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Network Rail MHLSI Works.Pub
Midland Main Line Electrification programme 247 KEY MMLe — Midland Main Line Red potenal locaon of Hs2 Brown Leicester to Burton Line Purple West Coast Main Line Green Birmingham to ugby Black other lines Yellow diamonds %uncons POST HENDY REVIEW—UPDATE The Hendy Enhancements delivery plan update (Jan 2016) Electrification of the Midland Main Line has resumed under plans announced as part of Sir Peter Hendy’s work to reset Network Rail’s upgrade programme. Work on electrifying the Midland Main Line, the vital long-distance corridor that serves the UK’s industrial heartland, will continue alongside the line-speed and capacity improvement works that were already in hand. Electrification of the line north of Bedford to Kettering and Corby is scheduled to be completed by 2019, and the line north of Kettering to Leicester, Derby/Nottingham and Sheffield by 2023. Outputs The Midland Main line Electrification Programme known as the MMLe is split into two key output dates, the first running from 2014-2019 (known as CP5) and the second, 2019-2023 (CP6). There are a number of sub projects running under the main MMLe programme which are delivering various improvements in the Leicestershire area. Each sub project has dependencies with each other to enable the full ES001- Midland Main Line electrification programme to be achieved A number of interfaces and assumptions link to these programmes and their sub projects will affect Leicestershire. ES001A- Leicester Capacity The proposed 4 tracking between Syston and Wigston is located under sub project ES001A - Leicester Capacity which can be found on page 27 of Network Rails enhancements delivery plan . -
Covid-19-Weekly-Hotspot-Report-For
Weekly COVID-19 Surveillance Report in Leicestershire Cumulative data from 01/03/2020 - 29/09/2021 This report summarises the information from the surveillance system which is used to monitor the cases of the Coronavirus Disease 2019 (COVID-19) pandemic in Leicestershire. The report is based on daily data up to 29th September 2021. The maps presented in the report examine counts and rates of COVID-19 at Middle Super Output Area. Middle Layer Super Output Areas (MSOAs) are a census based geography used in the reporting of small area statistics in England and Wales. The minimum population is 5,000 and the average is 7,200. Disclosure control rules have been applied to all figures not currently in the public domain. Counts between 1 to 5 have been suppressed at MSOA level. An additional dashboard examining weekly counts of COVID-19 cases by Middle Super Output Area in Leicestershire, Leicester and Rutland can be accessed via the following link: https://public.tableau.com/profile/r.i.team.leicestershire.county.council#!/vizhome/COVID-19PHEWeeklyCases/WeeklyCOVID- 19byMSOA Data has been sourced from Public Health England. The report has been complied by Business Intelligence Service in Leicestershire County Council. Weekly COVID-19 Surveillance Report in Leicestershire Cumulative data from 01/03/2020 - 29/09/2021 Breakdown of testing by Pillars of the UK Government’s COVID-19 testing programme: Pillar 1 + 2 Pillar 1 Pillar 2 combined data from both Pillar 1 and Pillar 2 data from swab testing in PHE labs and NHS data from swab testing for the -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
Thomas Augustine Arne: a Bicentenary Appreciation Author(S): Frank Kidson Source: the Musical Times, Vol
Thomas Augustine Arne: A Bicentenary Appreciation Author(s): Frank Kidson Source: The Musical Times, Vol. 51, No. 805 (Mar. 1, 1910), pp. 153-154 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/906730 Accessed: 03-12-2015 02:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.73.1.36 on Thu, 03 Dec 2015 02:14:37 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-MARCH I, I9Io. I53 THOMAS AUGUSTINE ARNE: determination to become a musician, and wisely gave in. Free to make music his profession, he A BICENTENARY APPRECIATION. taught his sister and his brother the art, and BY FRANK KIDSON. with much success. The former, Susanna Maria Arne, who married the brutal Theophilus Cibber What was the state and condition of English in haste, had, perhaps, leisure to regret her music in the year I 7 1 ? I do not ask what was the matrimonial choice: she became a singer and an appreciation of music in England, but how it was actress of great merit. -
