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Rose Tattoo: Una Banda De Culte
It's only rock & roll | Pep Saña | Actualitzat el 28/09/2016 a les 15:25 Rose Tattoo: Una banda de culte A la categoria de bandes de culte, Rose Tattoo ocupa un lloc privilegiat a la memòria dels fans de la musica rock tot i el pas dels anys. L'estil de blues rock cru que facturen els australians, el creen a partir d'una barreja de guitarres slide, un ritme contundent i amb la inconfusible veu del seu frontman Angry Anderson, en una manifestació de rock'n'roll exposat de la manera més contundent, poderosa, implacable i sense concessions. Als anys 70 van sorgir multitud de bandes que amb el pas del temps algunes han desaparegut però d'altres afortunadament encara podem disfrutar, moltes d'aquestes han viscut a l'ombra dels grans noms però amb multitud de seguidors fidels que avui en dia encara conserven. Rose Tattoo és una d'aquestes bandes, amb una pila de grans temes i una trajectòria poc reconeguda. Rose Tattoo és una banda que es podria considerar conceptual en referència a la imatge, degut a que Peter Wells quan va decidir formar-la, va posar com a condició per pertànyer a la banda que tots els integrants havien de tenir tatuatges, cabell curt i vestir samarretes negres. https://www.naciodigital.cat/bergueda/noticia/7432/rose-tattoo-banda-culte Pagina 1 de 8 La carrera de Rose Tattoo comença al 1976, a Austràlia, quan Angry Anderson s'uneix a la banda, amb una veu que a Wells li resultava molt semblant a la de Rod Stewart, la química entre tots dos va ser instantània. -
Lobby Loyde: the G.O.D.Father of Australian Rock
Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde ......................................................................... -
Festa Do Cinema Animado Embalos Para Adormecer Anjos Criar
Criar Construir Imaginar INSCRIÇÕES [email protected] exposição | até 31 de julho de 2015 exposição | até 31 de outubro de 2015 INFORMAÇÕES www.centrocultural.cm-ilhavo.pt Serviço Educativo do Centro Cultural de Ílhavo raízes#2 Os Ílhavos na Grande Guerra » Centro Cultural de Ílhavo pintura/desenho de Maria Afonso cinema concerto encenado para bebés Av. 25 de Abril | 3830-044 ÍLHAVO Tel.: 234 397 260 | Tel.: bilheteira: 234 397 262 Festa do Cinema Animado Programa Premiados Embalos para adormecer anjos GPS: 40º 36’02.01” N | 8º 40’01.68” W Raízes são, entre outras coisas: origem; parte oculta de qualquer coisa; órgão das plantas vasculares de fixação e absorção, normalmente extensões CINANIMA 2014 CINANIMA 2013 bilheteira e atendimento TERÇA-FEIRA a SEXTA-FEIRA - 11h00-18h00 subterrâneo; a parte da palavra primitiva em que reside o significado SEX 11 SET 21h30 Um concerto encenado sobre a “sinfonia da vida”. Tudo começa com a primeira SÁBADO - 14h00-19h00 da ideia original. (in Novo Dicionário da Língua Portuguesa, Texto QUI 10 SET a Do Cinanima, reconhecido festival internacional de cinema respiração aquando do nascimento. Quando enchemos de ar os pulmões que são asas SÁB 12 SET » Centro Cultural da Gafanha da Nazaré Editores, Cacém, 2007, pp. 1321) € 1,00 (cada programa) de animação, apresentamos a exibição dos filmes que mais que batem pela vida fora. Um encontro musical e poético onde três vozes e alguns Rua Prior Guerra | 3830-711 GAFANHA DA NAZARÉ A raiz de uma ideia será então a origem dessa ideia. Mas, também o auditório se destacaram na 38.ª edição do evento, em 2014. -
Laura Harker & Paul Sullivan on Nick Cave and the 80S East
Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene. -
NICK CAVE &The Bad Seeds
DAustrAlisk A NyA ZeeläWNNdskA väNskApsföreNiNgeN www.AustrAlieN-Ny AZeelANd.se UNDER NR 1 / 2013 NICK CAVE & THE BAD FISKEÄVENTYR SEEDS i Auckland intervju + recension Husbils- SEMESTER på Nya Zeeland THE GRAND B.Y.O, Barbie & Beetroot? CIRCLE Nyheter & medlemsförmåner Tasmanien runt The Swan Bell Tower / Whitsundays Hells Gate i Rotorua / Stewart Island VÄNSKAPSFÖRENINGENS NYA HEMSIDA På hemsidan hittar du senaste nytt om evenemang, nyheter, medlemsförmåner och tips. Du kan läsa artiklar, reseskildringar och få information om working holiday, visum mm. Besök WWW.AUSTRalien-nYAZEELAND.SE I AUSTRALISKA NYA ZEELÄNDSKA VÄNSKAPSFÖRENINGEN Medlemsavgift 200:- kalenderår. Förutom vår medlemstidning erhåller du en mängd rabatter hos företag och föreningar som vi samarbetar med. Att bli medlem utvecklar och lönar sig! Inbetalning till PlusGiro konto 54 81 31-2. Uppge Bli namn, medlem ev. medlemsnummer och e-postadress. 