Exploring the Perceptions of Crime and Justice Among Tribal Police Officers in Indian Country

Total Page:16

File Type:pdf, Size:1020Kb

Exploring the Perceptions of Crime and Justice Among Tribal Police Officers in Indian Country Old Dominion University ODU Digital Commons Sociology & Criminal Justice Theses & Dissertations Sociology & Criminal Justice Summer 2013 Rez Realities: Exploring the Perceptions of Crime and Justice Among Tribal Police Officers in Indian Country Favian Alejandro Martin Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/sociology_criminaljustice_etds Part of the Criminology Commons, Indigenous Studies Commons, Race and Ethnicity Commons, and the Regional Sociology Commons Recommended Citation Martin, Favian A.. "Rez Realities: Exploring the Perceptions of Crime and Justice Among Tribal Police Officers in Indian Country" (2013). Doctor of Philosophy (PhD), Dissertation, Sociology & Criminal Justice, Old Dominion University, DOI: 10.25777/kn8r-1k08 https://digitalcommons.odu.edu/sociology_criminaljustice_etds/30 This Dissertation is brought to you for free and open access by the Sociology & Criminal Justice at ODU Digital Commons. It has been accepted for inclusion in Sociology & Criminal Justice Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. REZ REALITIES: EXPLORING THE PERCEPTIONS OF CRIME AND JUSTICE AMONG TRIBAL POLICE OFFICERS IN INDIAN COUNTRY by Favian Alejandro Martin B.S. May 2007, Pennsylvania State University, Harrisburg M.A. May 2009, Pennsylvania State University, Harrisburg A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY CRIMINOLOGY & CRIMINAL JUSTICE OLD DOMINION UNIVERSITY August 2013 Approved bv Danner (Director) ABSTRACT REZ REALITIES: EXPLORING THE PERCEPTIONS OF CRIME AND JUSTICE AMONG TRIBAL POLICE OFFICERS IN INDIAN COUNTRY Favian Alejandro Martin Old Dominion University, 2013 Director: Dr. Mona J. E. Danner Although American Indians and Alaskan Natives (AI/NA) compose just over 1% of the general population in the U.S., they experience higher rates of crime and violence than the total population and are dramatically over-represented in the criminal justice system. In light of these realities, the paucity of research on AI/NA crime, violence, and justice problems is appalling. What research does exist suggests that AI/NA crime and victimization is correlated with social problems such as poverty and illegal drug use which are linked to the social ills of colonialism. Drawing on the work of Loader (1997), this dissertation examines the perceptions of crime and justice among tribal police officers in Indian Country. Police officers are charged by the state with the responsibility to maintain social control and seen as the authoritative discourse of crime and justice in society. Within their position, they have the ability to “diagnose” all crime related problems (Loader 1993). Given their unique position in society, the police also have the power to frame the discourse on crime and justice and their experiences influence public opinion and policy. Throughout Indian Country, tribal police officers possess unique knowledge about all crime-related problems and offer a discourse on crime and justice on reservations. This dissertation uses in-depth interview methods to address the research question: What are the perceptions of crime and justice in Indian Country among tribal police officers? Interviews with 27 tribal police officers on a southeastern Indian reservation were conducted to explore the tribal police officers perceptions about crime and justice. The tribal police officers’ perceptions revealed a tribal community suffering from high rates of prescription drug use that were correlated with property crimes and high levels of domestic violence and assaults. This is substantiated by the current crime data: as creators of discourse and community perceptions, the view of the criminal justice personal are reified in the community. The participants spoke about the tribal court system as dysfunctional due to inter-tribal politics, federal restrictions, and lenient tribal judges. Tribal police officers also portray the federal government as too often failing to prosecute serious crimes on the reservation. As a result, they believed that both the tribal and federal criminal justice systems did not adequately address crime on the reservation. This dissertation is dedicated to my parents Jennie and Carlos Martin ACKNOWLEDGEMENTS First, I thank my dissertation Committee: Dr. Mona J.E. Danner, my Dissertation Chair, for her patience, guidance, and constructive comments. Dr. Travis Linnenman for his in-depth knowledge of critical criminology that proved to be extremely helpful during the theoretical analysis. Dr. Scott Maggard for his helpful and insightful comments on the dissertation research. Lastly, Dr. Jeffrey Ian Ross for serving as my external committee member and sharing his knowledge on American Indians and their social problems. Next, I thank my mentors for their invaluable advice. First, Dr. Mona Danner for her unwavering support in my academic endeavors from providing words of encouragement to finding sources of funding for various research projects. To Dr. Dawn Rothe, for her guidance and life-changing opportunities such as studying aboard, which exposed me to different cultures and perspectives. I am thankful for your openness and your ability to challenge my preconceived notions on all things in life. Thanks to Dr. Travis Linnenman, for your advice on life in