2015 in the Penal Colony Program
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Esther Nelson, Stanford Calderwood General
ESTHER NELSON, STANFORD CALDERWOOD GENERAL & ARTISTIC DIRECTOR | DAVID ANGUS, MUSIC DIRECTOR | JOHN CONKLIN, ARTISTIC ADVISOR THE MISSION OF BOSTON LYRIC OPERA IS TO BUILD CURIOSITY, ENTHUSIASM AND SUPPORT FOR OPERA BY CREATING MUSICALLY AND THEATRICALLY COMPELLING PRODUCTIONS, EVENTS, AND EDUCATIONAL RESOURCES FOR THE BOSTON COMMUNITY AND BEYOND. B | BOSTON LYRIC OPERA OVERVIEW: ANNUAL REPORT 2017 WELCOME Dear Patrons, Art is often inspired by the idea of a journey. Boston Lyric Opera’s 40TH Anniversary Season was a journey from Season opener to Season closer, with surprising and enlightening stories along the way, lessons learned, and strengths found. Together with you, we embraced the unexpected, and our organization was left stronger as a result. Our first year of producing works in multiple theaters was thrilling and eye-opening. REPORT Operas were staged in several of Boston’s best houses and uniformly received blockbuster reviews. We made an asset of being nimble, seizing upon the opportunity CONTENTS of our Anniversary Season to create and celebrate opera across our community. Best of all, our journey brought us closer than ever to our audiences. Welcome 1 It’s no coincidence that the 2016/17 Season opened with Calixto Bieito’s renowned 2016/17 Season: By the Numbers 2 staging of Carmen, in co-production with San Francisco Opera. The strong-willed gypsy Leadership & Staff 3 woman and the itinerant community she adopted was a perfect metaphor for our first production on the road. Bringing opera back to the Boston Opera House was an iconic 40TH Anniversary Kickoff 4 moment. Not only did Carmen become the Company’s biggest-selling show ever, it also Carmen 6 ignited a buzz around the community that drew a younger, more diverse audience. -
DISTRICT AUDITIONS THURSDAY, JANUARY 21, 2021 the 2020 National Council Finalists Photo: Fay Fox / Met Opera
NATIONAL COUNCIL 2020–21 SEASON ARKANSAS DISTRICT AUDITIONS THURSDAY, JANUARY 21, 2021 The 2020 National Council Finalists photo: fay fox / met opera CAMILLE LABARRE NATIONAL COUNCIL AUDITIONS chairman The Metropolitan Opera National Council Auditions program cultivates young opera CAROL E. DOMINA singers and assists in the development of their careers. The Auditions are held annually president in 39 districts and 12 regions of the United States, Canada, and Mexico—all administered MELISSA WEGNER by dedicated National Council members and volunteers. Winners of the region auditions executive director advance to compete in the national semifinals. National finalists are then selected and BRADY WALSH compete in the Grand Finals Concert. During the 2020–21 season, the auditions are being administrator held virtually via livestream. Singers compete for prize money and receive feedback from LISETTE OROPESA judges at all levels of the competition. national advisor Many of the world’s greatest singers, among them Lawrence Brownlee, Anthony Roth Costanzo, Renée Fleming, Lisette Oropesa, Eric Owens, and Frederica von Stade, have won National Semifinals the Auditions. More than 100 former auditioners appear appear on the Met roster each season. Sunday, May 9, 2021 The National Council is grateful to its donors for prizes at the national level and to the Tobin Grand Finals Concert Endowment for the Mrs. Edgar Tobin Award, given to each first-place region winner. Sunday, May 16, 2021 Support for this program is generously provided by the Charles H. Dyson National Council The Semifinals and Grand Finals are Audition Program Endowment Fund at the Metropolitan Opera. currently scheduled to take place at the Met. -
2011-2012 Annual Report Welcome 1
