2021 Technology from Wheatstone
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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Cisco SCA BB Protocol Reference Guide
Cisco Service Control Application for Broadband Protocol Reference Guide Protocol Pack #60 August 02, 2018 Cisco Systems, Inc. www.cisco.com Cisco has more than 200 offices worldwide. Addresses, phone numbers, and fax numbers are listed on the Cisco website at www.cisco.com/go/offices. THE SPECIFICATIONS AND INFORMATION REGARDING THE PRODUCTS IN THIS MANUAL ARE SUBJECT TO CHANGE WITHOUT NOTICE. ALL STATEMENTS, INFORMATION, AND RECOMMENDATIONS IN THIS MANUAL ARE BELIEVED TO BE ACCURATE BUT ARE PRESENTED WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED. USERS MUST TAKE FULL RESPONSIBILITY FOR THEIR APPLICATION OF ANY PRODUCTS. THE SOFTWARE LICENSE AND LIMITED WARRANTY FOR THE ACCOMPANYING PRODUCT ARE SET FORTH IN THE INFORMATION PACKET THAT SHIPPED WITH THE PRODUCT AND ARE INCORPORATED HEREIN BY THIS REFERENCE. IF YOU ARE UNABLE TO LOCATE THE SOFTWARE LICENSE OR LIMITED WARRANTY, CONTACT YOUR CISCO REPRESENTATIVE FOR A COPY. The Cisco implementation of TCP header compression is an adaptation of a program developed by the University of California, Berkeley (UCB) as part of UCB’s public domain version of the UNIX operating system. All rights reserved. Copyright © 1981, Regents of the University of California. NOTWITHSTANDING ANY OTHER WARRANTY HEREIN, ALL DOCUMENT FILES AND SOFTWARE OF THESE SUPPLIERS ARE PROVIDED “AS IS” WITH ALL FAULTS. CISCO AND THE ABOVE-NAMED SUPPLIERS DISCLAIM ALL WARRANTIES, EXPRESSED OR IMPLIED, INCLUDING, WITHOUT LIMITATION, THOSE OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OR ARISING FROM A COURSE OF DEALING, USAGE, OR TRADE PRACTICE. IN NO EVENT SHALL CISCO OR ITS SUPPLIERS BE LIABLE FOR ANY INDIRECT, SPECIAL, CONSEQUENTIAL, OR INCIDENTAL DAMAGES, INCLUDING, WITHOUT LIMITATION, LOST PROFITS OR LOSS OR DAMAGE TO DATA ARISING OUT OF THE USE OR INABILITY TO USE THIS MANUAL, EVEN IF CISCO OR ITS SUPPLIERS HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. -
"Licensing Music Works and Transaction Costs in Europe”
"Licensing music works and transaction costs in Europe” Final study September 2012 1 Acknowledgements: KEA would like to thank Google, the internet services company, for financing which made this study possible. The study was carried out independently and reflects the views of KEA alone. 2 EXECUTIVE SUMMARY Establishing and running online music services is a complex task, raising both technical and legal difficulties. This is particularly the case in Europe, where complex rights licensing structures hinder the development of the market and the launch of new innovative online services. Compared to the US, Europe is lagging behind in terms of digital music revenue. Furthermore, the development of the market is fairly disparate among different countries in the European Union. This study aims to identify and analyse transaction costs in music licensing. It examines the online music markets and outlines the licensing processes faced by online services. It offers a qualitative and quantitative analysis of transaction costs in the acquisition of the relevant rights by online music services. The study also suggests different ways of decreasing transaction costs. The research focuses on three countries (the UK, Spain and the Czech Republic) and builds on data collected through a survey with online music service providers available in the three countries as well as interviews with relevant stakeholders in the field of music licensing. THE EUROPEAN ONLINE MUSIC MARKET The music industry has steadily expanded over the past few years, away from selling CDs towards selling music online or through concerts and live music. (Masnick, Ho, 2012). Among the 500 licensed online music services in the world (according to IFPI), many emulate the physical record store, by offering ‘download to own’ tracks at a similar price point. -
Comrex's Future Takes Shape with IP
www.tvtechnology.com/04-08-15 TV TECHNOLOGY April 8, 2015 21 TK Comrex’s Future Takes Shape With IP Company’s NAB booth to feature updated LiveShot, BRIC-Link II BY SUSAN ASHWORTH productions for television,” he said. “Over the last several decades we’ve been in LAS VEGAS—Building on its experience the radio space but we’ve had so many of in remote broadcasting technology, our radio customers move on to TV [and Comrex will come to the 2015 NAB Show adopted] our audio-over-IP codec, so we with IP on its mind, showcasing technology had a lot of requests to make something that the company sees as the future of live as portable and compact as our audio video broadcasting. products but for television.” Comrex will introduce the newest What’s especially compelling about this version of LiveShot, a system that allows segment of the market, he said, is that there broadcasters to tackle remote broadcast are people “who are doing really creative setups that would be tough with and unique broadcasts with our products traditional wired configurations. Using because [they] offer two-way video and Comrex ACCESS audio IP codecs, LiveShot return video to the field and intercom in a sends live HD video and audio over IP. The small little package.” system addresses technical inconsistencies For example, at a recent air show in in public Internet locales and provides Wisconsin, two wireless Comrex devices access to low-latency broadcast-quality were used by a local broadcaster for their live video streaming, including 3G, 4G, and multicamera fieldwork. -
