DOCSLIB.ORG

ARIA Charts, 1986-10-05 to 1986-12-28

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ARIA Charts, 1986-10-05 to 1986-12-28 SINGLES CHART AUTHORISED AND ENDORSED BY THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION WEEK ENDING 5TH OCTOBER, 1986 1W LW TI TITLE/ARTIST Co. Cat. No. 1 1 7 VENUS Bananarama EMI LS 1789 2 4 5 TAKE MY BREATH AWAY Berlin CBS BA 3464 3 2 9 DANCING ON THE CEILING Lionel Richie RCA 1843 MF 4 3 6 TRUE COLORS Cyndi Lauper CBS PR 45050 5 6 5 I COULD MAKE YOU LOVE ME Wa Wa Nee CBS BA 3475 • 6 13 3 STUCK WITH YOU Huey Lewis & The News FES K 83 • 7 17 3 MATTER OF TRUST Billy Joel CBS BA 3451 8 7 8 THE DEAD HEART Midnight Oil CBS BA 12208 9 5 12 PAPA DON'T PREACH Madonna WEA 728660 10 9 7 GLORY OF LOVE Peter Cetera WEA 728662 11 8 6 HIGHER LOVE Steve Winwood FES K 54 12 16 5 MAD ABOUT YOU Belinda Carlisle CBS ES 1139 • 13 19 3 MISSIONARY MAN Eurythmics RCA 104592 14 14 7 DANGER ZONE Kenny Loggins CBS BA 3456 15 15 8 OH L'AMOUR Erasure RCA MUTE 3000 16 11 12 SPIRIT IN THE SKY Dr. & The Medics CBS ES 1149 17 10 18 TOUCH ME (I WANT YOUR BODY) Samantha Fox EMI LS 1743 • 18 24 4 SO MACHO Sinitta RCA POS 3011 19 21 6 FIGHT FOR OURSELVES Spandau Ballet CBS BA 3466 20 12 18 STIMULATION Wa Wa Nee CBS BA 3373 21 20 8 BEFORE TOO LONG Paul Kelly & The Coloured Girls FES K 49 22 18 8 HOLY WORD I'm Talking FES K 39 23 22 8 DON'T YOU LOVE ME ANYMORE Joe Cocker EMI LS 1796 24 23 4 EVOLUTION Models FES K 90 25 28 4 DREAMS OF ORDINARY MEN Dragon POL 885 245-7 • 26 NEW DO YA DO YA (WANNA PLEASE ME) Samantha Fox EMI LS 1808 27 27 4 PART TIME LOVE AFFAIR Geisha EMI EMI 1749 • 28 44 3 DREAMTIME Daryl Hall RCA 104571 29 25 15 I WANNA BE A COWBOY Boys Don't Cry FES K 9984 30 26 8 HANDS UP IN THE AIR Boom Crash Opera WEA 7258636 31 33 4 IF SHE KNEW WHAT SHE WANTS The Bangles EMI LS 1782 • 32 40 2 EVERY BEAT OF MY HEART Rod Stewart WEA 728625 • 33 NEW HUMAN Human League EMI VS 880 34 32 8 YOUR WILDEST DREAMS The Moody Blues POL 883 906-7 35 35 3 I DON'T UNDERSTAND Barry Michael EMI EMI 1812 36 29 8 NASTY Janet Jackson FES K 18 • 37 NEW WHAT'S THE COLOUR OF MONEY? Hollywood Beyond WEA 7248662 38 36 13 HOLDING BACK THE YEARS Simply Red WEA 769578 • 39 NEW IN TOO DEEP Genesis EMI GENS 2 40 31 16 WHO MADE WHO AC/DC EMI AP 1746 41 34 16 INVISIBLE TOUCH Genesis EMI GENS 1 42 30 13 WHEN TOMORROW COMES Eurythmics RCA 104564 43 37 5 PRINCES OF THE UNIVERSE Queen EMI EMI 1801 44 39 3 MY FAVOURITE WASTE OF TIME Owen Paul CBS ES 1155 45 NEW LADY IN RED Chris De Burgh FES K 92 46 