Africa South in Exile
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(I. SHARP) ISAAC SHARP, Under Former Oath, EXAMINATION by MR
10156. (I. SHARP) ISAAC SHARP, under former oath, EXAMINATION BY MR. TRJINGOVJI CONTINUED s The next meeting is a meetingof the 11th March, 1956. I hand to you a document marked G-. 528. Is that in your handwriting? Yes. Mv Lord. Does it refer to a meeting that you attended? Yes. On what date? On the 11-th March, 1956. What kind of meeting was that? Federation of South African Women. Where was it held? At the Trades Hall* Johannesburg? Yes. Were you present there? I was present there Did you make a note of the people you saw attending this meeting? I did. Is that the note you have "before you? Yes. That was made at the meeting? Yes. Now the second name on your list, what is that? Lilian Ngoyi. No. 4? • Helen Joseph. No. 6? • Ida Mtwana. No. 13? Mary Rantha. No. 16? Bertha Mashaba. No. 24? Ronald Edwin Press No. 27? T. Minusi. No. 29? B. Seitchiro. No. 30? A. E. Patel. No. 33? Simon Tyiki. No. 36? Phineas Nene. No. 50? Fish Keitsing. No. 52? Joe Matlou. No. 53? R. Resha. 10157. (I. SHARP) No. 54? Sbrahim Moolla. No. 60? Peter Nthithe. No, 63? 31ias Moretsele. No. 64? Lionel Morrison. No. 66? Patrick Molaoa. No. 67? Henry Gordon Makgothi. No. 69? Stanley Lollan. No. 70? Dr. H.M. Moosa. C c M No. - Yetta Barenblatt. No. 73? John Nkadimeng. Thisi parson that you referred to as Joe Matlou, do you know if he is known by any other name? Itis the only nans by which I know him, Jonas Matlou. -
Central African Examiner, 1957-19651
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. Zambezia (1996), XXIII (ii). THE CENTRAL AFRICAN EXAMINER, 1957-19651 ANTHONY KING2 St Antony's College, Oxford, UK Abstract The Central African Examiner is a well known source for the study of Zimbabwean history in the seminal period 1957-1965, although the story of its foundation and the backroom manoeuvrings which dogged its short life are relatively unknown. Its inception was the result of industry attempting to push the Federal Government into implementing partnership in a practical way. Up to 1960, the Examiner's internal politics mirrored this conflict, and it was during this time that the Examiner's position as a critical supporter of Government policy was at its most ambiguous. After 1960, the Examiner became a more forthright Government critic — indeed by 1964, it was the only medium left for the expression of nationalist opinion. INTRODUCTION IN THE WAKE of the Unilateral Declaration of Independence (UDI) in Rhodesia on 11 November 1965, censorship was imposed on the press. Most newspapers and magazines appeared with a number of blank spaces which would have been filled with articles had they not fallen foul of the censors. One magazine had so much of its content for the December 1965 issue banned that it resorted to making it a 'Do-It-Yourself edition, urging readers to fill in the blanks themselves. -
DOORNFONTEIN and ITS AFRICAN WORKING CLASS, 1914 to 1935*• a STUDY of POPULAR CULTURE in JOHANNESBURG Edward Koch a Dissertati
DOORNFONTEIN AND ITS AFRICAN WORKING CLASS, 1914 TO 1935*• A STUDY OF POPULAR CULTURE IN JOHANNESBURG Edward Koch I A Dissertation Submitted to the Faculty of Arts University of the witwatersrand, Johannesburg for the Degree of Master of Arts. Johannesburg 1983. Fc Tina I declare that this dissertation is my own, unaided work. It is being submitted for the degree of Master of Arts in the University of the Wlj Witwaterirand Johanneaourg. It has not been submitted before for any H 1 9 n degree or examination- in any other University. till* dissertation is a study of the culture that was made by tha working people who lived in the slums of Johannesburg in the inter war years. This was a period in which a large proportion of the city's black working classes lived in slums that spread across the western, central and eastern districts of the central city area E B 8 mKBE M B ' -'; of Johannesburg. Only after the mid 1930‘s did the state effectively segregate the city and move most of the black working classes to the municipal locations that they live in today. The culture that was created in the slums of Johannesburg is significant for a number of reasons. This culture shows that the newly formed 1 urban african classes wore not merely the passive agents of capitalism. These people were able to respond, collectively, to the conditions that the development of capitalism thrust them into and to shape and influence the conditions and pro cesses that they were subjected to. The culture that embodied these popular res ponses was so pervasive that it's name, Marabi, is also the name given by many people to the era, between the two world wars, when it thrived. -
An Introduction to Film