Church Langton Settlement Profile Introduction
Church Langton Settlement Profile Introduction General Location: Church Langton village (lying north) along with East Langton village (lying south) both constitute the civil parish of East Langton (hereby referred to as ‘Church Langton’), as well as both being part of five villages known collectively as ‘the Langtons’ (with Tur Langton to the north, West Langton to the west, and Thorpe Langton to the East). Beyond the parish’s borders with other Langton villages, the village also borders Great Bowden to the south and Stonton Wyville to the north-east. Church Langton lies 5 miles north of Market Harborough, and 4 miles east of Kibworth with the A6 passing less than 1 mile south of the parish. The 13th century-constructed Church of St Peter is the parish’s most distinguished feature; a collegiate-type church of strikingly large proportions that sits 400ft above sea-level whilst also forming the parish’s historic separation. Overall, the parish is linear in form, stretching for almost 2 miles (north-south), with most community services and facilities being centrally located. East Langton is separated from Church Langton by Langton Road that dissects the parish into a northerly and southerly area. Langton Brook runs west-east through the southern tip of the parish, before joining the River Welland to the east. The East Midlands Trains line also crosses the southerly tip of the parish in a similar movement. The village of Church Langton is identified as a Selected Rural Village in the Core Strategy and as such, is outlined as a settlement that would potentially benefit from the support of limited development such as rural housing. -
2015 in the Penal Colony Program
ESTHER NELSON, STANFORD CALDERWOOD GENERAL & ARTISTIC DIRECTOR DAVID ANGUS, MUSIC DIRECTOR | JOHN CONKLIN, ARTISTIC ADVISOR Rodolfo (Jesus Garcia) and Mimi (Kelly Kaduce) in Boston Lyric Opera’s 2015 production of La Bohème. This holiday season, share your love of opera with the ones you love. BLO off ers packages and gift certifi cates CHARLES ERICKSON T. to make your holiday shopping simple! T. CHARLES ERICKSON T. WELCOME TO THE SEVENTH IN OUR OPERA ANNEX SERIES, which is increasingly attracting national and international attention. Installing opera in non-conventional spaces has sparked a curiosity in the art. The challenges of these spaces are many and due to opera’s inherent demands: natural acoustics (since we do not amplify), adequate performance and production space, audience comfort and social space, location accessibility, parking, safety, and especially important in New England, adequate heat. Our In the Penal Colony comes amid questions and debate on the performance spaces and theatrical environment in Boston. For us, the questions include … why is Boston the only one of the top ten U.S. cities without a home suitable for opera? What are sustainable models to support new performance venues and/or preserve historic theaters? As you may have heard, BLO decided not to renew its agreement with the JesusJJesus GarciaGGarcia as RRoRodolfodldolffo Shubert Theatre after this Season. The reasons are many and complex, but suffi ce in La Bohème it to say that we made an important business and artistic decision. BLO is dedicated to spending signifi cantly more of our budget on direct artistic and production expenses and providing our patrons with a new level of service and comfort. -
Your Tuneful Voice Iestyn Davies
VIVAT-105-Booklet.pdf 1 18/11/13 20:22 YOUR TUNEFUL VOICE Handel Oratorio Arias IESTYN DAVIES CAROLYN SAMPSON THE KING’S CONSORT ROBERT KING VIVAT-105-Booklet.pdf 2 18/11/13 20:22 YOUR TUNEFUL VOICE Handel Oratorio Arias 1 O sacred oracles of truth (from Belshazzar) [5’01] Who calls my parting soul from death (from Es ther) [3’13] with Carolyn Sampson soprano 2 Mortals think that Time is sleeping (from The Triumph of Time and Truth) [7’05] On the valleys, dark and cheerless (from The Triumph of Time and Truth) [4’00] 3 Tune your harps to cheerful strains (from Es ther) [4’45] with Rachel Chaplin oboe How can I stay when love invites (from Es ther) [3’06] 4 Mighty love now calls to arm (from Alexander Balus) [2’35] 5 Overture to Jephtha [6’47] 5 [Grave] – Allegro – [Grave] [5’09] 6 Menuet [1’38] 7 Eternal source