NEW DON'T WAKE ME Uncanny X-Men CBS BA 3486 47 38 8 WHO'S JOHNNY El DeBarge RCA 1842 GF 48 49 2 PRESS Paul McCartney EMI A 1809 49 43 16 THERE'LL BE SAD SONGS Billy Ocean EMI LS 1754 50 41 18 ALL I NEED IS A MIRACLE Mike & The Mechanics WEA 7258765 BREAKERS SINGLE OF THE WEEK DREAMS Van Halen WEA728702 WILD WILD LIFE WILD WILD LIFE Talking Heads EMI EMI 1818 ✓ YOU CAN CALL ME AL ust one Paul Simon WEA728667 from STAY of the TRUE Oingo Boingo WEA752789 FEEL THE HEAT many... Jean Beauvoir EMI VS 834 STORIES EMI • DENOTES BULLET PERFORMER THIS CHART WAS COMPILED BY KENT MUSIC REPORT FROM RECORD SALES ALBUMS CHART AUTHORISED AND ENDORSED BY THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION WEEK ENDING 5TH OCTOBER. 1986 TW LW TI TITLE/ARTIST Co. Cat. No. 1 3 2 TRUE COLORS Cyndi Lauper CBS PR 33108 2 5 5 DANCING ON THE CEILING _Lionel Richie RCA SFL1-0137 3 7 8 THE BRIDGE Billy Joel CBS SBP 8178 4 2 11 REVENGE Eurythmics RCA SFL1-0145 5 1 7 1986 JUST FOR KICKS Various Artists EMI HPP 261108 6 4 8 TOP GUN Original Motion Picture Soundtrack CBS SBP 8179 7 6 15 PICTURE BOOK Simply Red WEA 604521 8 10 52 WHITNEY HOUSTON Whitney Houston RCA VPL1-7506 9 8 11 TRUE BLUE Madonna WEA 254421 10 11 18 KEY'S BACK Kevin Bloody Wilson CBS SBP 8174 11 13 5 BACK IN THE HIGH LIFE Steve Winwood FES RML 53212 12 12 14 INVISIBLE TOUCH Genesis EMI GENLP 2 13 9 7 H'ITS AWESOME! '86 Various Artists CBS AWE 1 14 15 18 COCKER Joe Cocker EMI LIB 5072 15 14 51 SCARECROW John Cougar Mellencamp POL 824 865-1 16 16 4 1986 JUST FOR KICKS (MEGA-MIXES) Various Artists EMI MIX 261106/7 • 17 34 2 GOSSIP Paul Kelly & The Coloured Girls FES L 45961/2 18 21 4 DREAMS OF ORDINARY MEN Dragon POL 829 828-1 19 17 13 WHO MADE WHO AC/DC EMI APLP 431068 20 19 9 STANDING ON A BEACH / THE SINGLES The Cure WEA 6001411 21 18 10 A KIND OF MAGIC Queen EMI EMC 240531 22 20 7 BEAR WITNESS I'm Talking FES RML 53202 • 23 38 2 THE FINAL WAVE Australian Crawl RCA SFL1-0142 24 22 9 THE FINAL Wham! CBS 2ELPS 0040 25 26 6 CONTROL Janet Jackson FES L 38577 26 23 6 HIGHLIGHTS OF A DANGEROUS LIFE The Johnnys FES L 42004 27 24 71 BROTHERS IN ARMS Dire Straits POL 824 499-1 28 25 11 LOVE ZONE Billy Ocean EMI LIB 5074 • 29 40 2 TOUCH ME Samantha Fox EMI LIB 5078 30 27 9 BRING ON THE NIGHT Sting FES RML 55017/8 31 29 12 ROD STEWART Rod Stewart WEA 254461 • 32 44 2 GRACELAND Paul Simon WEA 254471 33 28 17 SO Peter Gabriel EMI PG 5 34 33 38 ROCK A LITTLE Stevie Nicks EMI PCSO 240472 35 30 5 LOVE SONGS Willie Nelson CBS SBP 8177 36 50 3 INTO THE LIGHT