A survey of George Frideric Handel’s life, music and selected portraits with and without his wig: a contribution to the celebration of the Handel year Carol Steyn Research Fellow, Department of Art History, Visual Arts and Musicology, University of South Africa E-mail:
[email protected] Estelle Alma Maré Research fellow, Department of Architecture, Tshwane University of Technology, Pretoria E-mail:
[email protected] This year marks the 250th anniversary of the death of George Frideric Handel, one of the greatest composers of the Baroque period. There are and have been celebrations of his life and works world wide. Although he composed in every musical genre of his time, he is most famous for his oratorios, and in particular the Messiah. The details of his public life are well-known, but his private life remains obscure, especially in regard to his sexuality. It is of significance that he was associated with the Or- pheus myth throughout his life, and also in one of his monuments. In the eighteenth century Orpheus was connected with both music and homosexuality. What the truth may be, Handel emerges as an even more human and interesting figure than ever. His authentic portraits are discussed in two sections: those with and those without his wig. Keywords: Handel, portraits, monuments Dit is vanjaar die 250ste herdenking van die dood van George Frideric Handel, een van die grootste komponiste van die Barok-periode. Daar is en was feesvierings van sy lewe en werke wêreldwyd. Hoewel hy in elke musikale genre van sy tyd gekomponeer het, is hy veral bekend vir sy oratoria, en in besonder die Messias.