of light divine (from Birthday Ode for Queen Anne) [3’35] with Crispian Steele-Perkins trumpet 8 Welcome as the dawn of day (from Solomon) [3’32] with Carolyn Sampson soprano 9 Your tuneful voice my tale would tell (from Semele) [5’12] with Kati Debretzeni solo violin 10 Yet can I hear that dulcet lay (from The Choice of Hercules) [3’49] 11 Up the dreadful steep ascending (from Jephtha) [3’36] 12 Overture to Samson [7’43] 12 Andante – Adagio [3’17] 13 Allegro – Adagio [1’37] 14 Menuetto [2’49] 15 Thou shalt bring them in (from Israel in Egypt) [3’15] VIVAT-105-Booklet.pdf 3 18/11/13 20:22 O sacred oracles of truth (from Belshazzar) [5’01] 16 Who calls my parting soul from death (from Es ther) [3’13] with Carolyn Sampson soprano -
A Critical Analysis of the Libretto in Handel's Messiah
Augustana College Augustana Digital Commons 2020 Festschrift: Georg Frideric Handel's "Messiah" Festschriften Fall 12-9-2020 Lost in Translation: A Critical Analysis of the Libretto in Handel's Messiah Jordan Lehto Augustana College, Rock Island Illinois Aaron Escamilla Augustana College, Rock Island Illinois Eden H. Nimietz Augustana College, Rock Island Illinois Follow this and additional works at: https://digitalcommons.augustana.edu/muscfest2020 Part of the Composition Commons, Ethics in Religion Commons, Ethnomusicology Commons, and the Yiddish Language and Literature Commons Augustana Digital Commons Citation Lehto, Jordan; Escamilla, Aaron; and Nimietz, Eden H.. "Lost in Translation: A Critical Analysis of the Libretto in Handel's Messiah" (2020). 2020 Festschrift: Georg Frideric Handel's "Messiah". https://digitalcommons.augustana.edu/muscfest2020/2 This Student Paper is brought to you for free and open access by the Festschriften at Augustana Digital Commons. It has been accepted for inclusion in 2020 Festschrift: Georg Frideric Handel's "Messiah" by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. Lost in Translation: A Critical Analysis of the Libretto in Handel’s Messiah Aaron Escamilla Jordan Lehto Eden Nimietz Augustana College MUSC-311--Styles and Literature of Music I November 9, 2020 Escamilla, Lehto, Nimietz 2 Abstract Handel’s Messiah is renowned for its lush sound and richly developed message regarding the rejoicing of Christians and the celebration of religion through their faith in a divine savior. Not only is the full oratorio performed by countless ensembles every year, but many scholars have spent months, and even years, poring over its libretto. -
LEICESTERSHIRE [&ELLY's O'rafierty J
420 ORA LEICESTERSHIRE [&ELLY'S O'Rafierty J. C., L.R.C.P. Waltham Packwood W.B. 14 Gladstone st.Lcstr Parker W. G. G. 41 Stretton rd.Lcstp on-the-Wolds, Melton Mowbray Paddy Henry, 32 PJincess st. Leicstr Parkes Rev.A.W.North Kilworth,Rgby Dram A. I St. Alban's rd. Leicester Padmore E. 60 Regent road, Leicestr Parkes William H. Northampton rd~ Oram Frederick, 3 OhurcbJ avenue, Padmore Geo. 84 Regent rd. Leicestr Market Harborough Glenfield road, Leicester Padmore Jamps~I. The Limes,Stoney- Parkinson William Gibbs, 354 Hum- Oram Misses, Kirby Muxloe,Leicester ga te road, Leicester berstone road, Leicester Oram Mrs. 35 East Park rd. Leicester Padmore John William, Sutton villa, Parkinson R. 19 Down ,st. Leicester Oram Mrs. 31 Gopsall st. L.eicester Uppingham road, Leicester' Parks Robert, Ba,rkestone, Nottinghm Oram W. B. 2 Diseworth st. Leicester Page AIi'd. 42 Melbourne rd. Leicester Parmiter Rev. George, lI8 Fosse rd. Oram William Henry, Spring vale, 26 Page David, Enderby, Leicester New Found pool, Leicester St. Alban's road, Leicester Page Henry, 34 Moira st. Leicester Parmiter Spurrier Clavell M.A. High Orange Mrs. 4 Gresham terrace, Bel- Page John, 36 St. Peter's rd.Leicestr street, Uppingham grave road, Leicester Page Mrs. 32 Garendon st. Leicester Parr George. 50 St. James' I'd. Lcstr Orange Wm. D. 11 Southgates,Lei('~t,l' Page Mrs. 18 Gaul street, Leicester Parr J oh III G. 6 College st. Leicester Orehard A.Market st.Ashby-de-Ia-Zch Page Mr..,. Ivy cot. Oadby, IJeicester Parr Mrs. -
Handel-House-Talent-2017-Booklet.Pdf