2011-2012 Annual Report Welcome 1 Opera at the Academy 2 Opera on the Mall 3 Aurora Series at the Perelman 6 A Season of Firsts 8 Philanthropic Support 10 Financials 14 Annual Gala & Chairman Emeritus 16 Random Acts of Culture 17 Enhancing the Opera Experience 18 Looking Ahead 20 Board of Directors Dear Friends, Daniel K. Meyer, M.D. Chair As we look back on the 2011-2012 Season, we celebrate a number of artistic achievements and major milestones for the Opera Company of Philadelphia. Frederick P. Huff Vice-Chair In the pages ahead you will learn more about a 2011-2012 Season that served as a Joel Koppelman celebration of innovation, with five thrilling operas that ran the gamut from beloved Vice-Chair classics like Carmen to the very cutting edge of opera’s future, with the staging of the first Alice W. Strine opera in our American Repertoire Program, Nico Muhly’s Dark Sisters. A co-commission Vice-Chair and co-production with New York’s Gotham Chamber Opera and Music-Theatre Group, Dark Sisters was the centerpiece of the annual OPERA America conference, which brought Scott F. Richard more than 600 of the leading minds and voices of our industry to Philadelphia in June 2012. Secretary Thomas Mahoney Indeed, it was a year of firsts for the Opera Company of Philadelphia. In the fall, we presented our first live, outdoor Treasurer HD broadcast of our season-opening opera (Carmen) on Independence Mall. We were delighted to present a number of casting firsts, including Ailyn Pérez’s role debut as Micaëla in Carmen, Michelle Johnson’s Company debut as Manon Lescaut, Stephen A. -
STAGED PRODUCTION of HK GRUBER's Gloria
Contact: Katherine E. Johnson (212) 875-5718; [email protected] National Press Representative: Julia Kirchhausen (917) 453-8386; [email protected] Metropolitan Museum of Art contact: Meryl Cates (212) 650-2684; [email protected] MAY 29–30 AND JUNE 1, 2014, AT THE METROPOLITAN MUSEUM OF ART: STAGED PRODUCTION of HK GRUBER’s Gloria – A Pig Tale Juilliard’s AXIOM Ensemble To Be Conducted by ALAN GILBERT Created by DOUG FITCH and GIANTS ARE SMALL As part of the NY PHIL BIENNIAL, New York Philharmonic Music Director and The Juilliard School’s Director of Conducting and Orchestral Studies Alan Gilbert will lead a staged performance of Gloria – A Pig Tale, a two-act comic opera by HK Gruber (Austria, b. 1943), featuring vocalists affiliated with The Juilliard School — soprano Lauren Snouffer, mezzo- soprano Brenda Patterson, tenor Alexander Lewis, baritone Carlton Ford, and bass Kevin Burdette — as well as Juilliard’s AXIOM ensemble. The performances — May 29–30 and June 1, 2014, at The Metropolitan Museum of Art’s Grace Rainey Rogers Auditorium, and a co- presentation of the New York Philharmonic, The Juilliard School, and Met Museum Presents — will be directed and designed by Doug Fitch, produced by Edouard Getaz, and staged by Giants Are Small; James Smith is production manager, Kate Noll is set designer, and Jeanette Oi-Suk Yew is lighting designer. This unprecedented production will transform the Grace Rainey Rogers Auditorium with an imaginative landscape that brings farm to stage with costumes, sets, and projections. “I enjoy blurring the lines that delineate categories and this production will be no different,” says director/designer Doug Fitch. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
PROGRAM BOOK February 2021 CONTENTS FWSO STAFF
Special Gala Section fwsoFort Worth Symphony Orchestra PROGRAM BOOK February 2021 CONTENTS FWSO STAFF EXECUTIVE OFFICE 1 Letter from the Chairman Keith Cerny, Ph.D., President and CEO 2 Letter from the President & CEO Diane Bush, Executive Assistant and Board Secretary 8 About Robert Spano ARTISTIC OPERATIONS 9 Fort Worth Symphony Orchestra Roster Becky Tobin Vice President of Artistic Operations and COO 10 Program 1 :: February 20, 2021 Douglas Adams Orchestra Librarian 14 Artist Profile: James Andrewes Assistant Librarian Kelly Ott Artistic Manager Miguel Harth-Bedoya Victoria Paarup Artistic Operations and Orchestra Yuja Wang Personnel Assistant Manager 17 Executive Committee Jacob Pope Production Manager 