academia. Taken together, my mentors encouraged me to find my “academic voice,” and for that, I am eternally thankful. I am also indebted to my family and friends. To my family, whose encouragement and support greatly helped me throughout the last four years. The many “care packages” and cards significantly helped during those bleak moments and brought much relief. In addition, many thanks to my friends Victoria Collins, Amanda Farrell, and Jesse McKee for their friendship and support. Lastly, to Jeff for being supportive and offering words of encouragement. To you all, I am eternally thankful. TABLE OF CONTENTS Chapter Page I. THE PROBLEM OF CRIME AND JUSTICE IN INDIAN COUNTRY.......................1 SUMMARY OF CHAPTERS ...................................................................................9 II. COLONIALISM - THE STORY OF CONFLICT........................................................10 COLONIALISM........................................................................................................10 THE CURRENT STATE OF AMERICAN INDIANS IN THEIR COMMUNITIES...................................................................................................... 21 AMERICAN INDIAN CRIME AND VICTIMIZATION..................................... 27 POLICING AMERICAN INDIANS....................................................................... 32 TRIBAL JUDICIAL SYSTEM................................................................................43 CONCLUSION.........................................................................................................44 III. THE LITERATURE ON POLICE PERCEPTIONS.................................. 46 THE POLICE.............................................................................................................47 POLICE PERCEPTIONS......................................................................................... 50 CONCLUSION.........................................................................................................60 IV. THE THEORETICAL FRAME - THE SYMPOLIC POWER OF POLICING .......61 SYMBOLIC POWER OF THE POLICE ON THE REZ....................................... 69 V. METHODS .....................................................................................................................71 RESEARCH PARTICIPANTS................................................................................71 EASTERN BAND OF CHEROKEE INDIANS.....................................................72 IN-DEPTH INTERVIEWS.......................................................................................76 RESEARCH PLAN.................................................................................................. 78 PROTECTION OF SUBJECTS...............................................................................79 VI. FINDINGS......................................................................................................................80 POLICE DEPARTMENT DEMOGRAPHICS.......................................................80 COMMUNITY LIFE................................................................................................ 81 CRIME AND VIOLENCE.......................................................................................84 ILLEGAL DRUG USE............................................................................................. 88 CRIME.......................................................................................................................94 PROPERTY CRIMES..............................................................................................94 VIOLENT CRIMES................................................................................................. 97 CRIME CAUSATION............................................................................................ 102 CRIME PREDICTIONS......................................................................................... 107 TRIBAL JUSTICE.................................................................................................. 110 viii INFORMAL
Recommended publications
  • The New Woman Criminal in British Culture at the Fin De Siècle
    FRAMED DIGITALCULTUREBOOKS is a collaborative imprint of the University of Michigan Press and the University of Michigan Library. FRAMED The New Woman Criminal in British Culture at the Fin de Siècle ELIZABETH CAROLYN MILLER The University of Michigan Press AND The University of Michigan Library ANN ARBOR Copyright © 2008 by Elizabeth Carolyn Miller All rights reserved Published in the United States of America by The University of Michigan Press and the University of Michigan Library Manufactured in the United States of America c Printed on acid-free paper 2011 2010 2009 2008 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Miller, Elizabeth Carolyn, 1974– Framed : the new woman criminal in British culture at the fin de siècle / Elizabeth Carolyn Miller. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-472-07044-2 (acid-free paper) ISBN-10: 0-472-07044-4 (acid-free paper) ISBN-13: 978-0-472-05044-4 (pbk. : acid-free paper) ISBN-10: 0-472-05044-3 (pbk. : acid-free paper) 1. Detective and mystery stories, English—History and criticism. 2. English fiction—19th century—History and criticism. 3. Female offenders in literature. 4. Terrorism in literature. 5. Consumption (Economics) in literature. 6. Feminism and literature— Great Britain—History—19th century. 7. Literature and society— Great Britain—History—19th century.