Chris De Burgh FES L 38587 • 37 NEW PRESS TO PLAY Paul McCartney EMI PCSO 240598 • 38 NEW BOOM BABY BOOM Mondo Rock POL 829 829-1 39 32 5 20 ALL TIME GREATEST HITS The Supremes J&B JB 259 40 43 2 HEART AND SOUL Various Artists CCT CC 0037 41 37 24 5150 Van Halen WEA 253941 42 NEW TRUE CONFESSIONS Bananarama EMI LIB 5077 43 31 25 ANNE MURRAY'S GREATEST HITS Anne Murray EMI PLAY 1001 44 35 5 NO GURU NO METHOD NO TEACHER Van Morrison POL 830 077-1 45 36 42 FOR THE WORKING CLASS MAN Jimmy Barnes FES RML 53196/7 46 42 5 GET IT ON Marc Bolan & T-Rex DIN DIN 006 47 R-E ON THE BEACH Chris Rea POL 829 194-1 48 R-E EAT 'EM AND SMILE David Lee Roth WEA 254701 49 39 23 BEST OF KENNY ROGERS VOL. 2 Kenny Rogers EMI PLAY 1002 50 41 8 THE OTHER SIDE OF LIFE Moody Blues POL 829 179-1 BREAKERS ALBUM OF THE WEEK LISTEN LIKE THIEVES INXS WEA2523631 RAT IN THE KITCHEN UB40 EMI LPDEP 11 SHE'S SO UNUSUAL Cyndi Lauper CBS PR 33023 LIVE George Thorogood EMI ST 240614 PLAYING IN YOUR RECORD STORE NOW SOLITUDE / SOLITAIRE Peter Cetera WEA254741 On Record and High Quality °:4 R Cassette • DENOTES BULLET PERFORMER THIS CHART WAS COMPILED BY KENT MUSIC REPORT FROM RECORD SALES SINGLES CHART AUTHORISED AND ENDORSED BY THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION WEEK ENDING 12TH OCTOBER. 1986 TW LW TI TITLE/ARTIST Co. Cat. No. 1 1 8 VENUS Bananarama EMI LS 1789 2 2 6 TAKE MY BREATH AWAY Berlin CBS BA 3464 • 3 6 4 STUCK WITH YOU Huey Lewis & The News FES K 83 4 4 7 TRUE COLORS Cyndi Lauper CBS PR 45050 5 7 4 MATTER OF TRUST Billy Joel CBS BA 3451 6 3 10 DANCING ON THE CEILING Lionel Richie RCA 1843 ME 7 5 6 I COULD MAKE YOU LOVE ME Wa Wa Nee CBS BA 3475 8 8 9 THE DEAD HEART Midnight Oil CBS BA 12208 • 9 13 4 MISSIONARY MAN Eurythmics RCA 104592 10 12 6 MAD ABOUT YOU Belinda Carlisle CBS ES 1139 11 10 8 GLORY OF LOVE Peter Cetera WEA 728662 12 11 7 HIGHER LOVE Steve Winwood FES K 54 13 15 9 OH L'AMOUR Erasure RCA MUTE 3000 14 14 8 DANGER ZONE Kenny Loggins CBS BA 3456 15 9 13 PAPA DON'T PREACH Madonna WEA 728660 16 18 5 SO MACHO Sinitta RCA POS 3011 • 17 25 5 DREAMS OF ORDINARY MEN Dragon POL 885 245-7 • 18 26 2 DO YA DO YA (WANNA PLEASE ME) Samantha Fox EMI LS 1808 19 16 13 SPIRIT IN THE SKY Dr. & The Medics CBS ES 1149 • 20 NEW WILD WILD LIFE Talking Heads EMI EMI 1818 21 24 5 EVOLUTION Models FES K 90 22 21 9 BEFORE TOO LONG Paul Kelly & The Coloured Girls FES K 49 • 23 NEW DON'T LEAVE ME THIS WAY Communards POL 886 077-7 24 27 5 PART TIME LOVE AFFAIR Geisha EMI EMI 1749 25 17 19 TOUCH ME (I WANT