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Handel BROCKES-PASSION Academy of Ancient Music

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Handel BROCKES-PASSION Academy of Ancient Music haNdEL BROCKES-PASSION AcAdemy of Ancient music RichaRd EgaRR Choir of AAM ElizAbEth WAtts robErt MurrAy Cody QuAttlEbAuM GWilyM boWEn tiM MEAd ruby huGhEs niCky spEnCE rAChAEl lloyd MorGAn pEArsE georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 georg Friedrich händel BROCKES-PASSION hWV 48 der für die sünde der Welt gemartete und sterbende Jesus aus den vier Evangelisten in gebundener rede vorgestellt |1 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 george Frideric handel BROCKES-PASSION hWV 48 Jesus who was martyred and died for the sins of the world, presented in verse out of the four Evangelists detail from an original artwork “sands to shore” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; [103.] Chorale: the Christian Church, Mein’ Sünd’ mich werden kränken sehr Charcoal oil and watercolour on prepared ground, 34 X 48cm, 2019 |3 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 ACADEMY OF ANCIENT MUSIC Richard Egarr 4| |5 hamburg Relations courier: 31 (20 os) March, 1719 künfftige Woche wird man ein vortreffliches geistliches oratorium in dem dom auff dem reventher nachmittag um 4 uhr präcise, und zwar Montags des hn. Capellmeisters hendels Music, dienstags aber des Capellmeisters hrn. telemanns Composition auffführen. Next week a magnificent sacred oratorio will be performed in the Cathedral refectory at 4 o’clock in the afternoon precisely, on Monday 3 April [23 March os] with music by Herr Capellmeister Hendel, but on Tuesday 4 April [24 March os)] in the composition by Herr Capellmeister Telemann. detail of a performance announcement (text and translation opposite on p.7) in the Hamburg Relations-Courier, 31 (20 os) March 1719 handel documents Vol.1 p.148 6 | |7 hamburg Relations courier: 31 (20 os) March, 1719 künfftige Woche wird man ein vortreffliches geistliches oratorium in dem dom auff dem reventher nachmittag um 4 uhr präcise, und zwar Montags des hn. Capellmeisters hendels Music, dienstags aber des Capellmeisters hrn. telemanns Composition auffführen. Next week a magnificent sacred oratorio will be performed in the Cathedral refectory at 4 o’clock in the afternoon precisely, on Monday 3 April [23 March os] with music by Herr Capellmeister Hendel, but on Tuesday 4 April [24 March os)] in the composition by Herr Capellmeister Telemann. detail of a performance announcement (text and translation opposite on p.7) in the Hamburg Relations-Courier, 31 (20 os) March 1719 handel documents Vol.1 p.148 6 | |7 Elizabeth Watts Robert Murray cody Quattlebaum gwilym Bowen Tim Mead Ruby hughes Nicky Spence Rachael Lloyd Morgan Pearse portrait of George frideric handel, 1685-1759 by balthasar denner; national portrait Gallery, london oil on canvas, 75cm x 63cm, c.1726-c.1728 |9 Elizabeth Watts Robert Murray cody Quattlebaum gwilym Bowen Tim Mead Ruby hughes Nicky Spence Rachael Lloyd Morgan Pearse portrait of George frideric handel, 1685-1759 by balthasar denner; national portrait Gallery, london oil on canvas, 75cm x 63cm, c.1726-c.1728 |9 EdiTiON Editor: Leo Duarte with additional input from: Richard Egarr proofing: chad Kelly with thanks to the british library: Richard chesser, christopher Scobie, Stephanie Keen Research supported by Dr. Ben Broadbent, Jane and Darius Panahy, Dr. Joseph E. Pesce PhD, John and Joyce Reeve Music scores & parts: cPi London Printing supported by Stephen Thomas TEXTS translation: Moritz grimm with additional input from: Sandy Burnett, dr. Ruth Smith, Prof. david cardin Translation supported by John and Hilary Everett deutsches kurrentschrift, orthographic work: Joanna Raisbeck English (Charles Jennens), orthographic work: dr. Ruth Smith addiTiONaL RESEaRch Contributors: dr. Mikusi Balázs, Seren charrington-hollins, dr. helen coffey, Jan Enberg, Jane glover, Prof. hans Joachim Marx, dr. graham Pont, Prof. Reinhard Strohm, dr. Bettina Varwig, portrait of the senator and poet, barthold heinrich brockes 1680-1747 by domenicus van der smissen; kunsthalle kiel, kiel Prof. Joachim Whaley oil on canvas, 56cm x 43cm | 11 EdiTiON Editor: Leo Duarte with additional input from: Richard Egarr proofing: chad Kelly with thanks to the british library: Richard chesser, christopher Scobie, Stephanie Keen Research supported by Dr. Ben Broadbent, Jane and Darius Panahy, Dr. Joseph E. Pesce PhD, John and Joyce Reeve Music scores & parts: cPi London Printing supported by