    [Show full text]
  • Invisible Woman
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 Invisible Woman Kristin Deanne Howe The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Howe, Kristin Deanne, "Invisible Woman" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 599. https://scholarworks.umt.edu/etd/599 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INVISIBLE WOMAN By KRISTIN DEANNE HOWE Bachelor of Arts, Southwest Minnesota State University, Marshall, Minnesota, 2005 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Philosophy The University of Montana Missoula, MT December 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Deborah Slicer, Chairperson Philosophy Christopher Preston Philosophy Elizabeth Hubble Women and Gender Studies ii Howe, Kristin, M.A. December 2009 Philosophy Invisible Women Chairperson: Deborah Slicer Abstract: The aim of this paper is to illuminate the ways in which working class women are invisible within the feminist and ecofeminist movements. Using the faces and forces of oppression as presented by Iris Marion Young and Hilde Lindemann, I show how the working class experiences oppression. I also show how oppression based on class differs from that based on gender and how these differences contribute to the invisibility of working class women within feminism.
    [Show full text]
  • Marvel References in Dc
    Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros.
    [Show full text]
  • The Library Development Review 2000-01
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Other Library Materials (Newsletters, Reports, Library Development Review Etc.) 1-1-2001 The Library Development Review 2000-01 University of Tennessee Libraries Follow this and additional works at: https://trace.tennessee.edu/utk_libdevel Part of the Arts and Humanities Commons Recommended Citation Lloyd, James. Leonard, Susan (eds). The Library Development Review. Knoxville: University of Tennessee, 2000/2001. This Review is brought to you for free and open access by the Other Library Materials (Newsletters, Reports, Etc.) at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Library Development Review by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. L/£JL3 or:- r/lcCtJv/)"T as lOu LlkE:_ THE, K,NOXVILLE HARMONY OF mt§'stg~ WJi1~~ ~A~')t'~' w inCHISAN '[ NT ERE ST[NGSELECT ION 0 r n'YMNS AND', P'SALMS, CSUALLV SIINO ,,., CllcncnES; SELECTED FROM THE nEST AUTHORS IN GENERAL USE. ALSO. TO \VTllCn IS ADDED, A NUi'IBER 01:' ORWINA.L TUNES; DEING E~TIRELY. , NEW, AND WELL ADAPTED FOR TilE USE OF SCHOOLS AND CHURCJI~. CU;\1POS}-~l) BY JOHN H. HCKSON. TOGETHER WITH A CO~IPLETE IXTnODUCTlON TO TIlE, PROPER. GROUNDS OF MUSIC, ,AND nULSS 'WELL EXPLAINED TO llEGINNF.RS. , SECOIlO r.OITIOl/. ~-Qc~- D &. M. SHIELDS &; CO., AND JOHN D. JACKSON PROPRIETOR8. PUl\IPKINTO'VN, E. TEN.. 'UIITED aT JOUlfSTOll & IDlOARDl. 1940. Title page from The Knoxville Harmony printed in a possibly surre/nitious location. (Pumpkinwwn, E. Ten.: lohnson and Edwards, 1840.
    [Show full text]
  • Department of Political Science Chair of Gender Politics Wonder Woman
    Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J.