IFPI Digital Music Report 2010 Music How, When, Where You Want It Contents
IFPI Digital Music Report 2010 Music how, when, where you want it Contents 3. Introduction 4. Executive Summary: Music – Pathfinder In The Creative Industries’ Revolution 8. The Diversification Of Business Models 10. Digital Music Sales Around The World 12. In Profile: Pioneers Of Digital Music 18. Competing In A Rigged Market – The Problem Of Illegal File-Sharing 20. ‘Climate Change’ For All Creative Industries 24. Graduated Response – A Proportionate, Preventative Solution 28. The World Of Legal Music Services 30. Consumer Education – Lessons Learned Music How, When, Where You Want It – But Not Without Addressing Piracy By John Kennedy, Chairman & Chief Executive, IFPI This is the seventh IFPI Digital Music in new artists, we have to tackle mass legislation to curb illegal file-sharing. Report. If you compare it to the first piracy. Second, we are progressing towards Another clear change is within the music report published in 2004, you can an effective response. The progress is sector itself. It was, until recently, rare see a transformation in a business agonisingly slow for an industry which does for artists to engage in a public debate which has worked with the advance not have a lot of time to play with – but it is about piracy or admit it damages them. of technology, listened to the consumer progress nonetheless. In September 2009, the mood changed. and responded by licensing its music Lily Allen spoke out about the impact of in new formats and channels. On page 20 of the Report, Stephen illegal file-sharing on young artists’ careers. Garrett, head of the production company When she was attacked by an abusive In 2009 globally, for the first time, more Kudos, refers to a “climate change” in online mob, others came to her support. -
The Essential Guide to Audio Over IP for Broadcasters 2 5
The Essential Guide To Audio OverIP FOR BROADCASTERS Powerful Performance | Powerful Control | Powerful Savings i 1. Why IP for Broadcast Audio? Reasons to Migrate to Audio over IP ..........................................................................................................8 1. Flexibility ..................................................................................................................................................................................8 2. Cost ...........................................................................................................................................................................................8 3. Scalability ................................................................................................................................................................................9 4. Reliability (yes really!) .........................................................................................................................................................9 5. Availability ..............................................................................................................................................................................9 6. Control and Monitoring .....................................................................................................................................................9 7. Network Consolidation ......................................................................................................................................................9 -
YOUR BROADCAST/AV EQUIPMENT SPECIALISTS 1.800.438.6040 704.889.4508 Scmsinc.Com
YOUR BROADCAST/AV EQUIPMENT SPECIALISTS 1.800.438.6040 704.889.4508 scmsinc.com Welcome... Founded in 1976, Southern Coastal Marketing Services, Inc. (SCMS)—a broadcast equipment representative—rapidly evolved into a leading stocking distributor and reseller of broadcast equipment. This was due primarily to market changes and the need for turnkey packages that included installation and engineering efforts. Historically, SCMS has served the southeast but has grown to serve customers throughout the United States and Latin America. Today, we employ 19 sales represen- tatives and have 11 field offices in addition to our North Carolina corporate office. Our North Carolina facility features over 12,000 square feet of office and warehouse space—enough area to stock critical equipment and get it shipped to the consumer! Customers rely on SCMS in the fields of professional radio, audio/visual, television broadcast, educational and religious venues and for skilled and knowledgeable solutions and great broadcast gear. Our intent is to not only offer you a perfect fit in broadcast equipment but also a continuing relationship for future projects and builds. The SCMS team is eager to earn your trust and keep it. There is a radio station everywhere! Bob Cauthen, President, in the Turks and Caicos Islands. SCMS has been your Broadcast/AV Equipment Solutions provider for 42 years. You know we know radio! Some of the SCMS group in a meeting. Corporate Headquarters: 10201 Rodney Street • Pineville, NC 28134 Equipment That Performs STUDIO PRODUCTS Clocks -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Final Copy 2019 01 31 Charl