YOUR BODY) Samantha Fox EMI LS 1743 26 19 7 FIGHT FOR OURSELVES Spandau Ballet CBS BA 3466 27 22 9 HOLY WORD I'm Talking FES K 39 • 28 39 2 IN TOO DEEP Genesis EMI GENS 2 29 28 4 DREAMTIME Daryl Hall RCA 104571 30 20 19 STIMULATION Wa Wa Nee CBS BA 3373 31 23 9 DON'T YOU LOVE ME ANYMORE Joe Cocker EMI LS 1796 • 32 44 4 MY FAVOURITE WASTE OF TIME Owen Paul CBS ES 1155 • 33 NEW BAD MOON RISING The Reels FES K 77 34 33 2 HUMAN Human League EMI VS 880 35 32 3 EVERY BEAT OF MY HEART Rod Stewart WEA 728625 • 36 45 2 LADY IN RED Chris De Burgh FES K 92 • 37 NEW TYPICAL MALE Tina Turner FES K 85 • 38 NEW YOU CAN CALL ME AL Paul Simon WEA 728667 39 35 4 I DON'T UNDERSTAND Barry Michael EMI EMI 1812 40 37 2 WHAT'S THE COLOUR OF MONEY? Hollywood Beyond WEA 7248662 41 29 16 I WANNA BE A COWBOY Boys Don't Cry FES K 9984 42 34 9 YOUR WILDEST DREAMS The Moody Blues POL 883 906-7 43 30 9 HANDS UP IN THE AIR Boom Crash Opera WEA 7258636 44 31 5 IF SHE KNEW WHAT SHE WANTS The Bangles EMI LS 1782 45 46 2 DON'T WAKE ME Uncanny X-Men CBS BA 3486 46 NEW FEEL THE HEAT Jean Beauvoir EMI VS 834 47 36 9 NASTY Janet Jackson FES K 18 48 38 14 HOLDING BACK THE YEARS Simply Red WEA 769578 49 40 17 WHO MADE WHO AC/DC EMI AP 1746 50 NEW WAIT UP The Cockroaches FES K 72 BREAKERS SINGLE OF THE WEEK STAY Oingo Boingo WEA752789 HUEY LEWIS AND THE NEWS - STUCK WITH YOU WE'VE HAD OUR DOUBTS WE'VE HAD SOME FUN WE NEVER TOOK THEM SERIOUSLY YES WE'VE HAD OUR UPS AND DOWNS WE DON'T HAVE TO AND WE'VE HAD OUR "INS" AND "OUTS" BEEN DOWN THAT ROCKY ROAD BUT THAT'S THE WAY IT'S SUPPOSED TO BE BUT HERE WE ARE STILL AROUND Jermaine Stewart EM! TEN 96 WE THOUGHT ABOUT GIVING UP WE THOUGHT ABOUT SOMEONE ELSE BUT WE COULD NEVER STAY AWAY BUT NEITHER ONE TOOK THE BAIT THOUGHT ABOUT BREAKING UP CLAP-CLAP SOUND WE THOUGHT ABOUT BREAKING UP BUT NOW WE KNOW IT'S MUCH TOO LATE NOW WE KNOW IT'S MUCH TOO LATE AND IT'S NO GREAT MYSTERY The Klaxons RCA 104550 WE ARE BOUND BY ALL THE REST IF WE CHANGE OUR MINDS LIKE THE SAME PHONE NUMBER DREAMS ALL THE SAME FRIENDS AND THE SAME ADDRESS EVENTUALLY, IT'S BACK TO YOU AND ME YES IT'S TRUE YES IT'S TRUE Van Halen WEA728702 IAM HAPPY TO BE STUCK WITH YOU 'I AM HAPPY TO BE STUCK WITH YOU YES IT'S TRUE YES IT'S TRUE RULE OF THREES I'M SO HAPPY TO BE STUCK WITH YOU I'M SO HAPPY TO BE STUCK WITH YOU CAUSE I CAN SEE ' CAUSE I CAN SEE MU Mondo Rock POL 885 206-7 THAT YOU'RE HAPPY TO BE STUCK WITH ME THAT YOU'RE HAPPY TO BE STUCK WITH ME 1111 Chnuks 53211 Reprinted by kind permission of Festival Music Pty.