2 Det känns The Grand Circle - Tasmanian runt 5 & att få skriva årets första ledare i detta nr 1 år 2013. Nytt år och ny layout på Down Under, dessutom en massa spän- nande aktiviteter på gång i kalendern.inspirerande Jag vet att många av er un- der våra kallaste månader, november till februari varit på besök i våra länderfantastiskt Australien och kul Nya Zeeland. Jag tycker det är lika spännande varje gång att få höra om vad ni upplevt och varit med om. Skriv gärna och berätta om era resor till oss på Down Under. Den 10 februari hade vi årsmöte i Lund, ett möte som även inne- höll en spännande föreläsning av vår ordförande Erwin Apitzsch. Föreningens samarbete med Studiefrämjandet gjorde att vi kunde använda oss av deras lokaler, något vi är mycket tacksamma över. -
1 April 2017 Double A-Side Celebrates the Energy and Creative Spirit of Artists Who Have Played in Bands
DOUBLE A-SIDE 4 March - 1 April 2017 Double A-side celebrates the energy and creative spirit of artists who have played in bands and musicians with a visual art practice. ARTISTS: Sean Bailey Tina Havelock Stevens Travis MacDonald Greta Balog Carolyn Hawkins Dean Manning Glenn Barkley Amy Hill Julia McFarlane Jon Campbell M.P. Hopkins Rick Milovanovic Leo Coyte Tamsen Hopkinson Peter Oxley Tristan Davies Steph Hughes Jannah Quill Violetta Del Conte-Race Laura Hunt Mara Schwerdtfeger Chris Dolman Brendan Huntley Darren Sylvester Douglas Lance Gibson Anna John Torben Tilly Jason Greig Danius Kesminas Jensen Tjhung Matthew Griffin Alex Kiers Ronnie van Hout Matlok Griffiths Marcin Kobylecki Xanthe Waite Uji 'Hahan' Handoko Eko Angus Lord Paul Williams (Sydney) Saputro Del Lumanta Paul Williams (Melbourne) BANDS: ADAWO Half High Punkasila Bad Statistics Hate Club Quoit Bed Wettin’ Bad Boys Head Cleaner Raw Prawn Belladonna Heavy Petal School Damage Big Bikini Holidays On Ice Shy Impostors Big Supermarket Holy Balm Sleepless Nights Blank Statements Hot Topic Soccer Riot Blood Plastic Ice Claw Sparklers Boomgates Into the Void Spod Calamari Girls Jaguar is Jaguar Spores of the Golden Beard Carpet Snakes Jannah Quill St.Helens Chicks on Speed John Cage Fighter Sunnyboys Chook Race King Jerklews Tax Colonial V Knees Knitted Abyss Terry Constant Mongrel Lakes The Altamonts Crow Leonardo's Bride The Bills Crying in Bed Loin Groin The Bowles Darren Sylvester Lower Plenty The Donkey's Tail Deaf Wish Lupa J The Fiasco Deep Heat LZONE The Garbage and -
Tennessee Williams and the Representation of Animal Images
International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 9, Issue 2, 2019 Tennessee Williams and the Representation of Animal Images Muslim Mohda*, Lehmood Al-Mamourib, a,bAl-Mustaqbal University College Hilla ,Babylon , Iraq, Email: a*[email protected] Since Aristophanes, playwrights have cast animals in roles where they represent human behaviour. These playwrights have chosen one or more animals to pinpoint behavioural tendencies of their characters. Ben Jonson (Volpone), Anton Chekhov (The Seagull), Henrik Ibsen (The Wild Duck) and Eugene Ionesco (The Rhinoceros) are such playwrights who use animal imagery to depict, and comment on, human behaviour. This paper does not deal with animal imagery as it is generally understood in similes and metaphors; in dialogue and descriptions. Instead, this paper deals with animals and their images as metaphors of characters in respective plays. Tennessee Williams was one playwright who employed animals as motifs. He never tired of experimenting with the idea that animals, properly selected and harnessed, could best capture the mental state of his protagonists. This paper is concerned with the "why" and "how" of his powerful fascination. Key words: Animal imagery, conflict, metaphor. Introduction In his personal life, Williams was a fond lover of animals and always had a pet in his house. Attention to this aspect of his personal life was drawn by an apparently trite reference in Richard F. Leavitt's The World of Tennessee Williams, a book prepared from material, both pictorial and biographical, supplied by the playwright himself. It is therefore regrettable that his biographers and critics have generally ignored this - shall we call it the animal side - of his personality. -
