endicott Sears BIOGRAPHICAL SKETCH S. Margaret Fuller Ossoli (May 23, 1810-July 19, 1850) was a well known author, lecturer, and Transcendentalist in the Nineteenth Century. She is often called a "bluestocking", because of her feminist beliefs and unconventional life. She was born Sarah Margaret Fuller, the first of nine children of Timothy and Margaret Fuller of Cambridgeport, Massachusetts. Her father was determined to give her a masculine education according to the classical curriculum of the day. The exacting and regimental education began at a very young age and was to take a great toll on her health. But it also gave her abroad knowledge of literature and languages. Following the completion of her formal studies, Margaret gained entrance into the intellectual circles of Cambridge and Harvard. Here she formed lasting friendships with many New England intellectuals. In 1836, Margaret Fuller was hired to teach languages at Bronson Alcott's Temple School. She stayed only a year, but continued her teaching career in Providence Rhode Island at the Greene Street School. In 1839, she returned to Massachusetts and began conducting "Conversations" for society women and others in Boston. At this time, Margaret Fuller also became an integral part of the Transcendentalist Movement. From 1840 to 1842 she edited and contributed to the Transcendentalist journal, The Dial. In 1845, she published her feminist work, Woman in the Nineteenth Century. -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
2003 Annual Report of the Walters Art Museum
THE YEAR IN REVIEWTHE WALTERS ART MUSEUM ANNUAL REPORT 2003 France, France, Ms.M.638, folio 23 verso, 1244–1254, The Pierpont Morgan Library, New York Dear Friends: After more than three intense years renovating and reinstalling our Centre Street Building, which con- cluded in June 2002 with the opening of our transformed 19th-century galleries, we stepped back in fiscal year 2002–2003 to refocus attention on our Charles Street Building, with its Renaissance, baroque, and rococo collections, in preparation for its complete reinstallation for a fall 2005 opening. For the Walters, as for cultural institutions nationwide, this was more generally a time of reflection and retrenchment in the wake of lingering uncertainty after the terrorist attack of 9/11, the general economic downturn, and significant loss of public funds. Nevertheless, thanks to Mellon Foundation funding, we were able to make three new mid-level curatorial hires, in the departments of ancient, medieval, and Renaissance and baroque art. Those three endowed positions will have lasting impact on the museum, as will a major addition to our galleries: in September 2002, we opened a comprehensive display of the arts of the ancient Americas, thanks to a long-term loan from the Austen-Stokes Foundation. Now, for the first time, we are able to expand on a collecting area Henry Walters entered nearly a century ago, to match our renowned ancient and medieval holdings in quality and range with more than four millennia of works from the western hemisphere. The 2002–2003 season was marked by three major exhibitions organized by the Walters, and by the continued international tour of a fourth Walters show, Desire and Devotion. -
Travel Professionals | Greater Birmingham Convention & Visitors Bureau – Birmingham, AL
CONTACT MENU ATTRACTIONS SHOPPING DINING OUTDOORS NIGHTLIFE Plan a Tour When tour groups get down to Birmingham, they get down to the business of exploring the city’s personality. Among the themed tours are trips to sample the city’s locally-produced snacks, real Southern dining and the influence of immigrants on the city’s cuisine. Other tours explore the diversity of Birmingham’s ethnic communities, reflected in the architecture and cultural events throughout the city. Plan a tour to visit the Eternal Word Television Network, founded by Mother Mary Angelica. Take in the historic sites from Birmingham’s tumultuous role in America’s Civil Rights Movement. Hear interesting tales from the city’s rowdy pioneer days. Visit the factory where the popular M-Class Mercedes-Benz is manufactured. And sample the art, outdoors, dining, sports and entertainment that bring tour groups back to Birmingham time and again. (Sample itineraries include more locations than a full day of touring will accommodate. Let us help you customize your tour from these suggested destinations. Reservations are required and appreciated.) Itineraries Grits, Greens and Greeks: The Southern Foods Tour Spend a day sampling the flavors of Birmingham. Wake up the day with breakfast at Niki’s West, a Birmingham institution, where they serve up a heaping helping of Southern favorites: country ham, cheese grits, cathead biscuits with sawmill gravy, and eggs any way you like ‘em. Then walk off some of that fine meal at the Pepper Place Saturday Market. This seasonal spread of Southern foods is a delight to wander through. Farmers’ stalls are filled with peaches, peppers and tomatoes. -
City of Las Vegas Data Book
082011B City of Las Vegas Economic and Urban Development Department & Redevelopment Agency Economic and Urban Development Introduction Economic and Urban Develpment Department The Economic and Urban Development Department (EUD) creates, coordinates and encourages new development and redevelopment throughout the city of Las Vegas. It increases and diversifies the city’s economic base, and creates jobs, through business attraction, retention and expansion programs. In addition, this newly expanded department now includes employees who oversee and manage local, state and federal grants used to provide public services, develop public facilities and support affordable housing for low income Las Vegas families. The majority of grants are received from the U.S. Department of Housing and Urban Development as part of entitlement funding. These grants are used for homeless services and shelter, senior nutrition, rent assistance and new construction of affordable housing and community centers, to name a few. The EUD coordinates with the city of Las Vegas Redevelopment Agency on day-to-day operations, economic development, job creation and long-term strategic goals. Las Vegas Redevelopment Agency The Las Vegas Redevelopment Agency (RDA) promotes the redevelopment of downtown Las Vegas and surrounding older commercial districts by working with developers, property owners and the community to accomplish beneficial revitalization efforts, create jobs and eliminate urban decay. The Las Vegas Redevelopment Area encompasses 3,948 acres. The area roughly includes the greater downtown Las Vegas area east of I-15, south of Washington Avenue, north of Sahara Avenue and west of Maryland Parkway. It also includes the Charleston Boulevard, Martin L. King Boulevard and Eastern Avenue corridors. -
SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the