Load more

Recommended publications
  • Rose Tattoo: Una Banda De Culte
    It's only rock & roll | Pep Saña | Actualitzat el 28/09/2016 a les 15:25 Rose Tattoo: Una banda de culte A la categoria de bandes de culte, Rose Tattoo ocupa un lloc privilegiat a la memòria dels fans de la musica rock tot i el pas dels anys. L'estil de blues rock cru que facturen els australians, el creen a partir d'una barreja de guitarres slide, un ritme contundent i amb la inconfusible veu del seu frontman Angry Anderson, en una manifestació de rock'n'roll exposat de la manera més contundent, poderosa, implacable i sense concessions. Als anys 70 van sorgir multitud de bandes que amb el pas del temps algunes han desaparegut però d'altres afortunadament encara podem disfrutar, moltes d'aquestes han viscut a l'ombra dels grans noms però amb multitud de seguidors fidels que avui en dia encara conserven. Rose Tattoo és una d'aquestes bandes, amb una pila de grans temes i una trajectòria poc reconeguda. Rose Tattoo és una banda que es podria considerar conceptual en referència a la imatge, degut a que Peter Wells quan va decidir formar-la, va posar com a condició per pertànyer a la banda que tots els integrants havien de tenir tatuatges, cabell curt i vestir samarretes negres. https://www.naciodigital.cat/bergueda/noticia/7432/rose-tattoo-banda-culte Pagina 1 de 8 La carrera de Rose Tattoo comença al 1976, a Austràlia, quan Angry Anderson s'uneix a la banda, amb una veu que a Wells li resultava molt semblant a la de Rod Stewart, la química entre tots dos va ser instantània.
    [Show full text]
  • 80S 697 Songs, 2 Days, 3.53 GB
    80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr.
    [Show full text]
  • Lobby Loyde: the G.O.D.Father of Australian Rock
    Lobby Loyde: the G.O.D.father of Australian rock Paul Oldham Supervisor: Dr Vicki Crowley A thesis submitted to The University of South Australia Bachelor of Arts (Honours) School of Communication, International Studies and Languages Division of Education, Arts, and Social Science Contents Lobby Loyde: the G.O.D.father of Australian rock ................................................. i Contents ................................................................................................................................... ii Table of Figures ................................................................................................................... iv Abstract .................................................................................................................................. ivi Statement of Authorship ............................................................................................... viiiii Acknowledgements ............................................................................................................. ix Chapter One: Overture ....................................................................................................... 1 Introduction: Lobby Loyde 1941 - 2007 ....................................................................... 2 It is written: The dominant narrative of Australian rock formation...................... 4 Oz Rock, Billy Thorpe and AC/DC ............................................................................... 7 Private eye: Looking for Lobby Loyde .........................................................................
    [Show full text]
  • ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
    ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
    [Show full text]
  • The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
    The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real.