Glocal Dialects in the Sydney Jazz Scene: Indigenisation Through the Influence of Oz Rock and Asian Musics
2016 © Jeremy Rose, Context 41 (2016): 35–44. Glocal Dialects in the Sydney Jazz Scene: Indigenisation Through the Influence of Oz Rock and Asian Musics Jeremy Rose There has been a growing interest in the indigenisation of jazz music around the world through a process known as ‘glocalisation’—the push and pull of both local and global music forces.1 This phenomenon has been witnessed in nationalist interpretations of jazz music outside of the USA, where artists seek to authenticate their music through adopting local traditional instruments and folk melodic material into jazz music contexts.2 Distinct national jazz identities have been audible in Brazilian, Nordic, and Japanese jazz scenes, to name a few. Musicians from these countries have conveyed their national character through jazz by borrowing from local traditional cultures, often creating unique musical statements that have added to the global discussion of diasporic jazz music identities. This article, which presents the findings of eleven interviews with Sydney jazz musicians, discusses how and why Sydney musicians are observed to be favouring some of the same sources as their Asian counterparts and enacting a process of indigenisation by drawing on a distinct form of popular music native to Australian soil: Oz rock. 1 Stuart Nicholson, Is Jazz Dead? (Or Has it Moved to a New Address) (New York: Routledge, 2005) 167. See also Stuart Nicholson, Jazz and Culture in a Global Age (Massachusetts: Northeastern University Press, 2014). 2 See E. Taylor Atkins, Blue Nippon: Authenticating -
PRESS KIT Cover Letter
PRESS KIT cover letter Hello dear friends of proper hard rock, we are STINGER, the band that you are still missing for your unforgetable live-event! We have achieved „best hard rock album“ of the German Pop & Rock Award 2017 and 2019 and we are sure we will also convince you with our wide range of own music, AC/DC cover songs and what else the rock giants of these days have to offer. You can book us as a part of the show, but also as the show itself! We can fill the period of an opening act, as well as the whole evening program. We will inform you about our music on these following pages. If you wish to see moving pictures, then please have a look on our website www.stingerrocks.com, or visit the YouTube channel, that can be found looking for „stingerrocks“ as well. You have a question about the technical details, costs or any other topic? Then get in touch with our manager Judy. Her contact details can be found at the bottom of each page. We would love to play live for you. Until then - keep rocking! STINGER rocks! represented by Judy Pieper-Köhler | phone: +49 (0) 170 4854816 | mail: [email protected] WWW.STINGERROCKS.COM BIOGRAphIE photo: Emeraldpics The award-winning band STINGER was founded in 2016. The head and rhythm guitarist of the band is Matthew Sting. The voice of the band belongs to Martin „Schaffi“ Schaffrath. The lead guitar is played by the youngest member of the squad, Ad- rian Seidel. -
Gainsbourg 2008
Gainsbourg 2008 Exposition du 21 octobre 2008 au 1er mars 2009 Dossier de presse « Les images, je les ai écrites, plaquées sur des symboles musicaux, c’est là mon drame. Peintre, j’aurais fait une œuvre. » Extrait de « Gainsbourg, voyeur de première » de Franck Maubert « Ma vie n’est qu’œuvre hélas ! » Émission « Discorama », le 16 mars 1963 « Dans la vie moderne, il y a tout un langage à inventer. Un langage autant musical que de mots. Tout un monde à créer, tout est à faire. » Émission « Entrez dans la conidence », le 13 avril 1968 Commissaire de l’exposition : Frédéric Sanchez Présentation Le Musée de la musique consacre une exposition à Serge inluencé l’évolution des mœurs et celle des mouvements Gainsbourg (1928-1991) à l’heure où sa popularité prend artistiques et culturels. une envergure internationale. Tandis qu’à Londres et à New York, la pop contemporaine découvre les talents de poète Il jouait avec les mots et les références, empruntait tant à et de mélodiste