Stephen Thomas TEXTS translation: Moritz grimm with additional input from: Sandy Burnett, dr. Ruth Smith, Prof. david cardin Translation supported by John and Hilary Everett deutsches kurrentschrift, orthographic work: Joanna Raisbeck English (Charles Jennens), orthographic work: dr. Ruth Smith addiTiONaL RESEaRch Contributors: dr. Mikusi Balázs, Seren charrington-hollins, dr. helen coffey, Jan Enberg, Jane glover, Prof. hans Joachim Marx, dr. graham Pont, Prof. Reinhard Strohm, dr. Bettina Varwig, portrait of the senator and poet, barthold heinrich brockes 1680-1747 by domenicus van der smissen; kunsthalle kiel, kiel Prof. Joachim Whaley oil on canvas, 56cm x 43cm | 11 director & harpsichord Richard Egarr daughter of zion Elizabeth Watts supported by Terence Sinclair Evangelist Robert Murray supported by Sir Konrad and Lady Schiemann Jesus cody Quattlebaum supported by Richard and Elena Bridges peter gwilym Bowen supported by Marshall Field Judas Tim Mead supported by an anonymous donor faithful souls: soprano Ruby hughes supported by Ina De and James Spicer alto Rachael Lloyd suppo rted by an anonymous donor tenor Nicky Spence supported by Madeleine and John Tattersall bass Morgan Pearse supported by Matthew Ferrey Mary Rachael Lloyd supported by John and Hilary Everett pilate Morgan Pearse supported by Roger Mayhew Centurion Morgan Pearse supported by Malcolm and Rosalind Gammie James cathy Bell supported by Noël Harwerth John Kate Symonds-Joy supported by Peter and Frances Meyer A soldier Rachael Lloyd Caiaphas Morgan Pearse detail from an original artwork “i thirst” by Emma safe, created live in response to the Maid 1 Ruby hughes Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; Maid 2 Rachael Lloyd [93.] Evangelist, Dies war zur neunten Stund Maid 3 Philippa hyde Charcoal on prepared ground with chalk highlights, 58 X 90cm, 2019 | 13 director & harpsichord Richard Egarr daughter of zion Elizabeth Watts supported by Terence Sinclair Evangelist Robert Murray supported by Sir Konrad and Lady Schiemann Jesus cody Quattlebaum supported by Richard and Elena Bridges peter gwilym Bowen supported by Marshall Field Judas Tim Mead supported by an anonymous donor faithful souls: soprano Ruby hughes supported by Ina De and James Spicer alto Rachael Lloyd suppo rted by an anonymous donor tenor Nicky Spence supported by Madeleine and John Tattersall bass Morgan Pearse supported by Matthew Ferrey Mary Rachael Lloyd supported by John and Hilary Everett pilate Morgan Pearse supported by Roger Mayhew Centurion Morgan Pearse supported by Malcolm and Rosalind Gammie James cathy Bell supported by Noël Harwerth John Kate Symonds-Joy supported by Peter and Frances Meyer A soldier Rachael Lloyd Caiaphas Morgan Pearse detail from an original artwork “i thirst” by Emma safe, created live in response to the Maid 1 Ruby hughes Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; Maid 2 Rachael Lloyd [93.] Evangelist, Dies war zur neunten Stund Maid 3 Philippa hyde Charcoal on prepared ground with chalk highlights, 58 X 90cm, 2019 | 13 ORchESTRa aNd chOiR OF ThE acadEMy OF aNciENT MuSic leader Bojan Čičić principal oboe Leo duarte Continuo: cello Sarah McMahon harpsichord Richard Egarr theorbo alex Mccartney organ Julian Perkins soprano chorus supported by The Loveday Charitable Trust alto chorus supported by Elizabeth and Richard de Friend tenor chorus supported by Chris and Ali Rocker bass chorus supported by Miles and Anna Hember German languag e Coach gerhard gall keyboard technician Malcolm greenhalgh head of Concerts & planning chloë Wennersten Concerts & projects Co-ordinator alice Pusey Choir of AAM fixed by Richard Latham librarian Emilia Benjamin pitch a = 415 hz temperament young ii detail from an original artwork “break, My heart” by Emma safe, created live in response to the Academy of Ancient Music’s performance of handel’s Brockes-Passion, Good friday, 2019; full orchestra and choir details pages 202-204 [19.] daughter of zion, Brich, mein Herz, zerfließ in Tränen Charcoal on prepared ground with chalk highlights, 58 X 90cm, 2019 | 15 ORchESTRa aNd chOiR OF ThE acadEMy OF aNciENT MuSic leader Bojan Čičić principal oboe Leo duarte Continuo: cello Sarah McMahon harpsichord Richard Egarr theorbo alex Mccartney organ Julian Perkins soprano chorus supported by The Loveday Charitable Trust alto chorus supported by Elizabeth and Richard de Friend tenor chorus supported by Chris and Ali Rocker bass chorus supported by Miles and Anna Hember German languag e Coach gerhard gall
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