An Introduction to Film (Faith & Film: Elements of Filmmaking) The Special Nature of the Art of the Cinema The Effects of Flow 1. Flow: “Anything that makes you conscious of the camera pulls you out of the experience” (see Boorstin, Making Movies Work, 31). Contrast this to the flow of a sermon. Should a sermon ever draw attention to itself as a mode of persuasion (to lose flow but add to the credibility)? 2. The essence of the art of Cinema is the FLOW that we experience when we’re transported into an imaginary but vividly real world of make-believe (cinema’s “illusionism”). FLOW engages our curiosity, interest, desire, and intellect by causing us to become concerned, focused, Questioning, and open to new realities and interpretations. To get to the “what” of the movies” we first have to get past the “wow of the how” (the illusion). 3. Flow occurs when a movie appeals powerfully in three areas in good balance (in Boorstin, How Movies Work): a) The voyeuristic element: this world is real (Lord of the Rings, Star Wars trilogies, Godfather, Harry Potter films) b) The vicarious element: I empathize with the feelings of the characters (Sixth Sense, Philadelphia, Contact, Precious, Shawshank Redemption) c) The visceral element: I am caught up in experiencing this (Devil, thriller movies, Toy Story 3) 4. For the viewers to experience this flow, they must be willing to “suspend their belief.” (They know the movie is not real, but they are willing to accept this.) In addition, all the elements of the movie should cooperate to keep viewers absorbed in the movie, not expel them out of it. -
David Rabe's Good for Otto Gets Star Studded Cast with F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perl
David Rabe’s Good for Otto Gets Star Studded Cast With F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perlman and More t2conline.com/david-rabes-good-for-otto-gets-star-studded-cast-with-f-murray-abraham-ed-harris-mark-linn-baker-amy- madigan-rhea-perlman-and-more/ Suzanna January 30, 2018 Bowling F. Murray Abraham (Barnard), Kate Buddeke (Jane), Laura Esterman (Mrs. Garland), Nancy Giles (Marci), Lily Gladstone (Denise), Ed Harris (Dr. Michaels), Charlotte Hope (Mom), Mark Linn- Baker (Timothy), Amy Madigan (Evangeline), Rileigh McDonald (Frannie), Kenny Mellman (Jerome), Maulik Pancholy (Alex), Rhea Perlman (Nora) and Michael Rabe (Jimmy), will lite up the star in the New York premiere of David Rabe’s Good for Otto. Rhea Perlman took over the role of Nora, after Rosie O’Donnell, became ill. Directed by Scott Elliott, this production will play a limited Off-Broadway engagement February 20 – April 1, with Opening Night on Thursday, March 8 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street). Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures a whole American community on the edge. Like their patients and their families, Dr. Michaels (Ed Harris), his colleague Evangeline (Amy Madigan) and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness, to hold onto the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity. -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
Notes on the Film Places in the Heart
Notes on the Film Places in the Heart Folks: These brief notes I have prepared for you on the film Places in the Heart should go some way in assisting you to both appreciate and comprehend the film better. It is important that I stress that these notes are not meant to be a substitute for seeing the film. To motivate you to concentrate your minds: test questions on the film and these notes will be quite detailed. Note: the section titled glossary, below, must be read in conjunction with the main glossary, the course glossary, that I have prepared for you (available through the class home page). Don’t omit the footnotes in this document! Director/Credits/Format of the Film Visit the website www.imdb.com and do a search for the film to access this information. (When you bring up the relevant page for the film make sure you scroll down the entire page as well as explore some of the links on the left side of the page.) Awards Nominated for an Oscar for best picture of the year. Won Oscars for best actress and best original screenplay. Designated as the Critics Pick by the reviewers of New York Times. Type of Film Hollywood style “mortgage” melodrama. Source of Screenplay Written by the director. Film Structure Intercut scenes with no flashbacks or flashforwards but has a “magical realist” type coda. Dramatic Structure Comprises two parallel parts: a traditional linear structure comprising the usual four elements of exposition, crisis, climax, and dénouement, and several vignettes that are not necessarily integral to the plot but help to enhance the sense of time and place of the story. -
Pan-African Ideals and the Organization of African Unity's
Pan-African ideals and the Organization of African Unity’s intervention in the 1967-1970 Nigerian Civil War ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BY ADERONKE ABODUNRIN From colonization, to the struggle for independence, the African continent has often been viewed both internally and externally as a milieu of fragmented states, lacking cohesion and most importantly: peace. Indeed, the colonial legacy of the continent, coupled with the history of enslavement of the Black diaspora has demonstrated a very real dilemma for the future of Blacks across the globe. However, the birth of Pan-Africanist thought provided a glimmer of hope for advancing and uniting Black peoples.1 There are varying opinions on how best to define Pan- Africanism, all which generally encompass a similar principle: the unity of Black peoples on the African continent and the African diaspora. For the purpose of this paper, I will be employing the definition provided by Costantinos BT Costantinos. He defines Pan-Africanism as follows: Pan-Africanism represents the complexities of black political and intellectual thought over two hundred years [and] -
A Crucial Watershed in Southern Rhodesian Politics