du « French artist », Tokyo connaît une la culture classique que populaire, décalait, transformait, véritable « gainsbourgmania », mixant et samplant ses arrangeait, inventant ainsi une nouvelle forme de compositions. composition faite de montages et de collages. Cette exposition est organisée grâce à des prêts L’exposition met en avant la modernité de son travail sur exceptionnels consentis par la famille, et particulièrement la musique, les mots et les images. Sampling, mixage, Charlotte Gainsbourg, ainsi que par les proches de Serge remixage, emprunt, citation, autocitation et détournement Gainsbourg. prédominent et préigurent les images et les sons de la culture d’aujourd’hui. -
Environmental Assessment (EA) Has Been Prepared in Compliance with the National Environmental Policy Act (NEPA) of 1969 (42 U.S.C
Environmental United States Department of Agriculture Assessment Forest Service August 2012 White Rock Mountain Road Relocation Project Ozark-St. Francis National Forests Boston Mountain Ranger District Main Division Franklin County Arkansas Responsible Official William Dunk District Ranger Boston Mountain Ranger District For Information Contact: Boston Mountain Ranger District th 1803 North 18 St Ozark, AR 72949 479-667-2191 The U.S. Department of Agriculture (USDA) prohibits discrimination in all its programs and activities on the basis of race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, or marital or family status. (Not all prohibited bases apply to all programs.) Persons with disabilities who require alternative means for communication of program information (Braille, large print, audiotape, etc.) should contact USDA's TARGET Center at (202) 720-2600 (voice and TDD). To file a complaint of discrimination, write USDA, Director, Office of Civil Rights, Room 326-W, Whitten Building, 14th and Independence Avenue, SW, Washington, DC 20250-9410 or call (202) 720-5964 (voice and TDD). USDA is an equal opportunity provider and employer. TABLE OF CONTENTS 1.0 PURPOSE AND NEED FOR ACTION ...................................................................... 4 1.1 INTRODUCTION ................................................................................................... 4 1.2 PURPOSE AND NEED ......................................................................................... 7 -
Nick Cave Is Now the Subject of His Own Exhibition
Western Australian Museum - Perth and the Arts Centre, Melbourne present English English Photograph by Polly Borland / original painting by Tony Clark. Commissioned by the Arts Centre, 2007 Clark. Commissioned by the Arts Centre, Photograph by Polly Borland / original painting Tony EDUCATION RESOURCE Iconic Australian musician, songwriter and author Nick Cave is now the subject of his own exhibition. Go behind the music and into Nick’s imagination and the sources of his unique vision through original lyrics, notebooks, artwork, photography and books. There will also be objects from the musician’s own library and office, and rare and previously unavailable video and documentary footage. A TOURING EXHIBITION Introduction English Nick Cave produces and performs texts that incite strong responses from audiences. His eloquent writing is ideal for analysing how language constructs themes and power relationships and the exhibition’s strong visual component allows students to critically analyse photographs and films. This exhibition is useful for students of the subject English as they will be encouraged to communicate ideas, feelings and attitudes through reading, writing, viewing, listening and speaking. The English package contains activities, background information, and teacher resources for years 10, 11 and 12. Activities range from prescriptive to open-ended and vary in difficulty. The package includes activities such as song interpretation, language analysis, viewing analysis, role play and creative writing. Activities may be helpful in aiding students to understand the concepts of theme, values, attitudes, symbolism, and stereotypes. Useful Websites http://www.museum.wa.gov.au/exhibitions/NickCave http://www.youtube.com/watch?v=6ew4tll-wRc http://www.nick-cave.com/ This education resource has been developed by Nikki Davenport, Cyril Jackson Senior Campus, Western Australia.