18 Board of Directors Lisa Stallings Director of Operations 30 Arts Council of Fort Worth Brenda Tullos Orchestra Personnel Manager Taylor Vogel Director of Education and Community Programs DEVELOPMENT Julie Baker Vice President of Development Mary Byrd Development Coordinator Tyler Murphy Gifts Officer Jonathan Neumann Director of Annual Fund and Special Events FINANCE Bennett Cepak Vice President of Finance and Chief Financial Officer Rebecca Clark Finance and Benefits Assistant Alyssa Grant Controller HUMAN RESOURCES Jacque Carpenter Director of Human Resources MARKETING Carrie Ellen Adamian Chief Marketing Officer Jennifer Aprea Director of Ticket Services and Customer Relations Melanie Boma Tessitura Database Manager Stephen Borodkin Ticket Services Representative Laura Corley Ticket Services Representative Katie Kelly Communications and Digital Marketing Manager Marti Yoder Marketing Manager LETTER FROM THE CHAIRMAN MERCEDES T. BASS Dear Symphony Friends, Good evening! I am deeply grateful to every one of you joining us tonight for this special gala concert starring the incomparable Yuja Wang and your very own world class Fort Worth Symphony Orchestra conducted by Eric Jacobsen. -
Handel's Orlando
INDEPENDENT OPERA presents Handel’s Orlando Saturday 21 June 2008, 7pm Wigmore Hall Welcome Messages from Independent Opera It gives me great pleasure to welcome Independent Opera to INDEPENDENT OPERA at Sadler’s Wells was created in 2005 Wigmore Hall. I salute this valuable young organisation and all to provide a London performance platform for talented young it has achieved over such a short timescale. directors, designers, singers and others involved in the staging and performance of opera. We are delighted to partner with Independent Opera for the Wigmore Hall / Independent Opera Voice Fellowship and Building on the success of our first two productions, I applaud the pioneering work of Independent Opera’s INDEPENDENT OPERA Artist Support was launched in 2007. extensive fellowship programme as well as its commitment to This is a comprehensive programme of fellowships and a wide range of repertoire. scholarships designed to help promising young artists in the period immediately after their formal education ends. It funds I hope that you enjoy tonight’s performance of Orlando. singing lessons, coaching sessions and other activities that will help them make their way professionally. Our partnership with Wigmore Hall is particularly rewarding and provides a fellowship for a singer intent on pursuing a career in both opera and song. We welcome enquiries from individuals interested in sponsoring a fellowship. More information about Artist Support can be found at the back of this programme. John Gilhooly Director We hope you enjoy this evening’s performance of musical Wigmore Hall extracts from our 2006 production of Orlando. Anna Gustafson Director of Operations & Chief Executive, Artist Support INDEPENDENT OPERA at Sadler’s Wells Honorary Patrons It is with great pleasure that we present this performance DENT O EN PE Laurence Cummings EP R of Orlando at Wigmore Hall tonight. -
COLD MOUNTAIN Based on the National Book Award–Winning Novel by Charles Frazier
THE SANTA FE OPERA WORLD PREMIERE COLD MOUNTAIN Based on the National Book Award–winning novel by Charles Frazier Jennifer Higdon, composer Gene Scheer, librettist Miguel Harth-Bedoya, conductor Live Recording 1 Content Cold Mountain Jennifer Higdon, Composer Gene Scheer, Librettist The Sante Fe Opera 6 The Santa Fe Opera’s production was co-commissioned and co-produced with Track Information 8 Opera Philadelphia and Minnesota Opera, in collaboration with North Carolina Opera Cast 10 THE SANTA FE OPERA Author’s Note 12 The Santa Fe Opera Orchestra Miguel Harth-Bedoya, Conductor Composer’s Note 14 Librettist’s Note 16 Chorus – Members of The Santa Fe Opera Apprentice Program for Singers Biographies 18 Susanne Sheston, Chorus Master