ABOUT THE PROGRAMME The programme will run from 30 September 2017 to 31 October 2018 with an end of year concert in December 2018. Over the course of the year the group of successful candidates will be offered: • At least two opportunities for each participant to perform at a Handel House concert, including working with Handel House staff on planning these concerts • An individual open masterclass for each participant, with a leading professional of their instrument, including feedback and tuition. Other participants of the scheme and members of the public will be invited to observe • A group tutorial by baroque specialist Laurence Cummings focusing on interpreting baroque pieces for performance • Two specialist workshops at Handel House on practical topics associated with becoming a successful professional musician (devising concert programmes, communicating with audiences, promotion, dealing with agents, managing finances etc). External experts will be invited to lead these • Opportunities to practise and rehearse at Handel House in their own time – HANDEL HOUSE whenever rehearsal space is available • A final showcase concert at the end of the year for the six participants, to an invited audience including people with interest and influence in the world of classical music performance. This concert is to be devised, talent organised and created by the participants as a group, with back-up from Handel House staff where needed • Promotion as ‘alumni’ of the HH Talent Programme on our website, on Handel House will select singers and programme notes provided at Handel House concerts and other marketing instrumentalists with a particular interest in material produced by Handel House performing music from the baroque period to benefit from this free, year-long programme. -
The YOUNG Families of Early Giles Co TN 1101 Baxter Young and Lila Vou Holt, Was Born 14 July Reese Porter Young [Y19k4], Son of William 1908 in Giles Co TN
The YOUNG Families of Early Giles Co TN 1101 Baxter Young and Lila Vou Holt, was born 14 July Reese Porter Young [Y19k4], son of William 1908 in Giles Co TN. She married Clyde Duke about Carroll Young and Sarah Jane Rhea, was born 11 1928, probably at Nashville, and in 1930 they lived August 1849 at Culleoka, Maury Co TN, and moved at Nashville next door to her parents. Clyde was a with his family to Washington, Webster Co MO sign painter. He was born 30 December 1907 in TN, when he was a boy. He married Nancy Ona Haymes son of James E Duke and Ida Ann Nichols, and died in Webster Co on 18 June 1871. Reese was a at Nashville in October 1973. Rebecca died at Fort blacksmith and a farmer. He died in Webster Co on Smith AR on 18 April 1992. They had two children- 2 January 1937 from pneumonia. Morgan Young a. Betty Lou Duke, b Jan 1929 was the informant for his death certificate. Nancy b. Jerry Duke was born 30 October 1852 at Green City, Hickory James E Duke and Ida Ann Nichols were married 27 Co MO, daughter of William Brumfield Haymes May 1892 i n P u t n a m Co TN. (58,Z, 169m, (1821-1883) and Sarah Jane Dugan (1834-1908), 15v,18wf) and died in Webster Co on 27 January 1937 from pneumonia. Sam Young was the informant for her Rebecca J Young [Y3a2g12], daughter of John death certificate. They were buried in Saint Luke A Young and Ida Mae Hayter, was born in 1927 in Methodist Church Cemetery at Marshfield, Webster TX. -
John Stanley a Miracle of Art and Nature
John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor James Davies Professor Susan Schweik Fall 2011 Abstract John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair This dissertation explores the life and career of John Stanley, an eighteenth-century blind organist, composer, conductor and impresario. Most historians of blindness discuss Stanley but merely repeat biographical material without adding any particular insights relating to his blindness. As for twentieth-century musicologists, they have largely ignored Stanley’s blindness. The conclusion is that Stanley’s blindness, despite being present in most of his reception, is not treated as a defining factor. This study pursues new questions about Stanley’s blindness. His disability is given pride of place, and perspectives from the fields of disability studies and minority studies are central to the work. A biographical sketch precedes a discussion of the role of Stanley’s blindness in his reception. The central role of Stanley’s amanuensis and sister-in-law, Anne Arlond, leads to a discussion of issues of gender, and the general invisibility of caregivers. Chapter 2 explores those aspects of Stanley’s life that required an engagement with literate music.