    [Show full text]
  • Australian Music Charts – Compiled by Nostalgia Radio
    AUSTRALIAN MUSIC CHARTS – COMPILED BY NOSTALGIA RADIO As played on Australian radio stations TOP 60 SONGS 1980-1989 TOP 60 SONGS 1990-1999 1: Locomotion - Kylie Minogue 1: Gangsta’s paradise - Coolio 2: Dancing in the dark - Bruce Springsteen 2: (Everything I do) I do it for you - Bryan Adams 3: Australiana - Austen Tayshus 3: Wannabe - Spice Girls 4: Simply irresistible - Robert Palmer 4: I will always love you - Whitney Houston 5: I just called to say I love you - Stevie Wonder 5: Macarena - Los Del Rio 6: Ghostbusters - Ray Parker Jnr. 6: MMMBop - Hanson 7: Islands in the stream - Kenny Rogers & Dolly Parton 7: I don’t want to miss a thing - Aerosmith 8: La Bamba - Los Lobos 8: Baby, one more time - Britney Spears 9: Never gonna give you up - Rick Astley 9: Love shack - B-52’s 10: Down under - Men at Work 10: Nothing compares 2 U - Sinead O’Connor 11: Run to paradise - Choirboys 11: Black or white - Michael Jackson 12: Flashdance….what a feeling - Irene Cara 12: I’d do anything for love - Meat Loaf 13: Old time rock and roll - Bob Seger 13: Zombie - Cranberries 14: You’re the voice - John Farnham 14: Don’t speak - No Doubt 15: (I’ve had) the time of my life - Bill MeDley & 15: Truly madly deeply - Savage Garden Jennifer Warnes 16: It’s all right - East 17 16: We are the world - USA for Africa 17: Mambo No. 5 - Lou Bega 17: Kokomo - Beach Boys 18: Achy breaky heart - Billy Ray Cyrus 18: Shaddap your face - Joe Dolce 19: Falling in love with you - UB 40 19: Gloria - Laura Branigan 20: Please forgive me - Bryan Adams 20: The only way
    [Show full text]
  • 1986 - Rock's Renaissance Man
    1986 - Rock's Renaissance Man Written by Time From: Time magazine, October 27, 1986 Got a movie. Got a record. Got some wild, wild life. "Oh," David Byrne said, "you want to see the African fire ants?" It was deep night out on a Texas plain flat as a pan bottom and just about burned through. A recent rain had slaked the land a little but brought forth legions of ants to infest the ground and pester a nearby film set. Exterminators were summoned, ants dispatched, but one actor, arriving late, felt he had missed out on some fun. "Follow me," said Byrne sympathetically, as he grabbed a flashlight and walked into the dark. This is a man whose first great song was called Psycho Killer. A man who is the formative force behind Talking Heads, one of the decade's most formidable bands, a group responsible for the sweetest, strangest, funniest rock to roll over the '70s and nestle into the '80s. A man who should be hanging close to the set, seeing to the details of directing his first feature film, not striking out on some weird nocturnal expedition in search of hymenopterous marauders. He may not resemble the manic murderer in The Texas Chain Saw Massacre, but he will never be mistaken for Mark Trail either. Is this a man to follow into the night? No question. It took a while, and a little stumbling, but Byrne found what he was looking for. He stood near a mound of earth and shone his light down and waited.