Synopsis 22 Libretto 24 Leonard Foglia, Stage Director Robert Brill, Scenic Design Acknowledgements 103 David C. Woolard, Costume Design American Operas Series 104 Brian Nason, Lighting Design Premium Sound and Outstanding Artists 106 Elaine J. McCarthy, Projection Design Rick Sordelet, Fight Director This recording has been made possible, in part, by Jane Stieren Lacy and an anonymous donor. The world premiere production of Cold Mountain was underwritten by deeply appreciated grants from: Wyncote Foundation The Andrew W. Mellon Foundation Carol Franc Buck Foundation 2 3 4 5 The Santa Fe Opera Track Information CD 1 ACT I (PTC 5186 524) CD 2 ACT II (PTC 5186 525) From the unlikeliest of beginnings — an programs for singers, technicians and arts 1 Scene One: Bill Owens’ farm 4. 33 1 Opening 0. 58 opera company located hundreds of miles administrators; and to foster and enrich an “Peaches In The Summertime” 2 Scene One: Lucinda and Inman duet 7. -
Download Booklet
CORO The Sixteen Edition CORO The Sixteen Edition Other Sixteen Edition recordings available on Coro Alexander’s Heroes and Heroines New disc of Handel arias from Solomon, Feast Ariodante, Hercules, Alcina COR16025 SARAH CONNOLLY Handel Harry Christophers The Symphony of Harmony and Invention “It’s simply an outstanding disc from start to finish.” N ANCY A RGENTA BBC RADIO 3 CD REVIEW I AN P ARTRIDGE Samson Esther George Frideric Handel - 3 CDs COR16008 George Frideric Handel - 2 CDs COR16019 M ICHAEL G EORGE Russell, Argenta, “Powerful choral singing Chance, Randle, from The Sixteen and alert Padmore, George playing by the period- "...a new golden instrument band make The Sixteen age of Handel this the most pleasurable interpretation.” The Symphony Of Samson yet recorded.” CLASSICAL MUSIC SUNDAY TIMES (CANADA) Harmony And Invention THE VOICES OF HARRY CHRISTOPHERS To find out more about The Sixteen, concert tours, or to buy CDs, visit www.thesixteen.com C O R 1 6 0 2 8 Although I had performed Alexander’s Feast many times before we Alexander’s Feast bs Behold Darius Great and Good 2.13 recorded it, I always felt that the work was lacking in substance, or bt The Mighty Master smil’d to see 0.31 rather that the listener felt unfulfilled. However, having pondered George Frideric Handel bu Softly sweet 3.35 this for some time, I decided to look at the work not as a series of cl War, he sung, is Toil and Trouble 4.38 episodes where the chorus depicts Alexander’s court and the soloists Nancy Argenta, Ian Partridge, Michael George cm The Many rend the Skies 3.58 interpret the minstrel Timotheus and the King himself, but as what The Sixteen Handel pens as the subtitle to the work; The Power of Music: An Ode, cn The Prince, unable to conceal 6.27 The Symphony of Harmony and Invention in Honour of St. -
Or Politics Matters the Book of Esther
1 Esther is not Yester… or Politics Matters The Book of Esther: A New Interpretation Robert Case Faith Presbyterian Church, Tacoma, WA 2017 Introduction “Lawrence of Arabia Overture” “Lawrence of Arabia Overture” was writing in l962 by Maurice Jarre for the Oscar winning movie, Lawrence of Arabia starring: Peter O'Toole, Anthony Quinn, Omar Shariff, Alec Guiness, Anthony Quail, Jack Hawkins and directed By David Lean. Considered by some critics to be the greatest movie ever made, The movie is a 1962 epic historical drama film based on the life of T. E. Lawrence. The film was nominated for ten Oscars in 1963; it won seven. The film depicts Lawrence's experiences in the Arabian Peninsula during World War I, in particular his attacks on Aqaba and Damascus and his involvement in the Arab National Council. Its themes include Lawrence's emotional struggles with the personal violence inherent in war, his own identity, and his divided allegiance between his native Britain and its army and his new-found comrades within the Arabian desert tribes. In 1991, Lawrence of Arabia was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry. The overture is played by the London Philharmonic Orchestra. Maurice Jarre wrote all the music for Lawrence and won his first Oscar. His second collaboration with David Lean on Doctor Zhivago in 1965 earned him another Oscar. He collaborated with Lean again on Ryan's Daughter in 1970 and A Passage to India in 1984 for which he received his third Academy Award. -