A crucial watershed in Southern Rhodesian politics The 1961 Constitutional Process and the 1962 General Election E v e n t u e Högskolan på Gotlandll fi 2011 VTg ”Kandidatuppsats”u Författare: Jan Olssonr / Avdelningen för Historiab Handledare: Erik Tängerstadil d ( 1 F o r m a t Abstract The thesis examines the political development in Southern Rhodesia 1960-1962 when two processes, the 1961 Constitutional process and the 1962 General Election, had far- reaching consequences for the coming twenty years. It builds on a hypothesis that the Constitutional process led to a radicalisation of all groups, the white minority, the African majority and the colonial power. The main research question is why the ruling party, United Federal Party (UFP) after winning the referendum on a new Constitution with a wide margin could lose the ensuing election one year later to the party, Rhodesian Front (RF) opposing the constitution. The examination is based on material from debates in the Legal Assembly and House of Commons (UK), minutes of meetings, newspaper articles, election material etc. The hypothesis that the Constitutional process led to a radicalization of the main actors was partly confirmed. The process led to a focus on racial issues in the ensuing election. Among the white minority UFP attempted to develop a policy of continued white domination while making constitutional concessions to Africans in order to attract the African middle class. When UFP pressed on with multiracial structural reforms the electorate switched to the racist RF which was considered bearer of the dominant settler ideology. Among the African majority the well educated African middleclass who led the Nationalist movement, changed from multiracial reformists in late 1950‟s to majority rule advocates. -
Movieguide.Pdf
Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr. -
Race, Identity, and Belonging in Early Zimbabwean Nationalism(S), 1957-1965
Race, Identity, and Belonging in Early Zimbabwean Nationalism(s), 1957-1965 Joshua Pritchard This thesis interrogates traditional understandings of race within Zimbabwean nationalism. It explores the interactions between socio-cultural identities and belonging in black African nationalist thinking and politics, and focuses on the formative decade between the emergence of mass African nationalist political parties in 1957 and the widespread adoption of an anti- white violent struggle in 1966. It reassesses the place of non-black individuals within African anti-settler movements. Using the chronological narrative provided by the experiences of marginal non-black supporters (including white, Asian, coloured, and Indian individuals), it argues that anti-colonial nationalist organisations during the pre-Liberation War period were heavily influenced by the competing racial theories and politics espoused by their elite leadership. It further argues that the imagined future Zimbabwean nations had a fluid and reflexive positioning of citizens based on racial identities that changed continuously. Finally, this thesis examines the construction of racial identities through the discourse used by black Zimbabweans and non-black migrants and citizens, and the relationships between these groups, to contend that race was an inexorable factor in determining belonging. Drawing upon archival sources created by non-black 'radical' participants and Zimbabwean nationalists, and oral interviews conducted during fieldwork in South Africa and Zimbabwe in 2015, the research is a revisionist approach to existing academic literature on Zimbabwean nationalism: in the words of Terence Ranger, it is not a nationalist history but a history of nationalism. It situates itself within multiple bodies of study, including conceptual nationalist and racial theory, the histories of marginal groups within African nationalist movements, and studies of citizenship and belonging. -
Security Council H
UNITED NATIONS SECURITY COUNCIL SH H REPORTOFTHJZ SPEKXALCO OFTHXGOWBNMENTOF~ Kapporteur: Mr. Ram C. Malhotra ( TABLEOFC page Letteroftransmittsl . 2 Report of the Special Committee . 3 Annexes I. Note on developments in South Africa since the Special Committee's report of 23 Harch 1964 to the General Assembly and the Security Council . 9 II. Report of the delegation of the Special CobmBittee on the Policies of Apartheid of the Government of the Republic of So&h Africa on the International Conference on Economic Sanctions against South Africa, London, lb-17April1964 . 33 * Also issued as A/5707. 64-~504 I . -2- OF 25 1964 Your Ikcellency, the honour to 22 ee. on the Policies of Apartheid of the (Xmcm%ent of the Republic of So is report is s and the Security Council in pursuance of the provisiona of 5 (b) of General Assembly resolution 1761 (XVII) of 6 2 of General Assembly resolution 1978 A ( The Special Comm%ttee has aeciaea to this report in view, partCcul.arly, of the forthcoming consi&?r&iOn of the question by the Security Council, at the request of fifty-eight r States which have drawn attention to the new developments in the Republic of %uth Africa an& more specifically the imposition of death sentences on African political leaders. The Special Comm%ttee wishes to draw the attention of the two principal ans of the United ioris to the grave developments since its last report of 23 ch 1964 and to assist them in the consideration of effective measures and In their search for adequate solutions to meet the grave ana growing threat to international peace and security represented by the situation.