    [Show full text]
  • A Song for the Asking
    A Song for the Asking The Electronic Newsletter of EarthSong Photography and EarthSong Photography Workshops: Walking in Beauty February 28, 2014 Volume XII, Number 1 Hello to All: In This Issue Unto These Hills Page 1 When Spring is Far Behind Page 16 The Creativity of Frustration Page 20 As for EarthSong/Walking in Beauty Page 23 Be sure to check out our 2014 workshop schedule on Page 24 Unto These Hills U′tsălă (Euchella) turned the proposition in his mind long and seriously. His heart was bitter, for his wife and little son had starved to death on the mountain side, but he thought of the thousands who were already on their long march into exile and then he looked around upon his little band of followers. If only they might stay, even though a few must be sacrificed, it was better than that all should die – for they had sworn never to leave their country. Vicki Rozema from Voices from the Trail of Tears Listen! The world is made of stories. As much as it is made of the solid solemnity of mountains, and the silence of the desert’s sands, and the soaring reach of trees, and the laughing streams of water, it is made of the hallowed words of story. Listen to this story and remember that the eternity of time is a circle. Our story – yours, mine, and everyone’s – begins long before we are born, for we are born into the on-going story of the world, which began in the dawn of time.
    [Show full text]
  • These Hills, This Trail: Cherokee Outdoor Historical Drama and The
    THESE HILLS, THIS TRAIL: CHEROKEE OUTDOOR HISTORICAL DRAMA AND THE POWER OF CHANGE/CHANGE OF POWER by CHARLES ADRON FARRIS III (Under the Direction of Marla Carlson and Jace Weaver) ABSTRACT This dissertation compares the historical development of the Cherokee Historical Association’s (CHA) Unto These Hills (1950) in Cherokee, North Carolina, and the Cherokee Heritage Center’s (CHC) The Trail of Tears (1968) in Tahlequah, Oklahoma. Unto These Hills and The Trail of Tears were originally commissioned to commemorate the survivability of the Eastern Band of Cherokee Indians (EBCI) and the Cherokee Nation (CN) in light of nineteenth- century Euramerican acts of deracination and transculturation. Kermit Hunter, a white southern American playwright, wrote both dramas to attract tourists to the locations of two of America’s greatest events. Hunter’s scripts are littered, however, with misleading historical narratives that tend to indulge Euramerican jingoistic sympathies rather than commemorate the Cherokees’ survivability. It wasn’t until 2006/1995 that the CHA in North Carolina and the CHC in Oklahoma proactively shelved Hunter’s dramas, replacing them with historically “accurate” and culturally sensitive versions. Since the initial shelving of Hunter’s scripts, Unto These Hills and The Trail of Tears have undergone substantial changes, almost on a yearly basis. Artists have worked to correct the romanticized notions of Cherokee-Euramerican history in the dramas, replacing problematic information with more accurate and culturally specific material. Such modification has been and continues to be a tricky endeavor: the process of improvement has triggered mixed reviews from touristic audiences and from within Cherokee communities themselves.
    [Show full text]
  • American Indian Biographies Index
    American Indian Biographies Index A ABC: Americans Before Columbus, 530 Ace Daklugie, 245 Actors; Banks, Dennis, 21-22; Beach, Adam, 24; Bedard, Irene, 27-28; Cody, Iron Eyes, 106; George, Dan, 179; Greene, Graham, 194-195; Means, Russell, 308-310; Rogers, Will, 425-430; Sampson, Will, 443; Silverheels, Jay, 461; Studi, Wes, 478 Adair, John L., 1 Adams, Abigail, 289 Adams, Hank, 530 Adams, Henry, 382 Adams, John Quincy, 411 Adario, 1-2 Adate, 149 Adobe Walls, Battles of, 231, 365, 480 Agona, 150 AIF. See American Indian Freedom Act AIM. See American Indian Movement AIO. See Americans for Indian Opportunity AISES. See American Indian Science and Engineering Society Alaska Native Brotherhood, 374 Alaska Native Sisterhood, 374 Alaskan Anti-Discrimination Act, 374 Alcatraz Island occupation; and Bellecourt, Clyde, 29; and Mankiller, Wilma, 297; and Oakes, Richard, 342; and Trudell, John, 508 Alexie, Sherman, 2-5 Alford, Thomas Wildcat, 5 Allen, Alvaren, 466 Allen, Paula Gunn, 6-9 Alligator, 9-10, 246 Allotment, 202, 226 Amadas, Philip, 371 American Horse, 10-12, 26 American Indian Chicago Conference, 530 American Indian Freedom Act, 30 American Indian Historical Society, 116 American Indian Movement, 21, 129, 369; and Bellecourt, Clyde H., 29; and Bellecourt, Vernon, 32; creation of, 530; and Crow Dog, Leonard, 128; and Fools Crow, Frank, 169; and Means, Russell, 308; and Medicine, Bea, 311; and Oakes, Richard, 342-343; and Pictou Aquash, Anna Mae, 376 American Indian Science and Engineering Society, 391 American Revolution, 66; and Cayuga, 281; and Cherokee, 61, 346; and Creek, 288; and Delaware, 544; and Iroquois, 63, 66-67, 69, 112-113; and Lenni Lenape, 224; and Mahican, 341; and Miami, 277; and Mohawk, 68; and Mohegan, 345; and Ottawa, 387; and Senecas, 52; and Shawnee, 56, 85, 115, 497 Americans for Indian Opportunity, 207 ANB.