Program Book
fwsoFort Worth Symphony Orchestra PROGRAM BOOK Miguel Harth-Bedoya May 2021 Music Director Laureate CONTENTS FWSO STAFF EXECUTIVE OFFICE 1 Letter from the Chairman Keith Cerny, Ph.D., President and CEO 2 Letter from the President & CEO 3 About Robert Spano ARTISTIC OPERATIONS Becky Tobin Vice President of Artistic Operations and COO 4 Fort Worth Symphony Orchestra Roster Douglas Adams Orchestra Librarian 5 Program :: May 11–13, 2021 Kelly Ott Artistic Manager 9 Artists Profiles: Victoria Paarup Artistic Operations and Orchestra Personnel Assistant Manager Miguel Harth-Bedoya Jacob Pope Production Manager Benjamin Baker Lisa Stallings Director of Operations 11 Executive Committee Brenda Tullos Orchestra Personnel Manager 12 Board of Directors Taylor Vogel Director of Education and Community Programs 24 Arts Council of Fort Worth DEVELOPMENT Julie Baker Vice President of Development Mary Byrd Development Coordinator Tyler Murphy Gifts Officer Jonathan Neumann Director of Annual Fund and Special Events FINANCE Bennett Cepak Vice President of Finance and Chief Financial Officer Rebecca Clark Finance and Benefits Assistant Alyssa Grant Controller HUMAN RESOURCES Jacque Carpenter Director of Human Resources MARKETING Carrie Ellen Adamian Chief Marketing Officer Jennifer Aprea Director of Ticket Services and Customer Relations Melanie Boma Tessitura Database Manager Stephen Borodkin Ticket Services Representative Laura Corley Ticket Services Representative Katie Kelly Communications and Digital Marketing Manager Marti Yoder Marketing Manager LETTER FROM THE CHAIRMAN MERCEDES T. BASS Dear Patrons and Friends, This week’s performances mark the end of the Fort Worth Symphony Orchestra’s 2020/2021 Symphonic Series, an accomplishment of which we should all be proud. As most American symphonies remain closed to in-person audiences, the FWSO has continued to safely bring live music to north Texas throughout the course of this season. -
11-30-2018 Trittico Eve.Indd
GIACOMO PUCCINI il trittico conductor Il Tabarro Bertrand de Billy Opera in one act with a libretto by production Giuseppe Adami, based on the play Jack O’Brien La Houppelande by Didier Gold set designer Suor Angelica Douglas W. Schmidt Opera in one act with a libretto by costume designer Jess Goldstein Giovacchino Forzano lighting designers Gianni Schicchi Jules Fisher and Opera in one act with a libretto Peggy Eisenhauer by Giovacchino Forzano, based on revival stage directors a passage from the narrative poem Gregory Keller and J. Knighten Smit Divina Commedia by Dante Alighieri Friday, November 30, 2018 7:30–11:20 PM The production of Il Trittico was made possible by a generous gift from Karen and Kevin Kennedy Additional funding for this production was received from the Gramma Fisher Foundation, general manager Peter Gelb Marshalltown, Iowa, The Annenberg Foundation, Hermione Foundation, Mr. and Mrs. William R. jeanette lerman-neubauer music director Miller, and M. Beverly and Robert G. Bartner Yannick Nézet-Séguin 2018–19 SEASON The 83rd Metropolitan Opera performance of GIACOMO PUCCINI’S il tabarro conductor Bertrand de Billy in order of vocal appearance giorget ta Amber Wagner michele George Gagnidze luigi Marcelo Álvarez tinca Tony Stevenson* talpa Maurizio Muraro a song seller Brian Michael Moore** frugol a MaryAnn McCormick young lovers Ashley Emerson* Yi Li Friday, November 30, 2018, 7:30–11:20PM 2018–19 SEASON The 77th Metropolitan Opera performance of GIACOMO PUCCINI’S suor angelica conductor Bertrand de Billy in order of