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Charles, Christopher Title: Psyculture in Bristol Careers, Projects and Strategies in Digital Music-Making General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Psyculture in Bristol: Careers, Projects, and Strategies in Digital Music-Making Christopher Charles A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Ph. D. -
FACTOR-Recognized Distributors and Accredited International Distributors
FACTOR-Recognized Distributors and Accredited International Distributors 2020-2021 Published Feb 9, 2021 FACTOR will recognize sales/royalty reports from any of the companies listed below as acceptable Proof of Sales. See Business Policies: FACTOR-Recognized Distribution and Accredited International Distribution for more information. To become a FACTOR Recognized Distributor, please contact your assigned Project Coordinator. FACTOR-Recognized Distributors Record labels looking to qualify as an Eligible Music Company must have a signed distribution agreement with one of the FACTOR Recognized Distributors listed below. For more information on record labels as Eligible Music Companies see Business Policies: Eligible Music Companies. Beatport Canadian Music Centre Distribution Plages eOne Distribution Canada FAB Distribution Fontana North Distribution Groupe Archambault IDLA Indie Pool Musicor NAXOS Canada Outside Music Distribution Pacific Music Marketing Parasource Propagande Distribution Royalty Records & Distribution Scratch Distribution Select Distribution Sonic Unyon Distribution Sony/BMG Canada Sounds of Beaubien Ouest Sunshine Records The Orchard TRX Distribution Unidisc Music Inc. Universal Music Canada Warner Music Canada FACTOR-Recognized Distributors and Accredited International Distributors | Published Feb 9, 2021 1 Accredited International Distributors NOTE: This is not an exhaustive list. If your company is not listed here, please contact FACTOR. You will be asked to provide proof of the company’s eligibility, including their -
BSWUSA.Com SUPPLY WORLDWIDE 2237 South 19Th Street • Tacoma, WA 98405 USA
PRSRT STD Call us for personalized, expert advice. U.S. POSTAGE PAID February 2021 BROADCAST 800-426-8434 • BSWUSA.com SUPPLY WORLDWIDE 2237 South 19th Street • Tacoma, WA 98405 USA BROADCAST SUPPLY WORLDWIDE BSWUSA.COM 800.426.8434 MIC MANIA IS BACK & BIGGER Don't Miss Tech Dive THAN EVER! with John Lynch PAGES 45, 41, 43, 45 ATH-BSW-5PACK Go to BSWUSAVIDEO on YouTube for this must-see series. Watch BSW's John Lynch and prominent industry heavy- weights take in-depth looks at some of today's most exciting broadcast technology. Shure MV7 Microphone Somewhere in this flyer, we've featured a fake audio product. Tell us the product's name and the page it's on for a chance Unreal Gear to win a new Shure MV7 Podcast Microphone! Challenge! EMAIL ENTRIES TO [email protected] DON'T MISS Must be received by 3/31/21 SHURE'S NEW MV7 PODCAST MIC Check out THOUSANDS more products at PAGE 7 FREE SHIPPING BSWUSA.COM ON WEB ORDERS OVER $100! Call for the BEST pricing on BSW gear! CONNECT WITH BSW SOCIALLY! 1.800.426.8434 A few years back, Bryan Seeley, Director of Sales and Marketing for BSW, saw the problem. Podcasting was booming, but the gear to do it with was sputtering. Podcasters had to choose between equipment that was overly engineered and expensive, or so inexpensive and simple that quality was sacri ced. But Bryan had a solution: a broadcast-quality dynamic microphone with a built-in USB interface. It had to sound great right out of the box, with ease of use for both novice and pro. -
FACTOR-Recognized Distributors and Accredited International Distributors 2016-2017 Version 4.0 | Published April 1, 2016
FACTOR-Recognized Distributors and Accredited International Distributors 2016-2017 Version 4.0 | Published April 1, 2016 - FACTOR will recognize Sales/Royalty Reports from any of the companies listed below as acceptable Proof of Sales. For more information on FACTOR Recognized Distribution and Accredited International Distribution see section 25.0 of the Business Policies. For more information of Proof of Sales see section 32.0 of the Business Policies. - Record Labels looking to qualify as an Eligible Music Company must have a signed distribution agreement with one of the FACTOR Recognized Distributors listed below. For more information on Record Labels as Eligible Music Companies see section 22.2 of the Business Policies. - To become a FACTOR Recognized Distributor, please contact your assigned Project Coordinator. FACTOR-Recognized Distributors NOTE: Record Labels looking to qualify as an Eligible Music Company must have a signed distribution agreement with a FACTOR Recognized Distributor. Allegro Entertainment Canada NAXOS Canada Beatport Outside Music Distribution Canadian Music Centre Pacific Music Marketing Conveyor Canada Royalty Records & Distribution David C. Cook Distribution Canada Scratch Distribution DEP Distribution Select Distribution Pelleas Sonic Unyon Distribution EMI Music Canada Sony/BMG Canada Entertainment One Distribution Canada SRI Canada/YDGS Imports FAB Distribution Statik Distribution Fontana North Distribution Sunshine Records Groupe Archambault The Orchard IDLA TRX Distribution Indie Pool Unidisc Music Inc. IODA Universal Music Canada J.Mac Warner Music Canada Musicor FACTOR-Recognized Distributors and Accredited International Distributors | Version 4.0 | Published April 1, 2016 1 Accredited International Distributors NOTE: This list also includes major digital and online retailers. It is not an exhaustive list.