    [Show full text]
  • Yonaguska (The Legend of Drowning Bear) William Owens
    FJH young band Grade 2.5 Hear and download this piece at www.fjhmusic.com YONAGUSKA (THE LEGEND OF DROWNING BEAR) William Owens Instrumentation 1 - Conductor’s Full Score 2 - Baritone T.C. 4 - Flute 1 4 - Tuba 4 - Flute 2 1 - Timpani 2 - Oboe 2 - Mallet Percussion 2 - Bassoon Vibraphone Bells 5 - B≤ Clarinet 1 2 - Percussion 1 5 - B Clarinet 2 ≤ Snare Drum 2 - B≤ Bass Clarinet Bass Drum 2 - E≤ Alto Saxophone 1 3 - Percussion 2 2 - E≤ Alto Saxophone 2 Tom-toms 2 - B≤ Tenor Saxophone Claves Triangle 2 - E≤ Baritone Saxophone 4 - B Trumpet 1 4 - Percussion 3 ≤ Bar Chimes 4 - B≤ Trumpet 2 Rain Stick 4 - F Horn Crash Cymbals 2 - Trombone 1 Suspended Cymbal 2 - Trombone 2 Tambourine Vibraslap 2 - Baritone / Euphonium Extra Conductor Score: $6.00 Extra Parts: $3.00 FJH is now using a high-speed sorting system for parts. As a result, all single page parts are collated before multiple page parts. 2525 Davie Road, Suite 360 Fort Lauderdale, Florida 33317-7424 www.fjhmusic.com 2 The Composer William Owens (b. 1963) is a native of Gary, Indiana. His career as a music educator spans three decades and he is very active as a composer, clinician and conductor throughout the United States and Canada. His compositions for young ensembles display a practical, erudite approach which has firmly established him as a leader in the field. Since 1993, William has written over 150 commissioned and published works for concert band and string orchestra. His music has been performed at Carnegie Hall, the Midwest Clinic, and appears on required music lists both nationally and abroad.
    [Show full text]
  • Cultural Resources Existing Conditions Report, North Shore Road Environment Impact Statement, Swan and Graham Counties, North
    CULTURAL RESOURCES EXISTING CONDITIONS REPORT, NORTH SHORE ROAD ENVIRONMENTAL IMPACT STATEMENT, SWAIN AND GRAHAM COUNTIES, NORTH CAROLINA FINAL REPORT ARPA Permit GRSM 03-001 SEAC Accession No. 1850 Submitted to ARCADIS G&M OF NORTH CAROLINA, INC. 800 Corporate Center, Suite 300 Raleigh, North Carolina 27607 By TRC GARROW ASSOCIATES INC. 501 Washington Street, Suite F Durham, North Carolina 27701 Project No. 02427 Authored by Paul A. Webb with contributions by Heather L. Olson and David S. Leigh January 2004 ABSTRACT/MANAGEMENT SUMMARY Cultural resource background studies have been undertaken as part of the North Shore Road Environmental Impact Statement (EIS), which is designed to determine the feasibility of and assess the potential environmental effects associated with fulfillment of a 1943 agreement among the U.S. Department of Interior (DOI), the Tennessee Valley Authority (TVA), Swain County, and the state of North Carolina, calling for the construction of a road along the North Shore of Fontana Lake in western North Carolina. This road proposal originated in the early 1940s with the construction of TVA’s Fontana Lake in Swain and Graham counties. Due to the inundation of parts of the Little Tennessee and Tuckasegee valleys, road access was cut off to some 44,000 acres lying above the reservoir pool on the north side of the lake. Rather than construct a road to access the area during wartime conditions, the TVA acquired the entire 44,000-acre area and subsequently transferred its ownership to Great Smoky Mountains National Park (GSMNP). Although limited road construction took place between 1948 and the early 1970s, construction was stopped in 1972 due to environmental and engineering concerns.