    [Show full text]
  • Tennessee Williams and the Representation of Animal Images
    International Journal of Innovation, Creativity and Change. www.ijicc.net Volume 9, Issue 2, 2019 Tennessee Williams and the Representation of Animal Images Muslim Mohda*, Lehmood Al-Mamourib, a,bAl-Mustaqbal University College Hilla ,Babylon , Iraq, Email: a*[email protected] Since Aristophanes, playwrights have cast animals in roles where they represent human behaviour. These playwrights have chosen one or more animals to pinpoint behavioural tendencies of their characters. Ben Jonson (Volpone), Anton Chekhov (The Seagull), Henrik Ibsen (The Wild Duck) and Eugene Ionesco (The Rhinoceros) are such playwrights who use animal imagery to depict, and comment on, human behaviour. This paper does not deal with animal imagery as it is generally understood in similes and metaphors; in dialogue and descriptions. Instead, this paper deals with animals and their images as metaphors of characters in respective plays. Tennessee Williams was one playwright who employed animals as motifs. He never tired of experimenting with the idea that animals, properly selected and harnessed, could best capture the mental state of his protagonists. This paper is concerned with the "why" and "how" of his powerful fascination. Key words: Animal imagery, conflict, metaphor. Introduction In his personal life, Williams was a fond lover of animals and always had a pet in his house. Attention to this aspect of his personal life was drawn by an apparently trite reference in Richard F. Leavitt's The World of Tennessee Williams, a book prepared from material, both pictorial and biographical, supplied by the playwright himself. It is therefore regrettable that his biographers and critics have generally ignored this - shall we call it the animal side - of his personality.
    [Show full text]
  • Glocal Dialects in the Sydney Jazz Scene: Indigenisation Through the Influence of Oz Rock and Asian Musics
    2016 © Jeremy Rose, Context 41 (2016): 35–44. Glocal Dialects in the Sydney Jazz Scene: Indigenisation Through the Influence of Oz Rock and Asian Musics Jeremy Rose There has been a growing interest in the indigenisation of jazz music around the world through a process known as ‘glocalisation’—the push and pull of both local and global music forces.1 This phenomenon has been witnessed in nationalist interpretations of jazz music outside of the USA, where artists seek to authenticate their music through adopting local traditional instruments and folk melodic material into jazz music contexts.2 Distinct national jazz identities have been audible in Brazilian, Nordic, and Japanese jazz scenes, to name a few. Musicians from these countries have conveyed their national character through jazz by borrowing from local traditional cultures, often creating unique musical statements that have added to the global discussion of diasporic jazz music identities. This article, which presents the findings of eleven interviews with Sydney jazz musicians, discusses how and why Sydney musicians are observed to be favouring some of the same sources as their Asian counterparts and enacting a process of indigenisation by drawing on a distinct form of popular music native to Australian soil: Oz rock. 1 Stuart Nicholson, Is Jazz Dead? (Or Has it Moved to a New Address) (New York: Routledge, 2005) 167. See also Stuart Nicholson, Jazz and Culture in a Global Age (Massachusetts: Northeastern University Press, 2014). 2 See E. Taylor Atkins, Blue Nippon: Authenticating
    [Show full text]
  • PRESS KIT Cover Letter
    PRESS KIT cover letter Hello dear friends of proper hard rock, we are STINGER, the band that you are still missing for your unforgetable live-event! We have achieved „best hard rock album“ of the German Pop & Rock Award 2017 and 2019 and we are sure we will also convince you with our wide range of own music, AC/DC cover songs and what else the rock giants of these days have to offer. You can book us as a part of the show, but also as the show itself! We can fill the period of an opening act, as well as the whole evening program. We will inform you about our music on these following pages. If you wish to see moving pictures, then please have a look on our website www.stingerrocks.com, or visit the YouTube channel, that can be found looking for „stingerrocks“ as well. You have a question about the technical details, costs or any other topic? Then get in touch with our manager Judy. Her contact details can be found at the bottom of each page. We would love to play live for you. Until then - keep rocking! STINGER rocks! represented by Judy Pieper-Köhler | phone: +49 (0) 170 4854816 | mail: [email protected] WWW.STINGERROCKS.COM BIOGRAphIE photo: Emeraldpics The award-winning band STINGER was founded in 2016. The head and rhythm guitarist of the band is Matthew Sting. The voice of the band belongs to Martin „Schaffi“ Schaffrath. The lead guitar is played by the youngest member of the squad, Ad- rian Seidel.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • The Top 7000+ Pop Songs of All-Time 1900-2017
    The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox
    [Show full text]