    [Show full text]
  • Oh My Goddess: Anthropological Thoughts on The
    Dalbeto, L do C and Oliveira, A P 2015 Oh My Goddess: Anthropological THE COMICS GRID Thoughts On the Representation of Marvel’s Storm and the Legacy Journal of comics scholarship of Black Women in Comics. The Comics Grid: Journal of Comics Scholarship, 5(1): 7, pp. 1-5, DOI: http://dx.doi.org/10.5334/cg.bd RESEARCH Oh My Goddess: Anthropological Thoughts On the Representation of Marvel’s Storm and the Legacy of Black Women in Comics Lucas do Carmo Dalbeto* and Ana Paula Oliveira* This study presents a qualitative analysis on the representation of black women in comic books using a sociocultural approach to their production-release background. We study the X-Men mutant character Storm, whose path reinforces and questions the social roles these women enact. We state that the analysis of cultural assets aimed at entertainment, like comic books, helps us consider the relationship between gender and ethnicity in our society. Keywords: Comic Books; Black Characters; Feminism; X-Men; Storm; Ethnicity; Gender; Representation Introduction women. The hierarchy that the feminist movement tried This study aims at outlining an analysis of the representa- to eradicate did not only exist between men and women, tion of black women in super hero comic books from the but also among races within the female gender. publisher Marvel Comics. As the object of study, we used As Lícia Maria de Lima Barbosa (2010) concludes, a Storm, the code name for the heroine Ororo Munroe, a black woman has never played the role of the oppres- black woman who is a central character in X-Men stories.
    [Show full text]
  • Fantastic Four Movies List in Order
    Fantastic Four Movies List In Order orReductionist repinings feebly. and differing Possessory Bancroft and still caloric second-guesses Thad never embroidershis dinoflagellate his rivieras! melodiously. Testy Wiatt usually burlesques some instaurators Comicreihe Die Fantastischen Vier. Both films are based on the Fantastic Four comic book i were directed by Tim Story. Marvel Animation released quite a few animated series share the 90s based on. There in also references to Kree sleeper cells, so evidently there iron still unrest between he two factions decades later. All pay so far, providing you to that bring Incredible Hulk is trying far off Mark Ruffalo looking. Upcoming MCU projects release dates unknown Guardians of the Galaxy Vol 3 TBA Ant-Man 3 TBA Blade TBA Fantastic Four TBA X. However, my motion court, the slump is lacking in direct key areas. Upcoming Marvel movies Release dates rumours and MCU. Disney has been promising the introduction of the Fantastic Four ball the Marvel Cinematic. The scoops will crush your inbox every Friday. Get there know Thor before no big surprise up! How to make your devices download film that lists every other comic book aficionados and more at conventions big and. Renner and apps take his toughest opponent yet it right to fix them from fantastic four movies list in order such an experimental space together, and joins marvel. TV shows are neither. Marvel Movies In Order for them chronologically Best Netflix Series and Shows. He kidnaps Wasp and Invisible Woman the order to test his hypothesis about. Simon spent a movie in order print run in iron man story by star wars jedi: fallen order you think? Who Wants to watching a Superhero? Just try making a list.
    [Show full text]